Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1399113 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #61jYAVJwERIoMDEubieRag. Published by Heather Mueller Music (A0.1399113). Key: D major.Title: West Fork Gals Type/Genre: Traditional Fiddle Tune - Reel (American) Availability: Sheet Music for Sale Step into the lively world of American fiddling with West Fork Gals, a spirited reel that captures the energetic spirit of traditional music from the United States. Key Features: American Flavor: West Fork Gals embodies the essence of American fiddle music, with its lively rhythm and catchy melody. Delve into the rich tapestry of American musical heritage as you explore this beloved tune. Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, enabling personalized renditions of West Fork Gals. While the sheet music features the basic melody, remember that in fiddle music, the music serves as a suggestion, allowing room for your own embellishments and improvisations. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by West Fork Gals. Explore scales, bowing techniques, and rhythmic patterns derived from this spirited reel, honing your mastery of American fiddling techniques. Cultural Connection: Connect with the cultural heritage of the United States as you delve into West Fork Gals. Let the music transport you to the lively square dances and community gatherings where American fiddlers have long celebrated the joy of music and dance. Whether you're a seasoned performer or a newcomer to American fiddle music, West Fork Gals offers a spirited musical experience that celebrates the vibrant spirit and tradition of American reel music. Join in the jubilant rhythms of West Fork Gals and let the music inspire your own musical journey through the heartland of America.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873279. Published by Sandra Milliken (A0.774724). The Old Palmer Song is a favourite Australian folk song that is meant to be sung in a rollicking style that reflects the excitement and anticipation of hardy Australian colonials setting out in search of gold. Following hard on the heels of the great California gold rushes (1848 – 1855) came the discovery of payable quantities of gold in Australia. The first gold rush in Australia began in New South Wales in May 1851 after prospector Edward Hargraves discovered gold near Orange, at a site he called Ophir. Other discoveries quickly followed, including those at Ballarat and Bendigo in the colony of Victoria. Then came Rosewood and Gympie (1867) in Queensland; the Gawler region in South Australia in 1868; and Halls Creek (1885), Kalgoorlie and Coolgardie (1893) in Western Australia. One of Australia’s richest alluvial goldfields was that of the Palmer River in far north Queensland. The rush to the Palmer began in 1873 and lasted for about three years. The goldfields were nearly 100 miles inland from the small coastal settlement of Cooktown and the early prospectors had a hard time of it just getting to the field. Leaving Cooktown they crossed the coastal mangroves, then on through dense tropical rainforest, into the more open eucalypt forest beyond and then across the dry, inhospitable and rugged country of the hinterland dissected by wide and deep rivers. And always there was the risk of meeting with fierce resistance from the Aborigines whose tribal land they were travelling through. At the height of the rush there were around 35,000 prospectors on the Palmer (including a great many Chinese). By the time the rush was over, the Palmer had yielded over 100 tons of gold! The Old Palmer Song is set to the tune of Ten Thousand Miles Away, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century.

String Orchestra - Digital Download SKU: AX.00-PC-0014756_VN1 1st Violin. Composed by Annie Lennox and Howard Shore. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014756_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014756_VN1). UPC: 654979076612.From the Academy Award-winning motion picture, The Lord of the Rings: the Return of the King, this Grammy award-winning melody has become famous overnight. From the composers Fran Walsh, Howard Shore, and Annie Lennox, this emotional theme is one not to miss. (4:13).

String Orchestra - Digital Download SKU: AX.00-PR-0003068 Score. Composed by Annie Lennox and Howard Shore. Arranged by Douglas E. Wagner. Instructional. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR-0003068. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0003068). UPC: 654979076612.From the Academy Award-winning motion picture, The Lord of the Rings: the Return of the King, this Grammy award-winning melody has become famous overnight. From the composers Fran Walsh, Howard Shore, and Annie Lennox, this emotional theme is one not to miss. (4:13).

Concert Band - Level 3 - Digital Download SKU: A0.936935 Composed by Traditional. Arranged by Eads, Steve. Folk,Romantic Period. Score and parts. 42 pages. Steve Eads #6140461. Published by Steve Eads (A0.936935). (Revised 2021: Reset, slight changes to arrangement and transposed to Concert Bb.) This 19th century tune has been recorded by many artists and employed for rather dark humour settings, songs of rebellion and even US Presidential campaigns.This melody evoked in me the complex feelings of those who chose to uproot themselves from their homes to venture into new, often hostile, and challenging territory to establish a new life for themselves and their decendents. AKA Old Rosin the Beau, The Men of the West, Kelly's Irish Brigade and Lincoln and Liberty - for Abraham Lincoln's Presidential campaign.

Strings Flute,Violin - Level 4 - Digital Download SKU: A0.1256762 By Alec Keith, Matt Weiss, Octava Chamber Orchestra. By David Warin Solomons. 20th Century,21st Century. Full Performance. Duration 628. David Warin Solomons #850134. Published by David Warin Solomons (A0.1256762). Performed here by Alec Keith (flute), Matt Weiss (violin) and the Octava Chamber Orchestra under guest conductor Ian AlvarezWesterly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk songIt is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF]In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme).The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.

Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 64 pages. David Warin Solomons #566725. Published by David Warin Solomons (A0.576980). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto.  Westerly uses four distinct themes and weaves them into a joyful whole.  The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in.  This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount.  So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together.  In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music. The pdf file contains score and parts.

Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 pages. David Warin Solomons #566727. Published by David Warin Solomons (A0.576981). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto.  Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in.  This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount.  So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together.  In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.

Banjo - Level 4 - Digital Download SKU: A0.1294826 Composed by Ludwig Goransson. Arranged by Daniel Fitzpatrick. Film/TV. Score. 21 pages. Fitzpatrick Media #882142. Published by Fitzpatrick Media (A0.1294826). “The Mandalorian (FITZPATRICK Banjo Remix)� is a genre-defying arrangement unlike anything else for the banjo. Perfectly fitting the space-western nature of Star Wars: The Mandalorian, this arrangement will not only immerse you in a galaxy far, far away but also expand your abilities on the banjo. In this piece, you will be playing with an alternate tuning (gCGCD) that will provide a new and exciting sound to explore. Additionally, the technique of tapping (traditionally an electric guitar technique) is employed throughout the arrangement and will provide a fun challenge that will add to your versatility as a banjo player. This sheet music also comes with comprehensive performance notes that will provide valuable insight into the music. Furthermore, this arrangement is not just tablature; it also includes standard musical notation to provide a complete view of the piece. Included in this PDF are four versions of the arrangement:1. The Mandalorian (FITZPATRICK Banjo Remix) - Notation & TAB2. The Mandalorian (FITZPATRICK Banjo Remix) - TAB3. The Mandalorian Theme - Notation & TAB4. The Mandalorian Theme - TABWhile primarily focusing on the Mandalorian Theme, this arrangement also features the Dark Trooper Theme providing a cool, contrasting, and sinister sound. The Mandalorian (FITZPATRICK Banjo Remix) includes both the Mandalorian and Dark Trooper themes. However, an edit providing just the Mandalorian Theme is also provided in this package.Don't hesitate to pick up this ground-breaking arrangement of the Mandalorian for the banjo! This is the way of the Banjolorian!

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1298967 Composed by Ian Calvert. Christmas,Contemporary,Holiday. Score. 7 pages. Ian Calvert #888817. Published by Ian Calvert (A0.1298967). This is the first publication of a new Christmas song, set for baritone and piano. The words are those of a poem by Leonard Clark (1905 – 1981), an English poet who was raised in The Forest of Dean, in the west of England. In 1972 he published a slim little book of Christmas poems, of which ‘Singing in the Streets’ is one, surely one of the most appealing of Christmas poems. It gives its name to the book. The poem tells of an older man revisiting the village of his boyhood, and wondering whether, somehow, the streets still hold the sound of the carols that he and the other boys and girls sang there. It begins: ‘I had almost forgotten the singing in the streets,Snow piled up by the houses, drifting Underneath the door into the warm room, …’ It is very evocative of that time and of the magic that Christmas always holds for children. Drawn from the same book of poems there is available another new Christmas song, called The Birth; that one is set in two versions, one for voice and piano and the other for SATB a cappella. Ian Calvert.

Into the West (from The Lord of the Rings: The Return of the King) - SAB. Composed by Annie Lennox, Fran Walsh, and Howard Shore. Arranged by Alan Billingsley. Choral. 14 pages. Alfred Music - Digital Sheet Music #00-PO-0002570. Published by Alfred Music - Digital Sheet Music

Concert Band - Level 4 - Digital Download SKU: A0.1414965 By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. 94 pages. Cascia Talbert #996694. Published by Cascia Talbert (A0.1414965). Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.This arrangement is for concert band and choir.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1414977 By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. Score. 24 pages. Cascia Talbert #996710. Published by Cascia Talbert (A0.1414977). Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.This arrangement is for flute, voice and piano.

Acoustic Guitar,Banjo,Bass Guitar,Drums,Electric Guitar,Fiddle,Flute,Mandolin,Piano,Voice - Level 5 - Digital Download SKU: A0.1414993 By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. 81 pages. Cascia Talbert #996726. Published by Cascia Talbert (A0.1414993). Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.This arrangement is for a country/bluegrass band with flute and vocal.

Piano Trio Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1360001 Composed by Dale Vail. Chamber,Classical. 74 pages. Dale Vail #944490. Published by Dale Vail (A0.1360001). Taming the Tasman - composed by Dale Vail in 2019 for the Tasman Trio with support from creative New Zealand.An exciting work for Violin, Cello, and Piano, this piece is not for the faint hearted. Depicting the journey of travelling across the Tasman to begin a new life in a brand new country, this work is full of excitement, despair, and determination. Underlined by the composers jazz influences, this autobiographical work uses the migration of birds between New Zealand and Australia as an allegory for the composers own experiences. Movement 1, Into the West depicts the perilous journey across the Tasman, and the intensity of being dropped into a new place to fend for yourself.Movement 2, Alone in a Crowd, tells the story of the loneliness that can come from being just that little bit out of place in a new society, whilst also full of character and strong personality.Movement 3, Broken Wing, begins with everything being too much, and reflecting on the many failures of the journey, but finishes with a vengeance and determination to prevail.