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C Instrument - Level 1 - Digital Download SKU: A0.1261497 By Irma Thomas. By Jeannie Seely, Judith Arbuckle, and Pat Sheeran. Arranged by Jessica Horne. 20th Century,Blues,Hip-Hop,R & B,Soul. Lead Sheet / Fake Book. 1 pages. Obbligato Music Publications #854574. Published by Obbligato Music Publications (A0.1261497). Introducing the captivating lead sheet for Anyone Who Knows What Love Is! This meticulously crafted composition, brought to you by renowned composers Irwin Levine, Randy Newman, Jeannie Seely, and Pat Sheeran, is an emotional journey through the depths of love. This lead sheet encapsulates the essence of heartfelt connection.With its carefully notated chords, you'll effortlessly navigate the harmonies of this timeless ballad. The soul-stirring verses and memorable chorus evoke a sense of longing, while the bridge adds a touch of introspection, allowing musicians to explore the song's emotional nuances. Whether you're a pianist, guitarist, or any instrumentalist seeking to interpret this beloved piece, this lead sheet provides a solid foundation to bring the composition to life.Embrace the raw vulnerability and passion of Anyone Who Knows What Love Is with this expertly arranged lead sheet. Perfect for musicians, performers, and enthusiasts alike, it allows you to dive into the heart of the song and create your own unforgettable rendition. Immerse yourself in the beauty and depth of love through the power of music with this exceptional lead sheet.
Anyone Who Knows What Love Is
Piano Facile
Irma Thomas
$3.99 3.81 € Piano Facile PDF SheetMusicPlus

Large Ensemble C Instrument - Digital Download SKU: A0.1017722 Composed by Traditional. Arranged by Thomas Gray. Celtic,Folk,Irish. Lead Sheet / Fake Book. 1 pages. Thomas Edward Gray Music #6660801. Published by Thomas Edward Gray Music (A0.1017722). 'Lark in the Morning' is a lively Irish jig that's great fun to play. It's well-known and loved and is played across the world in pubs, on stage and at Irish music sessions. It is a great jig for beginners and experts alike.History: ‘The Lark in the Morning’ is considered to be a variant of the jig ‘Hills of Glenorchy’. The tune is highly popular and has been widely performed. It has also been associated with a variety of titles over the 19th and 20th centuries, with ‘The Lark in the Morning’ finally being settled on in the latter half of the 20th century. The tune can be heard in the mid-1990’s film ‘The Devil's Own’ during the house-party scene in honour of Tom O’Meara’s (played by Harrison Ford) daughter's confirmation. ISMN: 979-0-9022638-3-2Published by:Thomas Edward Gray MusicABN: 90 127 523 114E: tomedgray@outlook.comIf you have any comments or feel your copyright has been infringed, please contact us.
Lark in the Morning
Ligne De Mélodie, (Paroles) et Accords

$4.00 3.82 € Ligne De Mélodie, (Paroles) et Accords PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.778383 Composed by Claudio Monteverdi. Arranged by Thomas R. Vozzella. Baroque,Renaissance,Sacred,Standards. 8 pages. Thomas R. Vozzella #6234743. Published by Thomas R. Vozzella (A0.778383). Claudio Monteverdi (1567-1643) composed Adoramus te, Christe the year the Pilgrims landed at Plymouth Rock (1620). He was an Italian composer, string player and choirmaster. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and the Baroque periods of music history.After the loss of his wife and subsequent years of depression, Monteverdi found his own renaissance in the Basilica of Venice as their music director. He invented opera and poured himself into church music, eventually becoming a member of a monastic order after surviving the plague. His exquisite small pieces were a great part of his complete works. As he aged, they reflected his journey through the stages of faith. 
Adoramus te, Christe (SATB)
Chorale SATB

$1.99 1.9 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1438664 Composed by Gabriel Faure. Arranged by Thomas Ling of Sibu. 19th Century,20th Century,Jazz. Score. 3 pages. Thomas Swee Chin #1018712. Published by Thomas Swee Chin (A0.1438664). Lyrics translation from the French:for Après un rêve by Gabriel Fauré:In the calm of the night, We sleep below the firmament, Oh, how sweet it is to dream!At times a cherished soul Descends to us from the realms above. Oh, how sweet it is to dream!The joy that you bring to me, Has left my heart troubled and full of longing. Oh, how sweet it is to dream!But when you disappear, Alas! The dream flees, And my peace is shattered.Then, like a shadowy ghost, My beloved, you come to me! Oh, how sweet it is to dream!But alas! Awaking, Alas! I am left weeping and alone, Oh, how bitter it is to weep!Arranged in the vein of a Jazz a ballad.
Après Un Rêve (After a Dream)
Piano seul

$6.80 6.49 € Piano seul PDF SheetMusicPlus

SAB chorus - Digital Download SKU: BJ.1172 Composed by Thomas Weelkes. Michaeli Early Music Series. Octavo. 4 pages. Bo Ejeby Forlag - Digital #1172. Published by Bo Ejeby Forlag - Digital (BJ.1172). 8.27 x 11.7 inches.Thomas Weelkes (ca. 1576-1623) published, during his lifetime, five collections of madrigals, but also composed a considerable amount of sacred music in his position as organist and choirmaster at Chichester Cathedral. This madrigal is notated for treble voices, but was probably performed by males an octave lower. Here, the piece is transposed to suit a mixed choral ensemble. Michaeli Early Music Series is edited by Mikael Paulsson, luteplayer and choral conductor, specialized in early music.
Four Arms, Two Necks, One Wreathing
Chorale 3 parties

$2.00 1.91 € Chorale 3 parties PDF SheetMusicPlus

High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - Digital Download SKU: A0.564792 By Sharon Wilson. By Isaac Watts and Thomas Augustine Arne. Arranged by Sharon Wilson. Folk,Praise & Worship,Romantic Period,Sacred,Traditional. 3 pages. Sharon Wilson #1987585. Published by Sharon Wilson (A0.564792). This arrangement is one of the 20 songs in the collection titled Sabbath Celebration and is intended for use by any size group from a small gathering of family and friends to an entire congregation. This arrangement is presented in two formats: 1) a reproducible SATB score in the usual 2-staff hymn format plus 2) a piano accompaniment score with melody line and lyrics which includes an introduction, repeat (short interlude between verses), and an endingThe piano accompaniment is not overly difficult and follows the melody while adding variation in the bass clef and filling out chords that complement the 4-part harmony of the vocal score. This song from long ago provides an excellent means for inspiring revival and affirmation of the blessings experienced through Sabbath rest and worship. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
This Is the Day (Sabbath Celebration)
Sharon Wilson
$3.99 3.81 € PDF SheetMusicPlus

Choir Sacred 2 flutes, oboe, 2 clarinets, 3 trumpets, 3 trombones, tuba, 2 Fr. Horns, harp, 2 violins, viola, 2 cello, double bass, percussion, dir. score, opt. 2 alto sax, 2 tenor sax, bass clarinet, synth strings - Digital Download SKU: JX.00-24223 Composed by Thomas Fettke and orchestrated by Michael Lawrence. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Ascension; Ash Wednesday; Christ the King; Easter; Sacred; Spring. Part(s); Score. 69 pages. Jubilate Music Group - Digital #00-24223. Published by Jubilate Music Group - Digital (JX.00-24223). English. Words by Ken Bible. Psalm 98, Psalm 145, Matthew 6:1-6, Luke 24:1-7, Luke 24:44-53, John 18:33-37, Colossians 1:11-20, Revelation 1:9-16, Revalation 5:11-14.Awesome majesty! This powerful affirmation of faith combines Ken Bible's poetic text images with the musical artistry of Tom Fettke. No longer a carpenter, no longer wrapped in shame; no longer a victim, no longer racked with pain. Dramatic dynamic contrasts and subtly shifting keys add color to this timeless worship masterpiece in the tradition of Everlasting God. InstruPax includes parts for 2 flutes, oboe, 2 clarinets, 3 trumpets, 3 trombones, tuba, 2 French horns, harp, 2 violins, viola, 2 cello, double bass, percussion, director score, opt. 2 alto sax, 2 tenor sax, bass clarinet, synth strings.
Living Lord

$45.00 42.97 € PDF SheetMusicPlus

Small Ensemble Low Voice,Piano Accompaniment,Viola - Level 3 - Digital Download SKU: A0.533407 Composed by Ange Flégier. Concert,Holiday,Love,Romantic Period,Standards. Score and parts. 12 pages. Musik Fabrik Music Publishing #2913039. Published by Musik Fabrik Music Publishing (A0.533407). A setting of the poem by Paul Verlaine.Ange Flégier (1846–1925) was born in Marseilles and also died there. Hestudied composition with Ambroise Thomas at the Conservatoire in Paris and then became a well-known composer with more than 350 works in his catalogue. Most of his works are concert songs and chamber music pieces. He also worked as a music critic and, later in life, as a painter.La lune blancheLuit dans les bois ;De chaque branchePart une voixSous la ramée ...Ô bien-aimée.L'étang reflète,Profond miroir,La silhouetteDu saule noirOù le vent pleure ...Rêvons, c'est l'heure.Un vaste et tendreApaisementSemble descendreDu firmamentQue l'astre irise ...C'est l'heure exquise.
Ange Flégier: Apaisement for low voice, viola and piano
Alto, Piano

$12.95 12.37 € Alto, Piano PDF SheetMusicPlus

Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3491315. Published by jmsgu3 (A0.552852). Schwencke There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano, S0.661783.  Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  
Bach-Gounod: Ave Maria for Baritone Horn & Piano

$32.95 31.46 € PDF SheetMusicPlus






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