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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1164512 By Fiona Alice Hickie. By Giuseppi Verdi,Traditional, carl Linger, Godfrey Marks, George M. Cohan. Arranged by Fiona Alice Hickie. Classical,Folk,Multicultural,World. 67 pages. Fiona Alice Hickie #764794. Published by Fiona Alice Hickie (A0.1164512). A suite of 7 pieces with a work representing each continent.Europe: La Donna e Mobile (Italy)          Africa: A Ya Zain (Egypt)                      Asia: Mo Li Hua (China)                Australia: Song of Australia                         Antarctica: Sailing, Sailing                             South America: Samba Lele                  North America: Yankee Doodle Boy.
Around the World in Seven Ditties
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Fiona Alice Hickie
$27.99 24.22 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.999354 Composed by Dennis A. Westgate. Arranged by D.A. Westgate. Children,Christmas,Contemporary,Instructional,Sacred. Octavo. 47 pages. Tyne Music #5981485. Published by Tyne Music (A0.999354). CHRISTMAS IS HERE is the second album of my own interpretation of the festive season expressed in music. The theme is based on the many and varied greeting cards we send and receive, from the traditional Christmas message, to the picturesque and jovial. The songs I’ve selected are from old and well-loved traditional carols,along with some from my own Christmas musicals, plus others I’ve composed specifically for this album They cover all the moods of this joyful occasion and could even be performed as a complete evening’s entertainment, or alternatively, individual numbers may be used for those of you looking for a little originality to spice up your existing repetoire.   Whatever you are planning in the way of your Christmas celebrations, I’m sure you will find ‘Christmas is Here a new enjoyable work from TYNE MUSIC to add to your Christmas collection.  This album includes the Piano & Vocal Score + separate lyricsFor full information please see my website:- https://www.tynemusic.com/christmas-is-hereP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords. However this is reflected in the price. You would have to add your own instrumentation.SONG TITLES 1)     Christmas is Here 2)     Today is Born a King 3)   *Away in a Manger 4)     The First Nativity 5)   *Once in Royal David’s City 6)     A Christmas Calypso 7)   *O Come all ye Faithful 8)     Thoughts of Christmas 9)   *Silent Night 10)   Hey Ding a Dong 11)   *Jingle Bells 12)   Mister Santa Claus
CHRISTMAS IS HERE (New festive songs & traditional carols)
Chorale Unison

$10.00 8.65 € Chorale Unison PDF SheetMusicPlus

Guitar - Level 5 - Digital Download SKU: A0.1209125 Composed by Emmanuel Cabrera Lagunas. Contemporary,Multicultural,World. 25 pages. Emmanuel Cabrera Lagunas #807227. Published by Emmanuel Cabrera Lagunas (A0.1209125). Variaciones candomberas es una pieza musical para cuarteto de guitarras que combina elementos de la música académica contemporánea con elementos de la música tradicional latinoamericana. La obra comienza con un material melódico cromático utilizado en un quebrado irregular., la melodía es reforzada en intervalos paralelos de 4a, 4a aumentada y 3as mayores y menores, la cual evoluciona en tres diferentes variaciones que gradualmente presentan ritmos de música tocada en los barrios tradicionales de Uruguay, hasta finalizar con una alegre y enérgica combinación de patrones rítmicos del Candombe transferidos a la guitarra por medio de rasgueos, golpes y sonoridades polimodales.
Variaciones candomberas - Score Only
Guitare

$8.00 6.92 € Guitare PDF SheetMusicPlus

C Instrument - Level 2 - Digital Download SKU: A0.1309631 By Renato Borghetti & Yamandu Costa. By Harvey Marques and Renato Becker Borghetti. Arranged by Marcelo Borba. Folk,Jazz,Latin,Multicultural,Patriotic,World. Lead Sheet / Fake Book. 2 pages. Marcelo Borba #898799. Published by Marcelo Borba (A0.1309631). Partitura da icônica música de Veco Marques e Renato Borghetti, SÉTIMA DO PONTAL. Leadsheet - Melodia e acordes. Renato Borguetti é um renomado músico brasileiro conhecido por sua maestria na gaita-ponto, um instrumento muito difundido na região Sul do Brasil. Ele é um dos principais expoentes da música regionalista e tradicional do sul do Brasil, especialmente no estado do Rio Grande do Sul.Renato Borguetti nasceu em Porto Alegre, no Rio Grande do Sul, em 1958. Ele começou a tocar gaita-ponto na infância e se destacou como músico desde cedo. Sua música é fortemente influenciada pelas tradições musicais gaúchas e sulistas, incorporando elementos do folclore e da cultura local em sua obra. Ele é conhecido por sua capacidade de combinar tradição e inovação em sua música.Borguetti é amplamente reconhecido e respeitado em todo o Brasil e internacionalmente. Ele recebeu diversos prêmios e honrarias por suas contribuições à música brasileira. Além de sua carreira musical, Borguetti também se envolve em atividades educacionais, lecionando e promovendo oficinas para músicos aspirantes.Sheet music for the iconic song SÉTIMA DO PONTAL in Leadsheet style - Melody and chords.Renato Borguetti is a renowned Brazilian musician known for his mastery of the harmonica, an instrument widespread in the southern region of Brazil. He is one of the main exponents of regionalist and traditional music from southern Brazil, especially in the state of Rio Grande do Sul.Renato Borguetti was born in Porto Alegre, Rio Grande do Sul, in 1958. He started playing harmonica as a child and stood out as a musician from an early age. His music is strongly influenced by Gaucho and Southern musical traditions, incorporating elements of folklore and local culture into his work. He is known for his ability to combine tradition and innovation in his music.Borguetti is widely recognized and respected throughout Brazil and internationally. He has received numerous awards and honors for his contributions to Brazilian music. In addition to his musical career, Borguetti also engages in educational activities, teaching and hosting workshops for aspiring musicians.
Setima Do Pontal
Instruments en Do
Renato Borghetti & Yamandu Costa
$5.00 4.33 € Instruments en Do PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.45 € Chorale TTBB PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1008517 Composed by Antonio Carlos Jobim and Vinicius De Moraes. Arranged by Flávio Tiago Solai. Contemporary. Score. 3 pages. Solmus #6383243. Published by Solmus (A0.1008517). Advanced samba song arrangement according to the title of this ad. Includes techniques: Development of a very Brazilian rhythmic swing; 3 voices in the arrangement, being the right hand with the melody and harmony, the left hand in the reproduction of the bass, It is very dynamic with some small alternations between the hands; There is an improvisation section; Harmony very close to jazz; Coherent arrangement; Execution within the capabilities of the hands, that is, nothing that makes the interpreter impossible (as long as he does not have any physical problem). I hope you enjoy! It took 1 day for production, which includes experimentation, approval and finally editing. My channels: https://www.youtube.com/solmusoficial https://www.instagram.com/solmus_oficial/ https://www.facebook.com/solmus.oficial Português Brasileiro: Arranjo avançado de samba da canção conforme o título deste anúncio. Inclui técnicas: Desenvolvimento do swing rítmico bem brasileiro; 3 vozes no arranjo, sendo mão direita com as melodia e harmonia, a mão esquerda na reprodução do baixo, Está bem dinâmico com algumas pequenas alternâncias entre as mãos; Tem seção de improviso; Harmonia bem aproximado ao jazz; Arranjo coerente; Execução dentro das capacidades das mãos, ou seja, nada que impossibilite o interprete (desde que não tenha nenhum problema físico). Espero que apreciem! Levou 1 dia para produção, que inclui experimentação, aprovação e por fim a edição. Meu canais: https://www.youtube.com/solmusoficial https://www.instagram.com/solmus_oficial/ https://www.facebook.com/solmus.oficial
O Morro Nao Tem Vez (favela) (somewhere In The Hills)
Piano seul

$4.99 4.32 € Piano seul PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.886928 Composed by Ludwig van Beethoven. Arranged by Justin M. Ryan. Christian,Classical,Contemporary,Jazz,Sacred. Octavo. 8 pages. Justin M. Ryan #3062573. Published by Justin M. Ryan (A0.886928). The Hymn of Joy (often called Joyful, Joyful We Adore Thee after the first line) is a poem written by Henry van Dyke in 1907 with the intention of musically setting it to the famous Ode to Joy melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.This new arrangement for SATB Choir brings soulful harmonies and jazz flair to the popular piece. Finger snapping is optional but encouraged. Your choir will enjoy the challenge of this piece from start to finish.
Joyful, Joyful, We Adore Thee
Chorale SATB

$2.99 2.59 € Chorale SATB PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1512379 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Douglas R Morrison. Film/TV,Pop,Standards. 15 pages. Douglas R. Morrison #1087411. Published by Douglas R. Morrison (A0.1512379). Perhaps no melody embodies the essence of Paris more than La Vie En Rose.Written in 1945, it became the signature song of its composer, popular French singer Edith Piaf (1915-1963).  It became a pop hit in the US in 1950 when seven versions (Tony Martin. Paul Weston, Bing Crosby, Victor Young, Dean Martin, and Louis Armstrong), reached the Billboard charts.And, it was prominently featured in Billy Wilder's film Sabrina (1954) starring Audrey Hepburn, Humphrey Bogart, and William Holden.[The audio sample begins at Letter A (m. 5)]Like us on Facebook:  www.facebook.com/rivendellarrangements.
La Vie En Rose
Quatuor à cordes: 2 violons, alto, violoncelle
Edith Piaf
$12.99 11.24 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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