Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0.900402 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 5 pages. Gustavo Fuentes #3637495. Published by Gustavo Fuentes (A0.900402). Pilgrim Lights. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin or piano and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. One of the few things that we know for certain in this life is that one day we will begin our journey to eternity. Some of our loved ones will begin their journey before us, and we will be left with memories of them and a sense of loss and absence.But some of our loved ones do not travel to eternity, they only wander away until we can meet again, and in the meantime all we can do is feel them from a distance.The old Druids believed distance was not measured in miles but in affection. That is why even when someone has left us and begun their pilgrimage to somewhere far away or to eternity, we can feel them and their light close to us.May those pilgrim lights shine bright and guide our journey. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violín o piano y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Nuestro viaje a la eternidad es una de las pocas certezas que tenemos en este plano de la vida. Y durante esta vida, muchos de nuestros afectos parten a su viaje antes que nosotros, dejándonos con su recuerdo, con su pérdida, con su falta.Algunos de nuestros seres queridos no viajan a la eternidad, tan sólo se alejan para tal vez reencontrarnos más tarde, y mientras tanto sólo nos queda sentirlos en la distancia.Según los antiguos druidas, la distancia no es un hecho geográfico sino afectivo. Por eso podemos sentir cerca a alguien que está lejos, a uno de esos seres luminosos que han iluminado nuestra vida para comenzar su peregrinaje, así sea a un lugar lejano o a su morada eterna.Que esas luces peregrinas nos guíen en nuestro camino, dándonos señales con su brillo.

Organ - intermediate to advanced - Digital Download SKU: S9.Q6231 Composed by Harald Genzmer. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6231. Published by Schott Music - Digital (S9.Q6231). 'Präludium, Arie und Finale' steht auf tonalem Boden und ist formal einfach gebaut. Im Präludium wechseln sich Pedalsoli, fundamentale Akkordik und motorische Spielfiguren ab. Eine wirkungsvolle Coda im 9/8-Takt bildet den Abschluss. Es folgt ein sehr ausdrucksvoller 2. Satz in ruhigen Vierteln (espressivo-dolcissimo) mit einer obligaten Solostimme. Wegen seiner ruhigen, in einer Tonart verbleibenden Anlage kann er auch für sich allein gespielt werden. Im letzten Satz wählt Genzmer ein Fugato ohne Pedal. Das Thema beginnt mit einem Quintmotiv, das das ganze Stück beherrscht. Nach der Exposition führt ein aus dem Thema entwickelter Seitengedankte, beginnend im Pedal und mit Triolen umspielt, zu einer kanonischen Durchführung des Hauptthemas, die in eine rauschende Coda mündet, das Thema noch einmal aufgreift und schließlich im dreifachen Fortissimo endet. Dieses Stück wird sowohl den Interpreten als auch den Hörer gleichermaßen begeistern.

Piano Solo - Level 2 - Digital Download SKU: A0.1408630 By Franz Joseph Haydn. By Franz Joseph Haydn. Arranged by PianoForEveryone. Classical,Comedy. Score. 5 pages. PianoForEveryone #991227. Published by PianoForEveryone (A0.1408630). An easy piano arrangement of the finale/fourth movement (Presto) of Haydn's String Quartet, Op. 33, No. 2 'The Joke.' The key has been transposed to simplify, and the voicing reduced whilst still retaining the melody. About the arranger: I have been playing and teaching piano for over 20 years, and hold a degree in music from Oxford University. I'm on a mission to make piano accessible to everyone who wants to enjoy the beauty of playing.

Concert Band - Level 3 - Digital Download SKU: A0.552646 Composed by James M. Guthrie. Concert,Contemporary,Standards. Score and parts. 101 pages. Jmsgu3 #6488801. Published by jmsgu3 (A0.552646). Marcia funebre (2nd movement) and Finale - Allegro spirito (movement 4) from Symphony No. 4 for Concert BandDuration: 7:37, Score: 32 pagesInstrumentation:1 piccolo, 2 flutes, 1 oboe, 2 clarinets, 1 bass clarinet, 1 cello (or bassoon), 1 alto sax, 1 tenor sax, 1 bari sax, 3 trumpets, 4 horns, 2 tenor trombones doubled by euphoniums and/or baritones, 1 bass trombone, 2 tubas, 4 timpani, percussion: one player: bass drum, snare drum, suspended cymbal.

Clarinet,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1371643 Composed by Frank M. Davis. Arranged by Aaron Hettinga. 19th Century,Chamber,Classical,Folk,Multicultural,World. 29 pages. Aaron Hettinga #955893. Published by Aaron Hettinga (A0.1371643). Professor Frank Marion Davis (1839-1896) was an American educator, singer, and composer of both hymns and secular works. Among his secular works were a number of collections of polkas and waltzes written for solo piano. This series of works presents arrangements of a number of Davis’ compositions prepared for the instrumentation of Alford’s “Hungry Five� polka band books and serve as a fine addendum to those familiar pieces. While the clarinet parts tend to be the most active, they often feature diatonic scalar patterns. All parts should remain accessible to most intermediate-level players. The “Blue Bird’s Call� Polka (originally published in 1876) contains onomatopoeic chirps in the clarinet parts that make for a light and fun addition to any program. “Good Enough� Polka (originally published in 1874) is an example of Davis’ standard composition form used throughout most of this collection. “Harvest Home� Waltz (originally published in 1873) adds a pleasant waltz to the collection. Its melody is first presented simply,then embellishments are added as the piece continues. Davis’ aptly-titled “Jolly Friend� Polka (originally published in 1874) is a jovial tune with a bouncy melody that moves the clarinetists nimbly around a bit! “Lake-Side� Polka (originally published in 1874) has more participation in the Trumpet and Trombone parts than are found in much of the rest of this collection. “Nimble Toe� Polka (originally published in 1874) passes the melodic and accompaniment elements around the ensemble for a bit of variety for the players. This downloadable PDF package contains a set of full scores and a set of folio-sized parts (2 songs per page) that are ready to go for your German band's Oktoberfest OomPah gig!Also available individually as linked above.

Piano - Digital Download SKU: A0.1060929 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,World. Full Performance. Duration 125. James M Stevens Music ASCAP #3475319. Published by James M Stevens Music ASCAP (A0.1060929). This is the piano performance of Stevens' When the Final Journey Ends.

Piano - Digital Download SKU: A0.1061083 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,Standards. Full Performance. Duration 124. James M Stevens Music ASCAP #3578251. Published by James M Stevens Music ASCAP (A0.1061083). This is the piano track of Stevens' When the Final Journey Ends which may be used for various instrumental solos.

Flute,Piano - Digital Download SKU: A0.1061084 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,Standards. Full Performance. Duration 124. James M Stevens Music ASCAP #3578305. Published by James M Stevens Music ASCAP (A0.1061084). This is the Flute and Piano performance of Stevens' When the Final Journey Ends.

Piano,Violin - Digital Download SKU: A0.1061082 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,Standards. Full Performance. Duration 124. James M Stevens Music ASCAP #3578237. Published by James M Stevens Music ASCAP (A0.1061082). This the violin and piano performance of Stevens' When the Final Journey Ends.

Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.565985 By Sharon Wilson. By William J. Kirkpatrick. Arranged by Sharon Wilson. Country,Easter,Praise & Worship,Romantic Period,Sacred. Score and parts. 21 pages. Sharon Wilson #6679691. Published by Sharon Wilson (A0.565985). Here is a peacefully flowing instrumental trio arrangement (for FLUTE and VIOLIN duet with PIANO accompaniment) of the tender invitation hymn Lord, I’m Coming Home by William J. Kirkpatrick. This early-intermediate arrangement is written in 3/4 time as opposed to the standard 4/4 time. The song begins in the key of C major then during a short PIANO interlude, it transitions to and concludes in the key of F major.All three instruments lead with the melody at times, even the PIANO. The FLUTE carries the melody for the first verse and then all three instruments alternate leading with the melody for the second verse. This peaceful, touching instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 2:45Though notated with FLUTE on part 1 and VIOLIN on part 2, the ranges are also accessible for other combinations of C instruments such as 2 VIOLINS or 2 FLUTES. The range for each part is as follows: Part 1 (FLUTE) – G4 to A5; Part 2 (VIOLIN) – C4 (middle C) to A5. For the violin on either part, all notes are playable in the first position making this piece an excellent choice for early intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (9 pages) with all parts on each page2. separate scores for the FLUTE and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined FLUTE and VIOLIN score (3 pages) Cover Image Credit: captured by the arranger near Spokane, Washington

Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.588161 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5306143. Published by David McKeown (A0.588161). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged as a duet for one Violin and one Cello. The full YouTube performance above is the Clarinet version of this duet.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing.  There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.588377 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319399. Published by David McKeown (A0.588377). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Alto Saxophone.  Piano/Guitar chords in concert pitch are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.588132 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5306081. Published by David McKeown (A0.588132). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged as a duet for one Clarinet and one Tenor Saxophone. The full YouTube performance above is the Clarinet version of this duet.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing.  There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  

Trumpet Solo - Level 3 - Digital Download SKU: A0.588381 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5319407. Published by David McKeown (A0.588381). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged in a suitable key and range for solo Trumpet.  Piano/Guitar chords in concert pitch are also included above the stave.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Cello Duet Cello - Level 3 - Digital Download SKU: A0.588158 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by David McKeown. Rock. Score. 5 pages. David McKeown #5306135. Published by David McKeown (A0.588158). When I’m Sixty-Four first appeared on the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band. Despite the song’s appearance relatively late in the Beatles’ discography, it was one of the first songs that Paul McCartney wrote, at the age of 16. When the song was finally recorded in 1966, Paul McCartney felt it was too slow and turgid. George Martin simply solved the problem by speeding up the tape and raising the pitch by one semitone. This version of When I’m Sixty-Four is arranged as a duet for two Cellos. The full YouTube performance above is the Clarinet version of this duet.Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing.  There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203