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Piano Solo - Level 4 - Digital Download SKU: A0.1401781 Composed by Irénée Bergé. Arranged by Zellev. 19th Century,Classical,Easter,Holiday,Spiritual. Score. 5 pages. Zellev Music #984968. Published by Zellev Music (A0.1401781). Key Signature: D MajorTime Signature: 3/4Tempo: LentoDifficulty: Advanced IntermediateIrénée Bergé (1867-1926) was a French composer, conductor and instructor who lived in the United States. In spite of confusions between his given name and Irène, Bergé was male. He attended the Conservatoire de Paris where he studied with Jules Massenet and Théodore Dubois. Although not mentioned in his obituaries, Berge apparently also was a tenor. In an 1897 performance of Berlioz's L'enfance du Christ, a reviewer noted Irénée Bergé, a young tenor of excellent schooling, whose voice—though not too powerful—had a very agreeable timbre, and a very distinguished [performance]. He and that of the orchestra....had a grand success. Before immigrating to the United States he was an assistant conductor at Covent Garden. At the invitation of Jeannette Thurber Bergé came to New York in 1902 to teach at the National Conservatory of Music of America. Bergé is known for composing many silent film music cues. These were not written for a specific film but as generic pieces appropriate to the mood of the specific scene. He wrote 2 operas.
Nocturne
Piano seul

$6.00 5.73 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1147976 Composed by Kestutis Daugirdas. Multicultural,Pop,Singer/Songwriter,World. Score. 7 pages. Kc Daugirdas #748175. Published by Kc Daugirdas (A0.1147976). Å viesus kÅ«rinys skirtas visiems lietuviams gyvenantiems už Lietuvos ribų. Jo priedainis apdainuoja emigranto padÄ—tį - kaip gyvenimas svetur yra tarsi tarp dviejų pasaulių, ir vis dÄ—l to, tame įvariaspalviame pasaulyje, rankoje vÄ—liava -- trijų -- geltonos, žalios, ir raudonos! ------ Muzika: KÄ™stuÄio Daugirdo Tekstas: Sandros AvižienytÄ—s ir KÄ™stuÄio Daugirdo ------ Natose - klavyras, ir solo vokalo partija atskirai dÄ—l patogumo. ------ Atliktas Lukrecijos Å iaulytÄ—s 2022m. Dainų dainelÄ—s konkuse: https://www.lrt.lt/mediateka/irasas/2000210577/dainu-dainele-2022-lukrecija-siaulyte-tarp-dvieju-ausru ------ Yra dueto, choro + dueto versijos Å¡io kÅ«rinio.
Tarp dviejų aušrų
Piano, Voix

$6.00 5.73 € Piano, Voix PDF SheetMusicPlus

Cello,Flute,Guitar,Medium Voice - Level 4 - Digital Download SKU: A0.1396707 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo García (cello). By Traditional. Arranged by David Warin Solomons. Folk,Multicultural,Traditional,World. Full Performance. Duration 177. David Warin Solomons #980048. Published by David Warin Solomons (A0.1396707). Based on a traditional Yiddish folk song[Lyrics - English version below]Ale vasserlech flisn avek, di gribelech blaybn leydik.   Nito aza mentsh oyf gor der velt, vos zol farsteyn mayn veytik. Di yorelech tsien, di yorelech flien, di tsayt geyt avek vi roych, un az ich dermon zich on dir, mayn zis lebn, geyt mir oys der ko'ech.Un aza meydele shpilt a libe, shpilt in ir alle farbn un az zi shpilt ir libe nit oys, ken zi cholile noch shtarbn. Un az de tepelech trinkenen oys blaybn zey ale leydik un az a meydele firt ir libe nit oys vert zi farfalln oyf eybik. All the little waters flow awayThe little ditches remain dryThere is nobody on this whole earthwho can understand my painThe years drag on, the years fleeTime goes away like smokeand when I think of you, my sweet lifeI lose my strengthAnd when a young girl plays at loveall the colours play in herand if she doesn't play her love for realshe can - God forbid - still die.And when the water jars run outthey all remain dryand when a young girl doesn't play her love for realshe will pine away for ever.
Ale Vasserlech for mezzo, flute, cello and guitar (mp3)
Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo García (cello)
$4.50 4.3 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.958742 Composed by Carlos Selva Andrade y José María de Hoyos. Arranged by Juan Carlos Cortés A. Concert,Standards,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6118219. Published by Juan Carlos Cortés Aguirre (A0.958742). Transcripción para Piano Solo por:Juan Carlos Cortés A.José María Vicente de Hoyos, Músico, compositor y letrista argentino, nacido el 13 de julio de 1917, fallecido el 20 de julio de 1964, integrante de los trovadores de Cuyo dirigido por Hilario Cuadros, luego conformó el Conjunto América al lado de la inolvidable Elvirita Tamasi. En colaboración con el autor Carlos Selva Andrade, compuso el vals Cuando no me quieras, interpretado por el célebre cantante argentino Antonio Tormo, en la cual se ha basado está transcripción musical para Piano Solo.CUANDO NO ME QUIERASLetra: Carlos Selva AndradeMúsica: José María De Hoyos (José María Vicente De Hoyos)INTRODUCCIÓN:Llegará el instante en que no me quieras,Envuelto en las sombras de tu desamor,Perderé el encanto de tus primaveras,Mi rosal de ensueño no tendrá una flor.Llegará el instante, que el dolor presiente,Que de tus palabras no tendré el calor,Y andaré sin rumbo dolorosamente,Sin la estrella guía, que encendió tu amor.Cuando no me quieras iré por el mundo,Como un vagabundo sin una ilusión,Cuando no me quieras, qué tristeza inmensa,Queden sueños truncos en el corazón.Cuando no me quieras vacío y sin vida,Llevaré la herida de un hondo penar.Cuando no me quieras, solo y angustiado,Enfermo y cansado, no podré cantar.INTERLUDIO:Lloraba la lluvia sobre los cristales,Y saldré a esperarte como si volvieras,Y todos mis días serán siempre iguales,Llenos de tristeza, cuando no me quieras.Cuando no me quieras tocarán a muerte,Todas las campanas, será noche el día,Y andaré perdido como en un desierto,Por mi pobre vida que estará vacía.Cuando no me quieras iré por el mundo,Como un vagabundo sin una ilusión,Cuando no me quieras, qué tristeza inmensa,Queden sueños truncos en el corazón.Cuando no me quieras vacío y sin vida,Llevaré la herida de un hondo penar.Cuando no me quieras, solo y angustiado,Enfermo y cansado, no podré cantar.
Cuando no me quieras. Carlos Selva Andrade y José María de Hoyos
Piano seul

$7.99 7.63 € Piano seul PDF SheetMusicPlus

Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Trumpet,Viola,Violin - Level 4 - Digital Download SKU: A0.1015169 Composed by José Manuel Garzón Núñez. Contemporary. Score and parts. 16 pages. Mané Garzón #4762595. Published by Mané Garzón (A0.1015169). Es una composición de estructura contrapuntística. Esta breve obra orquestal comienza subrayando la tonalidad de Do mayor con dos notas pedales mantenidas por el contrabajo y el fagot y que da paso a una exposición de un sencillo material melódico intercambiado por los instrumentos de viento madera de la orquesta y que se lo dejan a las cuerdas que lo toman en contrapunto y se irán creado otros motivos que irán apareciendo por toda la obra con el propósito de darle unidad a todo el conjunto.
Momento para Orquesta

$2.50 2.39 € PDF SheetMusicPlus

Instrumental Duet Guitar,High Voice,Instrumental Duet - Digital Download SKU: A0.999381 Composed by Janilson fialho. Contemporary,Standards. Score and parts. 3 pages. Janilson Fialho #6479357. Published by Janilson Fialho (A0.999381). O Teatro do absurdo foi a designação criada em 1961 pelo crítico húngaro radicado na Inglaterra, Martin Esslin (1918-2002), tentando sintetizar uma definição que agrupasse as obras de dramaturgos de diversos países, as quais, apesar de serem completamente diferentes em suas formas, tinham como ponto central o tratamento inusitado de aspectos inesperados da vida humana. Essas obras estavam focadas em questões existencialistas e tentavam expressar o que acontece quando a existência humana é tida como sem sentido ou sem propósito, resultando na dissolução das comunicações. (Wikipédia) A Cantora Careca, de Eugêne Ionesco(1909 - 1994), é Comédia em um único ato, escrita em 1949 foi o primeiro texto do dramaturgo francês. A Cantora Careca, foi criada a partir de um livro-texto para o ensino da língua inglesa, onde mostrava um casal conversando diálogos absurdos. Altamente irônico, o texto conservou também o absurdo nos diálogos, marcados por clichês e futilidades. Os absurdos nas conversas levam os seis personagens, à completa incomunicabilidade, através do diálogo ininteligível. O foco central da peça é a linguagem, fazendo uma referência a um tenebroso futuro para as relações humanas, e consequentemente da comunicação: a impossibilidade de diálogo entre as pessoas. Aqui o violão não é só um simples acompanhante, existe uma conversa entre essas duas sonoridades sem a presença de palavras, talvez seja esse o dialogo absurdo que vc não vai entender, aliás, acho interessante que essa canção não vai ofender ninguém.
A bela canção da cantora careca, Opus 17

$4.99 4.77 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I.  Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrín Buí (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her.  They are offered together as alternate perspectives from potential romantic partners, and  features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II.  I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative:   1. hopes of the parent for the child   2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance   3. uncertainty over who is nurturing who: does the child now sing to comfort the parent?     4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III.  The Drummer- An energetic reel,  a combination of Maidin Fhómhair, nó Cailín Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
Lost Songs of Ancient Ireland [SATB with Treble Descant]
Chorale SATB

$6.25 5.97 € Chorale SATB PDF SheetMusicPlus


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