Cello,Piano - Level 3 - Digital Download SKU: A0.1487803 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 31 pages. Artaria Editions #1064741. Published by Artaria Editions (A0.1487803). Three movements from these two sonatas became part of the cello literature due to an arrangement by Alfredo Piatti(1822-1901). Piatti's arrangement, while extending the literature for cello, took considerable liberty with the material. The three movements of the Locatelli-Piatti sonata are originally movements from the two Locatelli violin sonatas arranged in this edition for cello and continuo. Piatti's arrangement used the second and third movements of the Sonata in D Major, Op. 6 No. 6 , and the first movement of the Sonata in D Minor, Op. 6 No. 12. Pietro Antonio Locatelli (1695-1764) was an Italian composer and violinist who moved to Amsterdam in 1729. He was a virtuoso violinist, and his compositions are all concertos, sonatas and violin caprices. The twelve violin sonatas of Opus 6,1 published in Amsterdam in 1737, are considered to be among Locatelli's best works. The sonatas of Opus 6 generally follow the pattern found in No.6: a three movement scheme with a slow first movement, a fast middle movement, and concluding with a third movement set of variations, often on a minuet theme. No. 12 is a surprise, having five movements the last of which is a Capriccio, a predominantly solo movement subtitled Prova del intonatione. David Starkweather.

Instrumental Duet,Piano Instrumental Duet,Piano,Tuba - Level 2 - Digital Download SKU: A0.1405226 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period. 4 pages. Glauco Fernandes #988273. Published by Glauco Fernandes (A0.1405226). Discover the magic of classical music with our exclusive arrangement of the iconic piece In the Hall of the Mountain King by Edvard Grieg. This musical arrangement is a true gem, designed to meet the needs and abilities of a wide range of musicians, from beginners to experienced professionals.For students eager for challenges, this sheet music offers an exciting opportunity to explore advanced musical techniques while delving into the harmonic and melodic richness of this classical composition. With a carefully crafted approach, this arrangement is a valuable tool for teachers looking to enrich their music lessons, offering students a rewarding and stimulating educational experience.Moreover, professional musicians will find in this arrangement a versatile and captivating option to add to their repertoire of live performances. Whether for formal events such as weddings and recitals or for more relaxed performances in cafes and social gatherings, In the Hall of the Mountain King is a sure choice to captivate and engage the audience.Our carefully crafted sheet music captures the essence and energy of this classical piece in an accessible and practical way, ensuring a gratifying musical experience for all who perform and listen to it. Don't miss the opportunity to bring this gem to your music practice or live performances. Download now and immerse yourself in the beauty and emotion of In the Hall of the Mountain King like never before!Tags: sheet music, classical music, musical arrangement, musical challenge, music lesson, Edvard Grieg, live performance, events, wedding.

Easy Piano - Level 1 - Digital Download SKU: A0.1362178 By Instrumental/no Artist. By B.A. Robertson and John Barry. Arranged by Jhavilah. 20th Century,Classical,Film/TV,Standards,Wedding. Score. 3 pages. Jhavilah #856827. Published by Jhavilah (A0.1362178). Somewhere in Time is a romantic drama film released in 1980, directed by Jeannot Szwarc and starring Christopher Reeve and Jane Seymour 1 . The film's score was composed by John Barry, who is known for his work on James Bond films and other notable soundtracks. Here are some key facts about the music from Somewhere in Time by John Barry: The score is primarily orchestral, featuring lush strings and piano. The main theme, also known as Somewhere in Time, is a sweeping, romantic melody that is often associated with the film 1 . The score incorporates elements of classical music, including themes from Rachmaninoff's Rhapsody on a Theme of Paganini . The soundtrack was released on vinyl and cassette in 1980, and has since been re-released on. In 1998, a re-recording of the soundtrack was released, featuring a full orchestra and conducted by Joel McNeely. The soundtrack has been praised for its emotional impact and its ability to capture the film's romantic themes. Overall, John Barry's score for Somewhere in Time is a beautiful and memorable piece of music that has become synonymous with the film itself. Its lush orchestration and romantic themes have made it a favorite among fans of film music.

Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.594189 Composed by William J Kirkpatrick. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6560233. Published by David McKeown (A0.594189). Away in a Manger is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Oboe and one Bassoon. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Away in a Manger, Cradle Song was written by William J Kirkpatrick, an Irish born American composer. The origins of the lyrics are less certain. Throughout the nineteenth century they were attributed to Martin Luther, but this version of events has since been discredited. With a performance time of around two and a half minutes, this version of Away in a Manger is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Away in a Manger is arranged in a key and range best suited to the instruments. The original 3/4 meter has been altered to 4/4. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with intros and outros. This arrangement is suitable for players at an intermediate or early advanced level.

Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium - Digital Download SKU: MQ.8103-E Composed by David Conte. 9/11 Service, Funeral. Instrument part. 8 pages. Duration 12 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8103-E. Published by E. C. Schirmer Music Company - Digital (MQ.8103-E). Latin.Commissioned by the American Music Research Center, Boulder, Colorado, Thomas Riis, director, in loving memory of Don Campbell. The work received its premiere performance at l’Église de la Sainte-Trinité, Paris, on October 24, 2013 by Alexis Galpérine, violin, Magali Léger, soprano, Saori Kikuchi, harp, and Carolyn Shuster Fournier, organist. The work consists of  three Latin texts from the Requiem Mass. The first, Exaudi, is in “Larghettoâ€� tempo and serves as a prelude. The second, Dies Iræ, marked “Allegro agitato,â€� is an intense and dark scherzo in D minor with chromatic runs in the organ and violin which accompany the soprano. A central, more lyrical section follows based on the “Lacrymosaâ€� text in a slower tempo, leading to the song’s only serene moment: “Pie Jesu Domine.â€� The “Dies Iraeâ€� music returns, and the song ends violently and decisively. The third song, In Paradisum, introduces the harp. The soprano melody is modeled very closely on the Gregorian chant based on this text. A gentle climax occurs on the text “habeas eternam,â€� and the song slowly winds down to its end, having laid to rest life’s struggles in the eternity of heaven. Duration: 12:30.

Brass Ensemble - Level 2 - Digital Download SKU: A0.927019 By Celtic Thunder. By Bill Staines. Arranged by Dr. Jim Fox, ASCAP. Folk. Score and parts. 23 pages. All Brass Radio Publishing #3541427. Published by All Brass Radio Publishing (A0.927019). Need a fun 2-minute piece that is fairly easy to play for a low brass ensemble? This may fill your needs! It is arranged for four low brass parts and a tuba (Bb Bass). All the brass parts come in both treble and bass clef. Could be played by any combination of trombones, baritones, euphoniums, Bb Basses, BBb Tubas. Say you have two euphoniums the read treble clef, a trombone player who reads bass clef and a euphonium who reads bass clef. This arrangement is easily adaptable.If your group is used to reading brass band parts and needs to read treble clef in all five parts. Fine. If your group reads world parts, you are covered. If you used a bass trombone to play the tuba part it would even serve as a trombone choir piece.All God's Creature Got a Place in the Choir is a fun and simple little diddy that the smash group Celtic Thunder turned into a fun and simple hit. A piece that everyone can tap their toe to. With five parts used, in places, it has a very deep harmonic sound and simply duets in others. All in all, it is a fun piece to perform and audiences love it. It is arranged to be very flexible for many different combinations of low brass.More information can be found at:  https://soundcloud.com/user-100948232/a-place-in-the-choir

Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492612 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069290. Published by Alex Rodrigues (A0.1492612). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.

Soprano voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492597 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069275. Published by Alex Rodrigues (A0.1492597). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.

Alto Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492537 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069217. Published by Alex Rodrigues (A0.1492537). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.

Baritone Horn TC,Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.1492566 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069245. Published by Alex Rodrigues (A0.1492566). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.

Brass Ensemble - Level 3 - Digital Download SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,Romantic Period,Wedding. Score and parts. 19 pages. Sweetwater Brass Press #3130463. Published by Sweetwater Brass Press (A0.808675).      The defeat of Igor Svyatoslavich, a Rus’ prince, in his 1185 campaign against invading Cuman (Polovtsy) tribes was immortalized in the Russian epic, The Lay of Igor’s Campaign. Seven centuries later, Alexander Borodin started work on an opera based on that old tale. Borodin died before finishing, but Nikolai Rimsky-Korsakov and Alexander Glazunov completed Prince Igor, and it was performed for the first time in 1890. Sixty-three years later the Broadway production Kismet opened featuring songs adapted by Robert Wright and George Forrest from the music of Borodin. Arguably, the most popular of the show’s songs was Stranger in Paradise, which was based on the Gliding Dance of the Maidens from the Polovtsian Dances of Prince Igor.      This beautiful brass quintet arrangement of Gliding Dance of the Maidens was adapted from the orchestra score. The key is A major, time signature is 4/4 and tempo marking is Andantino at the opening, slowing to a suggested quarter note = 63 at measure 15. Trumpets, Horn in F and Trombone all play a few grace notes. Highest notes for Trumpets are their G-sharp just above the staff; for Trombone, E above the staff. While not particularly challenging technically, the key to playing this piece is interpretation and feeling.     This arrangement was completed in 2017, and performance time runs about 2 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

String Quintet - Level 4 - Digital Download SKU: A0.1302654 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods Only, Arrangements #892276. Published by Woods Only, Arrangements (A0.1302654). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for String Quintet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!

Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.594181 Composed by William J Kirkpatrick. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6560217. Published by David McKeown (A0.594181). Away in a Manger is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Flute and one Clarinet. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Away in a Manger, Cradle Song was written by William J Kirkpatrick, an Irish born American composer. The origins of the lyrics are less certain. Throughout the nineteenth century they were attributed to Martin Luther, but this version of events has since been discredited. With a performance time of around two and a half minutes, this version of Away in a Manger is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Away in a Manger is arranged in a key and range best suited to the instruments. The original 3/4 meter has been altered to 4/4. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with intros and outros. This arrangement is suitable for players at an intermediate or early advanced level.

Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 2 - Digital Download SKU: A0.1393996 Composed by Anon. Arranged by David Woodcock. 19th Century,Instructional. 35 pages. David Woodcock #977449. Published by David Woodcock (A0.1393996). This is an arrangement of the famous melody, scored for flexible ensemble in B flat. It is also available in F. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face.  Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.

B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1446903 By Adele. By Adele Adkins and Paul Epworth. Arranged by Erik B. Costa. 21st Century,Contemporary,Pop. Individual part. 3 pages. Erik Brandão #1026670. Published by Erik Brandão (A0.1446903). PLAY THE SONG ROLLING IN THE DEEP ON THE TRUMPET IN Bb!Rolling in the Deep is a song by British singer Adele, released in 2010 as part of her album “21.” This song became a major commercial and critical success, solidifying Adele as one of the most distinctive voices of her generation.Meaning and Emotions: The song is an emotional powerhouse, capturing the pain, betrayal, and resilience that often accompany the end of a romantic relationship. Adele’s powerful vocals convey a mix of anger, heartache, and determination. The phrase “rolling in the deep” suggests being immersed in something profound and intense, whether it’s love or the pain of loss. Adele’s heart is still burning (“fire starting in my heart”) despite the darkness of the breakup. The repetition of “You’re gonna wish you never had met me” serves as both a warning and a curse, implying regret for the ex-lover’s actions.