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Full Orchestra - Level 3 - Digital Download

SKU: A0.746971

Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971).

The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.

Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.

It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.

Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.

The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.

Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!


Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre

$36.00 32.15 € Orchestre PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download

SKU: A0.970736

Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736).

By Mike Strand, ASCAP

This is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers.

After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers.  

Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part.

The audio sample plays the full score.

This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet!  With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune.

Problem solved!

With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style.

With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard.

All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement.

 Here are the lyrics to They Came Here to Dance:

1.

You may come here to eat and to drink.

Lots of chins wag, and wine glasses clink.

Well, that’s all good, but here’s what I think:

They came here to dance!

2.

We cats up front have to check our sound mix.

Then they walk in, togged to the bricks.

They have the moves to show off our licks.

They came here to dance!


Bridge – Instrumental section, followed by:

Our band’s in the groove – here’s one reason why:

The doghouse amps are turned up high.

They get in there, and tear up the floor!

And they don’t care if their feet get sore.

3.

Bustin’ our conks, we cats are hot,

She is a wren who rocks him a lot!

And they don’t care if we light up or not.

They came here to dance!

4. Bridge again, then:

Bustin’ our conks, we cats are hot,

She is a wren who rocks him a lot!

And they don’t care if we light up or not.

They have the learning to, they have a yearning to,

They came here to dance!


Note

Some words in these lyrics are taken from Cab Calloway Slang:

Light up – smoke a stick (marijuana cigarette)

Doghouse - bass

Get in there - go to work, get busy, make it hot, give it all you got

Bustin’ our conks – breaking our necks (applying ourselves diligently)

Wren – a chick, a queen (beautiful girl)

Cat – musician in swing band

Togged to the bricks – dressed to kill, from head to toe

Licks – hot musical phrases

In the groove – perfect, down the alley

 .

They Came Here to Dance (Swing Band Arrangement)
Ensemble Jazz
Mike Strand, ASCAP

This is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers

After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers
$8.00 7.15 € Ensemble Jazz PDF SheetMusicPlus

C Instrument - Level 2 - Digital Download

SKU: A0.1256053

By Halle Bailey. By Alan Menken and Lin-Manuel Miranda. Arranged by Marcony Carvalho. 21st Century,Broadway,Children,Film/TV,Musical/Show,Singer/Songwriter. Lead Sheet / Fake Book. 3 pages. Zedas Couve #849515. Published by Zedas Couve (A0.1256053).

Discover the captivating beauty of Wild Uncharted Waters with this meticulously crafted leadsheet music score. Immerse yourself in a musical journey through cascading melodies and harmonies that evoke a sense of adventure and exploration.

This leadsheet provides an essential musical framework for musicians, allowing you to interpret the composition to suit your desired instrumentation and performance style. Featuring a concise melody line, chord symbols, and basic rhythmic notation, this leadsheet offers flexibility and creative freedom for musicians of all levels.

The score showcases the richness and depth of Wild Uncharted Waters, capturing its dynamic range and emotional nuances. With a blend of delicate moments and powerful climaxes, this composition embodies the spirit of venturing into the unknown, embracing the challenges and triumphs of uncharted territory.

Whether you're a solo performer looking to add a touch of wanderlust to your repertoire or a band leader seeking a captivating piece for your ensemble, Wild Uncharted Waters leadsheet is the perfect addition to your musical library. 

This leadsheet for Wild Uncharted Waters is meticulously notated, ensuring accuracy and ease of interpretation. It comes in a professional, easy-to-read format, allowing you to quickly grasp the musical essence of the composition and bring it to life. Unlock the limitless potential of this enchanting piece and embark on a musical odyssey like no other.

Don't miss the opportunity to own this leadsheet music score of Wild Uncharted Waters and embark on a captivating musical voyage. It is available now for purchase, enabling you to delve into the depths of this breathtaking composition and share its magic with your audience.

Order your copy of Wild Uncharted Waters leadsheet today and set sail on an extraordinary musical adventure!
 
 

Wild Uncharted Waters
Instruments en Do
Halle Bailey
$4.99 4.46 € Instruments en Do PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download

SKU: A0.958083

Composed by Unknown Traditional folk songs. Arranged by David Berlin (ASCAP). Instructional,Romantic Period,Standards. Score and parts. 96 pages. David Berlin #3559075. Published by David Berlin (A0.958083).

This collection of folk melodies from Ireland can be studied independently or in a variety of groupings. While created in open scoring for beginning and young instrumentalists, these pieces could be used by anyone. They are accessible with as few as two players and as many as are available in almost any combination of instruments. The folk melodies are also excellent to use as warm-ups because they can serve the purpose while also providing aesthetic value.

The teacher is encouraged to be flexible and creative with them. Directors are encouraged to perform these in various combinations and sets. Feel free to be creative. For example, repeats could be added featuring various soloists and/or small groupings in contrast with the full group (as in a concerto.) Creativity could be promoted by allowing students to make suggestions pertaining to the formal organization of the material. In addition to decisions as to which pieces to perform directors are encouraged to involve students in making creative decisions such as which ones to put together, which phrases to repeat in various combinations and instrumental subsets and other appropriate aesthetic decisions. Each piece could function as a locus for branching into various content areas in connection with social studies, integrated curriculum and/or inquiry. Many of the melodies have very smooth and conjunct voice leading making them excellent for solfege/sight-reading training. These melodies are offered as a resource for the teacher to use in a variety of ways and possibilities are unlimited. Lyrics are readily available online. 

Three Irish Folk Songs (that became popular in the US.)
Orchestre d'harmonie

$9.99 8.92 € Orchestre d'harmonie PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download

SKU: A0.1167541

Composed by Larry Williams. Contemporary,Jazz,Pop,Rock,Singer/Songwriter. Lead Sheet / Fake Book. 210 pages. Larry Andrew Williams #767921. Published by Larry Andrew Williams (A0.1167541).

Larry Williams is a musical explorer In the truest sense.

His musical life has occurred in layers, starting on trumpet at an early age, then escalating into an active and celebrated career in the music industry as a seasoned and highly sought after professional.

Larry's compositions range in style and influence, and have been written for multiple
ensemble dimensions, sometimes using instrument configurations that one could only describe as outside the box.

This book is not intended as an educational study. For me, it is a perspective of melody, harmony and rhythm from a singular viewpoint, a chapter in the larger work.

Larry's musical interests and influences know no boundaries. Like all life's experiences, an individual's quest in music should be constantly shifting, growing, and learning as one always moves forward, and often into the unknown.

As an artist and composer, I feel a certain responsibility to the music itself and any motivation or ambition on my part is solely for purposes of further expression of the art form.

Larry Williams Compositions- The Songbook
Piano seul

$25.00 22.33 € Piano seul PDF SheetMusicPlus

Trombone Ensemble Trombone - Level 4 - Digital Download

SKU: A0.1416227

By Panic! At the Disco. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Jonathan P. Kochik (ASCAP). Broadway,Chamber,Classical,Film/TV,Musical/Show. 30 pages. Jonathan Kochik Music, LLC #996876. Published by Jonathan Kochik Music, LLC (A0.1416227).

Into The Unknown for trombone sextet is an epic arrangement of one of the hit songs from Disney’s “Frozen 2†that can be performed by advanced high school, collegiate, and professional trombone ensembles! Incorporating extended techniques, soaring melodic lines, and a combined over three-octave range across the instrumentation, this arrangement would be a great addition to your next chamber concert!

Into The Unknown
Ensemble de Trombones
Panic! At the Disco
$25.00 22.33 € Ensemble de Trombones PDF SheetMusicPlus


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