Solo Guitar - Level 2 - Digital Download SKU: A0.1032558 Composed by Philippe Vieu. Film/TV,Folk,Graduation,New Age,Pop. Individual part. 2 pages. Philip Viel #4983937. Published by Philip Viel (A0.1032558). A song (mellow but long and complicated !) about those who despise environment issues...   Released (France) in 2018 but has been used in ecological marches around the world.   A little girl sings at the end It's my planet, it's my struggle. We have to fight for it -we've got no choice. 

Organ 3-staff - Intermediate - Digital Download SKU: LX.70-2023L Composed by Various. General, Sacred. Organ. 104 pages. Lorenz Publishing - Digital Sheet Music #e70/2023L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-2023L). ISBN 9780787752743.Gathered from past issues of our popular periodical The Organ Portfolio, this collection provides organists with a wealth of moderately challenging material to present during the worship service. The wire-bound format of almost one hundred pages includes hymn-tune settings, arrangements drawn from the classics, and original works. The duration, suggested registration, and common usages are provided for each title.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1460377 By DaCapo Primary Music. By John Ashton Thomas and Tracey Mathias. Arranged by Elliott Kendall. Children,Classical,Contemporary,Instructional,Multicultural,World. Score. 95 pages. DaCapo Primary Music #1035722. Published by DaCapo Primary Music (A0.1460377). The Chocolate collection of songs was written by John Ashton Thomas, DaCapo’s composer-in-residence until his untimely death in 2021. John worked as a composer, arranger, orchestrator, conductor, pianist and teacher in the UK and USA. Words are by Tracey Mathias. Tracey wrote the lyrics for most of John’s DaCapo projects as well as several songbooks. She writes novels for children and young adults, and is the author of the fantasy series Assalay for readers aged 10-14 and of Silence is also a Lie, a love story and political thriller for young adults.The songs include chocolate’s mystical god Q, ethical issues and some fun with a scatterbrained Granny and her chocolate fountain. They can be performed individually or as a collection.You can find more DaCapo pieces for piano and children's chorus at DaCapo Music Shop

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1456636 By DaCapo Primary Music. By John Ashton Thomas and Tracey Mathias. Arranged by Elliott Kendall. Children,Classical,Contemporary,Instructional. Score. 23 pages. DaCapo Primary Music #1035711. Published by DaCapo Primary Music (A0.1456636). The Chocolate collection of songs was written by John Ashton Thomas, DaCapo’s composer-in-residence until his untimely death in 2021. John worked as a composer, arranger, orchestrator, conductor, pianist and teacher in the UK and USA.  Words are by Tracey Mathias. Tracey wrote the lyrics for most of John’s DaCapo projects as well as several songbooks. She writes novels for children and young adults, and is the author of the fantasy series Assalay for readers aged 10-14 and of Silence is also a Lie, a love story and political thriller for young adults.There are five songs in the collection including:Chocolate’s mystical god QEthical issues in Two children, one piece of chocolateThe Chocolate MagicianSome fun with a scatterbrained Granny and her chocolate fountain called Granny’s Chocolate FloodA reggae feel with Hot chocolate DreamsThey can be purchased (and performed) individually or as a collection.You can find more DaCapo pieces for piano and children's chorus at DaCapo Music Shop

Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagine Music - Digital (IZ.OMS128). 9 x 12 in inches.For Chamber Orchestra (Grade 3). By Peter Nostrand. Appassionato is a story about the struggle for love. While it was composed in a traditional ABA structure, there are many elements in this composition which are not at all traditional. As the piece awakens, the oboes and flutes seem innocent and coquettish. As orchestral participation grows, one has the sense of an entire field of rich colors growing before our very ears. Enter the piano. Simple, elegant and romantic. Softly supported by the strings, the piano issues an invitation to the winds. They respond cautiously, obviously curious to see what this charming piano has in mind. The strings express an opinion. It's not what the piano wants and he presses harder. The strings and winds question each other, back and forth with triplets. Who is this piano? The mid-section is an announcement by the strings that a love relationship may be in the cards. The piano replies with passion and tenderness.With eighth notes, the strings become entangled with the piano, counseling it, guiding it. The winds using triplets put their two cents on the table. They're not so sure. The piano makes a passionate plea; the strings are supportive. The piano and the winds have a conversation. They finally dance together. In the end,.Appassionato is a musical expression of the struggle over whether or not love is worth the risk Sometimes in conflict sometimes in harmony, the piano and winds do unite. Passion has won.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.767356 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 23 pages. Lyons Music Services #3543479. Published by Lyons Music Services (A0.767356). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Interrotte speranze is another song about unrequited love for two tenors. Interrupted hopes, eternal faith, Powerful flames and beams in the weak heart His love is unrequited, so he wishes the lady ill! (Spoiled brat!) The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1191019 Composed by Jill Jackson and Sy Miller. Arranged by Brooks Holmes. 20th Century,Instructional,Religious. Score. 7 pages. Brooks Holmes #790549. Published by Brooks Holmes (A0.1191019). This arrangement is designed so younger musicians can get a feel of this beautiful melody without it being so difficult due to range issues. The song is easier and in a friendly key yet still sounds totally professional.  The quicker tempo creates a lighter & more playful mood. (Please see Mr. Holmes youtube performance for more details)

Brass Ensemble - Level 4 - Digital Download SKU: A0.767319 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Opera,Renaissance. Score and parts. 32 pages. Lyons Music Services #3468154. Published by Lyons Music Services (A0.767319). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Perchè Fuggi is a duet for two tenors, The title translates as Why do you flee? . In it, the poet is sad that the object of his desire runs away and hides when he tries to kiss her.I decided to use two euphoniums/baritones for the soloists, with the accompaniment managed by 1 cornet/trumpet, a horn and a tuba. I managed to retain the quintet as the accompaniment is very simple, almost 'secco' in styleThe seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.

Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.956614 Composed by R Schumann. Arranged by Catriona Melville-Mason. Concert,Holiday,Romantic Period,Standards,Wedding. Score and parts. 4 pages. C Melville-Mason #6477755. Published by C Melville-Mason (A0.956614). Robert Schumann (1810 – 1856) was an influential German music critic and composer who was troubled by mental health issues for much of his life.  Schumann’s enthusiasm for music was evident at an early age but he was discouraged from pursuing this as a career and encouraged towards the law instead.  Ultimately, music won out and Schumann began studying piano with Friedrich Wieck, whose daughter Clara was later to become Schumann’s wife.  After damage to one hand affected his playing ability, Schumann turned his attention to musicology and composition. Träumerei (Dreaming) has been described as one of the most famous piano works ever written.  It is one of a collection of short pieces, entitled Kinderscenen (Scenes from Childhood) written in 1838.  This arrangement for mixed woodwind duo of clarinet and bassoon would make a charming feature piece at a wedding, anniversary or recital.

Violin Solo - Level 3 - Digital Download SKU: A0.545456 Composed by Cindy Blevins. Instructional. 71 pages. Cindy Blevins #6011237. Published by Cindy Blevins (A0.545456). Please note: sometimes the music samples shown on SMP have issues with musical symbols. Your music will look perfect when you download it. The audio sample is an excerpt from No. 5. It was digitally produced.I love to play violin but learning can be challenging. So much of the learn to play music is either really simple, too advanced or vast collections of scale exercises. I have written exercises which sound melodic and also help practice various skills. These 10 violin studies are intermediate level and fun to play. They are not just groups of notes put together. There are bowing and fingering indications. Your download includes the violin studies and the piano scores.*If you are purchasing this eBook on Sheet Music Plus, you can visit my website to download the free set of play-along mp3s. Visit blevinsmusic.com and find Violin Studies on the navigation menu. This is Book One of two books of 10 intermediate, melodic studies. Each study can be played alone, with an accompanist or with the optional piano play-along tracks. The mp3s were recorded in strict time, for ease of playing along. If you play the pieces alone or with a live accompanist, feel free to give them your own interpretations. These studies help you practice your bowing, your rhythm, your note reading, fingering and scale evenness. Playing with the optional accompaniments helps you hear intonation and gives you experience playing in an ensemble, whether your partner is a live accompanist or just your mp3 player.  There are two mp3s available for each study:  1. A piano play-along track in a slower tempo;  2. The same piano play-along track, but more up-tempo, for when you have learned a piece, or want to challenge yourself. Each study includes a piano cue at the beginning, so you know when to start playing if you’re playing with a play-along track or with a pianist. There are three books of easy melodic studies available. They are Items No. S0.839815, No. S0.839821 and No. S0.839823. The Item No. for Book Two of the Intermediate Studies is S0.871105.My website: www.blevinsmusic.com

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,� from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5   Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.533263 Composed by Emanuele Krakamp. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 32 pages. Musik Fabrik Music Publishing #2151147. Published by Musik Fabrik Music Publishing (A0.533263). Emanuele Krakamp was born in Messina in 1813. He began studying music with his father. In 1841 he was named first flute in the royal orchestra of Naples and was also named flute professor of San Pietro a Majella Conservatory in 1860. Krakamp performed concerts in Europe, America, the Middle East and North Africa. The Fantasy Opus 248 based on themes from Verdi's Opera La Traviata is part of a group of three fantasies called La triade verdiana, first published in 1865. Krakamp died in Naples in 1883.The version for saxophone remains close to the original version for flute, with only a few register changes because of range issues. Some passages in the piano part have been re-enforced harmonically and the ending has been slightly changed, to create a more definitive ending. .

Instrumental Duet Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.778220 Composed by John McAllister. Contemporary,Instructional,Standards. Score and parts. 7 pages. John McAllister #6481013. Published by John McAllister (A0.778220). Seven Modes, Seven Duets is a duet series for wind (band) instruments. The duets have been written to be a comfortable range for any of the instruments (minus horn part, which is free due to the range issues). Each mode has it’s own unique sound and special effort has been made to accentuate the colors from each district combination of notes and the harmonies they produce (Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian). The duets are mostly on an average high school level player, but can be a great challenge for younger players. More advanced musicians may find use specifically in the exploration of melody/harmony in each particular mode.  Best instruments for use: Flute Oboe Clarinet Bass Clarinet Bassoon Trumpet Trombone Baritone Tuba Mallets (xylophone, marimba, bells if players 8vb)