String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987857 Composed by Robert M. Greenberg. 20th Century. Score and parts. 121 pages. Robert M. Greenberg #115423. Published by Robert M. Greenberg (A0.987857). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1988 Program Note: !. Games (fast) II. Intermezzo: Dreams of Gold (slow) III. Dances (very fast) Child's Play was completed in August, 1988. In no way does the title refer to the technical demands of the piece, which are considerable. Rather, it refers to the endlessly imaginative, energized, and constantly changing play that might be engaged in by four different, though like-minded children. Indeed, the inspiration for the quartet was my then two-year-old daughter Rachel, whose boundless energy and capacity for play I found (and still find) rather terrifying. Child's Play consists of three movements: Games (fast), Intermezzo: Sogni d'Oro (Dreams of Gold) (slow), and Dances (very fast). In Games, four energetic and well-rested players leap out of the starting blocks together and engage in sport of various kinds: running games, chasing games, teasing games, tag, echo games (Simon Says), races, and so forth, eventually returning to the unison from which they began. Intermezzo: Sogni d'Oro (Dreams of Gold) offers a quiet, episodic, dreamlike respite from the frenetic mood of Games. In Dances, the energized character of the first movement resumes, only faster. Dances is a perpetual motion movement in three parts, with a slower, more fragmented middle section sandwiched between a boisterous and frenzied dance of life. This movement ends much in the same way as the first movement began, bringing the circuit of the piece to a close. Child's Play was commissioned by, and is dedicated, with many thanks and great appreciation, to the Alexander String Quartet.

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1503787 By David Jayden Anthony. By David Jayden Anthony. Arranged by David Jayden Anthony. Pop,Praise & Worship,Religious. 5 pages. D'Jam Music #1079241. Published by d'Jam Music (A0.1503787). Title: Something Is A Comin’ – Uplifting SATB Gospel Praise Song by David Jayden Anthony Bring energy and inspiration to your choir with Something Is A Comin', a lively and contemporary SATB gospel piece by David Jayden Anthony. This dynamic song tells the story of the devil tempting us to stay in bed on Sunday morning, but it’s much more than that—it’s a celebration of the strength and faith it takes to rise above life's challenges and make your way to church.Why This Song? Something Is A Comin’ delivers a message that resonates with congregations of all sizes: we all face obstacles, but faith, community, and worship are what pull us through. The song's upbeat melody and engaging harmonies make it a joy to sing, while its lyrics encourage perseverance and spiritual growth. Despite its mention of the devil, this is a charming and uplifting gospel anthem that is simple to perform yet powerful in its impact.For Your Choir & Congregation: With its catchy rhythm and modern gospel sound, Something Is A Comin’ is perfect for building excitement in your church services. Whether you're leading a small choir or a large ensemble, this piece will engage your singers and inspire your audience, leaving them energized and ready to tackle the week ahead. Key Features: Uplifting contemporary gospel style Simple yet powerful message about faith and perseverance Ideal for praise services, special events, or regular Sunday worship Encourages participation and excitement within the congregation This song isn't just about music—it’s about motivation, faith, and the joy of gathering together in worship. Bring this contemporary gospel gem to your choir, and watch as it lifts spirits and energizes your congregation. Get your copy of Something Is A Comin' today and let your choir lead the way in building a stronger, more engaged community.Keywords: SATB choral music, contemporary gospel, David Jayden Anthony, praise song, gospel choir, worship music, church choir, uplifting gospel song, faith and perseverance.

Cello - Digital Download SKU: S9.Q40754 Concerto grosso D major. Composed by Antonio Vivaldi. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Op. 3/1. Ernst Eulenburg & Co. GmbH - Digital #Q40754. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q40754). Key: D major.Versuche einer Übersetzung - Die harmonische Inspiration oder auch Die musikalische (Gefühlsauf-)Wallung - geben nicht annähernd die Mischung aus Fantasie und Eindringlichkeit wieder, die Estienne Roger, den wohl cleversten Verleger des 18. Jahrhunderts, dazu veranlassten, Vivaldis Opus 3 in Druck zu nehmen. Die 1711 veröffentlichte Sammlung von 12 Konzerten ist mit System konzipiert: Vier Dreiergruppen bestehen jeweils aus einem Konzert für vier Violinen, einem Violindoppel- sowie einem Solokonzert. Nach dem Prinzip der paarweisen Tonartenanlage folgt jedem Konzert in Dur eines in Moll. Mit L’estro armonico machte sich Vivaldi in ganz Europa einen Namen und übte tief greifenden Einfluss auf die Werke späterer Komponisten aus, u. a. auf J. S. Bach.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.882262 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5723771. Published by Adrian D Biggs (A0.882262). Agnus dei for SATB Chorus and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. 

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.882264 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score. 7 pages. Adrian D Biggs #5728909. Published by Adrian D Biggs (A0.882264). Agnus dei for high or medium Solo Voice and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction precedes the voice calling out agnus dei, qui tollis peccata mundi. A solo instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (SSA, SAB, SATB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Also available in piano versions

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.882271 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5970773. Published by Adrian D Biggs (A0.882271). Agnus dei for SAB Chorus and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the choir section agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers and organ. Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available for SAB and piano.

Soprano Saxophone Solo - Level 5 - Digital Download SKU: A0.533596 Composed by Carson Cooman. Concert,Contemporary,Folk,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3030251. Published by Musik Fabrik Music Publishing (A0.533596). Ancient Airs (2004) for solo soprano saxophone was written for and is dedicated tosaxophonist Paul Wehage. It is in two movements, each with a spirit of ancient airsre-imagined in a modern context. The ancestry of most woodwind instruments as folkinstruments is the inspiration for the work's concept. The piece should always beplayed with a lyrical, singing approach.Beyond the Mountain uses as its basic musical material a simple transformation of amodal melody in D minor. Gradually tones are added borrowed from othermodalities. The opening section is slow and lyrical. The middle section is moreactive -- contrasting the D minor chord tones with the added diminished tones of thefirst section. The final section recalls the material of the opening with a widertransformation.Forgotten Incantation uses a wider modal language than the first movement.Although still generally slow and song-like, it is more energetic. Energetic gesturesinterrupt and drive the song narrative forwards.

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.882272 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 13 pages. Adrian D Biggs #5970785. Published by Adrian D Biggs (A0.882272). Agnus dei for SSA Women’s Chorus, Violin Solo and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the chorus statement of agnus dei, qui tollis peccata mundi. An instrumental meditation follows and leads back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, violin and organ.Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available with piano in place of organ.

Piano Solo - Level 5 - Digital Download SKU: A0.914314 Composed by Philip P. Bliss and J. Lincoln Hall. Arranged by Heather Knezevich. Christian,Romantic Period,Sacred,Spiritual. Score. 4 pages. Songs of Praise #6301753. Published by Songs of Praise (A0.914314). This beautifully expressive arrangement for advanced piano solo draws inspiration from Chopin's Ballade No. 4, Op. 52. It begins with the refrain of the hymn, It Is Well with My Soul in the key of A-flat major, then continues to the verse (in D-flat major). The first verse is thoughtful: When peace like a river attendeth my way... The melody occasionally moves between the hands. In the second verse, it build intensity: Though Satan should buffet, though trials should come... The key changes to B-flat major and transitions to a simpler style for the second hymn, Does Jesus Care? It returns to the key of D-flat for the final triumphant verse: And Lord, haste the day when my faith shall be sight... It ends thoughtfully, echoing the opening phrase of the arrangement.This piece is suitable for advanced pianists looking for a recital solo or church offertory. The composer is an active church musician and welcomes your input!

Small Ensemble Clarinet,Oboe,Piano Accompaniment,Voice - Level 4 - Digital Download SKU: A0.882260 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 13 pages. Adrian D Biggs #5723713. Published by Adrian D Biggs (A0.882260). Agnus dei for high or medium Voice, Oboe or Clarinet Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Oboe or Clarinet precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and parts included.

Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.882256 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. 7 pages. Adrian D Biggs #5721243. Published by Adrian D Biggs (A0.882256). Agnus dei for high or medium Solo Voice and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction precedes the voice calling out agnus dei, qui tollis peccata mundi. A solo instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (SSA, SATB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.882270 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5970749. Published by Adrian D Biggs (A0.882270). Agnus dei for SATB Chorus and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, organist. Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available for SATB and Piano.

Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.882258 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5723707. Published by Adrian D Biggs (A0.882258). Agnus dei for high or medium Voice, Flute Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.

Piano and voice; banjulele banjo and ukulele - Digital Download SKU: LV.21982 Composed by Joseph Meyer & Philip Charig. Arranged by Alvin D. Keech. Courtship & love, Animals in human situations. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21982). Chirp Chirp. Words by Ira Gershwin. Music by Joseph Meyer & Philip Charig. Arranged for banjulele banjo and ukulele by Alvin D. Keech. Published 1928 by Chappell & Co., Ltd., 50 New Bond Street in London. Composition of strophic with chorus with piano and voice; banjulele banjo and ukulele instrumentation. Subject headings for this piece include Courtship & love, Animals in human situations. First line reads When Spring puts on her gay appparel, what is it the song birds carol neatly, so sweetly, tweet tweetly?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.