Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.1324836 Composed by Charles-Camille Saint-Saëns. Arranged by Alex E. Baroque,Chamber,Classical,Religious,Renaissance. Recorder Ensemble. 8 pages. Müller Publishing company #913048. Published by Müller Publishing company (A0.1324836). Tollite Hostias - Digital Sheet Music for Recorder QuartetElevate your recorder ensemble's performance with the exquisite sheet music for Tollite Hostias. This digital score, expertly arranged for recorder quartet, allows your ensemble to explore the richness and depth of this captivating composition.**Why Choose This Digital Score?****Impeccable Quality:** Immerse yourselves in a high-resolution score that accentuates every musical nuance, ensuring a visually engaging experience for all recorder players.**Tailored for Recorder Quartet:** This score is thoughtfully arranged for recorder quartet, providing distinct parts for Soprano, Alto, Tenor, and Bass recorders. Each part harmonizes seamlessly to create a beautiful ensemble sound.**Deep Emotional Atmosphere:** Tollite Hostias is known for its deep emotional resonance. Feel the beauty of melodies as your recorder quartet brings this timeless piece to life.**Convenient Digital Format:** Say goodbye to concerns about lost or damaged physical scores. The digital score's versatility allows for easy sharing among ensemble members, promoting efficient and collaborative preparation.**Ideal for Recorder Ensemble Performance:** The score is tailored to bring out the best in recorder ensembles, allowing each part to shine and create a harmonious musical experience.**Deep Musical Exploration:** Enable your recorder quartet to explore the emotional nuances of Tollite Hostias with a score that illuminates harmonic and melodic complexities.**How to Acquire:**Seize the opportunity to enhance your recorder ensemble's repertoire with the magnificent digital score of Tollite Hostias. Elevate the expressiveness and musical quality of your ensemble. Purchase now and embark on a unique musical journey through the pages of this timeless masterpiece.

Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1148062 By Shawn Mendes. By Geoffrey Warburton, Scott Harris, Shawn Mendes, and Teddy Geiger. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 2 pages. M das Melodias #748255. Published by M das Melodias (A0.1148062). Sheet Music for Alto Saxophone. There's Nothing Holdin' Me Back é uma canção do cantor canadense Shawn Mendes, gravada para a reedição do seu segundo álbum de estúdio Illuminate (2016). Foi escrita por Mendes, Teddy Geiger, Geoff Warburton e Scott Harris, com produção de Geiger e Andrew Maury. Foi lançada como terceiro single do álbum em 20 de abril de 2017 pela Island Records. O videoclipe foi lançado em 20 de junho de 2017. Composição There's Nothing Holdin' Me Back é uma faixa de pop rock dance-y. Um editor da Billboard notou que ele apresenta algumas guitarras elétricas e vocais tensos no refrão. À medida que a faixa otimista progride, ela incorpora palmas, riffs de guitarra funky e baixo foot-tapping. O pré-refrão foi inspirado nos primeiros trabalhos de Timbaland e Justin Timberlake.

Large orchestra and Turkish instruments - Digital Download SKU: S9.Q48141 (Istanbul Symphony). Composed by Fazil Say. This edition: study score. Music Of Our Time. Downloadable, Study score. Op. 28. Duration 45 minutes. Schott Music - Digital #Q48141. Published by Schott Music - Digital (S9.Q48141). Two of the European Cultural Capitals in 2010 - Istanbul and the Ruhr area - were united in the personality of the composer and pianist Fazıl Say. He lives in Istanbul and had a five-year residence as exclusive artist at the Konzerthaus Dortmund, the largest city in the Ruhr area. This cooperation culminated in the highlight of a concert, the world premiere of Say’s Istanbul Symphony in which the composer has created a portrait of the city in seven movements capturing everyday situations and the atmosphere, history and people of this great metropolis.Picc. · 3 · 2 · Engl. Hr. · 3 · 2 · Kfg. - 4 · 3 (3. auch Piccolotrp.) · 1 · Basspos. · 1 - P. S. (Xyl. · Trgl. · Marimba · Beckenpaar · hg. Beck. · Tamt. · Tamb. · Snare Drum · Tomt. · Tenortr. · gr. Tr. · Ocean Waves · Bar Chimes · 3 Woodbl.) (4 Spieler) - Hfe. - Nay* (ggf. verstärkt) · Kanun* (ggf. verstärkt) · Türk. Percussion (1 Spieler): Kudüm* · Bendir* · Darbuka* - Str. (16 · 14 · 12 · 12 · 8) *Die türkischen Instrumente können auch ersetzt werden. / The Turkish instruments may also be replaced: Nay: Altfl. & Engl. Hr. - Kanun: Cimbalom o. Hfe. & Klav. - Kudüm: Tablas o. Bongos o. Tomtoms - Bendir: Tablas o. Congas - Darbuka: Tablas o. Bongos.

Cello Solo - Level 1 - Digital Download SKU: A0.1148068 By Shawn Mendes. By Geoffrey Warburton, Scott Harris, Shawn Mendes, and Teddy Geiger. Arranged by Josiel Oliveira. Pop. Individual part. 2 pages. M das Melodias #748261. Published by M das Melodias (A0.1148068). Sheet Music for Cello. There's Nothing Holdin' Me Back is a song by Canadian singer Shawn Mendes, recorded for the reissue of his second studio album Illuminate (2016). It was written by Mendes, Teddy Geiger, Geoff Warburton and Scott Harris, with production by Geiger and Andrew Maury. It was released as the album's third single on April 20, 2017 by Island Records. The music video was released on June 20, 2017. Composition There's Nothing Holding Me Back is a dance-y pop rock track. A Billboard editor noted that it features some electric guitars and taut vocals in the chorus. As the upbeat track progresses, it incorporates handclaps, funky guitar riffs and foot-tapping bass. The pre-chorus was inspired by early work by Timbaland and Justin Timberlake.

Chamber Orchestra - Level 2 - Digital Download SKU: A0.1365297 Composed by Maria Da Gloria Gadelha and Severino Dias De Oliveira. Arranged by Matheus Felix. Chamber,Multicultural,World. 6 pages. Matheus Felix #949615. Published by Matheus Felix (A0.1365297). Arranjo de Feira de Mangaio para Cordas, Flauta, Clarinete e Percussão:Este vibrante arranjo da tradicional música nordestina Feira de Mangaio transporta os ouvintes para um cenário pitoresco, repleto de cores e energia pulsante. As cordas introduzem a peça com uma atmosfera calorosa, evocando as raízes culturais da canção. A melodia é então enriquecida pela flauta, que dança com vivacidade, trazendo um toque lúdico e animado. O clarinete acrescenta uma camada expressiva, transmitindo a riqueza das nuances melódicas e adicionando um elemento de nostalgia à composição. A percussão, vital e pulsante, fornece o ritmo envolvente característico da música regional brasileira, dando vida à feira imaginária que a canção celebra. A interação entre os instrumentos cria uma sinergia encantadora, capturando a essência festiva da Feira de Mangaio. As transições fluidas entre as seções e os momentos de destaque individual contribuem para a dinâmica envolvente da interpretação. A cada nota, este arranjo convida o público a mergulhar na riqueza cultural e musical do Nordeste brasileiro, exalando a alegria contagiante de uma feira em pleno vigor.

Marching Band - Level 3 - Digital Download SKU: A0.1007036 Composed by Johnson K. Gao. Concert,Folk,Holiday,Patriotic. Score and parts. 2 pages. Johnson Gao #6054373. Published by Johnson Gao (A0.1007036). This song was composed by Johnson K. Gao during the Covid-19 pandemic period and self isolated at home. He started to compose that song in the early morning at A.M. 4:30 of September 7, 2020 and finished it at A. M. 4:30 of September 10, 2020. The song has no lyrics at the time of melody was finalized. But, the meaning of the song is clear. It is shown by its name with the hope that everyone could keep good health during the pandemic spreading. The song has an optimistic tune and vivid speed, which are proper to those survivals marching on the historic common road. All rights reserved. However, the author permits educational copying of the song sheet. Any commercial use of the song must get a written permission from the author in advance by contact: jkxgao@gmail.com.

Piano Solo - Level 3 - Digital Download SKU: A0.1254069 By Clay Walker. By Jose Feliciano. Arranged by Sérgio Matias da Cunha. Christmas,Holiday,Latin,Pop,Traditional. Score. 2 pages. Sérgio Matias da Cunha #847675. Published by Sérgio Matias da Cunha (A0.1254069). Arranjo com sinalizações, marcações, dedilhado, cifragem e linhas de oitava; otimizando a interação, a leitura e a melhor execução desta animada, festiva e sincera canção de natal e ano novo latino americana, mundialmente reconhecida e composta pelo cantor e compositor porto-riquenho José Feliciano. Movimento ritmado através de notas sincopadas, stacatos além de variações de oitava, dando um sentido de canto e contracanto à primeira parte da melodia, que é acompanhada pela mão esquerda na clave de FA por uma distribuição harmônica contínua de consonâncias tonais perfeitas, ritmicamente padronizadas. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Easy Piano - Level 2 - Digital Download SKU: A0.1267740 By Various. By domínio público. Arranged by Sérgio Matias da Cunha. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 1 pages. Sérgio Matias da Cunha #860284. Published by Sérgio Matias da Cunha (A0.1267740). Partitura acessível com figuras rítmicas maiores que a semicolcheia e marcações de cifra e dedilhado. Arranjo alegre e movimentado, trazendo na primeira parte, a melodia tocada pela mão direita e acompanhada com a mão esquerda por acordes destacados sobre as unidades de tempo, e, na segunda parte, invertem-se os papéis na direção de uma finalização marcante e divertida. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Violin Solo - Level 1 - Digital Download SKU: A0.1148088 By Shawn Mendes. By Geoffrey Warburton, Scott Harris, Shawn Mendes, and Teddy Geiger. Arranged by Josiel Oliveira. Pop. 2 pages. M das Melodias #748281. Published by M das Melodias (A0.1148088). Sheet Music fot Violin. There's Nothing Holdin' Me Back is a song by Canadian singer Shawn Mendes, recorded for the reissue of his second studio album Illuminate (2016). It was written by Mendes, Teddy Geiger, Geoff Warburton and Scott Harris, with production by Geiger and Andrew Maury. It was released as the album's third single on April 20, 2017 by Island Records. The music video was released on June 20, 2017. Composition There's Nothing Holding Me Back is a dance-y pop rock track. A Billboard editor noted that it features some electric guitars and taut vocals in the chorus. As the upbeat track progresses, it incorporates handclaps, funky guitar riffs and foot-tapping bass. The pre-chorus was inspired by early work by Timbaland and Justin Timberlake.

Concert Band - Level 3 - Digital Download SKU: A0.971644 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 74 pages. Musicart Publications #4288327. Published by Musicart Publications (A0.971644). For concert band - grade 3. Duration: 4 min. 30 sec. To Celebrate Life is a joyous work, commissioned The Bridgeway Stonegate Concert Band (Sacramento, California) in honor of school shooting victims and people of the community of Marjory Stoneman Douglas High School in Parkland, Florida. Three themes are interwoven through the work - Time, Life, and Thought. A blog documents the writing of the work:  https://jeffreyhooverart.wixsite.com/mysite/bridgeway-stongate-commissionWritten for an advanced jr. high/beginning high school band. 2 fl, ob, bssn, 2 cl, bcl, 2 asax, tsax, bsax, 2 tpt, F hrn, 2 trb, euph (with asax substitute), tuba, bass, bells, timp, 3 perc.Jeffrey Hoover's work- music ranging from soloist to symphony orchestra -has received recognition through the prestigious Trieste prize, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the Luigi Russolo competition, grants, publications, fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. Frequently combining painting with composition, Hoover creates works that can be both seen and heard by the audience. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.

Piano Solo - Level 3 - Digital Download SKU: A0.958796 Composed by Cliff Friend y Dave Franklin. Arranged by Juan Carlos Cortés A. Concert,Film/TV,Folk,Jazz,Standards. Score. 3 pages. Juan Carlos Cortés Aguirre #6872923. Published by Juan Carlos Cortés Aguirre (A0.958796). Transcripción musical para piano solo por:JUAN CARLOS CORTÉS A.Basada en la versión vocalizada por el cantor (Roberto) El Chato Flores acompañado por la orquesta de Enrique Rodríguez.La calesita se destrozó (The merry go round broke dwon).Letra: Cliff Friend – Música: Dave FranklinVersión musical: Enrique Rodríguez.Introducción Orquesta:Para divertirme con placer sin par, fui en busca de un juego que inventó Colón.Jugábalo mi mamá, mi abuelo y su papá, era algo parecido…(*) ¡Galopín! que no...La calesita se destrozó, de tan vieja quizás.Dos vueltas di, después caí, la calesita se destrozó (Bis)Hoy ilusión de un tiempo fugaz, ilusión de infantil edad.La calesita se destrozó, de tan vieja quizás.Dos vueltas di, después caí, la calesita se destrozó.Orquesta y fin.(*)Galopín en glosario de mexicanismos a argentinismos: lavacopas, ayudante de cocina. Significado de galopín: m. Muchacho mal vestido, sucio y desharrapado. Pícaro sin educación ni vergüenza: Ej. Ese galopín está buscando algo que robar. Col. Hombre taimado, astuto, con talento.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1402175 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 10 pages. Kevin G. Pace #985383. Published by Kevin G. Pace (A0.1402175). An epic choral anthem composed by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Promises, hymn text“. . . He giveth this promise unto you, with an immutable covenant . . . “ (Doctrine and Covenants 98:3)I am the Cov'nant Father for all of mankind. These, my children through the world I'm able to bind. Ev'ry oath I give attests of my dear Son, Jesus Christ. O, He is the One who sacrified; His love paid the price.I am the Cov'nant Father for all vows extolled. Jesus gave His perfect life for each precious soul. Ye are my precious fam'ly pure kinship from the start.I'm your Father up above and I give to  you my heart.I am the Cov'nant Father; this is my design. Ordinances in Christ's name are the sacred signs. I assure my word of honor; my promises are sure. O, my love will last eternally, always to endure.Promises are cherished gifts to give each child of mine. Promises are my own way to give love divine.

SATB choir (choir divisi) unaccompanied - Medium - Digital Download SKU: MQ.8705-E Composed by Zebulon M. Highben. Lent, Funeral, Tenebrae. Instrument part. 8 pages. Duration 4 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8705-E. Published by E. C. Schirmer Music Company - Digital (MQ.8705-E). Latin. John 1:5.The text of Lux in tenebris—a single verse from the prologue to the gospel of John—was chosen in conjunction with the commissioning party, who requested a sacred text with universal appeal that could address the hopes and fears that all people share. The composition elaborates on the text's juxtaposition between the darkness of despair and the light of hope. Dissonant, layered ostinati built on fragments of the text illustrate the omnipresent darkness (mm. 1-25). The second half of the piece (m. 29ff.) changes key and meter, employing the entire text to emphasize the persistent shining and eternal triumph of the light. Duration: 4:30Lux in tenebris was premiered in December 2016 by the Chamber Singers of First Community Church (Columbus, Ohio) at the church’s annual Candlelight Christmas concert, and reprised for the Holy Week Tenebrae service in April 2017.

C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Level 2 - Digital Download SKU: A0.1313781 By Sérgio Matias da Cunha. By Sérgio Matias da Cunha. Arranged by Sérgio Matias da Cunha. Instructional. Educational Method. 27 pages. Sérgio Matias da Cunha #902497. Published by Sérgio Matias da Cunha (A0.1313781). Sucedendo aos “10 estudos progressivos�, e aos “25 temas didáticos - seção(a)�, nesta etapa encontram-se 25 temas com marcações de dedilhado, cuidadosamente elaborados com um diferencial de apresentar não somente as notas naturais, mas também notas alteradas com sustenido e com bemol,  de forma ocorrente e/ou fixa, assinaladas no decorrer de cada tema através de ilustrações e comentários. Os temas são baseados na disposição dos pentacórdios, movimentos paralelo, contrário e oblíquo entre as duas mãos, bem como, disposição de acordes, arpejos, cromatismos e progressões sobre os tons vizinhos diretos e indiretos da tonalidade. Conta-se ainda com diversas informações teóricas junto às respectivas partituras.  Encontre mais partituras, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.935386 Composed by Dan Heslink. Contemporary. Score and parts. 46 pages. Pharaoh Publications #6058011. Published by Pharaoh Publications (A0.935386). Sinfonietta                                                                                                                  composed by Dan Heslink Sinfonietta is a trio for vibraphone, marimba and percussion (xylophone, snare drum, and bass drum). Its expression is intended to be non-representational, presenting only an interesting technical construction in a suave formal organization. With the title the composer designates a single movement, with length and seriousness of expression approaching a symphonic movement. Its form approximates an expanded version of the classical sonata-allegro, dividing materials into three large sections. Beginning are the two main phrases of the principal theme, which establish patterns that are idiomatic throughout the movement. The first measure’s quartal harmonies divide into rhythms alternating the two hands, the right-hand posing a melody and the left-hand complementing it with harmony and rhythmic repetition. The phrase at measure 7 is a long-breathed melody for vibes accompanied by undulating chords in the marimba. A transition comprising highly qualitative rhythms (stated first by the marimba in m. 20.) has much identity. By measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement. The exposition closes with a theme beginning in measure 51. It is announced by the vibes as another long-breathed melody unfolding over the active rhythm of the second theme. After a gradual dissipation, the development section starts at measure 92 with a new but related theme, heard first in the vibes. It offers a different key and an expressive melody slowly unfolding over rhythmically active harmonies. The remainder of this middle section explores nuances of the secondary and closing themes, and ultimately leads to the movement’s first climax. It eventually dissipates through a gradual reduction of density and tempo.  The Reprise begins vigorously at m. 118 with statements of both the principal theme’s phrases. Then the second theme is transformed by the addition of bass drum strokes, which sets up a codetta. This section comprises a long crescendo on the new theme over a rhythmic tattoo derived from the second theme, and builds to a bold conclusion.  Pedaling on the vibes is indicated with a solid bracket below the connected notes, and half pedaling with a dashed bracket. It is imperative that the percussion part be heard but not dominate. The performer is encouraged to experiment with a piccolo snare drum and 28 bass drum. Sinfonietta would serve equally well in a professional, college or advanced high school percussion recital. The composer assigns a difficulty level of medium difficult. Duration is 8:10. The composer, Dan Heslink, can be contacted at dan@dheslink.com.