French Horn,Piano - Level 1 - Digital Download

SKU: A0.1407620

Composed by English Folk Song. Arranged by Iury Cardoso. Chamber,Classical,Medieval,Renaissance,Traditional. Score and part. 5 pages. Iury Cardoso #990277. Published by Iury Cardoso (A0.1407620).

Easy HORN IN F/PIANO arrangement of the piece: Green Sleeves (English folk song)
(Score and horn in F part: 5 pages)

This arrangement of Green Sleeves transforms the traditional English folk song into an easy version for HORN IN F and PIANO, presenting new harmonys, textures and musical colors. This arrangement is ideal for beginner students who want to improve their technique and also for presentations at recitals or gatherings, inspiring the public with the timeless beauty of the Green Sleeves melody.

Other features of this sheet music:
- Easy arrangement: made for beginner or intermediate level musicians.
- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website.
- This arrangement is also a version for teacher/student: the student can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).
- Duet version available: On this site there is also a version of this arrangement for several BRASS DUETS (with or without piano accompaniment).
- Solo version available: On this site, there is also a version of this arrangement for HORN IN F solo.

See more arrangements by Iury Cardoso, thank you so much!

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Alto Saxophone Solo - Level 3 - Digital Download

SKU: A0.784330

Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288653. Published by Slide Ride (A0.784330).

1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments

If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!

The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!

I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.

As with those initial exercises, you can vary these as much as you’d like.

·     Choose a tempo.

·     Choose a dynamic.

·     Choose an articulation/style.

One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.

Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.

If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.

The variations are endless!

If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.

All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!

Enjoy!

Small Ensemble - Level 3 - Digital Download

SKU: A0.784334

Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334).

1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments

If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!

The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!

I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.

As with those initial exercises, you can vary these as much as you’d like.

·     Choose a tempo.

·     Choose a dynamic.

·     Choose an articulation/style.

One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.

Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.

If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.

The variations are endless!

If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.

All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!

Enjoy!

C Instrument - Level 1 - Digital Download

SKU: A0.1377784

By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Yuri Noronha. Multicultural,Rock,Singer/Songwriter,Standards,Wedding,World. Lead Sheet / Fake Book. 1 pages. Yuri Noronha #962382. Published by Yuri Noronha (A0.1377784).

Can't Help Falling In Love - Elvis Presley.

This arrangement was written for Lead Sheet in E.

Ideal for beginners.

Level is easy!

1 Page.

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C Instrument - Level 1 - Digital Download

SKU: A0.1377511

By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Yuri Noronha. A Cappella,Multicultural,Singer/Songwriter,Standards,Wedding,World. Lead Sheet / Fake Book. 1 pages. Yuri Noronha #962104. Published by Yuri Noronha (A0.1377511).

Can't Help Falling In Love - Elvis Presley.

This arrangement was written for Lead Sheet in G.

Ideal for beginners.

Level is easy!

1 Page.

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C Instrument - Level 1 - Digital Download

SKU: A0.1377782

By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Yuri Noronha. Multicultural,Rock,Singer/Songwriter,Standards,Wedding,World. Lead Sheet / Fake Book. 1 pages. Yuri Noronha #962378. Published by Yuri Noronha (A0.1377782).

Can't Help Falling In Love - Elvis Presley.

This arrangement was written for Lead Sheet in C.

Ideal for beginners.

Level is easy!

1 Page.

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Large Ensemble Choir,Voice - Level 3 - Digital Download

SKU: A0.984541

Composed by Tito Abeleda. Concert,Contemporary,Graduation. Score and parts. 111 pages. Visionary Quest Records #4786363. Published by Visionary Quest Records (A0.984541).

Procession in D Minor (for Wind Ensemble and SATBB Choir) Piccolo, Flute 1, Flute 2, Alto Flute, Oboe 1, Oboe 2, English Horn, Bassoon 1, Bassoon 2, Contrabassoon, Clarinet in E^b, Clarinet in B^b 1, Clarinet in B^b 2, Clarinet in B^b 3, Alto Clarinet in E^b, Bass Clarinet in B^b, Contra Alto Clarinet in E^b, Contrabass Clarinet in B^b, Soprano Saxophone, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone Saxophone, Trumpet in B^b 1, Trumpet in B^b 2, Trumpet in B^b 3, Flugelhorn in B^b 1, Flugelhorn in B^b 2, Horn in F 1, Horn in F 2, Horn in F 3, Trombone 1,Trombone 2, Bass Trombone, Euphonium, Tuba, Timpani,Snare Drum, Bass Drum, Cymbals, Anvil, Wood Block, Tubular Bells, Soprano, Alto, Tenor, Baritone, Bass

Composed by Tito Abeleda (1964- ) Digital Download 111 pages (c) 2019 Tito Abeleda | Level-Intermediate

Procession in D Minor (for Wind Ensemble and SATBB Choir) was composed to honor those victims of gun violence. As the title implies, it is like a funeral procession. Although there is an undeniable sadness to it, that sadness is musically framed with boldness and courageousness, building continuously to its climactic end symbolizing our honor and tribute to the fallen, and that their memories and our love for them will never be forgotten.

Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetter
Email: tito@visionaryquestrecords.com
PRO: BMI.com

Visionary Quest Records
https://www.visionaryquestrecords.com

Follow Tito on Social Media:
Facebook: https://www.facebook.com/titoabeleda
Twitter: https://twitter.com/titoabeleda
Instagram: https://www.instagram.com/tabeleda
YouTube: https://www.youtube.com/c/titoabeleda
Spotify: http://bit.ly/TitoAbeleda-on-Spotify
iTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes

Cello Solo - Level 3 - Digital Download

SKU: A0.784341

Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341).

1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments

If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!

The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!

I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.

As with those initial exercises, you can vary these as much as you’d like.

·     Choose a tempo.

·     Choose a dynamic.

·     Choose an articulation/style.

One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.

Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.

If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.

The variations are endless!

If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.

All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!

Enjoy!

Instrumental Solo,Pipe Organ - Level 2 - Digital Download

SKU: A0.1251285

By IndrÄ— GerikaitÄ—. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romantic Period. Individual part. 2 pages. Nacionaline vargonininku asociacija #845562. Published by Nacionaline vargonininku asociacija (A0.1251285).

12 Organ Trios, Op. 4. Taking into account the date of publication (1897) these seem to be the first printed organ compositions of Naujalis. They were published in Warsaw, in the collection Preludia na organy, part 2, series III. The publication soon received positive comments in the Polish newspaper of the St. Cecilia Society, Musica sacra (1898 No. 5). There are many signs that Naujalis used this edition as his favourite teaching manual since the fingerings and pedaling given are from the author himself.

Juozas Naujalis (1869–1934) – Lithuanian composer and organist. In 1892, he was appointed organist and choir leader at the Kaunas Cathedral, a position he held until his death. Naujalis became actively involved in organizing local musical societies and institutions. As an outcome of his groundbreaking work, a number of important private entities, such as the first boys’ choir in Lithuania based at the Archcathedral Basilica in Kaunas, courses and the school for organists (1911), the first legal Lithuanian bookshop and music publishing house in Kaunas (1905–1912), the first music magazine Vargonininkas (The Organist) and calendars for organists published in Lithuanian (1909–1910), and the music school in Kaunas (1919), have been launched. In 1908, he founded the Children Society and St. Gregory Society for Organists, which was later reorganised into St. Cecilia Society for church musicians (1924). Naujalis was also the first Lithuanian composer to achieve recognition abroad. His church music was published in Regensburg, Warsaw, St. Petersburg, Leipzig and Paris. In recognition of his merits in the field of church music he was made Commander of the Order of the Crown of Italy in Rome, in 1929.

A total of 29 organ pieces by Naujalis were recorded at the Archcathedral Basilica in Kaunas in 2019.

C Instrument - Level 1 - Digital Download

SKU: A0.1378099

By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Yuri Noronha. Multicultural,Rock,Singer/Songwriter,Standards,Wedding,World. Lead Sheet / Fake Book. 1 pages. Yuri Noronha #962721. Published by Yuri Noronha (A0.1378099).

Can't Help Falling In Love - Elvis Presley.

This arrangement was written for Lead Sheet in Bb.

Ideal for beginners.

Level is easy!

1 Page.

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Instrumental Solo,Pipe Organ - Level 2 - Digital Download

SKU: A0.1251286

By IndrÄ— GerikaitÄ—. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romantic Period. Individual part. 2 pages. Nacionaline vargonininku asociacija #845563. Published by Nacionaline vargonininku asociacija (A0.1251286).

12 Organ Trios, Op. 4. Taking into account the date of publication (1897) these seem to be the first printed organ compositions of Naujalis. They were published in Warsaw, in the collection Preludia na organy, part 2, series III. The publication soon received positive comments in the Polish newspaper of the St. Cecilia Society, Musica sacra (1898 No. 5). There are many signs that Naujalis used this edition as his favourite teaching manual since the fingerings and pedaling given are from the author himself.

Juozas Naujalis (1869–1934) – Lithuanian composer and organist. In 1892, he was appointed organist and choir leader at the Kaunas Cathedral, a position he held until his death. Naujalis became actively involved in organizing local musical societies and institutions. As an outcome of his groundbreaking work, a number of important private entities, such as the first boys’ choir in Lithuania based at the Archcathedral Basilica in Kaunas, courses and the school for organists (1911), the first legal Lithuanian bookshop and music publishing house in Kaunas (1905–1912), the first music magazine Vargonininkas (The Organist) and calendars for organists published in Lithuanian (1909–1910), and the music school in Kaunas (1919), have been launched. In 1908, he founded the Children Society and St. Gregory Society for Organists, which was later reorganised into St. Cecilia Society for church musicians (1924). Naujalis was also the first Lithuanian composer to achieve recognition abroad. His church music was published in Regensburg, Warsaw, St. Petersburg, Leipzig and Paris. In recognition of his merits in the field of church music he was made Commander of the Order of the Crown of Italy in Rome, in 1929.

A total of 29 organ pieces by Naujalis were recorded at the Archcathedral Basilica in Kaunas in 2019.

Instrumental Solo,Pipe Organ - Level 2 - Digital Download

SKU: A0.1251282

By IndrÄ— GerikaitÄ—. By Juozas Naujalis. Arranged by Balys Vaitkus. Classical,Religious,Romantic Period. Individual part. 2 pages. Nacionaline vargonininku asociacija #845558. Published by Nacionaline vargonininku asociacija (A0.1251282).

12 Organ Trios, Op. 4. Taking into account the date of publication (1897) these seem to be the first printed organ compositions of Naujalis. They were published in Warsaw, in the collection Preludia na organy, part 2, series III. The publication soon received positive comments in the Polish newspaper of the St. Cecilia Society, Musica sacra (1898 No. 5). There are many signs that Naujalis used this edition as his favourite teaching manual since the fingerings and pedaling given are from the author himself.

Juozas Naujalis (1869–1934) – Lithuanian composer and organist. In 1892, he was appointed organist and choir leader at the Kaunas Cathedral, a position he held until his death. Naujalis became actively involved in organizing local musical societies and institutions. As an outcome of his groundbreaking work, a number of important private entities, such as the first boys’ choir in Lithuania based at the Archcathedral Basilica in Kaunas, courses and the school for organists (1911), the first legal Lithuanian bookshop and music publishing house in Kaunas (1905–1912), the first music magazine Vargonininkas (The Organist) and calendars for organists published in Lithuanian (1909–1910), and the music school in Kaunas (1919), have been launched. In 1908, he founded the Children Society and St. Gregory Society for Organists, which was later reorganised into St. Cecilia Society for church musicians (1924). Naujalis was also the first Lithuanian composer to achieve recognition abroad. His church music was published in Regensburg, Warsaw, St. Petersburg, Leipzig and Paris. In recognition of his merits in the field of church music he was made Commander of the Order of the Crown of Italy in Rome, in 1929.

A total of 29 organ pieces by Naujalis were recorded at the Archcathedral Basilica in Kaunas in 2019.

Piano Trio Cello,Piano,Violin - Level 3 - Digital Download

SKU: A0.1488222

Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222).

The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors.

The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass.

Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309.

The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave.

The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets.

Dianne James.

C Instrument - Level 1 - Digital Download

SKU: A0.1378107

By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Yuri Noronha. Multicultural,Rock,Singer/Songwriter,Standards,Wedding,World. Lead Sheet / Fake Book. 1 pages. Yuri Noronha #962729. Published by Yuri Noronha (A0.1378107).

Can't Help Falling In Love - Elvis Presley.

This arrangement was written for Lead Sheet in Eb.

Ideal for beginners.

Level is easy!

1 Page.

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