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String Quartet String Quartet - Digital Download SKU: A0.835342 Composed by Claudio Rosati. 20th Century. Score and parts. 91 pages. Claudio Rosati #6050109. Published by Claudio Rosati (A0.835342). ItalianQuando, a Gennaio 2020, le prime notizie dell'influenza COVID-19 cominciavano a giungere dalla Cina, ho immaginato le anime e gli spiriti dell'umanità, ciò che ci rende veramente umani e differenti dagli altri animali e dagli inumani, allontanarsi da questi corpi a cui viene vietato di respirare, parlare, pensare, abbracciarsi e baciarsi. Come foglie al vento, alla ricerca di un'Altra Umanità.Con queste immagini in mente ho buttato giù di getto le frasi e le armonie dei quattro movimenti, che successivamente ho deciso di orchestrare per quartetto d'archi, ritenendolo il veicolo migliore per tradurre le suddette immagini con la musica scritta nei suoni che avrebbero accompagnato tale esilio.EnglishWhen, in January 2020, the first news about the COVID-19 flu begun spreading from Cina I have imagined souls and spirits of humankind, what makes us true humans and different from other animals and from the inhumans, going away from their bodies, which are forbidden to breath, speak, think, hug and kiss. Like leaves in the wind, searching for a Different Humanity.With these images in my own mind I've sketched out the phrases and the harmonies of the four movements. Then I've decided to orchestrate them for string quartet, thinking of it as the best way of translating those images with the written score into the sounds of souls exile.Performing Rights Organisation: SIAE (Italy), IPI: 00459688194, CAE: I-002214414-3 Contact: claudio.rosati@mac.com
Come Foglie al Vento (Like Leaves in the Wind)
Quatuor à cordes: 2 violons, alto, violoncelle

$20.00 17.27 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.981230 Composed by Judith Cloud. A Cappella,Contemporary. Octavo. 30 pages. Judith Cloud #6690583. Published by Judith Cloud (A0.981230). Words From An Artist’s PaletteJudith Cloudfor the men of the Santa Fe Desert Chorale Michelangelo (1475-1564)Ad caelum scalas anima non invenit mea nisi per terrae pulchritudinem (My soul can find no staircase to Heaven unless it be through Earth's loveliness.) Leonardo da Vinci (1452-1519)La funzione dei moscoli è di tirare non di spingere, eccetto nel caso dei genitali e della lingua. (The function of muscle is to pull and not to push, except in the case of the genitals and the tongue.) Salvador Dali (1904-1989)Dejad que mis enemigos se devoren entre ellos. (Let my enemies devour each other. ) Camille Pissarro (1830-1903)Bénis sont ils qui voient de belles choses dans les endroits humbles où d'autres ne voient rien. (Blessed are they who see beautiful things in humble places where other people see nothing.) Georgia O'Keefe (1887-1986)I hate flowers - I paint them because they're cheaper than models and they don't move.
Words From an Artist's Pallette for TTBB, a cappella, divisi with Tenor & Bass solos
Chorale TTBB

$4.99 4.31 € Chorale TTBB PDF SheetMusicPlus

Digital Download SKU: S9.Q42476 Eine Klanggeschichte zum aktiven Mitgestalten in Bild und Ton zum Thema Müll, Umweltschutz und Nachhaltigkeit für Kinder der 1. bis 4. Schulstufe. Composed by Elisabeth Naske. This edition: set of parts. Downloadable, Set of parts. Duration 90 minutes. Schott Music - Digital #Q42476. Published by Schott Music - Digital (S9.Q42476). German.A doll lying in the garbage – Lollo. Someone just threw it away. The doll finds other wounded dolls and toy animals and patches them up: Maxerl and his bad leg, the elephant and its broken trunk, and many others. Together they build a new home made from cardboard boxes. The story based on the children's book Lollo by Mira Lobe and Susi Weigel is performed by two musicians with voice and clarinet as well as by the children. The young visitors create their own instruments to be used in the performance and help to build Lollo's cardboard box town.B-Klar. (auch Bassklar.) - Perkussions- bzw. Weltmusikinstrumente (Schellenkranz für Fuß · Grille (Latin Percussion LP 634 Cricket) · Klangfrosch · Diverse Vogellaute (mindestens drei verschiedene) · Waldteufel · Autohupe · Fahrradklingel mit Metallschlägel) - Müllinstrumente (dünner Schlauch · Luftpolsterfolie · Plastik- oder Metallrohr · Sifflet).
Lollo

$47.99 41.45 € PDF SheetMusicPlus

Euphonium,Piano - Level 5 - Digital Download SKU: A0.842573 Composed by Narcisse Bousquet. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period,Standards. Score and part. 14 pages. Bl_music #6644623. Published by bl_music (A0.842573). Narcisse Bousquet (ca. 1800 – 1869) was a French composer, flageolet player and the conductor of the Elysée-Monmartre orchestra. He appears to have been active in both England and France in the first half of the Century. The dates given are the conventional ones, though there is a lack of evidence to support them. In about 1855, Bousquet worked with Jules Prudence Rivière at the Casino Paganini. There is a reference to him working in Paris at the Bal Barthélémy between about 1860 and 1865. One book Le Polycorde ou Nouveau Traite Théorique et Pratique de Musique, published in 1872 by J. Frédéric Giraud, describes a six-key French flageolet as the Systéme Bousquet so he may have been involved in the development of this type of instrument. Beyond this, very little is known about Bousquet and he does not appear in any of the usual sources for information about 19th Century French musicians. Solo part in bass clef suitable for euphonium or ophicleide.
Air Varie for Euphonium or Ophicleide
Euphonium, Piano (duo)

$19.99 17.26 € Euphonium, Piano (duo) PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1004649 Composed by Marcelo Rauta. Children,Contemporary. Score. 67 pages. Marcelo Rauta #3925369. Published by Marcelo Rauta (A0.1004649). 4 Suítes infantis: SUÃTE INFANTIL Nº1 - CENAS INFANTIS (CHILDREN’S SCENES) - Pula-corda (Jump Rope), Amarelinha (Hopscotch), A Dança do Pião Napoletano (The Dance of the Neapolitan Top), Berceuse (Lullaby), Brincadeiras de Roda (Play a Circle Game), Quadrilha (Square Dance), Pique-pega (Catch one, catch all) e Passeando no Parque (Strolling in the Park); SUÃTE INFANTIL Nº2 - DANÇAS BARROCAS (BARROQUE DANCES) - Allemande, Courante, Sarabanda e Giga; SUÃTE INFANTIL Nº3 - MESTRES BRASILEIROS (BRAZILIAN MASTERS) - Chiquinha, Zequinha, Nazareth e Villa-Lobos; e SUÃTE INFANTIL Nº4: IL FOLCLORE D’ITALIA (THE FOLKLORE OF ITALY) - L’Orco, La Marabbecca, Le Streghe in Canone e La Befana.
4 Suítes infantis (4 Children's Suites)
Piano seul

$7.99 6.9 € Piano seul PDF SheetMusicPlus

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.533545 Composed by Andersen Viana. 20th Century,Concert,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3017637. Published by Musik Fabrik Music Publishing (A0.533545). This was the first piece composed for the saxophone by ANDERSEN VIANA. The piece uses two contrasting sections: one related to violence and psychological instability in the big cities, and other; related to the nostalgic moods found in Rio de Janeiro in the past. It was composed specially for a friend, saxophonist and Doctor Mecenas MAGNO. Monologue for a friend is a rhapsodic and brilliant piece of great effect, also using rhythms and reminiscences of the music called Choros and Samba so popular in the Rio de Janeiro city at the 40’ths and 50'ths. It uses also free structures and little allusions to minimalism of Riley and Reich. The work is divided in six sections: Tormentàto, Scherzando, Lento, Lentissimo, reexposition (Tormentàto) and Coda.  Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.
Andersen Viana: Monologue for a friend (Monólogo para um Amigo) for solo alto saxophone
Saxophone Alto

$10.35 8.94 € Saxophone Alto PDF SheetMusicPlus

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 29 pages. Musik Fabrik Music Publishing #3133401. Published by Musik Fabrik Music Publishing (A0.534135). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet,   Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike.  Versions are available from Musik Fabrik for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale).  The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and piano
Saxophone Alto et Piano
1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet,   Délibes and Paladlihe It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy
$16.95 14.64 € Saxophone Alto et Piano PDF SheetMusicPlus

Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533416 Composed by Ange Flégier. Concert,Romantic Period,Standards. 12 pages. Musik Fabrik Music Publishing #2913395. Published by Musik Fabrik Music Publishing (A0.533416). A setting of a poem by Charles Baudelaire. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In C sharp minor Duration: aprox. 4 minutes 30 secondsHomme libre, toujours tu chériras la mer !La mer est ton miroir ; tu contemples ton âmeDans le déroulement infini de sa lame,Et ton esprit n’est pas un gouffre moins amer.Tu te plais à plonger au sein de ton image ;Tu l’embrasses des yeux et des bras, et ton coeurSe distrait quelquefois de sa propre rumeurAu bruit de cette plainte indomptable et sauvage.Vous êtes tous les deux ténébreux et discrets :Homme, nul n’a sondé le fond de tes abîmes ;Ô mer, nul ne connaît tes richesses intimes,Tant vous êtes jaloux de garder vos secrets !Et cependant voilà des siècles innombrablesQue vous vous combattez sans pitié ni remords,Tellement vous aimez le carnage et la mort,Ô lutteurs éternels, ô frères implacables !
Ange Flégier: L'Homme et La Mer for bass voice and piano
Voix basse, Piano

$10.35 8.94 € Voix basse, Piano PDF SheetMusicPlus

Full Orchestra - Level 2 - Digital Download SKU: A0.896909 Composed by Marcelo Torca. Arranged by Marcelo Torca. Contemporary,Instructional,Jazz,Pop,Rock. Score and parts. 508 pages. Marcelo Torca #2548811. Published by Marcelo Torca (A0.896909).                                     Este livro dá as noções iniciais para formar uma orquestra de câmara de um grupo instrumental, de instrumentos musicais diferentes dos normalmente utilizados nas orquestras tradicionais.                                   Os instrumentos musicais trabalhados serão: Flauta-doce Sopranino; Flauta-doce Soprano; Flauta-doce Contralto; Escaleta; Bandolim; Cavaco; Violão; Guitarra; Viola Caipira; Baixo elétrico; Acordeão; Teclado; Piano; Metalofone; Bateria; Percussão, Pandeiro, Surdo, Tamborim, Agogô, Reco-reco, Tantã ou Timba, Berimbau, Cajón, Rebolo.                                   Os arranjos para estes instrumentos, a forma como organizar as ideias musicais e como interpretar, seguem nas páginas seguintes.                                   As Grades fornecidas, são ideias de formação de conjuntos e como organizar.                                   Há arranjos para ritmos para percussão e para os demais instrumentos musicais abordados neste livro, exemplos de como pode se organizar as ideias rítmicas.                                   Nos exercícios de Harmonizando, com início na página trinta, coloca-se na prática as ideias, lembrando que nem sempre a ideia funciona bem, a confirmação é através do som.                                   Depois de ter feito os arranjos, basta transferir para a grade, este livro tem a preocupação de ensinar uma forma de arranjo, organizando as ideias, pois num conjunto grande, é fácil se perder, principalmente quando não tem algo fixo a ser seguido. O solo pode ser distribuído em vários instrumentos, assim como tocar todos os instrumentos de uma vez fica bom em trechos da música, mas não sempre a totalidade da música, assim vai dar as características mais de orquestra e não somente de um conjunto.                                   Este livro também fala sobre a grade dos instrumentos de percussão utilizados na OGI – Orquestra Grupo Instrumental, e o arranjo para várias levadas, assim como, várias levadas para a bateria. Percussão e Bateria, onde se podem tocar juntos, ou separados. As levadas são apenas uma noção do que se pode fazer, é apenas um guia, o arranjo de cada música é único e sempre tem que ser criativo.                                   Na última página encontra-se a legenda da notação musical para cada instrumento de percussão, respeitando sua característica sonora.                                   Há várias opções de organização e possibilidades.
Coleção OGI: Orquestra Grupo Instrumental
Orchestre

$20.00 17.27 € Orchestre PDF SheetMusicPlus

Alto Flute,C Instrument,Fiddle,Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.1353299 By Diversos. By Diversos. Arranged by Israel Pessoa. 21st Century,Christian,Christmas,Classical,Wedding. Score and individual part. 71 pages. Israel Pessoa #938070. Published by Israel Pessoa (A0.1353299). Livro com 50 partituras. Melodias com cifra das principais musicas tocadas nos eventos em geral. Para você que quer começar ou expandir seu repertório. Todas as partituras foram escritas e revisadas com extremo cuidado para que você possar baixar e tocar.1    Accidentally in Love - Counting Crowes2    Aclame ao Senhor - Diante do Trono3    As It Was - Harry Styles4    Até Outra Vez - Projeto Sola5    Autor da Minha Fé - Paulo Cézar da Silva6    Ay Tenli Kadın - Ufuk Beydemir7    Azul da Cor do Mar - Tim Maia8    Bom Bom Pai - Gabriel Guedes9    Bom Natal - Quero Ver - Passarinho10    Bondade de Deus - Isaias Saad11    Canção do Amigo - Ludmila Ferber12    Canção do Apocalipse - Diante do Trono13    Céu e Fé - Exaltasamba14    Da Vida, O Melhor - Projeto Sola15    Dance Monkey - TONES AND I16    Descansarei - Etiene Pires17    Deus da Família - Regis Danese18    Deus de Promessas - Davi Sacer19    Dog Days Are Over - The Machine20    Essa Aliança - Entretons21    Everlong - Foo Fighters22    Greensleeves - Anônimo23    Harmonia do Meu Coração - Arthur Salermo24    I Want It That Way - Blackstreet Boys25    Iris - Goo Goo Dolls26    Is This Love - Bob Marley27    Jesus Cristo Mudou Meu Viver28    Jingle-Bell Rock - Joe Bela and Jim Bootle29    Marcha Nupcial + Pompa e circunstancia30    Marcha Nupcial + Valsa Rancho - Chico Buarque31    Mirrors - Justin Timberlake32    Moi Moi - Albin dela Simone33    Moon River - Henry Manchini34    Natal Todo Dia - Roupa Nova35    Noite Feliz - F. Gruber - Tradicional Natalina36    Noites Traiçoeiras - Pe. Zeca37    O Meu Amor - Chico Buarque38    O Senhor é Rei - Pe. Marcelo Rossi39    Pinheirinhos, Que Alegria! - Tradicional Natalina40    Please, n Let Me Get What I Want - The Smiths41    Revelation Song - Jesus Culture42    Ribbon In The Sky - Stevie Wonder43    Right Here Waiting - Richard Marx44    Sina - Djavan45    Stand By Me - Ben E. King46    Touch The Sky - Hillsong47    Valerie - Amy Winehouse48    Vem Chegando O Natal - Aline Barros49    Viva La Vida - Coldplay50    Wish You Were Here - Pink Floyd.
Partituras - 50 Melodias com cifra - Livro 6
Diversos
$10.00 8.64 € PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.942170 Composed by Georges Bizet. Arranged by Armin Terzer. Opera,Romantic Period. Score and parts. 259 pages. Armin Terzer #5048273. Published by Armin Terzer (A0.942170). This arrangement for full orchestra of the famous Bizet opera Carmen strings together all the major (and some of the secondary) themes into a 20-minute medley: - Prelude (Introduction to Act 1 Les Toreadors & Prelude to Act 1) - Chorus of the Street Boys (Act 1 Le garde montante) - Habanera - Song and Recitative - Seguidilla and Duet (Act 1 Seguedille) - Finale (Act 1 Finale) - Act II: Entr'acte (Prelude to Act 2 Les dragons d’Alcala) - Gypsy Song (Act 2 Danse Boheme) - Toreador Song (Act 2 Chanson du Toreador) - Act III: Entr'acte (Prelude to Act 3 Intermezzo) - Sextet and Chorus (Introduction to Act 3 Marche des contrebandiers) - Air (Act 3 Nocturne) - Act IV: Entr'acte (Prelude to Act 4 Aragonaise) - March and Chorus – Finale (Act 4 Procession of the Toreadors) All the themes featured in the two orchestral suites by Ernest Guiraud are included. There are, however, major differences: - the themes appear in chronological order (like in the opera) - there are no distinct movements, this is a 20-minute romp featuring tune after tune - most parts, especially repetitive songs, are abridged to varying degrees - where appropriate, sections seamlessly segue into the next- the major tunes (Les Toreadors, Gypsy Song, Toreador Song) allow for applause afterwards - the orchestration follows the original (double woodwinds, 4 horns, 2 trumpets, 3 trombones, harp, timpani and 3 percussion, strings) with minimal changes to compensate for missing vocal lines Further cuts are possible and easy to make due to the clearly marked sections. This arrangement is meant to rival the orchestral suites in excitement and colours - but in a more organic/continuous format. It is ideal for any level orchestra (intermediate+) in any kind of setting.
Carmen Fantasy
Orchestre

$60.00 51.82 € Orchestre PDF SheetMusicPlus






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