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Piano Solo - Level 5 - Digital Download SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David Tsvariani (A0.1324805). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
Fugue No.4
Piano seul

$1.99 1.69 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Published by David Tsvariani (A0.1324800). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.
Fugue No.1
Piano seul
David Tsvariani
$1.99 1.69 € Piano seul PDF SheetMusicPlus

Flute and piano - easy - Digital Download SKU: S9.Q7305 Composed by Jose Fernandez Diaz. Arranged by Uwe Korn. This edition: Sheet music. Edition Schott - Single Edition. Qui ne connaît la chanson “Guantanamera†? Elle a été chantée dans d’innombrables versions. La présente édition vous offre l’opportunité de jouer maintenant ce hit mondial devant une audience familiale – amusez-vous bien ! Downloadable. Schott Music - Digital #Q7305. Published by Schott Music - Digital (S9.Q7305). Is there anyone who does not know the song 'Guantanamera'? Going back to a melody of the Cuban music style Guajira and a text by the local national hero José Martí, it was used by José Fernández Díaz in the 1930s as a refrain for improvisations on topical daily news. In 1963 Peter Seeger took up Martí's original version at a concert at the New York Carnegie Hall – which then became a 'hymn' of the American Trade Union Movement. Since then the title has been sung in countless versions. The current edition offers the opportunity to play the worldwide hit in front of a 'home audience' – enjoy and have fun!
Guantanamera
Flûte traversière et Piano

$4.99 4.24 € Flûte traversière et Piano PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.535407 Composed by Jacques Dussouil. Christmas,Contemporary,Sacred. Octavo. 5 pages. Musik Fabrik Music Publishing #4285277. Published by Musik Fabrik Music Publishing (A0.535407). Jacques Dussouil was the Titular Organist of the Grand Orgue Boisseau of Notre-Dame de Royan from 1966 until his death in 2016. During his studies at the High School of Poitiers, he was also the student of pianist Hélène d’Ambelle who was herself a student of the great French Pianist Alfred Cortot. It was his work with Jean-Albert Villard, the organist of the Cliquot organ of the Cathedral of Poitiers which would determine his vocation as an organist. Jacques Dussouil continued his studies in Paris with Noëlie Pierront and especially with Edouard SouberbielleHis duties at the Royan Cathedral lead him to also become a choral director and composer, founding one of the best Cathedral Choirs in France which he directed for many years. This activity lead to the compostion of a large number of sacred works, including his Mass in D for two organs and Chorus.3. Un Enfant est né1. Un enfant est né dessous la paille fraiche,Bergers et bergères vennent à la crêche, Dans le ciel obscure, une étoile scintilleÉclairant les anges dont la face brille.Noël, Noël, chantez NoëlChantez l’enfant qui vient des cieuxNoël, Noël, chantez NoëlAccueillons tous cet enfant Dieu.2. Joseph et Marie dont la tête s’inclineSétonnent devant l’enfant qui les fascine,Et tandis qu’au loin dans la nuit qui descend, Chacun s’agenouille et sourit à l’enfant.Noël, Noël, chantez NoëlChantez l’enfant qui vient des cieuxNoël, Noël, chantez NoëlAccueillons tous cet enfant Dieu.
Jacques Dussouil: "Un Enfant est né" from Quatre Noëls for SATB mixed chorus
Chorale SATB

$1.99 1.69 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.958788 Composed by Lionel Félix Corbalán (Carlos Acosta). Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6872661. Published by Juan Carlos Cortés Aguirre (A0.958788). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Basado en la versión grabada por la orquesta de Juan D´Arienzo con la voz de Alberto Echagüe.DOS DEDOSLetra y música: Carlos Acosta (Lionel Félix Corbalán)Grabado por la orquesta de Juan D´Arienzo con la voz de Alberto Echagüe.INTRODUCCIÓN:Te apodaron el dos dedos de purrete,Porque dicen los muchachos que al nacer, de inmediato rechazás…Ese chupete… Con dos dedos, te supiste entretener.Mi consejo es no confiar en este coso, Que también puede afanar a tu mujer,Si es capaz de sacarle a un circo un oso,Y batirte, que lo hace sin querer.¡Dos dedos!... Sos junao por el taquero, no sos un simple ratero,Sos un punga, que valés... Y dicen...Que hasta tiemblan las vitrolas, porque sacás las chirolas,Por las ranuras que ves. ¡Dos dedos!, Sos el rey de los afanos,si te cortaran las manos, Vos afanás con los pies...¡Huy, qué clase...! Tenés pa´ tirar la lanza, si con dos dedos te alcanza,¿Para qué querés los diez?INTERLUDIO:Has nacido con el arte del choreo Y tu record no lo pueden igualar.Porque pienso, que si esto no lo veo, Les diría, que han querido exagerar.Y aunque crean que esto es pura fantasía, A cualquiera yo le puedo demostrar,Que este coso no se queda ya, en la vida, Si dos dedos, ha podido asegurar.
Dos dedos. Tango por: Lionel Félix Corbalán (Carlos Acosta)
Piano seul

$7.99 6.8 € Piano seul PDF SheetMusicPlus

Trombone Solo - Level 2 - Digital Download SKU: A0.1171268 Composed by Johann Pachelbel. Arranged by Fabio Eduardo de Oliveira. Baroque,Classical. Individual part. 2 pages. Fabio Eduardo #771607. Published by Fabio Eduardo (A0.1171268). Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne. Neither the date nor the circumstances of its composition are known (suggested dates range from 1680 to 1706), and the oldest surviving manuscript copy of the piece dates from 1838 to 1842.
Canon
Trombone

$3.00 2.55 € Trombone PDF SheetMusicPlus






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