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Brass Quintet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1431162 By Alexandre CARLIN. By Georges Bizet. Arranged by Alexandre CARLIN. 19th Century,Chamber,Classical,Opera,Romantic Period. 23 pages. Alexandre CARLIN #1011627. Published by Alexandre CARLIN (A0.1431162). This arrangement of Bizet's  Habanera from Carmen is written for brass quintet. All parts provided. 12 pages score, 11 pages parts. Bb Trumpets 1&2, Horn in F, Trombone, Tuba (Bb Euphonium part substitute for Trombone, Bb & Eb Bass parts substitute for Tuba). Suitable for students.Duration : 3:35Check out my other arrangements for brass ensemble :H0.725655-393120 - Imagine by John LennonH0.296431-782780 - Stayin' alive by the Bee GeesH0.300139-953350 - YMCA by Village PeopleH0.303987-85500 - Blowin' in the wind by Bob DylanH0.718773-558700 - Moon river by Henry ManciniH0.295365-494880 - Louie Louie by Richard BerryH0.187547-447228 - Knocking on heaven's door by Bob DylanS0.731065 - Nkosi Sikelel iAfrika (Trad. African)H0.732619-SC001236655 - Inspecteur Clouseau Theme by Henry ManciniS0.787513 - Marche religieuse (from Alceste) by GluckH0.797689-SC001283113 - I got you (I feel good) by James Brown387343 - Tango by Isaac Albenizand many others to come ...My publisher page https://www.sheetmusicplus.com/publishers/alexandre-carlin/3119My Youtube channel https://www.youtube.com/channel/UC3BrFxLrQ4usgnIGGx6xXEQwww.alexandrecarlin.com.
Habanera (from Carmen) by Georges Bizet - Arranged for Brass Quintet or Ensemble
Alexandre CARLIN
$8.99 7.88 € PDF SheetMusicPlus

Solo Guitar - Level 5 - Digital Download SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #6441461. Published by Daniel Clark (A0.982529). The work draws on original and early piano editions as well as the first guitar transcription made by Severino GarciÌa Fortea who introduced key innovations familiar to most classical guitarists. Guitarists are encouraged to use this arrangement in consultation with the transcriptions by GarciÌa Fortea, AndreÌs Segovia, and Stanley Yates. Asturias is known for its abrupt chord interruptions which gives it its distinctive character. In the original, less well known, transcription for guitar by GarciÌa Fortea, these were plucked with the thumb and three fingers simultaneously. Segovia expanded the chord to a full six strings which is strummed. This six-string variation is now adopted as standard in nearly all classical guitar versions and the work of GarciÌa Fortea has all but been forgotten. Stanley Yates was aware of GarciÌa’s version, though seems to have been misdirected by Segovia and did not appear to get hold of GarciÌa’s work before making his own transcription. A key difference between the piano versions and guitar versions is the fact that the pedal note is missing immediately following the chords played on the first notes of the bar. This seems to be a pragmatic decision made due to the technical challenge of articulating a chord on the guitar and then immediately following up with a pedal note. It may have been also a decision to more strongly emphasise the chord. However, the composer clearly indicated that the chord should be as short as all of the other notes and hence it is reasonable to strike the chord and immediately lose it and start the pedal note.
Asturias - Leyenda.
Guitare

$2.99 2.62 € Guitare PDF SheetMusicPlus


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