Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1255318 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #848835. Published by Regis Bookshar (A0.1255318). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Saxophone Quintet (3 Altos, 2 Tenors) - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1718 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in in the middle of his Cantata No.   4.This arrangement is for a Saxophone Quintet, consisting of 3 Alto Saxophones and 2 Tenor Saxophones. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.

Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like� waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!� (Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley� of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge� beginning with the flute solo reiterating the theme one last time before the “descent and climb� (starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness� to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.

Piano Solo - Level 3 - Digital Download SKU: A0.1034504 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Pop,Rock. Score. 5 pages. A.D.G. Productions #639868. Published by A.D.G. Productions (A0.1034504). Page 1 and Page 2 of this Blues Piano Practice Session 17 takes a 2 measure minor blues jazz rock piano riff through all 12 keys around the cycle of 4th.s. Page 3 shows how to create a 12 bar blues progression in the key of C minor using this 2 measure riff. The audio file that accompanies the sheet music is split into 4 sections, Part 1 consists of the piano playing along with the rhythm backing tracks in all 12 keys. Part 2 consists of the rhythm backing tracks in all 12 keys for practicing purposes. Part 3 consists of the piano playing along with the rhythm backing tracks in the 12 bar blues progression format in the key of C minor. Part 4 consists of the rhythm backing tracks in the 12 bar blues progression format in the key of C minor to practice with. Optional MIDI files are available separately for a fee, contact sales@adgproductions.com With using software such as the free programs Musescore or Garage Band you will be able to do the following with the MIDI files: 1. Slow the tempo down to your skill level. 2. Change the key, allowing you the option of transposing the patterns into keys other than the written key. 3. Use the loop function to practice difficult measures repeatedly. 4. Use these patterns for ear training exercises by slowing the tempo down and looping a certain section repeatedly, try to play the correct notes using your ear rather than reading the music. Check out the various Blues piano books that I have authored at the publishers website A.D.G. Productions http://www.adgproductions.com and http://www.sheetmusicplus.com I have authored over 120 music instructional books for different instruments and numerous contemporary styles. Blues piano titles include: 100 Ultimate Blues Riffs for Piano/Keyboards Volume 1 and 2 12 Bar Blues Bible for Piano/Keyboards The Blues Play-A-Long and Solos Collection for Piano/Keyboards The Blues Scale for Piano/Keyboards Blues Bass Lines for Piano/Keyboards The Bluesier Side of Jazz for Piano/Keyboards Boogie Woogie and The Blues 100 Ultimate Blues Riffs for Piano/Keyboards Beginners Series Best Beginner Blues Exercises for Piano/Keyboards Online Music Lessons and Consultations for Beginner to Advanced Students As the author of over 120 music instructional books for piano/keyboards, guitar, sax and flute I am available to teach music students from around the world in their home via the Internet using skype or facetime in many areas of music, Some of the areas of music that I have expertise in teaching for most instruments: Music styles: blues, jazz, rock, country, gospel, pop, funk, r&b. Learning how to improvise in all the above styles Piano/keyboard playing, music production, songwriting and composing, music career development, learning computer music software, how to play in a band, Music,theory and ear training, History of Rock and Roll All levels of students are welcome, from beginner to advanced. Most of the students have been people who have purchased my books and are interested in taking their music education to another level. I can be contacted at musiclessons@adgproductions.com.

Horn,Keyboard Accompaniment,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1297984 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,Wedding. 22 pages. Regis Bookshar #887889. Published by Regis Bookshar (A0.1297984). Canon in D - Johann Pachelbel - Brass Trio (1 Trumpet, 1 French Horn, 1 Tuba), Keyboard - Advanced/Intermediate - Digital Download.Johann Pachelbel's celebrated Canon in D is perhaps the most famous canon ever written. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon in D was originally scored for three violins arranged in canon, accompanied by a basso continuo playing an ostinato pattern, repeating the same harmonic progression throughout the entire composition. Regis Bookshar has now arranged this composition for a Brass Trio, consisting of 1 Trumpet in Bb, 1 French Horn and 1 Tuba, which play the melody in canon and a Keyboard instrument, either a Piano or Organ, which plays the ostinato pattern. This arrangement is suitable for high school and college students and is perfect for concerts, recitals and church services, especially for weddings, but could be performed for any occasion. Included are a score and a complete set of parts (22 pages).This version of Pachelbel's Canon in D is written in the key of D Major, as was the original version. However, another version, transposed to the key of Bb Major, to make it a little easier for some younger performers, is also available, if you would prefer. Also available are other versions of this well-known Canon in D for a wide variety of instrumental ensembles. Please take the time to compare the different versions to find the version (or versions) which best suits your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numerous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Johann Pachelbel's  delightful Canon in D will continue to entertain both performers and audiences alike for years to come.

Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1408265 By Classical. By Johan Pachelbel. Arranged by Jhonatan Lucio Viana. Classical,Early Music,Historic,Romantic Period,Traditional. 16 pages. JLVPartitura #990847. Published by JLVPartitura (A0.1408265). Acquire now the CANON IN D a Traditional Song for Brass Quartet.- Intermediate or Easy Intermediate level- D major- Canon in d, Canon in d easy intermediate, Canon in d piano sheet, Canon in d sheets, Canon in d pachelbel, Canon in d pachebel, romantic, canon in d intermediate, canon in d brass quartet, canon in d quartet, trumpet in bb, trombone, tuba.Purchase the sheet music today and immerse yourself in the beauty of this composition!I invite you to explore my extensive music collection. Enter Jhonatan Lucio Viana in the search field and discover my variety of arrangements tailored for various instruments, voices, and musical ensembles.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clàrsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clàrsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clàrsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.

Ukulele - Level 1 - Digital Download SKU: A0.1189818 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Andre D Tuffo. Film/TV,Rock,Spiritual,Standards,Wedding. Score. 1 pages. Andre D. Tuffo #789416. Published by Andre D. Tuffo (A0.1189818). https://linktr.ee/andredtuffoCan't Help Falling in Love is a timeless classic that has been beloved by generations of music lovers. The song was written by Hugo Peretti, Luigi Creatore, and George David Weiss, and was made famous by Elvis Presley in 1961.The lyrics of Can't Help Falling in Love express the feeling of falling deeply in love and the sense of helplessness that comes with it. The song has been interpreted in many different ways, from a message of romantic love to a more universal message of the power of love to overcome all obstacles.The melody of Can't Help Falling in Love is simple and beautiful, and has been covered by many artists in a variety of styles. The song has been used in countless films, television shows, and other media, and has become a cultural touchstone for people all over the world.One of the reasons why Can't Help Falling in Love is such a beloved song is because of its universality. The feeling of falling in love is something that is experienced by people of all ages, races, and backgrounds, and the song captures that feeling perfectly.In conclusion, Can't Help Falling in Love is a beautiful and timeless song that continues to captivate and move people all over the world. Whether you're a fan of Elvis Presley, or simply appreciate the beauty of a classic love song, Can't Help Falling in Love is a song that is sure to touch your heart and stay with you for a lifetime.

Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1411725 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th Century,Chamber,Contest,Festival,Multicultural,Spiritual,World. 34 pages. Charles Decker Music Press #993974. Published by Charles Decker Music Press (A0.1411725). Early 20th century Black Canadian-American composer, conductor and pianist Robert Nathaniel Dett's  Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler combine his neo-romantic style and advocacy for spirituals in this engaging arrangement for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon. Music in the Mine provides a musical interpretation of the back-breaking and mind-numbing mining work in the steady accompaniment along with the dialogue of two miners yearning for better days, while Let Us Cheer the Weary Travelers is an upbeat dedication to our spiritual journey.   As Director of the Hampton Institute, Dett developed the college's choir with his compositions and conducting into one of the leading choirs in the nation. Dett studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and awarded an Honorary Masters Degree in 1932 from the Eastman School of Music . The recording is of the entire edition. To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds� in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.

Harmonica - Level 2 - Digital Download SKU: A0.1360372 Composed by Arthur Freed and Nacio Herb Brown. Arranged by songbooks.info. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Score. 4 pages. Songbooks.info #944867. Published by songbooks.info (A0.1360372). Singin' in the Rain is a hit film written in 1929 by Arthur Freed (lyrics) and Nacio Herb Brown (music). Gene Kellys dances and sings in the 1952 sound film of the same name.Already after the Second World War, the song became a jazz standard and was performed by artists such as Dave Brubeck, Oscar Peterson, John Serry Sr., Sammy Davis Jr. and Doris Day, just to name a few artists. In 2004, the American Film Institute ranked the song third in its list of the 100 best American film songs.The song was adapted for the diatonic Harmonica in the “Richter� system - the “Bluesharp� - and provided with symbols for channel number / blowing or drawing. These symbols are key-neutral, the notes and sounds are appropriate for a harmonica in “C�. The symbols are briefly explained in the appendix. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music can learn to play the song with this arrangement.The sound of a Vibraphone was used in the setting, so that the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!Singin’ in the Rain ist ein 1929 geschriebener Filmschlager von Arthur Freed (Text) und Nacio Herb Brown (Musik). Gene Kellys tanzut und singt im gleichnamigen Tonfilm von 1952.Bereits nach dem zweiten Weltkrieg wurde der Song zum Jazzstandard und wurde von Interpreten wie Dave Brubeck, Oscar Peterson, John Serry senior, Sammy Davis jr. und Doris Day interpretiert, nur um einige Künstler zu nennen. Vom American Film Institute wurde das Lied 2004 auf Platz 3 in die Liste der 100 besten US-amerikanischen Filmsongs gewählt.Das Lied wurde für die diatonische Mundharmonika im “Richter�-System - der “Bluesharp� - adaptiert und mit Symbolen für Kanalnummer / Blas- bzw. Ziehton versehen. Diese Symbole sind Tonart-neutral, die Noten und die Sounds sind für eine Mundharmonika in “C� passend. Die Symbole werden im Anhang kurz erklärt. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaß auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!

Piano Solo - Level 2 - Digital Download SKU: A0.1035547 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Jazz,Pop,Rock. Score. 5 pages. A.D.G. Productions #640767. Published by A.D.G. Productions (A0.1035547). Page 1 and Page 2 of this Blues Piano Practice Session 18 takes a 2 measure blues piano riff alternating between 3rd.s and 7th.s and 7th.s and 3rd.s through all 12 keys around the cycle of 4th.s. Page 3 shows how to create a 12 bar blues progression in the key of G using this 2 measure riff. The audio file that accompanies the sheet music is split into 4 sections, Part 1 consists of the piano playing along with the rhythm backing tracks in all 12 keys. Part 2 consists of the rhythm backing tracks in all 12 keys for practicing purposes. Part 3 consists of the piano playing along with the rhythm backing tracks in the 12 bar blues progression format in the key of G. Part 4 consists of the rhythm backing tracks in the 12 bar blues progression format in the key of G to practice with. Optional MIDI files are available separately for a fee, contact sales@adgproductions.com With using software such as the free programs Musescore or Garage Band you will be able to do the following with the MIDI files: 1. Slow the tempo down to your skill level. 2. Change the key, allowing you the option of transposing the patterns into keys other than the written key. 3. Use the loop function to practice difficult measures repeatedly. 4. Use these patterns for ear training exercises by slowing the tempo down and looping a certain section repeatedly, try to play the correct notes using your ear rather than reading the music. Check out the various Blues piano books that I have authored at the publishers website A.D.G. Productions http://www.adgproductions.com and http://www.sheetmusicplus.com I have authored over 120 music instructional books for different instruments and numerous contemporary styles. Blues piano titles include: 100 Ultimate Blues Riffs for Piano/Keyboards Volume 1 and 2 12 Bar Blues Bible for Piano/Keyboards The Blues Play-A-Long and Solos Collection for Piano/Keyboards The Blues Scale for Piano/Keyboards Blues Bass Lines for Piano/Keyboards The Bluesier Side of Jazz for Piano/Keyboards Boogie Woogie and The Blues 100 Ultimate Blues Riffs for Piano/Keyboards Beginners Series Best Beginner Blues Exercises for Piano/Keyboards Online Music Lessons and Consultations for Beginner to Advanced Students As the author of over 120 music instructional books for piano/keyboards, guitar, sax and flute I am available to teach music students from around the world in their home via the Internet using skype or facetime in many areas of music, Some of the areas of music that I have expertise in teaching for most instruments: Music styles: blues, jazz, rock, country, gospel, pop, funk, r&b. Learning how to improvise in all the above styles Piano/keyboard playing, music production, songwriting and composing, music career development, learning computer music software, how to play in a band, Music,theory and ear training, History of Rock and Roll All levels of students are welcome, from beginner to advanced. Most of the students have been people who have purchased my books and are interested in taking their music education to another level. I can be contacted at musiclessons@adgproductions.com.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.988130 Composed by Fanny Hensel (née Mendelssohn). Arranged by Olivia Sparkhall. Christmas,Holiday,Romantic Period,Sacred. Octavo. 7 pages. Olivia Sparkhall #6463161. Published by Olivia Sparkhall (A0.988130). Music for Advent and Christmas Carol Services and ConcertsPrayer on Christmas Eve (Gebet in der Christnacht) for SSA and piano* - Hensel arr. Sparkhall (choral music)Perfect for Advent or Christmas*Gebet in der Christnacht for SATB (a cappella) is available exclusively from Multitude of Voyces: About the composerFor years, Fanny Hensel has been known as the sister of Felix Mendelssohn. Since the discovery of many of her compositions, some previously published in Felix’s name, she has become more widely recognised in her own right.About the pieceGebet in der Christnacht is a solo song from 1823. Here it is arranged for SSA, showcasing the teenaged composer’s use of harmony that became synonymous with the early Romantics. (See also my a cappella SATB arrangement).Gebet in der Christnacht (Prayer on Christmas Eve) is one of at least eight songs Hensel composed in 1823 which sets poems by Wilhelm Müller. It is from the cycle Johannes und Esther. (Im Frühling zu lesen.) (John and Esther. (To read in the spring.))https://youtu.be/Q_fd7fEtQisAbout the arrangerOlivia Sparkhall studied composition at Durham University with Paul Archbold, composing for the Northern Sinfonietta and Flower Quartet as part of her studies. Since moving to South West England, she has focused primarily on writing vocal music, notably for BBC One’s Songs of Praise programme. Recent commissions have been for International Women’s Day services in 2018 (Lux Aeterna) and 2019 (Faith and Hope). She was short-listed in the Cappella Nova competition in 2018 for Dona Nobis Pacem. The SATB version of Prayer on Christmas Eve (Gebet in der Christnacht) is published by Multitude of Voyces in their anthologies of sacred music, Volume 1, available here: [https://stainer.co.uk]

Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,E-Flat Tuba TC,Euphonium,Trumpet - Level 3 - Digital Download SKU: A0.1214816 Composed by Gustav Holst. Arranged by David Catherwood. 20th Century,Christmas. Score and Parts. 15 pages. Opus 3 Music #811747. Published by Opus 3 Music (A0.1214816). In The bleak Midwinter by Holst arranged for brass by David CatherwoodGustav Holst's beautiful tune in a simple but effective arrangement.This arrangement is suitable for almost any combination of brass instruments. The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for brass quartet, orchestral brass quintet and small brass band all with optional percussion. A full set contains a score and a generous set of parts (with permission to copy to suit your own requirements) for the following instrumentsParts included in downloadTrumpet/Cornet 1 in BbTrumpet/Cornet 2 in BbHorn 1 in EbHorn 2 in EbHorn in FTrombone (bass clef)Trombone/Baritone in Bb (treble clef)Euphonium in Bb (treble clef)Tuba (bass clef)Bass in Eb (treble clef)Bass in Bb (treble clef)Percussion (optional)Also available as a flexible orchestral arrangement(Please note the mp3 sample is the ochestral version but the arrangement is the same).

Organ - difficult - Digital Download SKU: S9.Q52740 Version for organ by Leif Thybo (1952). Composed by Igor Stravinsky. Arranged by Leif Thybo. This edition: single sheet. Downloadable, Separate edition. Duration 15 minutes. Schott Music - Digital #Q52740. Published by Schott Music - Digital (S9.Q52740). Key: E flat major.The American musical patrons Mildred and Robert Wood Bliss were considering which distinguished composer to commission to create a work in celebration of their 30th wedding anniversary in 1938. The couple had made the acquaintance of Igor Stravinsky in April the preceding year at the première of his ballet Jeu de Cartes in New York and had subsequently invited the composer to their country home ’Dumbarton Oaks’ in Washington D.C. to talk about a new composition. Stravinsky only just managed to complete the work in time for the anniversary celebrations: its date of completion was also the date of its first performance. For his classically styled three-movement work, he selected the title Concerto in E flat, adding the subtitle Dumbarton Oaks as a dedication. The structure of the work references the concerto grosso: it features a soloist ensemble which unites in the tutti sequences but also plays in concertino groups during the solo episodes. Broken chordal structures characterise the central movement whereas the outer movements are distinguished through their use of fugato. Dumbarton Oaks went on to become one of Stravinsky’s most successful works, performed widely and delighting Mildred Bliss so much that she immediately issued another commission, for the Symphony in C. Its composer’s very public commitment to American cultural life helped pave the way for Stravinsky’s emigration to the USA in 1945. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.Inspired by Bach’s Brandenburg Concertos, Igor Stravinsky’s three-movement concerto ‘Dumbarton Oaks’ is a musical monument to two major American patrons: Mildred and Robert Woods Bliss commissioned this work to mark the 30th anniversary of their wedding. It was performed for the first time at a private celebration at their country house Dumbarton Oaks in Washington, D.C. under the direction of Nadia Boulanger in 1938. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.

Large Ensemble Choir - Digital Download SKU: A0.948805 Composed by An-lun Huang. Contemporary,World. Score and parts. 515 pages. DoReMi Edition #6080281. Published by DoReMi Edition (A0.948805).  SCORE @ Amazon ï¼?https://amzn.to/34qCMdz The Symphonic Concert No.2, is Huangâ??s second serial symphonic work in a large form. ----- The first part, Op.47a, is The Symphonic Overture No. 2, the second part, Op.47b, is the Violin Concerto in B in three movements. They are all published by Amazon. And the third part, Op.47c, is this Symphony in A flat major 'Phoenix' in 5 movements [62 minutes]   The first two parts of the Symphonic Concert No.2 were premiered in Beijing by the China Youth Symphony Orchestra in 1997. However, the composing of the third part has been delayed. The reason is the author's Chinese heart: for thousands of years, the word deep disaster has been following this nation, but, however, the Chinese finally rise in the east of the world from the deadly dark. How can the composer present this symphony in the most appropriate form, and bring blessings to the world? Until the idea of Phoenix sigh inspired the author's rolling music.   As a result, the structure of the entire symphony is: a total of five movements, the order is: 1.-ESSENCE ç²¾ Andante con molto 2.-SPIRIT æ°? Allegro assai 3.-DIVINITY ç¥? Larghetto 4.-PEACE å?? Vivo 5.-REVIVAL è?¾é£? Allegro assai con brio  The fifth movement of this symphony, Revival, is the end of the entire Symphonic Concert No. 2. Its Phoenixâ??s Flame of Fire symbolizes the composer's powerful belief in the whole composition: Defeat death to obtain the eternal life.  This point has a distinct manifestation in this final movement: from the beginning of the world turmoil to the evolution of the huge contrast of the brilliant chorus of the Phoenix; from the disaster making the Phoenix smashes into the fire of hell from the high heaven; its shocking description of self-immolation to the sound of the resurrection and the vitality of the folk instruments which simulate the voice of life from afar; and from the brilliant fire of the phoenix soars to the sky with roar of the organ at the end.  The themes of all of the previous music are also interrelated. All of the players join the forces to create the powerful music that The Chinese symphony has never been sounded like this before, and it is all about achieving a brilliant future, the critic said in Peopleâ??s Music, the major music magazine in China, 2009.