Composed by Franz Joseph Haydn (1732-1809). Arranged by Harry Walker. Baroque Period, Repertoire. Individual Part, Score. 33 pages. Published by SCORE EDITIONS

Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 2 - Digital Download Composed by Kathleen Thomerson. Arranged by Benjamin Harlan. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred SingPraise Series. Baptism; Communion; Confirmation; Sacred. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-19877. Published by Jubilate Music Group - Digital

Choir Sacred (SAB choir/3- Part choir Mixed) - Digital Download Resurrection Hymn. Composed by Keith Getty and Stuart Townend. Arranged by Bruce Greer. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred SingPraise Series. Easter; Sacred; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-29368. Published by Jubilate Music Group - Digital

French Horn Quintet - Advanced Intermediate - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by Regis Bookshar. Baroque Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 27 pages. Published by Regis Bookshar

Trombone, trombone octet - Advanced Intermediate - Digital Download Composed by Juan María Solare. Contemporary Classical, Neo-Classical, Latin Jazz, Repertoire, Latin. Score, Set of Parts. 32 pages. Published by Juan Maria Solare

Composed by T Layton / H Creamer. Arranged by Iain Dixon. Swing, Big Band. Score, Set of Parts. 67 pages. Published by Iain Dixon (S0.226359). - Score,Set of Parts - Swing,Big Band - Iain Dixon

Composed by Peter Dodds McCormick. Arranged by Daryl McKenzie. Graduation, Patriotic. Score, Set of Parts. 24 pages. Published by Daryl McKenzie (S0.303789). - Score,Set of Parts - Graduation,Patriotic - Daryl McKenzie

By Robert Lopez. Arranged by Harry Haden-Brown. Score. 17 pages. Published by Harry Haden-Brown (H0.186067-256110). - Score - - Harry Haden-Brown

By Mark Ronson ft. Bruno Mars. Arranged by Ed Puddick. Score, Set of Parts. 70 pages. Published by Ed Puddick (H0.228087-264385). - Score,Set of Parts - - Ed Puddick

String Orchestra - Level 3 - Digital Download SKU: A0.989195 By Daniel Carr. By Daniel Carr. Classical,Contemporary,Film/TV,Sacred,Video Game. Score and parts. 588 pages. Daniel Carr #594865. Published by Daniel Carr (A0.989195). Virus was composed during and about the 2020-2021 COVID epidemic. The main details of this piece are: 1. Each instrumentalist plays one and only one note throughout the entire piece. There are no expression markings – only dynamics. There are no special techniques. Each performer is “self-isolating�. 2. 48 instrumentalists – 24 violins, 10 violas, 8 cellos, 6 double basses. The entire ensemble covers four chromatic octaves. 3. Vibrato consistent across all instrumentalists. 4. No liberty with rhythm. Follow exactly as written. 5. This may be considered an etude – a study of volume. All instrumentalists should be consistent in their interpretation of each dynamic. pppp should be extremely quiet but still audible. 6. The change in volume for crescendos and decrescendos should be gradual – reaching end dynamic in a legato, smooth manner. 7. The visual of the dynamics in the full score – often depicts the program – like hieroglyphics. Or, in some cases, like the image of an organism viewed through a microscope. 8. Optional – performers may wear masks during performance. And, if space permits, have 6 feet social distancing between performers.

Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.877910 Composed by Richard Rodgers. Arranged by Rebecca Bogardus. Broadway,Film/TV. Octavo. 12 pages. Lillwy Publishing #3018809. Published by Lillwy Publishing (A0.877910). Give your children's choir the chance to sing with instrumentalists! This arrangement of the iconic classic from The King and I is for three flutes, three violins, and unison choir with an optional soloist. This is a perfect choice for a children's choir with the director acting as soloist! Vocal range is one octave (D to D) and vocal parts are very singable. Instrumentally, this piece is suitable for early intermediate players, making this a perfect choice for your youth ensemble. All string parts are in first position, and there is an extensive pizzicato section that will help your students focus on rhythmic accuracy. Flute parts include articulation markings designed to encourage musicality and include a 2 1/2 octave range. The piece is in Bb, making it a challenge for your more advanced string players but placing it well within the reach of early flutists. We recommend placing your strongest players on Flute 1 and Violin 3. A great choice for a family ensemble or community ensemble!

1(pic).1.1.1-0.1.1.0-hp-vc soprano, alto and instrumentalensemble - Digital Download SKU: S9.Q3362 Cantate. Composed by Sir Peter Maxwell Davies. This edition: study score. Downloadable, Study score. Op. 18. Duration 16 minutes. Schott Music - Digital #Q3362. Published by Schott Music - Digital (S9.Q3362). Italian.

Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453743 Composed by Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Kerry Marsh. Funk,Jazz,Pop,Soul. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1032960. Published by Kerry Marsh (A0.1453743). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Them Changes is a standout track by Thundercat, featuring a funky, bass-driven groove that highlights Thundercat's virtuosic bass playing and unique blend of jazz, funk, and R&B influences. The lyrics explore themes of heartbreak and emotional turmoil, delivered with Thundercat's signature falsetto vocals.Kerry Marsh's vocal jazz arrangement begins with an a cappella rendition of the song's bridge, serving as a teaser before launching into the now-iconic drums and bass groove. A hallmark of neo-soul, the dissonance between the chord changes and the melody can present challenges for vocal harmonies. This arrangement skillfully navigates these tricky spots, employing octaves and unison writing to minimize clashes, and then breaking out into lush, dense harmonies where they are most effective.The chart concludes with a space for vocal or instrumental improv, accompanied by vocal backgrounds, ending the piece in a sudden and unconventional manner. This modern-day classic will be a hit with your vocal jazz ensemble, offering something for singers, instrumentalists, and the audience alike to enjoy.Perfect for advanced ensembles looking to explore contemporary jazz-funk, this arrangement captures the essence of Thundercat's innovative style while providing a fresh and exciting challenge. Check out the Scoreflipper preview to see how this arrangement can elevate your group's performance and captivate your audience.

Concert Band (optional solo piano) - intermediate - Digital Download SKU: AQ.AMC-WB-003SCO Composed by Francis Johnson. Arranged by Kenneth Amis. Music of Black Composers and Artists. Conductor score. 40 pages. Amis Musical Circle - Digital #AMC-WB-003SCO. Published by Amis Musical Circle - Digital (AQ.AMC-WB-003SCO). 11 x 17 inches.The 1818 publication of Francis Johnson's A Collection of New Cotillions marks the first known publication of original music by a black composer in the United States. A prolific composer, instrumentalist, teacher and conductor, Johnson led a varied and successful career in an era in U.S. history that was not inviting to black professionals. His musical interests ranged from the contemporary works of Johann Strauss Jr. to traditional, popular dances.The cotillion is a French country dance that was popular in Europe and America in the 18th century. It was originally danced by four couples in square formation and was an important influence in the development of the square dance in the United States. Francis Johnson composed two sets of six piano accompaniments for this dance. The original 1818 publication even included movement instructions for the eight dancers. The short and charming melodies that he composed are a fitting example of popular dance music of the time.This transcription may be performed as a piano solo, with the piano as a non-solistic instrument within the ensemble or without piano at all. If it is to be a piano solo, the other instruments should not play the passages marked “opt. tacet (optional tacet). If the piano will not be treated soloistically, the conductor can have some or all of the “opt. tacet passages played at their discretion. When there is no piano involved in the performance ,all instrumentalists should ignore the “opt. tacet instruction and play everything.