Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.861900 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pages. Mark O'Connor Musik International #6206167. Published by Mark O'Connor Musik International (A0.861900). Fiddle Sonata Trio (piano score – piano, vln, cel) MO165APiano Score (parts available)Music by Mark O’Connor45 pages - 20:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue  Fiddle Sonata for violin, cello and piano composed and adapted by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during their prestigious ‘97-’98 chamber music season. The Library was featuring piano in their programming that year therefore requesting O’Connor to compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a national public radio special America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. For inspiration O’Connor used these influences as well as those from the French Canadians. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C.Mark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO165ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Small Ensemble Clarinet,Oboe,Piano Accompaniment,Voice - Level 4 - Digital Download SKU: A0.882260 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 13 pages. Adrian D Biggs #5723713. Published by Adrian D Biggs (A0.882260). Agnus dei for high or medium Voice, Oboe or Clarinet Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Oboe or Clarinet precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and parts included.

Soprano Saxophone Solo - Level 5 - Digital Download SKU: A0.533596 Composed by Carson Cooman. Concert,Contemporary,Folk,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3030251. Published by Musik Fabrik Music Publishing (A0.533596). Ancient Airs (2004) for solo soprano saxophone was written for and is dedicated tosaxophonist Paul Wehage. It is in two movements, each with a spirit of ancient airsre-imagined in a modern context. The ancestry of most woodwind instruments as folkinstruments is the inspiration for the work's concept. The piece should always beplayed with a lyrical, singing approach.Beyond the Mountain uses as its basic musical material a simple transformation of amodal melody in D minor. Gradually tones are added borrowed from othermodalities. The opening section is slow and lyrical. The middle section is moreactive -- contrasting the D minor chord tones with the added diminished tones of thefirst section. The final section recalls the material of the opening with a widertransformation.Forgotten Incantation uses a wider modal language than the first movement.Although still generally slow and song-like, it is more energetic. Energetic gesturesinterrupt and drive the song narrative forwards.

Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.861903 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6206173. Published by Mark O'Connor Musik International (A0.861903). Fiddle Sonata Trio (cello part – piano, vln, cel) MO165CCello Part (score and parts available)Music by Mark O’Connor14 pages - 20:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin, cello and piano composed and adapted by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during their prestigious ‘97-’98 chamber music season. The Library was featuring piano in their programming that year therefore requesting O’Connor to compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a national public radio special America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. For inspiration O’Connor used these influences as well as those from the French Canadians. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C.Mark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO165CCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

Small Ensemble Clarinet,Oboe,Organ,Voice - Level 4 - Digital Download SKU: A0.882269 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 13 pages. Adrian D Biggs #5970719. Published by Adrian D Biggs (A0.882269). Agnus dei for high or medium Voice, Oboe or Clarinet Solo and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB, SAB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singer, oboe or clarinet and organ. Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.

Flute,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.1337052 By Francois Du Bois. By Francois Du Bois. 21st Century,Chamber,Contemporary,Multicultural,Spiritual,World. 7 pages. D-Project Co., Ltd. #922858. Published by D-Project Co., Ltd. (A0.1337052). Chant de Mars draws its inspiration from the vast, unexplored terrain of the planet Mars. Envision a scenario where someone belts out a tune on the Martian surface—ever pondered what their vocals would resonate against?The intricate time signatures, weaving between 6/8, 3/8, 4/8, and various others, contribute to the melody's enigmatic quality. It's as if the musical composition hesitates on a definitive starting point, maintaining an air of mystery throughout.

Violin I - Digital Download SKU: S9.Q40751 Concerto grosso D major. Composed by Antonio Vivaldi. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Op. 3/1. Ernst Eulenburg & Co. GmbH - Digital #Q40751. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q40751). Key: D major.Versuche einer Übersetzung - Die harmonische Inspiration oder auch Die musikalische (Gefühlsauf-)Wallung - geben nicht annähernd die Mischung aus Fantasie und Eindringlichkeit wieder, die Estienne Roger, den wohl cleversten Verleger des 18. Jahrhunderts, dazu veranlassten, Vivaldis Opus 3 in Druck zu nehmen. Die 1711 veröffentlichte Sammlung von 12 Konzerten ist mit System konzipiert: Vier Dreiergruppen bestehen jeweils aus einem Konzert für vier Violinen, einem Violindoppel- sowie einem Solokonzert. Nach dem Prinzip der paarweisen Tonartenanlage folgt jedem Konzert in Dur eines in Moll. Mit L’estro armonico machte sich Vivaldi in ganz Europa einen Namen und übte tief greifenden Einfluss auf die Werke späterer Komponisten aus, u. a. auf J. S. Bach.

Small Ensemble Flute,Organ,Voice - Level 4 - Digital Download SKU: A0.882268 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5970695. Published by Adrian D Biggs (A0.882268). Agnus dei for high or medium Voice, Flute Solo and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, flute, and organ and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available in a piano version.

Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.882266 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5728915. Published by Adrian D Biggs (A0.882266). Agnus dei for high or medium Voice, Violin Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Violin precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available with Piano accompaniment

Viola I - Digital Download SKU: S9.Q40753 Concerto grosso D major. Composed by Antonio Vivaldi. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Op. 3/1. Ernst Eulenburg & Co. GmbH - Digital #Q40753. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q40753). Key: D major.Versuche einer Übersetzung - Die harmonische Inspiration oder auch Die musikalische (Gefühlsauf-)Wallung - geben nicht annähernd die Mischung aus Fantasie und Eindringlichkeit wieder, die Estienne Roger, den wohl cleversten Verleger des 18. Jahrhunderts, dazu veranlassten, Vivaldis Opus 3 in Druck zu nehmen. Die 1711 veröffentlichte Sammlung von 12 Konzerten ist mit System konzipiert: Vier Dreiergruppen bestehen jeweils aus einem Konzert für vier Violinen, einem Violindoppel- sowie einem Solokonzert. Nach dem Prinzip der paarweisen Tonartenanlage folgt jedem Konzert in Dur eines in Moll. Mit L’estro armonico machte sich Vivaldi in ganz Europa einen Namen und übte tief greifenden Einfluss auf die Werke späterer Komponisten aus, u. a. auf J. S. Bach.

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.882271 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Easter,Sacred. Octavo. 9 pages. Adrian D Biggs #5970773. Published by Adrian D Biggs (A0.882271). Agnus dei for SAB Chorus and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An instrumental introduction leads to the choir section agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as separate versions featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers and organ. Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available for SAB and piano.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic

Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.882258 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5723707. Published by Adrian D Biggs (A0.882258). Agnus dei for high or medium Voice, Flute Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.882265 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 11 pages. Adrian D Biggs #5726159. Published by Adrian D Biggs (A0.882265). Agnus dei for High Voice Solo, SAB Chorus, Violin Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. A Solo Violin introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB, SATB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.882263 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Octavo. 11 pages. Adrian D Biggs #5726149. Published by Adrian D Biggs (A0.882263). Agnus dei for SSA Women’s Chorus, Violin Solo, and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. A Violin Solo introduction leads to the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SAB, SATB) as well as separate versions featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singers, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.