Woodwind Ensemble,Woodwind Quintet Clarinet - Digital Download SKU: A0.486239 Composed by Maurice Ravel. Arranged by John Benoit. 20th Century,Classical,Contemporary. 43 pages. John Benoit Music #104644. Published by John Benoit Music (A0.486239). The five movements of Maurice Ravel’s Ma mére l’Oye (1910-11) were originally written as a piano duet for children. The virtuosity of the latter movements, however, would require the skills of child prodigies. The third movement – “Laideronette, impératrice des pagodes� – is evocative of the virtuosic performances of xylophone-like instruments in some Eastern musical traditions. This setting for clarinette quintet includes alternate fourth parts for clarinet in Bb, alto clarinet, and bass clarinet. Instrumentation: 4 Bb clarinets (alternate alto/bass for 4th part), bass clarinet. Duration: c. 3:30�. Grade 4.

Choral Choir,Choral,SATB Chorus - Digital Download SKU: A0.1427956 By The Beatles. By John Lennon and Paul McCartney. Arranged by Moshe Jonathan Gordon Radian. A Cappella,Contemporary,Rock. 38 pages. Moshe Gordon Radian #1008699. Published by Moshe Gordon Radian (A0.1427956). An a cappella arrangement for The Beatle's When I'm 64, which I've originally improvised for my mom's 64th birthday, by recording it on my phone. I have since reworked the arrangement through the mentorship of Noa Gruman (Scardust, Hellscore). I hope you'll enjoy it :). Choir preview was generated using https://vehpus.github.io/singing-synthesis/ (a free tool I've developed for this purpose).

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.516588 Composed by Maurice Ravel. Arranged by Ray Thompson Music. 20th Century,Classical. 56 pages. RayThompsonMusic #127305. Published by RayThompsonMusic (A0.516588). Ravel originally wrote Ma Mère l'Oye as a piano duet for the Godebski children, Mimi and Jean, ages 6 and 7. Ravel dedicated this work for four hands to the children (just as he had dedicated an earlier work, Sonatine, to their parents). Jeanne Leleu and Geneviève Durony. It bears the subtitle cinq pièces enfantines (five children's pieces). Ravel later orchestrated the piece. This arrangement contains 4 of the 5 movements. IT does NOT include mvt.3 Laideronnette, impératrice des pagodes: Mouvt de marche (Little Ugly Girl, Empress of the Pagodas) Mvts included are: I.Pavane de la Belle au bois dormant: Lent (Pavane of Sleeping Beauty) II.Petit Poucet: Très modéré (Little Tom Thumb / Hop-o'-My-Thumb) IV.Les entretiens de la belle et de la bête: Mouvt de valse très modéré (Conversation of Beauty and the Beast) V.Le jardin féerique: Lent et grave (The Fairy Garden) It is arranged for double wind quintet/bass.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553214 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century,Children,Holiday,Wedding. 8 pages. RayThompsonMusic #14671. Published by RayThompsonMusic (A0.553214). Ravel originally wrote Ma mère l'Oye as a piano duet for the Godebski children, Mimi and Jean, ages 6 and 7. Ravel dedicated this work for four hands to the children (just as he had dedicated an earlier work, Sonatine, to their parents). Jeanne Leleu and Geneviève Durony. It bears the subtitle cinq pièces enfantines (five children's pieces). Ravel later orchestrated the piece.This is the second movement. I have arranged it for wind quintet. Looks easy to play, but requires accurate methodical playing by all 5 musicians.Other movements are available

C Instrument - Level 1 - Digital Download SKU: A0.1310120 By Marcelo Borba. By Public Domain. Arranged by Marcelo Borba. Folk,Historic,Jazz,Multicultural,Patriotic,World. Lead Sheet / Fake Book. 2 pages. Marcelo Borba #899258. Published by Marcelo Borba (A0.1310120). Leadsheet style with chords Vieni Sul Mar é uma tradicional canção napolitana que captura a essência do romantismo italiano. Essa melodia evoca imagens das águas cintilantes do Mar Mediterrâneo e convida o ouvinte a se aventurar em um mundo de amor e paixão.A letra da música descreve um convite apaixonado para um amante se juntar ao mar, navegando juntos em um barco, simbolizando a jornada compartilhada da vida. A melodia suave e melancólica, combinada com a lírica sedutora, faz de Vieni Sul Mar uma canção atemporal que continua a encantar os ouvintes e a celebrar a beleza da música napolitana.Esta canção icônica foi gravada por muitos artistas ao longo dos anos, e sua popularidade transcende fronteiras, tornando-a uma representante da rica herança musical italiana. Vieni Sul Mar é uma amostra cativante do romantismo da região de Nápoles e uma lembrança das maravilhas do amor e da natureza, com seu apelo duradouro que ainda ressoa com as emoções de quem a ouve.A mesma canção foi adaptada para música popular Brasileira com o nome de Oh, Minas Gerais.É uma verdadeira ode ao estado de Minas Gerais, sua cultura, paisagens e povo. Oh, Minas Gerais se tornou um hino não oficial para os mineiros e uma representação musical do amor à sua terra natal, sendo regravada por diversos artistas ao longo dos anos.Vieni Sul Mar is a traditional Neapolitan song that captures the essence of Italian romanticism. This melody evokes images of the shimmering waters of the Mediterranean Sea and invites the listener to venture into a world of love and passion. The lyrics of the song describe a passionate invitation for a lover to join the sea, sailing together on a boat, symbolizing the shared journey of life. The gentle and melancholic melody, combined with the seductive lyrics, makes Vieni Sul Mar a timeless song that continues to enchant listeners and celebrate the beauty of Neapolitan music.This iconic song has been recorded by many artists over the years, and its popularity transcends borders, making it a representative of the rich Italian musical heritage. Vieni Sul Mar is a captivating sample of the romanticism of the Naples region and a reminder of the wonders of love and nature, with its enduring appeal that still resonates with the emotions of those who listen.The same song was adapted into Brazilian popular music with the name Oh, Minas Gerais. It is a true ode to the state of Minas Gerais, its culture, landscapes, and people. Oh, Minas Gerais has become an unofficial anthem for the people of Minas Gerais and a musical representation of their love for their homeland, being re-recorded by various artists over the years.

Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1074441 By Santo & Johnny. By Ann Farina, John Farina, and Santo Farina. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock,Wedding. 7 pages. Sarah Cellobat Chaffee #678724. Published by Sarah Cellobat Chaffee (A0.1074441). Written, recorded, and released in 1959 by brothers Santo and Johnny Farina, Sleep Walk reached the top of the Billboard charts that year and has been popular ever since. A staple of the steel-guitar surf rock era, the beautiful instrumental ballad was later covered by a number of other artists, influenced a number of other songs, and even inspired Stephen King to write a screenplay! Originally written for a proposal, this arrangement for violin and cello duet brings to life the languid melodies, beautiful harmonies, and laid-back surf rock groove of the original for a chart that's just as much fun to play as it is to listen to. Rated intermediate; there are a handful of high notes and syncopated rhythms in the violin part, but overall this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1036584 By Santo & Johnny. By Ann Farina, John Farina, and Santo Farina. Arranged by Sarah Cellobat Chaffee. Pop,Rock. 13 pages. Sarah Cellobat Chaffee #641589. Published by Sarah Cellobat Chaffee (A0.1036584). Written, recorded, and released in 1959 by brothers Santo and Johnny Farina, Sleep Walk reached the top of the Billboard charts that year and has been popular ever since. A staple of the steel-guitar surf rock era, the beautiful instrumental ballad was later covered by a number of other artists, influenced a number of other songs, and even inspired Stephen King to write a screenplay! Originally written for a proposal, this string quartet arrangement brings to life the languid melodies, beautiful harmonies and countermelodies, and laid-back surf rock groove of the original for a chart that's just as much fun to play as it is to listen to. Rated intermediate; there are a handful of high notes and syncopated rhythms in the v1 part, but overall this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

Piano - Level 3 - Digital Download SKU: A0.1296172 By Elton John. By Bernie Taupin and Elton John. Arranged by Piano. 20th Century,Pop,Wedding. Score (Chords/Lyrics). 1 pages. Sérgio Matias da Cunha #886417. Published by Sérgio Matias da Cunha (A0.1296172). Partitura clara, objetiva, concisa e acessível apresentando marcações de cifra, células rítmicas envolvendo quartos de tempo, introdução, linhas de oitava, notas sincopadas e sinais de repetição, buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com harmonia e equilíbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Editoração precisa e prática, distribuindo toda a música em uma página. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

C Instrument - Level 3 - Digital Download SKU: A0.1292900 By Andrea Bocelli. By Gatto Panceri, Mauro Mengali, and Valerio Zelli. Arranged by Sérgio Matias da Cunha. 20th Century,Pop,Wedding. Lead Sheet / Fake Book. 2 pages. Sérgio Matias da Cunha #883497. Published by Sérgio Matias da Cunha (A0.1292900). Arranjo claro, objetivo e acessível apresentando marcações de cifra, linhas de oitava, sinais de expressão, sinais de intensidade, notas sincopadas e células rítmicas envolvendo quartos de tempo oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado. Partitura concisa e prática, distribuindo toda a música em duas páginas. Ideal para uma execução onde a melodia expressiva e cativante, conduzam a todos para uma envolvente e emocionante experiência sonora. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Ukulele - Level 5 - Digital Download SKU: A0.1387141 By Juan Carlos Sanz. By Amable Espina (M) Gloria Alba Molero (L). Arranged by Juan Carlos Sanz. 20th Century,Chamber,Classical,Country,Latin. Score. 10 pages. Juan Carlos Sanz #971029. Published by Juan Carlos Sanz (A0.1387141). Vals venezolano.

C Instrument - Level 3 - Digital Download SKU: A0.754682 Composed by Brendon Urie and Dallon Weekes. Arranged by Jani van der Watt. 20th Century,Pop,Rock. Lead Sheet / Fake Book. 4 pages. Jani van der Watt #362482. Published by Jani van der Watt (A0.754682). Piano arrangement of Girls/Girls/Boys, originally written by Dallon Weekes and performed by Brendon Urie, before Panic! At The Disco broke up as a band. This song means a lot to me and I especially loved it back in 2020, when I was coming to terms with my sexuality and sexual orientation. Dallon Weekes originally wrote the song about his wife who is bisexual. However, Brendon Urie later changed the meaning. This song brings back a lot of memories.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1257962 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.

Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.