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Flute Solo - Level 4 - Digital Download SKU: A0.971639 Composed by Jeffrey Hoover. 20th Century,Contemporary. Individual part. 9 pages. Musicart Publications #4102953. Published by Musicart Publications (A0.971639). For solo (unaccompanied) flute.  In three movements, total duration 7:45. Concerto in Horror is inspired by HP Lovecraft's writing in the science fiction-horror genre 1. Angles in Dreams ( The Dreams in the Witch-House), 2. Dark City (about Arkham), and 3. Unspeakable! (The Call of Cthulhu). The playing techniques include both traditional and extended techniques for expressive purposes: harmonics, flutter tongue, residual tones, multiphonics, and altered fingers. HP Lovecraft (1890-1937) wrote numerous works set in rural Western Massachusetts, in settings he imaginatively created and used throughout his writing career. His writings were highly influential in the early 20th century and have enjoyed a resurgence of popularity. Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
Concerto in Horror - solo flute
Flûte traversière

$15.00 12.94 € Flûte traversière PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.   
THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
Chorale SATB

$1.99 1.72 € Chorale SATB PDF SheetMusicPlus

Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.736296 Composed by Howard Greenfield and Jack Keller. Arranged by Phyllis Avidan Louke, ASCAP. Contemporary,Film/TV,Halloween. 15 pages. Louke Publishing #4794613. Published by Louke Publishing (A0.736296). Flute Choir Theme from BewitchedProgram Notes Theme from Bewitched is from a television situation comedy originally broadcast from 1964 to 1972 about a witch who marries an ordinary mortal man and vows not to use her magical powers.  It enjoyed great popularity, staying in the top ten for its first three seasons, and is rated one of the top 50 greatest television shows of all time.  Even though the theme was performed as an instrumental with flutes playing a prominent part, it was written with the following lyrics: Bewitched, Bewitched, You've got me in your spell. Bewitched, Bewitched, You know your craft so well. Before I knew what I was doing I looked in your eyes That brand of woo you've been brewin’ Took me by surprise. You witch, you witch, One thing is for sure. That stuff you pitch Just hasn’t got a cure. My heart was under lock and key, But somehow it got unhitched.I never thought my heart could be had But now I’m caught and I’m kinda glad To be bewitched. TVTelevisionTelevision Theme SongsHalloweenScarySpookyWitch1960s SitcomSitcom  This flute choir arrangement can be performed with as few as 6 players or a full flute choir with multiple players on a part.  It is scored for piccolo, 3 flutes, alto flute (alternate c-flute part included), and bass flute.  Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit.  www.phyllislouke.com  
Theme From "bewitched"
Ensemble de Flûtes

$14.50 12.5 € Ensemble de Flûtes PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa Claus “Jolly Old St Nicholasâ€Â I’m here to see Santa Claus But, it’s a long, long line, With lot’s of kids ahead of me, It will take some time I have with me my Christmas listTo tell dear Santa what I wish Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his ear Jolly old dear Santa Claus, lean your ear this wayDon’t you tell a single soul what I’m going to sayChristmas eve is coming soon, now you dear old manWhisper what you’ll bring to me – tell me if you can Down the chimney you will comeRight next to the tree,You can put the presents thereI hope there’s one for me You never make any noiseI wait for you each yearBut I sleep all through the nightSo I can’t catch you here Then he looked and smiled at me and whispered in my earIt will be a big surprise what I bring to you this year.
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
Piano, Voix et Guitare

$5.50 4.74 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1280806 By Johann Pachelbel. By Johann Pachelbel. Arranged by Sérgio Matias da Cunha. Baroque,Christmas,Instructional,Wedding. Score. 2 pages. Sérgio Matias da Cunha #872146. Published by Sérgio Matias da Cunha (A0.1280806). Arranjo claro, objetivo e acessível apresentando marcações de cifra, dedilhado, dinâmica e linhas de oitava, buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com simplicidade e equilíbrio. Partitura concisa e prática, distribuindo toda a música em duas páginas. Ideal para uma execução onde a melodia cativante e envolvente, a princípio elaborada sobre a forma polifônica de “canonâ€, seja capaz de conduzir a uma experiencia leve e divertida junta à doçura deste mundialmente conhecido tema musical. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
Canon de Pachelbel
Piano seul
Johann Pachelbel
$6.99 6.03 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1475444 By Sergei Rachmaninoff. By Sergei Rachmaninoff. Arranged by Russian for Singers. 19th Century,20th Century,Classical,Opera,Romantic Period. Score. 4 pages. Natalia Melnik #1052995. Published by Natalia Melnik (A0.1475444). Rachmaninoff. ???? / Utro / Morning Op. 4 No 2Poem by M.YanovOriginal key (F major)RangeA3 - C#5 (Mezzo-Soprano, Contralto)A2 - C#4 (Baritone, Bass)FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics:https://www.russian4singers.com/russian-diction-for-singers-1 FULL SONG PACK including Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) https://www.russian4singers.com/product-page-2/s-rachmaninoff-morning-op-4-n2-orig-key-f-maj-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers?Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel and watch the free diction guide https://youtu.be/84iGQx_Xnkw?si=ganx475548P3xSv0
RACHMANINOFF: "Morning" Op.4 N2 Orig.key (F maj). DICTION SCORE with IPA and translation
Piano, Voix
Sergei Rachmaninoff
$8.50 7.33 € Piano, Voix PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
Orchestre

$9.99 8.62 € Orchestre PDF SheetMusicPlus

Percussion Ensemble - Digital Download SKU: A0.1028382 Composed by Ben Calkins. Instructional. Score and parts. 12 pages. Ben Calkins #3493837. Published by Ben Calkins (A0.1028382). Why play Sapphire?Sapphire can be used my mallet percussion/ front ensembles to warm up. It includes sections that require 4 mallets for both block and arpeggiated chords. Many other common pit instruments have parts as well.Who would want this piece? Mallet percussion ensembles, probably marching band groups would get the most use from this piece. About Me:This is my first piece I have ever published. I have written several others but I finally made something I felt comfortable posting. I just bought Finale v25 and can't wait to continue writing more music for front ensemble/ piano in the future. I'm also in a small band and I may post our arrangements here too if the copyrights are okay.
Sapphire (Parts)
Ensemble de Percussions

$1.99 1.72 € Ensemble de Percussions PDF SheetMusicPlus






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