Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.826742 Composed by George Gershwin and Ira Gershwin. Arranged by Bud Caputo. Contemporary. Score and parts. 19 pages. Bud Caputo #6658425. Published by Bud Caputo (A0.826742). In order to make this arrangement really swing, the players must pay careful attention to the jazz articulations and the tuba should maintain a walking bass feel throughout the chart. There is room for improvisation but a suggested solo is included. A Foggy Day is an American Standard Tune composed by George Gershwin, with lyrics by Ira Gershwin. The song was introduced by Fred Astaire in the 1937 film A Damsel in Distress. It was originally titled A Foggy Day (In London Town) in reference to the pollution-induced pea soup fogs that were common in London during that period, and is often still referred to by the full title. The commercial recording by Astaire for Brunswick was very popular in 1937.

Tenor Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492627 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069305. Published by Alex Rodrigues (A0.1492627). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.

String Quintet Violin - Level 4 - Digital Download SKU: A0.1302658 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods Only, Arrangements #892282. Published by Woods Only, Arrangements (A0.1302658). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Violin Quintet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!

Organ - Level 1 - Digital Download SKU: A0.1406683 Composed by Vidas Pinkevicius. Classical,Contemporary,Folk,Multicultural,World. Score. 3 pages. Vidas Pinkevicius #989441. Published by Vidas Pinkevicius (A0.1406683). This meditation on Ukrainian Folk Song The Moon in the Sky is written to spread awareness about the terrible war in Ukraine. In Ukrainian this song is known as Мі��ць на небі (Misyatsʹ na nebi). Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. The song melody is presented in the right hand part on a solo registration and accompanied by flowing motion of sixteenth notes in the left hand part and pedal point in the pedals. This piece is an easier version of Op. 103. It will work very well for meditative music during liturgy and/or concert setting. Dedicated to Sofiia Osadchuk.

Tenor Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492646 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069324. Published by Alex Rodrigues (A0.1492646). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.

Piano,Trombone - Level 1 - Digital Download SKU: A0.1086236 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Idalmo Santos. Pop,Rock. Score and part. 9 pages. Idalmo Santos #690434. Published by Idalmo Santos (A0.1086236). Can't Help Falling in Love is a song recorded by American singer Elvis Presley for the album Blue Hawaii (1961). It was written by Hugo Peretti, Luigi Creatore, and George David Weiss and published by Gladys Music, Inc.[1] The melody is based on Plaisir d'amour,[3] a popular French love song composed in 1784 by Jean-Paul-Égide Martini. The song was initially written from the perspective of a woman as Can't Help Falling in Love with Him, which explains the first and third line ending on in and sin rather than words rhyming with you.[4] Can't Help Falling in Love was featured in Presley's 1961 film Blue Hawaii. It has also been recorded by many other artists, including Swedish pop group A-Teens, and the British reggae group UB40, whose 1993 version topped the US and UK charts. It was listed as one of the greatest songs by Rolling Stone, ranking #403 in the list's 2012 editio.

Concert Band - Level 2 - Digital Download SKU: A0.750906 Arranged by Brendan Elliget. Christian,Sacred. Score and parts. 40 pages. BJE Music #4794349. Published by BJE Music (A0.750906). Our God, Our Help in Ages Past is a hymn by Isaac Watts and paraphrases the 90th Psalm of the Book of Psalms. It originally consisted of nine stanzas. In present usage, however, the hymn is usually limited to stanzas one, two, three, five, seven and nine (6 Verses) (Methodist books also include the original sixth stanza). In 1738, John Wesley in his hymnal, Psalms and Hymns, changed the first line of the text from Our God to O God. Both Watts' wording and Wesley's rewording remain in current use. [Wikipedia]O God, our help in ages past, Our hope for years to come, Our shelter from the stormy blast, And our eternal home.This arrangement is for concert band and includes parts for Eb and F Horns, Eb, Bb, and C Tubas and a chorded piano part (not on the score).The tune (ST. ANNE) was written by William Croft (1678-1727).Often used on ANZAC Day.There are descant parts for Flute/Piccolo, Clarinet and Trumpet. Optional String parts are included in the PDF.The MP3 was recorded with NotePerformer.Grade = 2.5 Duration = 1 min (2 verses)

Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 2 - Digital Download SKU: A0.1393996 Composed by Anon. Arranged by David Woodcock. 19th Century,Instructional. 35 pages. David Woodcock #977449. Published by David Woodcock (A0.1393996). This is an arrangement of the famous melody, scored for flexible ensemble in B flat. It is also available in F. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face.  Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.

Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792259 Composed by Bach, J. S. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance. Score and parts. 32 pages. Gordon Cherry #4764783. Published by Gordon Cherry (A0.792259). The Toccata in e minor comes from the keyboard Partita, BWV 830 first published in 1731. This work is not only grand in length, but also in expression having a very serious tone.  The many moods of the work have been beautifully portrayed by Ralph Sauer's elegant transcription.  All parts have equal weight in importance in this setting. About seven minutes in length for advanced performers.

Organ - Level 5 - Digital Download SKU: A0.912460 Composed by Thomas R. Schadl. Contemporary,Instructional,Romantic Period,Standards. Score. 8 pages. Thomas R. Schadl #514841. Published by Thomas R. Schadl (A0.912460). Written in G Minor, the piece consists of changing meters and two themes. The first theme starts with the G minor scale that reaches to a perfect fifth above the tonic before descending to the home key. The second theme is related to the first one, but it begins with the perfect-fifth upward movement followed by its stepwise descent, and is written in a fugal manner. The latter half of the work is a toccata written in the style of the late 19th century and early 20th century French organ music; in that section, the pedal division states the main theme against the rapid 16th notes on the manuals in the key of G Major. Technical demands include a good sense of rhythm, a steady beat and a slight legato touch. This movement is suitable for recital and education uses; it may also be performed as a postlude in church services. I wish you the best in taking a look at this piece; so, enjoy it.

Tenor Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492636 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069314. Published by Alex Rodrigues (A0.1492636). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.

Alto Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492553 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069232. Published by Alex Rodrigues (A0.1492553). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.

Alto Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1492536 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. 2 pages. Alex Rodrigues #1069216. Published by Alex Rodrigues (A0.1492536). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834, and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for voice and piano, preserving the original melody true to the composition by Moore and Stevenson. The piano arrangement has been simplified to provide an accessible experience for music teachers who, even without extensive piano skills, wish to accompany their students. This arrangement maintains the melodic and emotional essence of the piece, offering a version that honors its traditional nuances while making it approachable for beginner to intermediate musicians.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, both in literature and music, perpetuating Irish tradition and touching the hearts of listeners worldwide.

Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.594174 Composed by William J Kirkpatrick. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6560201. Published by David McKeown (A0.594174). Away in a Manger is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Clarinet and one Alto Clarinet. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Away in a Manger, Cradle Song was written by William J Kirkpatrick, an Irish born American composer. The origins of the lyrics are less certain. Throughout the nineteenth century they were attributed to Martin Luther, but this version of events has since been discredited. With a performance time of around two and a half minutes, this version of Away in a Manger is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Away in a Manger is arranged in a key and range best suited to the instruments. The original 3/4 meter has been altered to 4/4. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with intros and outros. This arrangement is suitable for players at an intermediate or early advanced level.

Instrumental Duet Cello,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.1097676 Composed by Frederic Chopin. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score and parts. 6 pages. Piacere Music Sheets #701615. Published by Piacere Music Sheets (A0.1097676). Opus/Catalog Number: Op.74, No.2, B.117 Key/Tone: G Minor Movements/Sections: 1 (Andantino) Year/Date of Composition: 1838 Difficulty: Grade 4/12 (Intermediate) Obs.: The 17 Polish Songs, Op. 74 were assembled posthumously and are not in chronological order. This particular song, Wiosna [Spring], although the second song in the set, was actually the fourteenth Chopin wrote. It was composed in 1838 and first published in Berlin in 1857. It is thus contemporary with the Op. 33 mazurkas and Op. 40 polonaises. Chopin's Polish song Wiosna is set on a text by the composer's friend and Polish poet Stefan Witwicki (1801-1847). Witwicki's descriptions of blossoming flowers and animals in green pastures contrast with gloomy ruminations. The music is beautifully simple and quite melancholic. This piano piece Wiosna is in fact the piano part of the song Wiosna. Chopin arranged it for piano solo several times for his friends between 1838 and 1848.Franz Liszt also transcribed it for the second of his Chants polonais. This is an arrangement for Viola and Cello.