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Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Musik Fabrik Music Publishing #3038635. Published by Musik Fabrik Music Publishing (A0.533692). Biblicals: Concerto for Solo Piano in Five Movements (1998) was commissioned from thecomposer by an anonymous benefactor for pianist Kathleen Supové in tribute of her tirelesssupport of new music.The work is in five movements, each inspired by a different biblical quotation which isquoted in the score before each movement. If possible, these passages should be printed inthe program or read aloud before the performance of the work. Each movement isprogrammatic only in an internal sense. While the movements do not attempt to directlyportray the action of the passage in a storybook sense, they do attempt to capture the overallaffect of the verse. The form of the work is as a concerto for solo piano drawing on a titlethat has been used in the past by numerous composers. Likewise, although the work does notinvolve an orchestra, I have titled it concerto because it contains elements of a concerto solopart and because of the virtuosity required to perform the work. The work explores a widerangeof styles from quasi-lyrical to highly chromatic. Throughout, the work has a rhythmicintensity which should be observed by the performer.The first movement, Hovering Over the Waters, makes use of an irregular rhythmic patternintroduced in the opening measure and used throughout the work. Irregular and nervousrhythms using chromatic intervals pervade the entire movement.The second movement, Baldhead, is a forceful and loud movement making use of the clashbetween diatonic and pentatonic clusters. It is relentless in its pounding energy, irregularrhythms, and volume. This movement is dedicated to American composer Daniel Pinkhamon the occasion his 75th birthday in 1998. The connection of this movement to Pinkhamcomes in the superimposition of pentatonic and diatonic clusters, a technique used so well inone of my favorite Pinkham works, Blessings for Organ (1978).The third movement, Forgiven and Free, presents a tranquil scene involving the building ofchords, standard and otherwise, through the adding of tones one at a time. Brief chromaticmelodies appear and then disappear quickly.The fourth movement, Under the Sun, makes use of a motive involving four chords over a lefthand bass consisting of a major-tenth chord. This motive appears throughout the movement,constantly breaking in and interrupting the action. A variety of irregular rhythmic motivesappear throughout as a contrast to the main motive with its strict rhythm. Quotes of nurseryrhyme tunes are hidden throughout the movement as well in various forms.The fifth movement, The Seventh Angel, is a fast and furious tarantella. As the movementflies by a variety of musical ideas emerge and then disappear into the main motive again.The music continues to get faster and faster and finally the movement ends with a furiousprogression from the bottom to top of the piano and then a thunderous unison chord in thelower register.
Carson Cooman: Biblicals: Concerto for Solo Piano
Piano seul

$16.95 14.61 € Piano seul PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1394384 Composed by Daniel Burwasser. 21st Century,Contemporary. 19 pages. Head and Stem #977866. Published by Head and Stem (A0.1394384). NOTES on Tears for a Dying PlanetTears for a Dying Planet paints a musical picture of a troubled world. It broadly expresses all of my pent-up fears, anger and frustrations which continue to lay heavily on my mind as our world descends into unsavory and uncharted territory. These problems run the gamut; endless military conflicts, threats of nuclear war, xenophobia, racism, anti-Semitism, science denial, steep political divisions, mass shootings, and not least by any means, climate change leading to extreme weather conditions across the globe.Tears for a Dying Planet is in a softly-played free form and contains several episodes which culminate into a forceful nine-note “death†chord representing grief and anger.  A single bar of recovery silence is offered honoring all who have suffered and continue to do so. --Daniel Burwasser NYC, February, 2024You can contact the composer directly at: danielburwasser9@gmail.comWebsite: https://www.danielburwasser.com/Youtube channel: https://www.youtube.com/channel/UCrCnkSRO-XOjUu7bMB8tzCg?view_as=subscriber
Tears for a Dying Planet
Orchestre à Cordes

$20.00 17.24 € Orchestre à Cordes PDF SheetMusicPlus

Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arranged by Keith Terrett. Baroque,Classical,Instructional,Traditional,Wedding. 6 pages. Keith Terrett #584509. Published by Keith Terrett (A0.978843). A Fanfare for three Bb Trumpets & Timpani. This was arranged from an old melody of unknown origin, for Eb Cavalry Trumpets and Kettledrums of the Queen’s Royal Irish Hussars Band, a former Northern Irish Regiment within the British Army; whose Colonel in Chief was HRH The Duke of Edinburgh. Winston Churchill was a young officer in the regiment, before the amalgamation of the 4th & 8th Hussars, to form the ’Queen’s Royal Irish Hussars’’. All cavalry regiments of the line, have a team of Cavalry Trumpets, who under the ’Trumpet Major’, play at 11am each day outside regimental headquarters, for the Regiment. Traditionally the fanfare ’stables’ would be played first; followed by another fanfare of the ’’Trumpet Major’s’’ choice. In cavalry regiments there is often a drum horse, on which the two timpani are positioned and played. An example would be the Queen’s Own Hussars, who for many years had a fine old drum horse, trained not to panic when the kettledrums were being played fortissimo! During the day, one trumpeter is on duty, and plays various trumpet calls throughout the day to signal important happenings in the regiment’s daily schedule of events. For example, Reveille is at 0630, Mess call at 0700, Mess call 1230, Guard mount 1800, Officers dress for dinner 2000, finishing with last post at 2200! There are also trumpet calls for fire, war and mucking out the horses! One morning when I was on trumpet duty in Germany at the tender age of 18, I woke up late, and just managed to play the ’’Reveille’’ trumpet call out of my bedroom window, in an effort not to be ’charged’ for missing a call! The equivalent in the Infantry would be the bugle, which is also used as a method of signaling to the regiment. This fanfare works well for three Bb trumpets and timpani. Eb cavalry trumpets are often written in the key of C, and harmonically there is no third on chord V due to the harmonics of the instrument, and the fact that they have no valves; giving a bare sounding chord. The trills in the first part are lip trills, on Bb trumpet, simply play a lip trill using the valves 1 & 3. The most famous Eb cavalry trumpeters in the British Army, are undoubtedly the trumpeters of the household cavalry, who perform in spectacular golden uniforms, complete with riding hats, at the state opening of parliament. Don’t forget Eb cavalry trumpeters are musicians from the band,(they could be clarinettists),assigned to trumpet for two to three years, not so good for your embouchure!! So when you hear a mis-pitched note in future, you know that the trumpeter could be a bassoonist, doing his or her very best.
Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
Trompette
Keith Terrett
$5.00 4.31 € Trompette PDF SheetMusicPlus

Cello,Clarinet,Flute,High Voice,Piano - Level 4 - Digital Download SKU: A0.1111965 Composed by Daniel Burwasser. Chamber,Contemporary. 63 pages. Head and Stem #714143. Published by Head and Stem (A0.1111965). These three poems by Ilsa Gilbert were chosen on the basis of their dramatic imagery and expressivity, and more importantly, their highly “musical†qualities. Traits that I find most attractive in Gilbert’s work. The idea to string these particular poems together was of my own volition, but the specific order in which they appear in the work came at the suggestion of the poet, who also came up with the apt title, TORRENTS. The mood of each song gradually progresses from cynicism to optimism. From the tormented struggle of Wild Beast to the process of aging and acceptance of death in Winter Leaves to renewal and the affirmation of life in The Mediterranean Sea. These themes are universal. TORRENTS evokes an abundance of emotions all derived from the human spirit.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
Torrents

$20.00 17.24 € PDF SheetMusicPlus

Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
Happy Place
Chorale 2 parties

$1.99 1.71 € Chorale 2 parties PDF SheetMusicPlus

String quartet - Grade 3 - Digital Download SKU: DX.169409 Composed by John Mason Neale. Arranged by Dana F. Everson. Sacred instrumental music. Key of G. Traditional. Score and parts. 16 pages. David E. Smith - Digital Sheet Music #169409. Published by David E. Smith - Digital Sheet Music (DX.169409). Traditional string quartet with opt. violin part for viola. The introduction begins in a somewhat solemn nature, building in tension and then in repose where it introduces the hymn Savior Like A Shepherd Lead Us. The texture is in a traditional harmonization with the tune in the first violin where it gives over to the cello on the chorus with gentle punctuations in the upper voices. An imitative motif serves as a transition progresses leading into He Leadeth Me with the tune in the cello. The violin takes over with a modified tune and then in a fughetta-like series of entrances leads into a modulation where the cello expresses the tune with the upper voices accompanying with moving rhythms. The tune of All The Way My Savior Leads Me is presented by the viola with a violin obbligato overhead leading into a full ensemble with rich and moving harmonies. A change of meters gives way to a change of counterpoint and God Leads Us Along. Here, it moves amongst the various parts and gives way to sweet release.
Good Christian Men, Rejoice
Quatuor à cordes: 2 violons, alto, violoncelle

$9.00 7.76 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME  & NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing  the title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuárdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
Guitare

$15.00 12.93 € Guitare PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1172313 Composed by Socrates Arvanitakis. Early Music,New Age,Thriller. Octavo. 48 pages. Socrates Arvanitakis #772538. Published by Socrates Arvanitakis (A0.1172313). Most of my song titles have structural tags as headers in the PDF files provided. The tags for this song are : LEMONIA PERFORCE >> OLD FOLKS AT HOME >> 300 MASTER BOWMEN.The last tag refers to a poem cycle of the same title which is divided into incidents. This song for SATB choir is the first incident of the cycle. Dates in the PDF can also be and are in most cases structural elements of the song. The song is given in two printable versions, first in decorated pages only the score and then in undecorated pages as score and parts. Although not present in this video, a very short break between each movement is advisable.A decorated lyrics page has been included as well as a blank page for insertion at will in different pages if so needed.
300 MASTER BOWMEN-incident 1
Chorale SATB

$10.00 8.62 € Chorale SATB PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.1349357 By The Civil Wars. By Chris Lindsey, John White, and Joy Williams. Arranged by Scott Harris. Contemporary,Pop,Singer/Songwriter. 54 pages. Scott Harris Music #934039. Published by Scott Harris Music (A0.1349357). Fully orchestrated setting of this popular song by vocal duo, The Civil Wars (John Paul White & Joy Williams) Key of D major (up a half-step from the original recording) Vocal Duet part written in Tenor Clef to keep parts on one staff. Vocal ranges are: Male Vocal: A3-G5 (One A5 in head voice) Female Vocal: A4-B5 (One D5 in head voice) Acoustic Guitar is essential for an authentic performance and may be played by a Vocalist or a separate player (part included) Ms. 53-60 is originally composed material to feature the orchestra for this arrangement! (heard in the audio demo) Performance time: approx. 4:10 (Note: Larger 8.5x14 score is available separately at Sheet Music Direct and Sheet Music Plus.)For comments, questions, or special requests, please email me at scott@scottharrismusic.com or visit my website at www.ScottHarrisMusic.com.
Poison & Wine
Orchestre
The Civil Wars
$59.99 51.7 € Orchestre PDF SheetMusicPlus

Brass Ensemble - Digital Download SKU: A0.999423 Composed by Carlo Gesualso. Arranged by Eric Wilson. Concert,Renaissance. Score and parts. 14 pages. Woodrow Edition #5798361. Published by Woodrow Edition (A0.999423). Carlo Gesualdo, Prince of Venosa, Musician and Murderer! That’s not a news headline (though it would be quite a good one) but the title of a book by composer Peter Warlock which I read avidly after first encountering the Italian composer in a lecture at the University of Liverpool in the 1980s. We were studying the Italian madrigal, which was not really my thing until our lecturer threw Moro Lasso into the mix. Its opening chords seemed so incongruous – unlike anything we had heard – and are as striking today as they must have been in 1611 when first published in Gesualdo’s 6th Book of Madrigals.More or less immediately after that lecture I arranged the piece for the Seras Brass Quintet which I had helped form. In those days the brass quintet repertoire was limited, and certainly didn’t include anything by Gesualdo!The arrangement really benefits from a church-like acoustic where you can make the most of the dramatic built-in silences. The tuba part lies quite high and is very playable on a trombone if need be. Even to modern ears there are some strange sounds and I trust that all the ‘wrong’ notes are Gesualdo’s rather than mine – do let me know if you think otherwise!
Moro Lasso
Ensemble de cuivres

$9.95 8.57 € Ensemble de cuivres PDF SheetMusicPlus

Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1421687 By The Beatles. By George Harrison. Arranged by Hazel Hannam. 20th Century,A Cappella,Pop. 5 pages. Hazel Hannam #1003052. Published by Hazel Hannam (A0.1421687). This arrangement of Here Comes The Sun in 3 parts is suitable for most choirs, especially beginner to intermediate levels. It can be sung by just men, just women, or mixed voices SAB. (see SAB version)Although it is a simple arrangement, there is plenty to push and challenge your singers to help them to improve on technique. Singing on the 'nn' of 'sun' and 'mm' of 'comes' to add interest, creating a tension throughout the song with the grand release at the very end, singing 'comes' as an open vowel sound, and then shutting it back down to an 'mm' right at the last few seconds! It is a joyful song about finally feeling the gentle warmth of the sun after a winter full of cold, wind, rain and snow and long dark days. Reminding us of warmer sunnier days ahead. What could be more hopeful or more uplifting?I hope you enjoy this arrangement of this great Beatles' classic. Please let me know how you get on with and send me any links to youtube of your choir singing it. I'd love to hear you! hazelhannam@icloud.com  Thanks for your support in buying this arrangment. See more of my arrangements on this website by searching Hazel Hannam. Thank you.
Here Comes The Sun
Chorale 3 parties
The Beatles
$3.99 3.44 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1421673 By The Beatles. By George Harrison. Arranged by Hazel Hannam. 20th Century,A Cappella,Pop. 4 pages. Hazel Hannam #1003037. Published by Hazel Hannam (A0.1421673). This arrangement of Here Comes The Sun in 3 parts is suitable for most choirs, especially beginner to intermediate levels. It can be sung by just men, just women, (see SSA version) or mixed voices SAB.Although it is a simple arrangement, there is plenty to push and challenge your singers to help them to improve. Singing on the 'nn' of 'sun' and 'mm' of 'comes' to add interest, creating a tension throughout the song with the grand release at the very end, singing 'comes' as an open vowel sound, and then shutting it back down to an 'mm' right at the last few seconds! It is a joyful song about finally feeling the gentle warmth of the sun after a winter full of cold wind, rain and snow. Reminding us of warmer sunnier days ahead. What could be more hopeful or more uplifting?I hope you enjoy this arrangement of this great Beatles' classic. Please let me know how you get on with and send me any links to youtube of your choir singing it. I'd love to hear you! hazelhannam@icloud.com  Thanks for your support in buying this arrangment. See more of my arrangements on this website by searching Hazel Hannam. Thank you.
Here Comes The Sun
Chorale 3 parties
The Beatles
$3.50 3.02 € Chorale 3 parties PDF SheetMusicPlus

Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - Digital Download SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.
Sonata Franckoniana
Hautbois, Piano (duo)

$8.99 7.75 € Hautbois, Piano (duo) PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.1238660 Composed by Traditional Celtic Folk Songs. Arranged by SilverTonalities. Celtic,Folk,Instructional,Irish. Score. 35 pages. SilverTonalities #834098. Published by SilverTonalities (A0.1238660). Kathleen Mavourneen for Easy PianoCeltic Mists Series for Novice Pianists by SilverTonalities Featuring the popular “Kathleen Mavourneen†and also Including 10 Traditional Irish Folk Songs, with Letter Names Embedded in Noteheads to increase the ability to recognize Musical Pitch and Read Music Quickly and AccuratelyPREVIEW, pages 1-2BLACK EYED SUSAN, pages 3-5THE CHARMING FAIR MAID, pages 6-7CORNEY IS COMING, pages 8-10DOCTOR O’NEILL, pages 11-14FILL THE GLASS, pages 15-17THE GREEN BUSHES, pages 18-19I’LL BE A GOOD BOY, pages 20-21IT’S A PITY I CAN’T SEE MY LOVE, pages 22-24OLD TRUAGH, pages 25-26PADDIES EVERMORE, pages 27-29KATHLEEN MAVOURNEEN, pages 30-33.
Kathleen Mavourneen for Easy Piano
Piano Facile

$9.99 8.61 € Piano Facile PDF SheetMusicPlus






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