Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard Utuk #851201. Published by JohnWillard Utuk (A0.1257964). The High Priestess is a chamber work for mixed instrumentation, including an F Horn with piano, violin, and flute. This piece is inspired by the artwork of the traditional Rider-Waite-Smith tarot deck, specifically the less credited illustrator of the world famous deck, Pamela Colman Smith. The music represents the symbolism and feeling behind the High Priestess card, with keywords of strength, adaptability, seriousness, intuition, loving understanding, knowledge, introspection, and self-trust. Each instrument is featured throughout, as the main melody and distinct rhythms are traded and dovetailed around the ensemble. The piece begins with a feeling of watery calm (e.g. Venetian Boat songs), ascends to a hopeful journey, moves through tense trials, then returning back to the distant flute melody, followed by a piano “solo� that ultimately inspired this chamber work in the first place. This work is great for high school, collegiate, amateur, or professional ensembles, as well as very advanced young chamber players looking for something new and fresh. Rhythms are simple, while expression and musicality can be explored. In performance, be mindful of balance issues, so seating arrangement can be adjusted. I recommend the horn player be seated on the outside, so as not to cover up the flute. Average performance time: ca. 4:30Other instrumentations are in progress, so please check back for updated editions. The original instrumentation involved the oboe and cello. There is also another version with trombone substituting the F horn.Please leave a review here below and reach out via my website listed in the score for any feedback or questions. You can also connect with me on Instagram @jwupiano or my YouTube Channel, JwuPiano.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1456645 By DaCapo Primary Music. By John Ashton Thomas and Tracey Mathias. Arranged by Elliott Kendall. Children,Classical,Contemporary,Instructional. Score. 20 pages. DaCapo Primary Music #1035715. Published by DaCapo Primary Music (A0.1456645). The Chocolate collection of songs was written by John Ashton Thomas, DaCapo’s composer-in-residence until his untimely death in 2021. John worked as a composer, arranger, orchestrator, conductor, pianist and teacher in the UK and USA.  Words are by Tracey Mathias. Tracey wrote the lyrics for most of John’s DaCapo projects as well as several songbooks. She writes novels for children and young adults, and is the author of the fantasy series Assalay for readers aged 10-14 and of Silence is also a Lie, a love story and political thriller for young adults.There are five songs in the collection including:Chocolate’s mystical god QEthical issues in Two children, one piece of chocolateThe Chocolate MagicianSome fun with a scatterbrained Granny and her chocolate fountain called Granny’s Chocolate FloodA reggae feel with Hot chocolate DreamsThey can be purchased (and performed) individually or as a collection.You can find more DaCapo pieces for piano and children's chorus at DaCapo Music Shop

Chorus - Digital Download SKU: AX.00-PO-0003542 Who Are the Brave - SATB. Composed by Joseph M. Martin. Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0003542. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003542). UPC: 029156657586. J. Paul Williams.This work by J. Paul Williams and Joseph Martin asks us to explore the role we all perform in our daily lives. Because of world issues, it is imperative for us to reflect on things around us.

Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1454787 By U2. By Bono and U2. Arranged by Philip Lapatha. A Cappella,Pop,Rock,Singer/Songwriter. 11 pages. Philip Lapatha #1033852. Published by Philip Lapatha (A0.1454787). Running to Stand Still is an incredible gem from U2's genius album The Joshua Tree.  This SATB (divisi) a cappella arrangement explores the sonic, dynamic, and emotional range of human voices singing together in order to depict the difficult social challenge of drug abuse.  This arrangement would be a good addition to a community choir concert program about social issues.

Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Marimba,Piano Accompaniment,Soprano Saxophone,Trombone - Level 3 - Digital Download SKU: A0.844263 Composed by Dan Cutchen and Dan Cutchen. 20th Century,Contemporary,World. Score and parts. 54 pages. Dan Cutchen Music #2920627. Published by Dan Cutchen Music (A0.844263). For 4 to 8 of the following instruments: Flute, Soprano Sax, Bb Clarinet, Alto Sax, French Horn, Trombone, Bassoon, Baritone Saxophone PLUS, Marimba and Piano.https://www.youtube.com/watch?v=Sio4HdW28x4&feature=youtu.beSuggested arrangements of instrumentation (all parts are included in purchase, plus score):1. All 10 parts.  2. Flute, Bb Clarinet, Bassoon, Horn, Marimba, Piano.  3. Soprano Sax, Alto Sax, Bari Sax, Trombone, Marimba, PianoTime: Approximately 6:42The title came from the piece being dedicated to the composer’s wife. This composition reminded the composer of her delightful and kind  character and her amazing and creative aptitude for organizing and  resolving complicated issues. PianoThe  composition process began with the opening piano motif. The harmonic  and rhythmic foundation for this work is provided by the piano part. The piano serves a steady percussion with a repeating two-measure  pattern of 8th  notes. It also provides the harmonic foundation with an evolving arrangement of harmonies, which gradually change as the treble clef  and bass clef harmonic progressions continually shift over time. The Wind Instruments This piece is comprised of three  sections. Section A and C are similar in structure and harmony. In  these two sections, the right  hand of the piano part  repeats a six-measure pattern composed of three triads: F, Edim and  Dm. The left hand outlines a repeating eight-measure pattern of four triads: F, Dm, Cm  and Bb. As these patterns repeat, the extra two measures in the bass  clef cause the patterns to shift out of phase. This brings about a  new set of harmonies for each repetition until the patterns begin  again on the F major triad. The wind  instruments are employed as a rhythmic and melodic counterpoint  to the piano. Individually, and as a unit, they reinforce the harmony and rhythmic figures of the piano through echoing and  syncopation. Section  B utilizes the harmonic progressions of the other two sections but  more notes to the triads to extend the  harmony (examples: 9th, 11th  and 13th  chords.) There is also a clear contrast between the rhythms and  harmony of the piano versus the wind instruments. The rhythmic and  harmonic flow of this section decelerates until there is a complete  stop. Section  C begins abruptly with the wind instruments taking over the piano’s  opening motif. This last section utilizes the same harmonic and  rhythmic patterns as section A but the wind instruments become more  active in their melodic and rhythmic counterpoint. The last part of this section is eventually dominated by the saxophone and low brass  with a strong reiteration of the opening motif.

Chamber Music & Piano Accompaniment Trombone, Piano - Grade 3 - Digital Download SKU: FX.FX072793 Composed by Pascal Saint-Leger. Original Composition. Classical, Educational. Score and Set of Parts. 7 pages. Duration 2 minutes, 50 seconds. FLEX Editions - Digital Sheet Music #FX072793. Published by FLEX Editions - Digital Sheet Music (FX.FX072793). Here is the drawing of a theme built as an arch on the pillars of the piano left hand, declined in three rhythmic forms (linear, swing and with cadence) to address flexibly some technical issues to be acquired over the 4 first years of practice... - Pascal SAINT-LEGER ; Instruments: 1 Trombone 1 Piano.

Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977351 Composed by Friedrich Silcher, Hill/Hill, and Trad. Arranged by Des McNutty. Concert,Folk,Holiday,Latin. Score and parts. 24 pages. Des Press #6437339. Published by Des Press (A0.977351). Happy Birthday EdMuss i DennLa CucarachaAt last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf.   These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing.  They're also fun, if you like that sort of thing.   Advice on tuning up the differently-pitched instruments and a technical tip are included.   The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome!    This arrangement of Happy Birthday was written in 2011 for Edward H Tarr's 75th birthday concert in Basel (CH). Ed conducted many pieces from the Charamela Real, mostly for trumpets in two different tonalities. Happy Birthday was slipped in the programme before the second encore without his knowledge. At his downbeat, he got quite a surprise.   The rest of these arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere.  Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead.   These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change!   Enjoy! DM

Small Ensemble Guitar,Harmonica,Horn - Level 5 - Interactive Download SKU: A0.1196724 By Celebrity Chmber Players. By Marshall Thomas. This edition: Interactive Download. Classical,Film/TV. Score and parts. 7 pages. Duration 62. Father Ambrose Press #65Q5ef1rRstWCfcUt9Nttr. Published by Father Ambrose Press (A0.1196724). Key: C major.A bagatelle of multi-layered, unsolved issues and arcs of unanswered oblique cadences... composed for small chamber ensemble...

Instrumental Duet,Piano Alto Saxophone,Clarinet,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1002829 Composed by Kyle Vanderburg. Contemporary. Score and parts. 46 pages. NoteForge #3885237. Published by NoteForge (A0.1002829). Earmarks is a musical (and hopefully humorous) view of some of the issues in today's political climate, designed to make you make you laugh--or to make you think. And definitely to make you talk. It starts out with Echo Chamber, where everything you hear is everything you want to hear. As we move more and more of our lives online, we're at the mercy of algorithms that try to deliver more of what we like--and give us options for removing that which we don't. The more time we spend in these echo chambers, the less we hear from dissenters. (The piano tries to come in with a new idea later in the movement, but is largely ignored).The second movement, Filibuster, does what I initially intended. Although all three instruments do get to play, it's a lot of repeated, pleasant-sounding milquetoast stuff without a great deal of substance that never really resolves. And it has a repeat sign at the end that allows it to be played as many times as the performers wish. How long this movement is depends entirely on the whim of the pianist. A swing state is a state with a similar level of support for both parties that can go either way during an election. Likewise, Swing States is a piece for saxophone and piano, and a piece for clarinet and piano, and it's a struggle to see who's going to win. Will they sort out their differences? Will we?

Full Orchestra - Level 4 - Digital Download SKU: A0.1141352 Composed by Max Bruch. Arranged by John M. Laverty. 19th Century,Classical. Score and Parts. 63 pages. Zephyrwindmusic.com #741670. Published by zephyrwindmusic.com (A0.1141352). German composer Max Bruch (1838-1920) wrote the sublime and introspective work Kol Nidrei for solo cello and orchestra in London in 1880. It is amongst the most performed works by Bruch. A single movement lasting approximately 12 minutes, it is scored for solo cello, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, strings, and harp. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.

Full Orchestra - Level 4 - Digital Download SKU: A0.1200855 Composed by Amy Marcy Beach. Arranged by edited by John M. Laverty. 19th Century,Classical. Score and Parts. 87 pages. Zephyrwindmusic.com #799512. Published by zephyrwindmusic.com (A0.1200855). American composer Amy Beach (1867-1944) published her epic work Symphony in E minor “Gaelic� in 1896, receiving immediate praise from audiences and musicians in both America and Europe. Consisting of four movements and with a performance time in excess of 40 minutes, it is considered by many to be the first significant symphonic work by an American composer. This edition is updated to meet 21st Century publication standards. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.Instrumentation for Movement II:Piccolo2 Flutes2 OboesEnglish Horn2 Clarinets in B-flat2 Bassoons4 Horns in FTriangleTimpaniStrings.

Piano Solo - Level 3 - Digital Download SKU: A0.984311 Composed by Michael Ward. 20th Century,Baroque,Contemporary. Score. 12 pages. BGMA Publications #3673939. Published by BGMA Publications (A0.984311). Ideal for intermediate beginners of all ages!Great concert pieces!Can be played as a complete Suite or as individual pieces.Lots of possibilities for musical development: covers Neo-Baroque Styles to Minimalism.Addresses numerous technical issues.

Piano Solo - Level 5 - Digital Download SKU: A0.1399407 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by Yo Matsumoto. Contest,Disco,Festival,New Age,Pop,Singer/Songwriter. Score. 2 pages. Yo Matsumoto #982691. Published by Yo Matsumoto (A0.1399407). This arrangement is based on the first movement of Beethoven's Moonlight Sonata.Let's play beautifully and passionately.*This song was created as a medley, so the reference video is also a medley. Due to copyright issues, we only sell sheet music one song at a time.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1203187 Composed by Rob Bushnell. 20th Century,Contest,Festival,March,Traditional. Brass Band. 41 pages. RBMusic #801860. Published by RBMusic (A0.1203187). Helping Hands is a march written for the British Bandsman March Composition Contest, entered into category 2 (marches for 3rd/4th section bands). It is dedicated to all the volunteers that make the Whit Friday March Contests possible, which is said to be the greatest free show on Earth. The piece is loosely programmatic in nature.The introduction is fanfare-like, announcing the date of the next Whit Friday Contests and the bands’ anticipation of and preparation for the event. The first section is the march of the volunteers, as they descend upon the many venues, ready to run the contests. There is the usual hustle and bustle before the second section sees the contests start. The bands strike up, march, finish and go from place to place, whilst the volunteers manage them, the audiences, and all manner of issues and problems thrown at them. The third section represents the bad weather which has, at times, presented itself on that particular Friday. But everyone carries on (possibly the sun comes out) and we enjoy the day.The trio uses the hymn St. Vincent by Sigismund Neukomm: St. Vincent de Paul is the patron saint of charities and volunteering, hence its use here. There is a small bridge that is reminiscent of previously used motifs and melodies before the hymn returns. The piece is influenced by marches that are commonly heard during the Whit Friday March Contests, using motifs, rhythms and harmonic progressions (sparingly) throughout the piece.This piece is for the UK-style brass band, includes march-card sized parts, with alternatives for horns in F and bass-clef lower brass.Other searchable terms: Delph, Denshaw, Diggle Dobcross, Friezland, Greenfield, Grotton, Lees and Springhead, Lydgate, Scouthead and Austerlands, Uppermill, Broadoak, Carrbrook, Denton, Droylsden, The Bush, Dukinfield, Tame Valley, Heyrod, Hurst Village, Ashton United FC, Stalybridge, Labour Club, Knight Templar, The Wizard, The President, Ravenswood, Honest Toil, Mephistopheles, Melphi, O.R.B., Castell Coch, Cornish Cavalier William Rimmer, T. J. Powell, W. E. Moyle, Charles Anderson, George Allan, William Gerrman, Shipley Douglas.