Horn in E-Flat,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.791135 By Pink. By Benj Pasek, Joel Andrew Edwards, Justin Paul, and Matt Schwartz. Arranged by Kevin P Holdgate. Pop. Score and individual part. 9 pages. Kevin P Holdgate #5319551. Published by Kevin P Holdgate (A0.791135). KPHMS 'Solo' CollectionAn arrangement of the award-winning brass band arrangement that I originally did for cornet, now with piano accompaniment. (N.B. - The audio file of this arrangement is the Solo for Viola Version)A great song from a great show...Designed as a lighter alternative to grade pieces this arrangement is approximately Grade 5/6 ABRSM/Trinity.

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1468295 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Will Searight. 21st Century,A Cappella,Pop. 14 pages. Will Searight #1046608. Published by Will Searight (A0.1468295). Arranged for mixed voice a cappella groups and soloist, can be accompanied by vocal percussion. Splits in all four parts: Soprano (S1/S2), Alto (A1/A2), Tenor (T1/T2) and Bass (Bari/Bass).Part ranges:Solo: Eb3-Eb5Soprano: Db4-F5Alto: Bb3-Eb5Tenor: F3-Ab4Bass: Eb2-Bb3.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1048154 By Hall & Oates. By Daryl Hall, John Oates, and Sara Allen. Arranged by Ryan Gabbart. Pop,Rock. Brass Band. 53 pages. Ryan Gabbart #652593. Published by Ryan Gabbart (A0.1048154). Grade 3-4. < 3 minutes. This 80s pop hit by Hall & Oates is a ton of fun to play and fits together easily once the ostinato parts lock in. This arrangement features a ton of rhythmic interplay and captures the fun energy and spirit of the recorded classic. Includes alternate parts for flexible ensemble needs. Have fun with this one! 1st Part: Bb Trumpet & Eb Treble 2nd Part: Bb Trumpet, Eb Treble & F Horn 3rd Part: F Horn, Bb Treble, Eb Treble, Bass Clef 4th Part: Trombone & Bb Treble Drum Set.

Choral Choir (3-Part) - Level 2 - Digital Download SKU: A0.817317 By Billy Joel. By Billy Joel. Arranged by Vicky Jacobs. Pop,Rock. Octavo. 4 pages. Victoria Jacobs #5223157. Published by Victoria Jacobs (A0.817317). This is part of a series of leadsheets I've put together for singalongs or as easy, quick songs to do with your choir. They have fun, singable harmonies, are in friendly keys and are designed to be easy to read and not create too much photocopying!

Piano Solo - Level 4 - Digital Download SKU: A0.1515695 By Kansas. By Kerry Livgren. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Rock,Singer/Songwriter. Score. 6 pages. Timothy Stapay #1090049. Published by Timothy Stapay (A0.1515695). Kansas’s acoustic hit “Dust In The Wind” is a reflective song about the inevitability of mortality and the insignificant role every person plays in the bigger picture. It was written by guitarist Kerry Livgren, who was inspired by a Native American poem containing the line “For all we are is dust in the wind”.The music came from a picking exercise he was doing that his wife suggested he make a song out of. It was the last addition to the album. “Dust In The Wind” was a top 10 hit in the US and Canada in the spring of 1977 and remains the biggest hit of their career. Lyrics: I close my eyes Only for a moment, and the moment's gone All my dreams Pass before my eyes, a curiosity Dust in the wind All they are is dust in the wind Same old song Just a drop of water in an endless sea All we do Crumbles to the ground, though we refuse to see Dust in the wind All we are is dust in the wind Oh Now, don't hang on Nothin' lasts forever but the earth and sky It slips away And all your money won't another minute buy Dust in the wind All we are is dust in the wind (All we are is dust in the wind) Dust in the wind (Everything is dust in the wind) Everything is dust in the wind.

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).       Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,� published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.� One announced, “You can’t play in our yard.� The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.       The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.� But “in sweet dreams of childhood� we still remember the controversy of the yard.       This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary� then transitions to ¾ for the remainder of the piece.       Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.       Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).

Full Orchestra - Level 3 - Digital Download SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 pages. Caleb Liu #6683167. Published by Caleb Liu (A0.955621). Main Titles of America was composed during shelter-in-place in July 2020. The piece was premiered in Winter of 2020 and was selected as a finalist in the 2021 National Young Composers Challenge. The composition was largely inspired by film music. In a film score, there is often a piece called Main Titles that plays during the opening scenes of the film. Typically, this piece encaptures all the major musical motifs present in the score of the movie. As the name suggests, Main Titles of America portrays the major themes of America in musical form. The three themes the piece highlights are opportunity, freedom, and love.The main musical motif appears early in the piece and is supported with eight notes and triplets from the harp and violas. The overall feel is adventurous and hopeful with energy building. The main motif is prominent throughout the piece, and almost every instrument plays the motif at some point. Each instrument represents a unique person who has the opportunity to flourish in America. The second motif represents freedom, and it is primarily played by the woodwinds. In particular, the flutes with their light, feathery sound help to express this idea. This motif is more playful and adds a touch of cheerfulness and lightness to the piece. It reflects the happiness of being free. The main motif and the second motif are intertwined just like opportunity and freedom. The third motif represents love and is prominent in the second half of the piece. The same eighth notes and triplets provide seamless energy and flow. While still maintaining a dream-like feel, this motif is meant to sound more grandiose and emotional. The sweeping themes and romantic harmonies are intended to portray the feeling of an ideal relationship. The piece ends with a triumphant brass chorale (the same motif from the beginning) followed by a tutti chord. It’s the musical representation of look how far we’ve come! The piece highlights the infamous American Dream - that anyone in America has the opportunity to pursue their dreams, find love, and create their own destiny.

Choral Choir (SATB) - Digital Download SKU: A0.953630 Composed by Adrienne Inglis (ASCAP), with electronic dance track by Trevor F. Shaw (ASCAP). Contemporary,Dance,Pop,Spiritual,World. Octavo. 16 pages. Adrienne Inglis (ASCAP) #6531047. Published by Adrienne Inglis (ASCAP) (A0.953630). Asleep in a Blanket Spun of Energy for mixed chorus and electronic track with music by Adrienne Inglis (ASCAP) and electronic track by Trevor F. Shaw (ASCAP), a setting of the poem We Are Returning Always by Margaret Noodin from Weweni, poems in Anishinaabemowin and EnglishComposed for Inversion Ensemble’s March 2019 Dream Keeper concert, Asleep in a Blanket Spun of Energy for mixed chorus and electronic track evokes vivid imagery of Margaret Noodin’s poem We Are Returning Always. Honoring the composer’s Ojibwe ancestors, the piece sets all of the English text and a few key words of the Anishinaabemowin text from the bilingual poem that beautifully captures a glimpse into the natural and celestial wonders of the Ojibwe world. The music reflects a taste of the syncopated embellished singing, pentatonic melodies, and steady drumbeat characteristic of Ojibwe music. The electronic track provides both a compelling rhythmic foundation and a fantastical sonic representations of the moon, nebulae, supernovae, aurora borealis, and the forests of the Ojibwe lands.In addition to being the director of EQI, Margaret Noodin is an Assistant Professor in the English Department and American Indian Studies. She is a poet and the author of Bawaajimo: A Dialect of Dreams in Anishinaabe Language and Literature (2014) and Weweni: Poems in Anishinaabemowin and English (2015). She teaches the Anishinaabemowin language at UWM. Margaret is the editor of ojibwe.net. Noodin holds an MFA in Creative Writing and a PhD in English and Linguistics, both received at the University of Minnesota. Her doctoral dissertation is titled Native American Literature in tribal context: Anishinaabe Aadisokaanag Noongom (2001)Electronic track is available at http://adrienneinglis.com.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.999162 Composed by Sir Rabindranath Tagore. Arranged by Riddhi Sanyal. Contemporary,Country,Pop,World. Score. 4 pages. Riddhi Sanyal #5771073. Published by Riddhi Sanyal (A0.999162). Learn the Tagore Song ‘Mayabono Biharini Horini’ in Sheet Music (Staff Notation) with Lyrics & Chords in Scale C which is ideal for sing or to play at Piano, Guitar, Ukulele, Flute, Harmonica etc (any instruments which can be tuned in Scale C) and even in Orchestra or Duet Chorus. Lyrics (English Transliteration of Original Bengali Lyrics) are Chord Symbols are provided.Instruments in Recorded Music File: Song Played in Flute & Ukulele for the lead song and Piano for Chords. Piano Bass Clef is given with Chord symbol.  About The Song: This is the song to call a deer that comes into dreams. Some of the lines to too touchy like I shall only touch it's soul with the melody of my flute. This is one of the popular songs on Rhythm and Dance. Hope you will enjoy singing & playing at your comfortable instrument. This song is on beating pattern 4/4.Raga: This song follows the Raga Yaman Kalyan for most of the verses.Song Structure: This song has 2 Antara (s). The second Antara starts with the verse called Sanchari. After every Antara, it’s general practice to play the Bandish for 1 or 2 times. Whole song is divided into Bowing (Flute) & Stroke (Ex - Piano, Guitar, Ukulele) instruments, but that verse is played in chorus. Same idea can be applied while singing in male & female voice in Chorus. Chords Used: C, F, G, D, Dm as suitable.

1(pic).1(ca).1.1-1.1.0.0-perc(crot, s.d, b.d, high metal block, high and med wdbl)-hp-str - Digital Download SKU: S9.Q23800 Opera in 1 act. Composed by Huw Watkins. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 45 minutes. Schott Music - Digital #Q23800. Published by Schott Music - Digital (S9.Q23800). English.Taking Thomas Hardy’s short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person’s actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur. Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely. Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan. As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world.Wenn wir den Ausgangspunkt von Thomas Hardy Geschichte betrachten, fühlen wir uns in die Gegenwart, zu einem heutigen Blick auf die Novelle transportiert. Diese Sicht verdeutlicht, welche Macht der menschliche Geist über die Handlungen einer Person hat. Eine verschlossene Tür kann eine Obsession so entzünden, dass Realität und Fantasie zu verschwimmen beginnen.

Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening.  The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website:  http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.

Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1308011 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. 21st Century,Baroque,Historic,Romantic Period,Singer/Songwriter. 4 pages. Richard deCosta #897288. Published by Richard deCosta (A0.1308011). Haunting electronica rendition of Poe's To One in ParadiseEmbark on a melodious journey through Edgar Allan Poe's To One in Paradise with this captivating vocal duet. The neo-Baroque intricacies entwined within the score escort the listeners back to a time of ornate expressions and profound emotions. The composition is laden with melodious arcs that ascend to euphoric peaks and descend into contemplative valleys, echoing the poignant essence of Poe's verses. The vocalists, enveloped in a tender dialogue, weave through the stanzas, their voices entwining with grace, and delving into the sorrow and hope inked in the poet's words. This piece is a heartfelt ode to the ethereal beauty of cherished memories and the melancholy of lost love. A timeless narrative that resonates through the ages, waiting to be unveiled by the emotive prowess of passionate performers.To One in ParadiseBy Edgar Allan PoeThou wast that all to me, love,For which my soul did pine—A green isle in the sea, love,A fountain and a shrine,All wreathed with fairy fruits and flowers,And all the flowers were mine.Ah, dream too bright to last!Ah, starry Hope! that didst ariseBut to be overcast!A voice from out the Future cries,“On! on!�—but o’er the Past(Dim gulf!) my spirit hovering liesMute, motionless, aghast!For, alas! alas! with meThe light of Life is o’er!No more—no more—no more—(Such language holds the solemn seaTo the sands upon the shore)Shall bloom the thunder-blasted tree,Or the stricken eagle soar!And all my days are trances,And all my nightly dreamsAre where thy grey eye glances,And where thy footstep gleams—In what ethereal dances,By what eternal streams.

1(pic).1(ca).1.1-1.1.0.0-perc(crot, s.d, b.d, high metal block, high and med wdbl)-hp-str - Digital Download SKU: S9.Q23450 Opera in 1 act. Composed by Huw Watkins. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 45 minutes. Schott Music - Digital #Q23450. Published by Schott Music - Digital (S9.Q23450). English.Taking Thomas Hardy’s short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person’s actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur. Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely. Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan. As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world.Wenn wir den Ausgangspunkt von Thomas Hardy Geschichte betrachten, fühlen wir uns in die Gegenwart, zu einem heutigen Blick auf die Novelle transportiert. Diese Sicht verdeutlicht, welche Macht der menschliche Geist über die Handlungen einer Person hat. Eine verschlossene Tür kann eine Obsession so entzünden, dass Realität und Fantasie zu verschwimmen beginnen.

Guitar - Level 3 - Digital Download SKU: A0.1396458 By The Candlelight Guitarist. By Johann Sebastian Bach. Arranged by Brad Powell. Baroque,Blues,Classical,Instructional,Jazz. Guitar Tab. 4 pages. Geofonica Artistworks #979795. Published by Geofonica Artistworks (A0.1396458). Bach's classic Bourrée in E minor arranged for guitar in a jazz-swing-blues style, with walking bass lines on guitar, melody figures swung, and harmonic passages adapted towards a cool jazz and bluey idiom. It's actually a bit more difficult than the original--because the swung melody and bass lines are syncopated rather than matched... but it is very cool and fun to play, and a great showpiece for an intermediate level guitarist! A fun surprise addition to a recital! Listen to the performance by Brad in the link provided!  Incidentally... Brad studied from and was mentored by jazz guitar giant Joe Pass, and took a master class from Andrés Segovia, so this arrangement bridges both musical worlds--jazz and classical--that he came up in.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..

Violin and piano - advanced - Digital Download SKU: S9.Q46171 Poème for violin and piano. Composed by Tatjana Komarova. This edition: score and part. Viola Library. Downloadable, score and part. Duration 14 minutes. Schott Music - Digital #Q46171. Published by Schott Music - Digital (S9.Q46171). Musicians onstage stand in the limelight and enjoy their fame whereas after performance they become shrouded in a strange fog of isolation. Light is associated with ascent and descent: it can lead into brightness, but equally into darkness. Light can illuminate and yet be dazzling; fog stands for insecurity, uncertainty and anxiety ... but also for mysticism and wafting dreams. Somehow time stands still... Tatjana Komarova (Translation: Lindsay Chalmers-Gerbracht)Musiker sind auf der Bühne von Rampenlicht und Ruhm, und nach der Aufführung von einem seltsamen Nebel in Einsamkeit umhüllt.Licht verknüpft sich mit Auf- und Untergang, es führt in die Helligkeit, aber auch in die Finsternis. Licht kann erleuchten oder blenden; Nebel steht für Ungewissheit, Unsicherheit, Angst ... aber auch für Mystik, als Schweben in Träumen. Die Zeit bleibt irgendwie stehen... (Tatjana Komarova).