Tenor Saxophone Duet Tenor Saxophone - Level 2 - Digital Download SKU: A0.591576 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score. 2 pages. David McKeown #6303523. Published by David McKeown (A0.591576). Dozing in the Deck Chair is a beautiful new and original composition by David McKeown arranged for two Tenor Saxophones.Dozing in the Deck Chair is one of a set of 10 Summer-themed duets. All 10 can be found together in 10 Easy Summer Duets for Tenor Saxophone. Just copy and paste the title in the search box above to find it.Dozing in the Deck Chair can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duet is mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Playing time is around one minute; click on the link above to hear a full performance of the clarinet version on YouTube.Dozing in the Deck Chair isPerfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the player’s musical imagination; There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1198482 By Tony Bennett. By Douglass Cross and George Cory. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. Score. 2 pages. John Fries #797624. Published by John Fries (A0.1198482). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   I Left My Heart in San Francisco is a popular song, written in the fall of 1953 in Brooklyn, New York, with music by George Cory (1920–1978) and lyrics by Douglass Cross and best known as the signature song of Tony Bennett. In December 1961, in the famous Venetian Room at the Fairmont Hotel in San Francisco, Tony Bennett first sang I Left My Heart in San Francisco. In the audience that night were San Francisco mayor George Christopher and future mayor Joseph L. Alioto. From the 1960s through the 1980s, at San Francisco's premier supper club the Venetian Room, Bennett sang the city song.

Flute Solo - Level 2 - Digital Download SKU: A0.1131246 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Leo Silva. Film/TV,Singer/Songwriter. Individual part. 2 pages. MP Sheet Music #731500. Published by MP Sheet Music (A0.1131246). Can't Help Falling in Love It is considered one of the most beautiful romantic songs of all time, in addition to the great identification it has with the name of Elvis. It was part of the soundtrack of the film Blues Hawaii by Elvis Presley, released in 1961. It is an English version of Plaisir d'Amour, by the French composer of German origin Jean Paul Egide Martini in 1784. In the 1970s, it would be used as the ending of almost all Elvis concerts. Elvis Presley Version The song, which topped the UK music charts in 1962, has been featured in numerous films, including Coyote Ugly and Lilo & Stitch. The single was certified platinum by the RIAA for sales of thousands of copies. In the US, Presley's version topped the Pop and Easy Listening charts for six consecutive weeks. Elvis sings it live in the 1970 documentary Elvis: That's the Way It Is.

A Clarinet,Piano - Level 1 - Digital Download SKU: A0.1156934 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757278. Published by Woods Only, Arrangements (A0.1156934). This arrangement adapted for clarinet in A and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).

Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.590213 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 5 pages. David McKeown #6198759. Published by David McKeown (A0.590213). When the Saints Go Marching In is an Afro-American Spiritual Song. This version is arranged as a duet for one Trumpet and one Tenor Saxophone. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.The origins of When the Saints Go Marching In are unclear, though it was first recorded in 1923. A later instrumental recording by Louis Armstrong affirmed the song’s status as a jazz standard and created an ongoing association with the city of  New Orleans. When the Saints Go Marching In was later performed by artists as diverse as Elvis Presley, Bing Crosby and Chuck BerryWhen the Saints Go Marching In is arranged in a key and range best suited to the instruments. There are five verses, in a gospel style 6/8 meter with constant variations. When the Saints Go Marching In is suitable for players at an intermediate level and above. With a performance time of around four minutes, this version of When the Saints Go Marching In is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Piano Solo - Level 1 - Digital Download SKU: A0.961651 Composed by Kim S. Bean. Classical,Standards. Score. 3 pages. Kim S. Bean #5873513. Published by Kim S. Bean (A0.961651). Sonatina in A Minor, 3 pages. #3 from a set of pieces entitled Soaring Sonatinas and Fantastical Fantasias.  These pieces were designed to be both exciting and accessible for the late elementary student of any age. The pieces get progressively more difficult, leading a student from the late elementary level into the early intermediate level. They work great when used as a stepping stone to famous piano literature. The fantasias explore the I, IV, V7 chords of each key in a rhythmic and fanciful fashion. The sonatinas explore the sonata form on a small scale as well as changing moods, tempos and related keys.Other pieces available in this set are:  Sonatina in C, Fantasia in C Minor, Sonatina in G, Sonatina in E Minor, Fantasia in G Minor and Fantasia in A Minor.

Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.561785 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Children,Classical,Instructional. Tablature. 2 pages. Ygor Nunes #171091. Published by Ygor Nunes (A0.561785). Minuet in G major BWV Anh. 114 - Bach, Minuet in G major, BWV Anh. 114, BWV 114, bach, johann sebastian bach, sebastian bach, barroque, bach for guitar, bach guitar, guitar bach, Minuet in G major tabs, Minuet in G major guitar, Minuet in G major classical guitar, Minuet in G major easy guitar, Minuet in G major with tabs, Minuet in G major w/ tabs, Minuet in G major tabs, tabs, guitar tabs, easy guitar tabs.

Small Ensemble Guitar - Level 5 - Digital Download SKU: A0.1022548 Composed by Guido Mallardi. Contemporary. Score and parts. 7 pages. Guido Mallardi #2034553. Published by Guido Mallardi (A0.1022548). Spiral is present at any level in the universe (galaxies, dna, nautilus, inner ear, etc.), also in the generative musical cell of this piece. That is the reason of that title. This music has been conceived also with the electron structure in mind. Electrons are made of 3 quarks each. In this piece the 3 quarks are the 3 notes of the musical cell. Germination composition technique is also used to create the form from the cell itself. Moreover, the specific guitar tuning used being unstable leads to a progressive 'alteration' of the music until the end; and this archetype of 'alteration' or 'evolution' can be found in the modification of several parameters, as well as in the style and form. 'In the spiral' is the meaning of that latin title. In-spira is also a pun on the italian verb 'Inspira' that means 'to inhale', but conjugated in the second person singular imperative. Multiple entendres of this two concepts arise when they are combined together, and this suggests many kind of images.

Piano Solo - Level 5 - Digital Download SKU: A0.1317422 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 31 pages. Santino Cara #906086. Published by Santino Cara (A0.1317422). Complete score of the Brandenburg Concerto No.4 in G major BWV 1049 for Piano solo. Composed by Johann Sebastian Bach in 1719/20 for Violin and 2 concert Recorders, Strings ripieni and Continuo. Transcribed for Piano in Rome in 2023 by Santino Cara.3 Movements: 1. Allegro non molto, 2. Andante dolce moderato, 3. Allegro moderato.Sources and annotations: The six Brandenburg concerts were presented by Bach in 1721 in a collection for Christian Ludwig, Margrave of Brandenburg-Schwedt and dedicated to him. It is therefore assumed that they were composed before that date.In 1738 Bach arranged this concerto for another in F major, BWV 1057 for concerted harpsichord, 2 flutes, strings and continuo. They are almost the same in all 3 movements, the basses are almost identical, the 2 flutes arranged with soloist and ripieni functions, with the obligatory part of the harpsichord replacing the main violin of the Brandenburg concerto.Other piano works by Bach and baroque and classical composersE-mail: cara.santinocara.santino@gmail.com

Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1128641 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 30 pages. RayThompsonMusic #729243. Published by RayThompsonMusic (A0.1128641). Arranged wind dectet/bass (double wind quintet) Mvt III Molto vivace The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by Antonín Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour.

Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range.   The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo.  The tempo then changes to Allegro (fast) for the balance of the movement.  The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz.  In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement.   The third movement leans toward French Impressionism.  This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist.  It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range.  Performance time is approximately 13 minutes and 10 seconds. 

Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.591550 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score and parts. 2 pages. David McKeown #6303469. Published by David McKeown (A0.591550). Dozing in the Deck Chair is a beautiful new and original composition by David McKeown arranged for one Clarinet and one Violin.Dozing in the Deck Chair is one of a set of 10 Summer-themed duets. All 10 can be found together in 10 Easy Summer Duets for Clarinet and Violin. Just copy and paste the title in the search box above to find it.Dozing in the Deck Chair can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duet is mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Playing time is around one minute; click on the link above to hear a full performance of the clarinet version on YouTube.Dozing in the Deck Chair isPerfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the player’s musical imagination; There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203

Choral Choir (SATB) - Digital Download SKU: A0.741948 Composed by M. Ryan Taylor. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 12 pages. Vocal Works #484925. Published by Vocal Works (A0.741948). In Bethlehem, the House of Bread, the Bread of Life is found, For David’s root and David’s branch is born in David’s town. A manna in our wilderness, a gift that we might live, Lies in the oxen’s manger, His life to freely give. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The new-forged light o’er Bethlehem guides seekers from afar; Reveals the place where lightly lies the Bright and Morning Star. His dawning beams with mercy, for He will freely be Our compass and our lantern for all eternity. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The shepherds bring their milk-white lambs before the Lamb of God And mark the oxen, rams and kine about Him on the sod. The last and lasting sacrifice, fulfilling all the law, Without a spot or blemish, lies nestled in the straw. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The wise lay gifts around the child, the Gift of Father’s love, The Author of salvation’s song, the Bread sent from above. Oh Wonderful! is in the stable, Counselor lies on the hay, Mighty God with sheep and oxen makes His bed on Christmas Day. The Prince of Peace lies soft and sweetly on His bed this Christmas Day.

Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.591549 Composed by David McKeown. Children,Concert,Contemporary,Instructional,Standards. Score and parts. 2 pages. David McKeown #6303467. Published by David McKeown (A0.591549). Dozing in the Deck Chair is a beautiful new and original composition by David McKeown arranged for one Clarinet and one Viola.Dozing in the Deck Chair is one of a set of 10 Summer-themed duets. All 10 can be found together in 10 Easy Summer Duets for Clarinet and Viola. Just copy and paste the title in the search box above to find it.Dozing in the Deck Chair can be played at any time of year, in the Summer to celebrate the season, or in the Winter, to remind yourself of warmer days! The duet is mixed ability, with the top part set for players at an easy to early intermediate standard, and the bottom part to be played by a teacher or intermediate player. Playing time is around one minute; click on the link above to hear a full performance of the clarinet version on YouTube.Dozing in the Deck Chair isPerfect for concert performances large and small; Fully articulated to help develop that sense of style;  Great for helping with simple rhythms and keeping the pulse; Road tested with students; Fun to play; The titles provoke mental pictures that connect with the player’s musical imagination; There are thousands more duets available for all standards and styles, in many different instrumental combinations at https://www.sheetmusicplus.com/publishers/david-mckeown/6203

Guitar - Level 3 - Digital Download SKU: A0.1355903 By Pink Floyd. By Roger Waters. Arranged by Rafael Milhomem. Classical,Contemporary,Rock,Singer/Songwriter,Traditional. 22 pages. Milhomusic #940626. Published by Milhomusic (A0.1355903). Exploring Classics with Innovation: Another Brick in the Wall, Part 2 for Guitar QuartetYou are invited to embark on a unique musical journey with our vibrant and innovative arrangement of Pink Floyd's classic Another Brick in the Wall, Part 2, specially crafted for a guitar quartet. This renowned piece, already ingrained in the collective musical imagination, takes on new life in the skilled hands of our guitarists.Arrangement Highlights:Respect for the Original Essence: Our arrangement captures the emotional essence and powerful message of the original song, maintaining the integrity of Pink Floyd's masterpiece.Expressiveness of the Guitars: Each guitar plays a crucial role in recreating this classic, providing a unique and nuanced auditory experience.Versatility for Guitar Orchestra: Aside from being ideal for guitar quartets, this arrangement easily adapts for a guitar orchestra, allowing for an expansive and grand interpretation.Important Note: Our arrangement stands out for its unique approach, excluding the transcription of the guitar solo. However, we acknowledge that interested parties can easily access the guitar solo transcription in a PDF format available online to integrate, if desired.Rediscover a Classic: By choosing our arrangement of Another Brick in the Wall, Part 2, you're investing not only in an exceptional musical performance but also in an opportunity to offer your audience a renewed perspective on one of rock's greatest hits.Technical Information:Duration: [3´20´´]Availability: [intermediate]Don't miss the chance to add a distinctive piece to your repertoire. Contact us for more details and discover how our arrangement can elevate your musical performance to new heights.We look forward to being part of this exceptional musical journey with you!#Classicalguitar #guitarquartet #guitarorchestra #Pinkfloyd #Guitararragements.