Piano Solo - Level 5 - Digital Download SKU: A0.914314 Composed by Philip P. Bliss and J. Lincoln Hall. Arranged by Heather Knezevich. Christian,Romantic Period,Sacred,Spiritual. Score. 4 pages. Songs of Praise #6301753. Published by Songs of Praise (A0.914314). This beautifully expressive arrangement for advanced piano solo draws inspiration from Chopin's Ballade No. 4, Op. 52. It begins with the refrain of the hymn, It Is Well with My Soul in the key of A-flat major, then continues to the verse (in D-flat major). The first verse is thoughtful: When peace like a river attendeth my way... The melody occasionally moves between the hands. In the second verse, it build intensity: Though Satan should buffet, though trials should come... The key changes to B-flat major and transitions to a simpler style for the second hymn, Does Jesus Care? It returns to the key of D-flat for the final triumphant verse: And Lord, haste the day when my faith shall be sight... It ends thoughtfully, echoing the opening phrase of the arrangement.This piece is suitable for advanced pianists looking for a recital solo or church offertory. The composer is an active church musician and welcomes your input!

Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.861902 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6206171. Published by Mark O'Connor Musik International (A0.861902). Fiddle Sonata Trio (violin part – piano, vln, cel) MO165BViolin Part (score and parts available)Music by Mark O’Connor14 pages - 20:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin, cello and piano composed and adapted by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during their prestigious ‘97-’98 chamber music season. The Library was featuring piano in their programming that year therefore requesting O’Connor to compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a national public radio special America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. For inspiration O’Connor used these influences as well as those from the French Canadians. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C.Mark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO165BCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Small Ensemble Flute,Organ,Voice - Level 4 - Digital Download SKU: A0.882268 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5970695. Published by Adrian D Biggs (A0.882268). Agnus dei for high or medium Voice, Flute Solo and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, flute, and organ and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available in a piano version.

Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.861900 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pages. Mark O'Connor Musik International #6206167. Published by Mark O'Connor Musik International (A0.861900). Fiddle Sonata Trio (piano score – piano, vln, cel) MO165APiano Score (parts available)Music by Mark O’Connor45 pages - 20:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue  Fiddle Sonata for violin, cello and piano composed and adapted by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during their prestigious ‘97-’98 chamber music season. The Library was featuring piano in their programming that year therefore requesting O’Connor to compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a national public radio special America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. For inspiration O’Connor used these influences as well as those from the French Canadians. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C.Mark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO165ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Viola I - Digital Download SKU: S9.Q40753 Concerto grosso D major. Composed by Antonio Vivaldi. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Op. 3/1. Ernst Eulenburg & Co. GmbH - Digital #Q40753. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q40753). Key: D major.Versuche einer Übersetzung - Die harmonische Inspiration oder auch Die musikalische (Gefühlsauf-)Wallung - geben nicht annähernd die Mischung aus Fantasie und Eindringlichkeit wieder, die Estienne Roger, den wohl cleversten Verleger des 18. Jahrhunderts, dazu veranlassten, Vivaldis Opus 3 in Druck zu nehmen. Die 1711 veröffentlichte Sammlung von 12 Konzerten ist mit System konzipiert: Vier Dreiergruppen bestehen jeweils aus einem Konzert für vier Violinen, einem Violindoppel- sowie einem Solokonzert. Nach dem Prinzip der paarweisen Tonartenanlage folgt jedem Konzert in Dur eines in Moll. Mit L’estro armonico machte sich Vivaldi in ganz Europa einen Namen und übte tief greifenden Einfluss auf die Werke späterer Komponisten aus, u. a. auf J. S. Bach.

Basso continuo - Digital Download SKU: S9.Q40759 Concerto grosso D major. Composed by Antonio Vivaldi. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Op. 3/1. Ernst Eulenburg & Co. GmbH - Digital #Q40759. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q40759). Key: D major.Versuche einer Übersetzung - Die harmonische Inspiration oder auch Die musikalische (Gefühlsauf-)Wallung - geben nicht annähernd die Mischung aus Fantasie und Eindringlichkeit wieder, die Estienne Roger, den wohl cleversten Verleger des 18. Jahrhunderts, dazu veranlassten, Vivaldis Opus 3 in Druck zu nehmen. Die 1711 veröffentlichte Sammlung von 12 Konzerten ist mit System konzipiert: Vier Dreiergruppen bestehen jeweils aus einem Konzert für vier Violinen, einem Violindoppel- sowie einem Solokonzert. Nach dem Prinzip der paarweisen Tonartenanlage folgt jedem Konzert in Dur eines in Moll. Mit L’estro armonico machte sich Vivaldi in ganz Europa einen Namen und übte tief greifenden Einfluss auf die Werke späterer Komponisten aus, u. a. auf J. S. Bach.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882263 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 11 pages. Adrian D Biggs #5726149. Published by Adrian D Biggs (A0.882263). Agnus dei for SSA Women’s Chorus, Violin Solo, and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. A Violin Solo introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.882261 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5723775. Published by Adrian D Biggs (A0.882261). Agnus dei for SAB Chorus and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes.

Small Ensemble Clarinet,Oboe,Piano Accompaniment,Voice - Level 4 - Digital Download SKU: A0.882260 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 13 pages. Adrian D Biggs #5723713. Published by Adrian D Biggs (A0.882260). Agnus dei for high or medium Voice, Oboe or Clarinet Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Oboe or Clarinet precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and parts included.

Flute,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.1337051 By Francois Du Bois. By Francois Du Bois. 21st Century,Chamber,Contemporary,Multicultural,Spiritual,World. 8 pages. D-Project Co., Ltd. #922857. Published by D-Project Co., Ltd. (A0.1337051). Nozawa Song draws inspiration from Japan, embodying a highly positive concept filled with hope and a sense of ongoing reconstruction. The composition, written in 5/8 time, imparts a light and airy atmosphere, distinguishing it from music in the more common 4/4 time signature.

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.882272 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 13 pages. Adrian D Biggs #5970785. Published by Adrian D Biggs (A0.882272). Agnus dei for SSA Women’s Chorus, Violin Solo and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the chorus statement of agnus dei, qui tollis peccata mundi. An instrumental meditation follows and leads back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, violin and organ.Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available with piano in place of organ.

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1503787 By David Jayden Anthony. By David Jayden Anthony. Arranged by David Jayden Anthony. Pop,Praise & Worship,Religious. 5 pages. D'Jam Music #1079241. Published by d'Jam Music (A0.1503787). Title: Something Is A Comin’ – Uplifting SATB Gospel Praise Song by David Jayden Anthony Bring energy and inspiration to your choir with Something Is A Comin', a lively and contemporary SATB gospel piece by David Jayden Anthony. This dynamic song tells the story of the devil tempting us to stay in bed on Sunday morning, but it’s much more than that—it’s a celebration of the strength and faith it takes to rise above life's challenges and make your way to church.Why This Song? Something Is A Comin’ delivers a message that resonates with congregations of all sizes: we all face obstacles, but faith, community, and worship are what pull us through. The song's upbeat melody and engaging harmonies make it a joy to sing, while its lyrics encourage perseverance and spiritual growth. Despite its mention of the devil, this is a charming and uplifting gospel anthem that is simple to perform yet powerful in its impact.For Your Choir & Congregation: With its catchy rhythm and modern gospel sound, Something Is A Comin’ is perfect for building excitement in your church services. Whether you're leading a small choir or a large ensemble, this piece will engage your singers and inspire your audience, leaving them energized and ready to tackle the week ahead. Key Features: Uplifting contemporary gospel style Simple yet powerful message about faith and perseverance Ideal for praise services, special events, or regular Sunday worship Encourages participation and excitement within the congregation This song isn't just about music—it’s about motivation, faith, and the joy of gathering together in worship. Bring this contemporary gospel gem to your choir, and watch as it lifts spirits and energizes your congregation. Get your copy of Something Is A Comin' today and let your choir lead the way in building a stronger, more engaged community.Keywords: SATB choral music, contemporary gospel, David Jayden Anthony, praise song, gospel choir, worship music, church choir, uplifting gospel song, faith and perseverance.

Cello - Digital Download SKU: S9.Q40754 Concerto grosso D major. Composed by Antonio Vivaldi. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Op. 3/1. Ernst Eulenburg & Co. GmbH - Digital #Q40754. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q40754). Key: D major.Versuche einer Übersetzung - Die harmonische Inspiration oder auch Die musikalische (Gefühlsauf-)Wallung - geben nicht annähernd die Mischung aus Fantasie und Eindringlichkeit wieder, die Estienne Roger, den wohl cleversten Verleger des 18. Jahrhunderts, dazu veranlassten, Vivaldis Opus 3 in Druck zu nehmen. Die 1711 veröffentlichte Sammlung von 12 Konzerten ist mit System konzipiert: Vier Dreiergruppen bestehen jeweils aus einem Konzert für vier Violinen, einem Violindoppel- sowie einem Solokonzert. Nach dem Prinzip der paarweisen Tonartenanlage folgt jedem Konzert in Dur eines in Moll. Mit L’estro armonico machte sich Vivaldi in ganz Europa einen Namen und übte tief greifenden Einfluss auf die Werke späterer Komponisten aus, u. a. auf J. S. Bach.

Percussion Ensemble Bass Marimba,Percussion - Level 4 - Digital Download SKU: A0.1343590 By Francois Du Bois. By Francois Du Bois. 21st Century,Contemporary,Contest,Festival,Multicultural,Spiritual,World. 12 pages. D-Project Co., Ltd. #929122. Published by D-Project Co., Ltd. (A0.1343590). Mozeatunia is an ensemble piece featuring marimba and percussion, capturing the majestic power of Africa's great Victoria Falls. The music symbolizes the forceful descent of a water droplet from the top to the bottom with tremendous strength. To bring out the essence of this imagery, the piece should be played with inspiration, passion, and dynamic energy.

Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.882257 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5723155. Published by Adrian D Biggs (A0.882257). Agnus dei for high or medium Voice, Violin Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Violin precedes the voice calling out agnus dei, qui tollis peccata mundi. A solo instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, in place of Violin, Solo Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, violinist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.