Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I.  Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrín Buí (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her.  They are offered together as alternate perspectives from potential romantic partners, and  features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II.  I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative:   1. hopes of the parent for the child   2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance   3. uncertainty over who is nurturing who: does the child now sing to comfort the parent?     4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III.  The Drummer- An energetic reel,  a combination of Maidin Fhómhair, nó Cailín Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Instrumental Solo,Mandolin - Level 1 - Digital Download SKU: A0.1132731 Composed by Bernardo Bernal. Folk. Individual part. 3 pages. Bernal #732927. Published by Bernal (A0.1132731). Estos ejercicios permitirán al ejecutante ir mejorando la destreza en la ejecución de las notas y sus respectivas digitaciones a medida que vayan practicando diariamente. Están pensados especialmente para la mandolina pero pueden adaptarse para el violín.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I.  Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrín Buí (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her.  They are offered together as alternate perspectives from potential romantic partners, and  features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II.  I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative:   1. hopes of the parent for the child   2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance   3. uncertainty over who is nurturing who: does the child now sing to comfort the parent?     4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III.  The Drummer- An energetic reel,  a combination of Maidin Fhómhair, nó Cailín Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Solo Guitar - Level 3 - Digital Download SKU: A0.1221594 Composed by Antonio Filho, Guido Morra, Maurizio Fabrizio, and Vinicius Moraes. Arranged by KAUE PAIM NASCIMENTO. Children,Folk,Multicultural,Pop,Traditional,World. Individual part. 1 pages. KAUE PAIM NASCIMENTO #817895. Published by KAUE PAIM NASCIMENTO (A0.1221594). WatercolorA Work released in the early eighties, it is a song that goes back to the universe of childhood. She reminds the listener of the need to imagine alternative scenarios, contemplating the beauty of being able to go beyond through our creative capacity.For those who want to play chord melody on guitar (classical guitar), this is a good option for a new experience and great ideas for a good arrangement done in C major.Hope you like it. AquarelaUma Obra lançada no princípio dos anos oitenta, é uma música que remonta ao universo da infância. Ela recorda o ouvinte da necessidade de se imaginar cenários alternativos, contemplando a beleza que é poder ir além através da nossa capacidade de criação.Para quem almeija tocar chord melody no violão (guitarra classica), esta é uma boa opção para uma nova experiência e grandes ideias para um bom arranjo feito em Dó maior.Espero que gostem.

Composed by Alan Menken. Arranged by MARIANNE BOUVETTE. 21st Century,Celtic,Film/TV,Folk,Ir ish,Medieval. Score. 10 pages. MARIANNE BOUVETTE #877517. Published by MARIANNE BOUVETTE

By Keith Terrett. By Abduland#703;azand#299;z Nand#257;and#7779;and#7779;ir al-and#703;Ubaydand#257;n al-Fakhrand#363;. Arranged by Keith Terrett. Classical, Multicultural, Patriotic, World. Score and parts. 13 pages. Keith Terrett #379277. Published by Keith Terrett

C Instrument - Level 1 - Digital Download SKU: A0.1510233 By Symphony Worship. By Symphony Worship. Arranged by Ir. Niko Njotorahardjo. Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #1085434. Published by Steven See (A0.1510233). UJILAH AKU, TUHANCOBALAH AKU, TUHANSELIDIKI BATINKU DAN HATIKUMATAKU TERTUJU PADAMUAKU CINTA PADAMU, TUHANAKU RINDU HADIRATMU, TUHANAKU INGIN SELALU DEKAT PADAMUMENIKMATI KEHADIRANMUKUNYANYI HOSANABAGI RAJAKU YANG DUDUK DI TAHTAAKU MULIAKAN DAN KUAGUNGKANKAU LAYAK DISEMBAHHOSANNAHOSANNAHOSANNA TO THE KINGKUAGUNGKAN, YESUS RAJADIA BERKUASA, DAN LAYAK DISEMBAH.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1176600 Composed by Jose Luis Armenteros Sanchez and Pablo Herrero Ibarz. Arranged by Luis Turina and Nonamé Música. 20th Century,Classical,Latin,Multicultural,Wedding,World. Score and parts. 9 pages. Nonamé Música #776677. Published by Nonamé Música (A0.1176600). (English below) (De Wikipedia) Venezuela es una canción popular venezolana, con letra y música de [...] Los Relámpagos  [...]. La popularidad y el sentimiento que evoca en los venezolanos es tal, que se la considera el cuarto himno de Venezuela, [tras] el Himno Nacional, «Alma llanera» y «Conticinio, del venezolano, Laudelino Mejías»...Con los millones de venezolanos que hay emigrados por todo el mundo, era casi un crimen no tener esta canción disponible para ellos. Novios y novias lloran por igual al entrar en sus bodas escuchando estos acordes, invitados cantando y abrazándose... Toca mucho el corazón.Mientras el cello hace casi un continuo, viola y violines se van alternando la melodía, con multitud de contratemas, adornos, segundas voces y contrapuntos. Una gozada tocarla, muy sencilla además. Cuidado con el calderón del cambio de tono.Arreglo en una página por instrumento para facilitar su interpretación al aire libre. Arcos, matices y letras de ensayo para poder hacer una buena lectura a primera vista. Más arreglos de Nonamé en nuestro canal: Nonamé Música.(From Wikipedia) Venezuela is a popular Venezuelan song, with lyrics and music by [...] Los Relámpagos [...]. The popularity and sentiment it evokes in Venezuelans is such that it is considered the fourth anthem from Venezuela, [after] the National Anthem, Alma llanera and Conticinio, from the Venezuelan, Laudelino Mejías...With millions of Venezuelans emigrating all over the world, it was almost a crime not to have this song available to them. Grooms and brides alike cry when they enter their weddings listening to these chords, guests singing and hugging each other... It really touches the heart.While the cello plays almost a continuum, the viola and violins alternate the melody, with a multitude of counter-themes, ornaments, second voices and counterpoints. A joy to play it, very simple as well. Beware of the calderón of the change of tone.Arrangement on one page per instrument to facilitate outdoor performance. Bowings, dynamics and rehearsal letters to be able to make a good sightreading. More Nonamé arrangements on our channel: Noname Música.Letra/Lyrics Llevo tu luz y tu aroma en mi pielY el cuatro en el corazónLlevo en mi sangre la espuma del marY tu horizonte en mis ojosNo envidio el vuelo ni el nido al turpialSoy como el viento en la miezSiento el caribe como a una mujerSoy así, ¿qué voy a hacer?Soy desierto, selva, nieve y volcánY al andar dejo una estelaDel rumor del llano en una canciónQue me desvela La mujer que quiero tiene que serCorazón, fuego y espuelasCon la piel tostada como una florDe VenezuelaCon tu paisaje y mis sueños me iréPor esos mundos de DiosY tus recuerdos al atardecerMe harán más corto el caminoEntre tus playas quedó mi niñezTendida al viento y al solY esa nostalgia que sube a mi vozSin querer se hizo canciónDe los montes quiero la inmensidadY del río la acuarelaY de ti los hijos que sembraránNuevas estrellasY si un día tengo que naufragarY el tifón rompe mis velasEnterrad mi cuerpo cerca del marEn Venezuela

Concert Band - Level 2 - Digital Download SKU: A0.1020739 Composed by Nelson Raúl Suárez Rincón. Arranged by Nelson Raúl Suárez Rincón. Standards,World. Score and parts. 40 pages. Nelson Suarez Rincon #5219261. Published by Nelson Suarez Rincon (A0.1020739). Es un vals lento y cadencioso que hace alusión al camino que emprende todo músico instrumentista desde su primer acercamiento a la práctica de conjunto; dando paso con ello, un extenso viaje exploratorio de nuevos descubrimientos y experiencias que le irán ampliando su horizonte musical.

Instrumental Solo,Mandolin - Level 1 - Digital Download SKU: A0.1132724 Composed by Bernardo Bernal. Folk. Individual part. 1 pages. Bernal #732919. Published by Bernal (A0.1132724). Estos ejercicios permitirán al ejecutante ir memorizando los arpegios y sus respectivas digitaciones a medida que vayan practicando diariamente. Están pensados especialmente para la mandolina pero pueden adaptarse para el violín.

Piano - Digital Download SKU: A0.1070314 Composed by Juan Carlos Cortés Aguirre. 20th Century,Graduation,Holiday,Instructional,Patriotic. Full Performance. Duration 235. Juan Carlos Cortés Aguirre #4316881. Published by Juan Carlos Cortés Aguirre (A0.1070314). Marcha con introducción en compás 6/8 y tema en compás de 2/2, para luego ir a un tema central nuevamente en 6/8. En la tonalidad de Mi bemol mayor que luego tiene una parte central en Mi bemol menor. Marcha inspirada en las marchas americanas de Sousa que data del 21 de enero de 1989. Apropiada para los amantes de las retretas o desfiles populares, de carácter marcial y / o festivo, factible de ser instrumentada u orquestada para Bandas Sinfónicas, Pequeños Conjuntos u Orquestas

Composed by Turlough O’Carolan. Arranged by Serena O’Meara. Baroque,Celtic,Folk,Holiday,Ir ish,Wedding. Score and parts. 7 pages. O'Meara Music #6734217. Published by O'Meara Music

Instrumental Solo,Mandolin - Level 1 - Digital Download SKU: A0.1132905 Composed by Bernardo Bernal. Folk. Individual part. 4 pages. Bernal #733095. Published by Bernal (A0.1132905). Estos ejercicios permitirán al ejecutante ir mejorando la destreza en la ejecución de las notas y sus respectivas digitaciones a medida que vayan practicando diariamente. Están pensados especialmente para la mandolina pero pueden adaptarse para el violín.

Instrumental Duet Guitar,High Voice,Instrumental Duet - Digital Download SKU: A0.999381 Composed by Janilson fialho. Contemporary,Standards. Score and parts. 3 pages. Janilson Fialho #6479357. Published by Janilson Fialho (A0.999381). O Teatro do absurdo foi a designação criada em 1961 pelo crítico húngaro radicado na Inglaterra, Martin Esslin (1918-2002), tentando sintetizar uma definição que agrupasse as obras de dramaturgos de diversos países, as quais, apesar de serem completamente diferentes em suas formas, tinham como ponto central o tratamento inusitado de aspectos inesperados da vida humana. Essas obras estavam focadas em questões existencialistas e tentavam expressar o que acontece quando a existência humana é tida como sem sentido ou sem propósito, resultando na dissolução das comunicações. (Wikipédia) A Cantora Careca, de Eugêne Ionesco(1909 - 1994), é Comédia em um único ato, escrita em 1949 foi o primeiro texto do dramaturgo francês. A Cantora Careca, foi criada a partir de um livro-texto para o ensino da língua inglesa, onde mostrava um casal conversando diálogos absurdos. Altamente irônico, o texto conservou também o absurdo nos diálogos, marcados por clichês e futilidades. Os absurdos nas conversas levam os seis personagens, à completa incomunicabilidade, através do diálogo ininteligível. O foco central da peça é a linguagem, fazendo uma referência a um tenebroso futuro para as relações humanas, e consequentemente da comunicação: a impossibilidade de diálogo entre as pessoas. Aqui o violão não é só um simples acompanhante, existe uma conversa entre essas duas sonoridades sem a presença de palavras, talvez seja esse o dialogo absurdo que vc não vai entender, aliás, acho interessante que essa canção não vai ofender ninguém.