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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.734600 Composed by Allen Toussaint, Alvin Tyler, Freddy Friday, and Marilyn Schack. Arranged by Dennis Ruello. Contemporary. Score and parts. 50 pages. Chicory Music #6598489. Published by Chicory Music (A0.734600). Java is an instrumental adaptation from a 1958 LP of piano compositions, The Wild Sounds of New Orleans, by Toussaint, also known as New Orleans producer/songwriter Allen Toussaint. As was the case of the rest of Toussaint's LP, Java was composed at the studio, primarily by Toussaint.The first charting version was done by Floyd Cramer in 1962. His version fell just short of the U.S. Top 40.In 1963, trumpet player Al Hirt recorded the instrumental, and the track was the first single from his album Honey in the Horn. It was Hirt's first and biggest hit on the US pop charts, reaching number four on the Billboard Hot 100 on February 29, 1964 and spending four weeks at number one on the easy listening chart in early 1964. The song was also featured on his greatest hits album, The Best of Al Hirt. Hirt released a live version on his 1965 album, Live at Carnegie Hall. He also recorded the song with Arthur Fiedler and the Boston Pops for the RCA Red Seal album Pops Goes the Trumpet (Holiday for Brass) in 1964.Hirt's recording won the Grammy Award for Best Performance by an Orchestra or Instrumentalist with Orchestra in 1964.This jazz ensemble / big band arrangement features your lead trumpet player with medium to easy background support from the rest of the band. Optional parts for this arrangement are: 2nd Tenor Sax., 4th Trumpet, 4th Trombone and Guitar.Performance Time: approx. 2:05
Java
Ensemble Jazz

$49.99 42.92 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1169836 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Michel HERR. Broadway,Jazz,Musical/Show,Standards. Score and parts. 39 pages. Michel HERR #770197. Published by Michel HERR (A0.1169836). Jazz arrangement for vocals, full string ensemble & jazz quartet (alto sax, piano, bass, drs). Ballad. Melody by soprano singer or guest instrumentalist (Bb, Eb). Nice and warm jazz harmonies. Duration 5:45. Score (A4 Landscape) & parts in 1 pdf. Very melodic. Rich and hip harmonies. Possible soloists : alto sax, piano or guest  instrumentalist (Bb, Eb). Mp3 = decent mockup with synths. The arrangement was played live and sounded great.
Over The Rainbow
Ensemble Jazz
Judy Garland
$50.00 42.93 € Ensemble Jazz PDF SheetMusicPlus

Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
Ensemble de Bassons

$15.00 12.88 € Ensemble de Bassons PDF SheetMusicPlus

Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.813837 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533947. Published by Regis Bookshar (A0.813837). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Trumpet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trumpet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
Largo (from "Symphony No. 9") ("From the New World") (Db) (Trumpet Quintet)
Ensemble de Trompettes

$15.00 12.88 € Ensemble de Trompettes PDF SheetMusicPlus

String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
Ensemble de Violons

$15.00 12.88 € Ensemble de Violons PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.945066 Composed by Anonymous. Arranged by Kent S. Burchill. Contemporary,Easter,Folk,Sacred. Score and parts. 32 pages. WINDCREST #6247961. Published by WINDCREST (A0.945066). This arrangement of WERE YOU THERE? has been written for large brass ensemble. The performance duration is slightly more than five minutes at the suggested tempo. The percussion instruments, while optional, will provide an added dimension to the performance.  This selection will find performance opportunities whenever brass ensemble or small brass band music is featured.  This arrangement will also provide a quality music experience for any church wishing to enhance their Easter service with a larger brass ensemble. In addition, the arrangement also represents an example of how spirituals can be rendered instrumentally, portraying written text melodically and harmonically.
WERE YOU THERE? for Brass Choir
Ensemble de cuivres

$25.00 21.46 € Ensemble de cuivres PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1493951 Composed by William Backer. Arranged by Jan Berry. 20th Century,Pop,Rock. 51 pages. Fiji Printing #1070562. Published by Fiji Printing (A0.1493951). Jan Berry's original music score, used by Wrecking Crew studio musicians to record the original track. Recorded and released in the spring of 1965 as part of the Coca-Cola Company's summer advertising blitz.Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man’s Curve: The Rock ‘n’ Roll Life of Jan Berry (McFarland 2021) and The Jan & Dan Record (McFarland 2016).Full Music Scores and Individual Charts included for the three arrangements listed below:(1) Jazz Ensemble Arrangement (2024): WOODWINDS: Alto Sax; Tenor Sax 1-3; Baritone Sax. BRASS: Trumpet 1-4; Trombone 1-2. RHYTHM: Guitar 1; Guitar 2 (Danelectro 6-String Bass); Bass; Drums; Piano. PDF pp. 5-28. Note: This is the arrangement heard in the sound font audio preview (MuseScore). It features the original 1965 horn arrangement with the 1965 vocal parts played instrumentally. All parts are authentic to Jan Berry's original arrangements. (2) Studio Backing Track Arrangement (1965): WOODWINDS: Tenor Sax. BRASS: Trumpet 1-2; Trombone. RHYTHM: Guitar 1; Guitar 2 (Danelectro 6-String Bass); Bass; Drums; Piano. PDF pp. 29-42. (3) Studio Vocal Arrangement (1965): VOCALS: Lead; Falsetto; Alto; Tenor; Bass. PDF pp. 43-50. Publication includes: (1) Illustrated cover page; (2) Introductory text providing context for the music; (3) Full music scores; (4) Individual charts for each part in the music scores; and (5) Illustrations, including images from Jan Berry’s music archive.17 distinct chords.51 Pages.Learn more about Jan Berry and Jan & Dean: https://jananddean-janberry.com/
Things Go Better
Ensemble Jazz

$49.99 42.92 € Ensemble Jazz PDF SheetMusicPlus

Trumpet Ensemble Trumpet - Level 3 - Digital Download SKU: A0.817170 Composed by Tielman Susato. Arranged by Charles Decker. Chamber,Early Music,Historic,Multicultural,Renaissance,World. 25 pages. Charles Decker Music Press #6644327. Published by Charles Decker Music Press (A0.817170). They may be 500 years old, but these three Renaissance instrumental dances from Tillman Susato's 1551 collection The Third Little Music Book, prefaced with to be played on all types of musical instruments, remain appealing music for audiences and performers. These lively popular dances of the day feature homophonic setting, root position chords, primary beat stresses, and individual parts that encompass an octave or less which makes them very accessible for young or inexperienced musicians. Scoring them for antiphonal B-flat trumpet quartets creates a memorable aural and visual performance experience. The recording is of the entire edition.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  Use this link to Kendor Music for more of my trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato.
Three Renaissance Dances for Antiphonal Trumpet Quartets
Ensemble de Trompettes

$9.95 8.54 € Ensemble de Trompettes PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1431714 By Andrea Bocelli. By Oscar Hammerstein and Richard Rodgers. Arranged by Joop Derks. 20th Century,Film/TV,Pop,Rock. 25 pages. Derksarrangementen #1012189. Published by Derksarrangementen (A0.1431714). You'll never walk alone for Big-Badn/Jazz Band.The arrangement can be played instrumentally or with a vocalist. Key: BbArrangement is also available for Concert Band.Full Score, Alto sax (1,2), Tenor sax, Baritone  sax, Trumpet (1,2,3), Trombone (1,2,3), Bass Trombone, Drum set, Electric Guitar, Piano, Bass guitar and vocals.For more information please contact Derksarrangementen@home.nlAbout the arranger: Joop Derks is a musician, conductor and arranger from the Netherlands. He has been working for the Dutch Military Music for years and alsoconducts a number of civilian concert bands.
You'll Never Walk Alone
Ensemble Jazz
Andrea Bocelli
$60.00 51.51 € Ensemble Jazz PDF SheetMusicPlus






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