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Piano Solo - Level 4 - Digital Download SKU: A0.1120943 By Antonio Casciani. By Eduardo De Pauli. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #722133. Published by Juan Carlos Cortés Aguirre (A0.1120943). Transcripción para piano solo por: JUAN CARLOS CORTÉS A. Antología especial con tangos y valses cantados por Enrique Campos. Atardecer (Un atardecer – Vals 1937) Letra: Antonio Casciani - Música: Eduardo De Pauli. INTRODUCCIÓN: La tarde declina y en el firmamento, su manto la noche comenzó a extender, Y vagando a solas con mis pensamientos, evoco momentos, que no han de volver. Los últimos rayos del sol que agoniza, en el horizonte, con rojo fulgor, Sentado en la arena, al correr la brisa, vislumbro ilusiones, de dicha y amor. Una primavera… Primavera fue… De mi edad florida… Florida piedad… Al caer la tarde… La tarde al caer… Yo la conocí… Bella luminosa, sueño de mi vida, dueña de mi alma, mi pasión le di. Horas que a su lado… Felices los dos… Feliz yo pasaba… Feliz yo pasé… Forjando dichoso, De dicha por ti… Un nido de amor… Y la bella luna, con su luz bañaba, sus rubios cabellos, cual rayo de sol. INTERLUDIO: Mas la muerte impía, me robó la dicha, al llevarse lejos mi única ilusión, por eso enlutado, por mi cruel desdicha, vago eternamente con mi fiel canción. Brisas de la tarde, el sol extinguiendo, recuerdo que busco la paz del lugar, Siento que mi vida se va consumiendo, y en busca de su alma muy pronto se irá. Horas que a su lado… Felices los dos… Feliz yo pasaba… Feliz yo pasé… Forjando dichoso, De dicha por ti… Un nido de amor… Y la bella luna, con su luz bañaba, sus rubios cabellos…Cual rayo de sol….
Atardecer (Un atardecer - Vals 1937) Por: Antonio Casciani - Eduardo De Pauli Piano seul
Antonio Casciani
$7.99 6.85 € Piano seul PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I.  Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrín Buí (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her.  They are offered together as alternate perspectives from potential romantic partners, and  features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II.  I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative:   1. hopes of the parent for the child   2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance   3. uncertainty over who is nurturing who: does the child now sing to comfort the parent?     4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III.  The Drummer- An energetic reel,  a combination of Maidin Fhómhair, nó Cailín Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
Lost Songs of Ancient Ireland [SATB with Treble Descant] Chorale SATB

$6.25 5.36 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.958671 Composed by Juan Carlos Cortés Aguirre. 20th Century,Concert,Holiday,Instructional,Patriotic. Score. 5 pages. Juan Carlos Cortés Aguirre #4316877. Published by Juan Carlos Cortés Aguirre (A0.958671). Marcha con introducción en compás 6/8 y tema en compás de 2/2, para luego ir a un tema central nuevamente en 6/8. En la tonalidad de Mi bemol mayor que luego tiene una parte central en Mi bemol menor. Marcha inspirada en las marchas americanas de Sousa que data del 21 de enero de 1989.Apropiada para recitales, retretas o desfiles populares, de carácter marcial y/o festivo, factible de ser instrumentada u orquestada para Bandas Sinfónicas, Pequeños Conjuntos u Orquestas
Libertad. Marcha No 2 Opus 1 No 16 Por: JUAN CARLOS CORTÉS A. Piano seul

$7.99 6.85 € Piano seul PDF SheetMusicPlus

Instrumental Duet Guitar,High Voice,Instrumental Duet - Digital Download SKU: A0.999381 Composed by Janilson fialho. Contemporary,Standards. Score and parts. 3 pages. Janilson Fialho #6479357. Published by Janilson Fialho (A0.999381). O Teatro do absurdo foi a designação criada em 1961 pelo crítico húngaro radicado na Inglaterra, Martin Esslin (1918-2002), tentando sintetizar uma definição que agrupasse as obras de dramaturgos de diversos países, as quais, apesar de serem completamente diferentes em suas formas, tinham como ponto central o tratamento inusitado de aspectos inesperados da vida humana. Essas obras estavam focadas em questões existencialistas e tentavam expressar o que acontece quando a existência humana é tida como sem sentido ou sem propósito, resultando na dissolução das comunicações. (Wikipédia) A Cantora Careca, de Eugêne Ionesco(1909 - 1994), é Comédia em um único ato, escrita em 1949 foi o primeiro texto do dramaturgo francês. A Cantora Careca, foi criada a partir de um livro-texto para o ensino da língua inglesa, onde mostrava um casal conversando diálogos absurdos. Altamente irônico, o texto conservou também o absurdo nos diálogos, marcados por clichês e futilidades. Os absurdos nas conversas levam os seis personagens, à completa incomunicabilidade, através do diálogo ininteligível. O foco central da peça é a linguagem, fazendo uma referência a um tenebroso futuro para as relações humanas, e consequentemente da comunicação: a impossibilidade de diálogo entre as pessoas. Aqui o violão não é só um simples acompanhante, existe uma conversa entre essas duas sonoridades sem a presença de palavras, talvez seja esse o dialogo absurdo que vc não vai entender, aliás, acho interessante que essa canção não vai ofender ninguém.
A bela canção da cantora careca, Opus 17
$4.99 4.28 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver.  Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I.  Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrín Buí (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her.  They are offered together as alternate perspectives from potential romantic partners, and  features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II.  I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative:   1. hopes of the parent for the child   2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance   3. uncertainty over who is nurturing who: does the child now sing to comfort the parent?     4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII.  The Drummer- An energetic reel,  a combination of Maidin Fhómhair, nó Cailín Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant] Chorale SATB

$2.10 1.8 € Chorale SATB PDF SheetMusicPlus






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