C Instrument - Level 3 - Digital Download SKU: A0.1494619 By The Imperials. By Michael Omartian and Stormie Omartian. Arranged by Samuel Iglesias. 20th Century,Christian,Pop,Praise & Worship. Lead Sheet / Fake Book. 1 pages. Samuel Iglesias #1071208. Published by Samuel Iglesias (A0.1494619). A synthesized chart for the rhythm section of the band or accompanist, to follow the right chords, melodic cues, and entire structure of the song. In its original key of Ab Major. This chart is great for church specials, accompanying a singer, a soloist instrumentalist, a recording session, and knowing the exact roadmap of the song, to the detail. This song by The Imperials was also popularized in Spanish by singer Danny Berrios with his version Un Canto Para Ti, which also follows the same structure. *A version of this chart available in F Major, which works with more average voices/congregational ranges and is easier to play on the piano, is also available!

C Instrument - Level 3 - Digital Download SKU: A0.1494615 By The Imperials. By Michael Omartian and Stormie Omartian. Arranged by Samuel Iglesias. 20th Century,Christian,Pop,Praise & Worship. Lead Sheet / Fake Book. 1 pages. Samuel Iglesias #1071204. Published by Samuel Iglesias (A0.1494615). A synthesized chart for the rhythm section of the band or accompanist, to follow the right chords, melodic cues, and entire structure of the song. In the key of F (3 half steps lower than the original), which works with average voices/congregational ranges. Great for church specials, accompanying a singer, a soloist instrumentalist, a recording session, and knowing the exact roadmap of the song, to the detail. This song by The Imperials was also popularized in Spanish by singer Danny Berrios with his version Un Canto Para Ti, which also follows the same structure. *A version of this chart in the original Ab Major key is also available!

C Instrument - Level 3 - Digital Download SKU: A0.1167844 By The Candlelight Guitarist. By Bradley Powell. Arranged by Bradley Powell. Classical,Folk,Jazz,New Age. Lead Sheet / Fake Book. 4 pages. Geofonica Artistworks #768176. Published by Geofonica Artistworks (A0.1167844). Detailed lead sheet for the piece Stream Serenade - composed by Bradley Powell (who records as The Candlelight Guitarist) from his album Music for Rest & Renewal (with nature sounds). Like other Candlelight Guitarist pieces, it blends classical, jazz, folk, blues and others styles. It is a simple piece, but with stylistic depth that can work well for players from early intermediate to advanced. This lead sheet is in standard notation, with the complete melody (including double stops, octaves and lead features), chord symbols, plus the key rhythm guitar intro pattern (also in standard notation).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Jana L. Perskie Ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Since 2019, Brad has also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland, providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, and Pocahontas) each morning!

Flute - Early Intermediate - Digital Download Arranged by Chris Cooke. Christian, Gospel, Sacred, Praise & Worship. 79 pages. Published by Chris Cooke

Cello,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.1343361 Composed by Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Chamber,Classical. 101 pages. Mastery for Strings Press #928889. Published by Mastery for Strings Press (A0.1343361). The piano concertos of Wolfgang Amadeus Mozart remain among the masterpieces in the medium. When the composer moved from his native Salzburg to Vienna in 1782, three piano concertos (K. 413, 414 and 415) were among his first compositions produced in the latter city. They were scored for full orchestra, but advertised when published as being performable by a keyboard soloist with string quartet or string orchestra alone. The flexibility of the scoring shows that, perhaps out of a desire for increased sales and more hearings of these works, Mozart was not averse to having them played by more intimate groups, transforming them into chamber music. A rather different aesthetic viewpoint motivated the composer Johann Nepomuk Hummel’s arrangements of seven of Mozart’s piano concertos, composed between about 1825 and 1836, though the last of them appeared in print only several years after Hummel’s death in 1837. The accompanying ensemble in these arrangements consists of flute, violin, and cello.  Hummel, who had studied with Mozart as a boy, materially altered and elaborated the solo part in these versions, taking advantage of the increased range of nineteenth-century pianos. He imposed his own tastes in ornamentation and decoration, which strongly influenced the piano writing of Chopin, on melodic passages. This is especially true in the slow movements, resulting in a stylistic hybrid that bridges the Classical and Romantic eras. The present transcription pays homage to Hummel’s elaborate and beautiful reworkings, well worth performing today, by using the same combination of instruments. The editorial viewpoint, however, is that of maximum fidelity to Mozart’s original text. The hope of the transcriber is twofold: 1) that keyboard performers, instrumentalists and audiences might enjoy this work in the absence of a full orchestra, and 2) that pianists might use this version to learn Mozart’s original solo part with a minimum of alteration for such occasions when they are called upon to perform it in its original setting.

Bassoon,Cello,Clarinet,English Horn,Flute,Oboe,Piano Accompaniment,Saxophone,Trumpet,Viola,Violin - Level 2 - Digital Download SKU: A0.918896 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Sacred,Wedding. 34 pages. Jubal's Lyre Music Publishers #6361337. Published by Jubal's Lyre Music Publishers (A0.918896). Here is a duet edition of J. S. Bach's beloved work with flexible instrumentation for C, Bb, Eb, or F instruments. At 34 pages, it includes parts for almost every combination of winds, brass, and strings. Involve all your instrumentalists in a concert or studio recital by placing intermediate students on the main solo and beginners on the chorale melody. An extra early intermediate level keyboard part is provided as are optional parts for Cello/Bassoon and Bass Clarinet. For worship, this work can be performed almost any time since it exudes peace and joy, but it is particularly suited for Advent and Christmas since it comes from Cantata 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deeds and Life), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). For more music and information, visit www.jubalslyre.com/music.

C Instrument - Digital Download SKU: A0.1276434 By Georges Bizet. By Georges Bizet. Arranged by Darek. 19th Century,Classical,Romantic Period. Lead Sheet / Fake Book. 1 pages. Darek #868171. Published by Darek (A0.1276434). Toreador Song / March of the Toreadors (LEAD SHEET) Opera Carmen [Georges Bizet]Lead Sheet arrangement of Toreador Song / March of the Toreadors, Opera Carmen by Georges Bizet. For various instruments | Classical Music | Romantic Period | Piano | Keyboard | Guitar | Flute | Violin | Saxophone | Glockenspiel.  Step into the realm of musical elegance with meticulously crafted lead sheets for a variety of instruments including Piano, Keyboard, Guitar, Flute, Violin, Saxophone, Glockenspiel, and more, featuring the iconic Toreador Song / March of the Toreadors from Georges Bizet's timeless opera Carmen. Immerse yourself in the grandeur of this beloved composition, now available in a versatile format that caters to a range of musicians. Journey back to the opulent 19th century and experience the allure of this masterpiece, thoughtfully arranged to encompass the essence of the era. These lead sheets offer a harmonious blend of melody and chords, allowing both seasoned players and beginners to explore their musical creativity. Whether you're a pianist, a guitarist, a flutist, or any other instrumentalist, these lead sheets provide a customizable canvas for your interpretation. Each instrument's unique voice harmonizes with the others, creating a harmonious ensemble that captures the depth and spirit of the original composition. Discover the joy of musical collaboration as you and your fellow musicians unite to bring this masterpiece to life. Whether in a solo performance or a group setting, the magic of the Carmen opera is palpable, transcending time and resonating with audiences of all backgrounds. Keywords: Toreador Song, March of the Toreadors, Carmen opera, Georges Bizet, lead sheets, piano, keyboard, guitar, flute, violin, saxophone, glockenspiel, melody, chords, musical collaboration, ensemble, timeless composition, era, musical creativity, versatile format.

C Instrument - Digital Download SKU: A0.1258185 Composed by Felix Bartholdy Mendelssohn. Arranged by Darek. Classical,March,Romantic Period,Wedding. Lead Sheet / Fake Book. 1 pages. Darek #851433. Published by Darek (A0.1258185). Wedding March (LEAD SHEET) Midsummer Night's Dream, Op. 61 [Felix Mendelssohn]Lead Sheet arrangements of Wedding March from Midsummer Night's Dream, Op. 61 by Felix Mendelssohn for various instruments.  Unleash your creativity and showcase your musical versatility with our comprehensive lead sheet for the beloved Wedding March from Mendelssohn's Midsummer Night's Dream, Op. 61. Designed for various instruments, our lead sheet offers a flexible and expressive way to perform this iconic composition. Experience the elegance and romance of the Romantic era as you explore the timeless melodies of the Wedding March.  Whether you play the piano, guitar, violin, flute, or any other instrument, our lead sheet accommodates your musical expression. It is perfect for solo performances, ensemble arrangements, or even improvisation, allowing you to add your own unique touch to Mendelssohn's masterpiece. With our lead sheet, you have the freedom to explore and experiment with different arrangements and interpretations. Whether you are a beginner or an advanced player, our sheet music caters to all skill levels, allowing you to adapt the complexity of your performance to suit your abilities. Position yourself as a versatile musician by incorporating the Wedding March into your repertoire. This timeless composition is an ideal choice for weddings, special events, or any occasion that calls for a touch of elegance and celebration. Our lead sheet provides musicians with the essential elements of the Wedding March, allowing you to bring out the essence of the composition while leaving room for your artistic interpretation. You can easily add embellishments, variations, or improvisations to make the piece uniquely your own. By offering our comprehensive lead sheet for the Wedding March, we provide a valuable resource for musicians seeking to expand their repertoire and explore the beauty of Mendelssohn's music. The versatility of our lead sheet allows you to collaborate with other instrumentalists or create stunning solo performances. With our lead sheet, you have the opportunity to connect with musicians around the world, sharing your interpretations and collaborating on exciting musical projects. Join a vibrant community of musicians and explore the endless possibilities of the Wedding March. Don't miss the chance to make the Wedding March your own. Begin your musical journey today and immerse yourself in the timeless melodies of Mendelssohn's masterpiece. Let the lead sheet be your guide as you bring the Wedding March to life on your instrument, leaving a lasting impression on yourself and your listeners.

C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May�. Like springtime in the Northern Hemisphere, “Almost May� unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.

Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise and Worship. Score, Set of Parts. 244 pages. Published by Colin Kirkpatrick Publications