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String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.1229155 Composed by Scott Joplin. Arranged by César Madeira. 19th Century,20th Century,Chamber,Film/TV,Ragtime. 5 pages. Sheet Music To Play Editions #825059. Published by Sheet Music To Play Editions (A0.1229155). The Entertainer by Scott Joplin. Arrangement for Violoncello Quartet. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Scott Joplin (c. 1868 - 1917) was an American composer and pianist. Joplin achieved fame for his ragtime compositions and was dubbed the King of Ragtime. During his brief career, he wrote over 100 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the Maple Leaf Rag, became ragtime's first and most influential hit, and has been recognized as the archetypal rag.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
The Entertainer by Joplin - Cello Quartet (Individual Parts)
Quatuor à cordes: 2 violons, alto, violoncelle

$7.99 6.9 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1229706 Composed by Scott Joplin. Arranged by César Madeira. 19th Century,20th Century,Children,Jazz,Multicultural,World. Score and part. 7 pages. Sheet Music To Play Editions #825477. Published by Sheet Music To Play Editions (A0.1229706). The Entertainer by Scott Joplin. Arrangement for Flute and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Scott Joplin (c. 1868 - 1917) was an American composer and pianist. Joplin achieved fame for his ragtime compositions and was dubbed the King of Ragtime. During his brief career, he wrote over 100 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the Maple Leaf Rag, became ragtime's first and most influential hit, and has been recognized as the archetypal rag.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
The Entertainer by Joplin - Flute and Piano (Full Score)
Flûte traversière et Piano

$4.99 4.31 € Flûte traversière et Piano PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1229702 Composed by Scott Joplin. Arranged by César Madeira. 19th Century,20th Century,Children,Jazz,Ragtime. Score and part. 5 pages. Sheet Music To Play Editions #825473. Published by Sheet Music To Play Editions (A0.1229702). The Entertainer by Scott Joplin. Arrangement for Bb Clarinet and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Scott Joplin (c. 1868 - 1917) was an American composer and pianist. Joplin achieved fame for his ragtime compositions and was dubbed the King of Ragtime. During his brief career, he wrote over 100 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the Maple Leaf Rag, became ragtime's first and most influential hit, and has been recognized as the archetypal rag.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
The Entertainer by Joplin - Bb Clarinet and Piano (Individual Parts)
Clarinette et Piano

$4.99 4.31 € Clarinette et Piano PDF SheetMusicPlus

Brass Quartet - Level 3 - Digital Download SKU: A0.1229153 Composed by Scott Joplin. Arranged by César Madeira. 20th Century,Chamber,Film/TV,Multicultural,Ragtime,World. 6 pages. Sheet Music To Play Editions #825057. Published by Sheet Music To Play Editions (A0.1229153). The Entertainer by Scott Joplin. Arrangement for Trombone Quartet. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Scott Joplin (c. 1868 - 1917) was an American composer and pianist. Joplin achieved fame for his ragtime compositions and was dubbed the King of Ragtime. During his brief career, he wrote over 100 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the Maple Leaf Rag, became ragtime's first and most influential hit, and has been recognized as the archetypal rag.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
The Entertainer by Joplin - Trombone Quartet (Full Score) - Score Only
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$7.99 6.9 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1229721 Composed by Scott Joplin. Arranged by César Madeira. 19th Century,20th Century,Jazz,Multicultural,Ragtime,World. Score and part. 7 pages. Sheet Music To Play Editions #825486. Published by Sheet Music To Play Editions (A0.1229721). The Entertainer by Scott Joplin. Arrangement for Violoncello and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Scott Joplin (c. 1868 - 1917) was an American composer and pianist. Joplin achieved fame for his ragtime compositions and was dubbed the King of Ragtime. During his brief career, he wrote over 100 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the Maple Leaf Rag, became ragtime's first and most influential hit, and has been recognized as the archetypal rag.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
The Entertainer by Joplin - Cello and Piano (Full Score)
Violoncelle, Piano

$4.99 4.31 € Violoncelle, Piano PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.1229700 Composed by Scott Joplin. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Multicultural,Ragtime,World. 5 pages. Sheet Music To Play Editions #825471. Published by Sheet Music To Play Editions (A0.1229700). The Entertainer by Scott Joplin. Arrangement for Violin and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Scott Joplin (c. 1868 - 1917) was an American composer and pianist. Joplin achieved fame for his ragtime compositions and was dubbed the King of Ragtime. During his brief career, he wrote over 100 original ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the Maple Leaf Rag, became ragtime's first and most influential hit, and has been recognized as the archetypal rag.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
The Entertainer by Joplin - Violin and Piano (Individual Parts)
Violon et Piano

$4.99 4.31 € Violon et Piano PDF SheetMusicPlus

C Instrument - Digital Download SKU: A0.808525 Composed by Grainger, Robbins. Arranged by Mark W. Huxhold. Blues,Jazz. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #6234491. Published by Mark Wayne Music, LLC (A0.808525). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.  
'Tain't Nobody's Bus'ness If I Do
Instruments en Do

$1.99 1.72 € Instruments en Do PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1345111 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Phyllis Love. Film/TV,Jazz,Standards. Score. 3 pages. Phyllis Love #930045. Published by Phyllis Love (A0.1345111). It Might As Well Be Spring from State Fair for intermediate pianoThis cinematic arrangement evokes a time when orchestras were used to accompany vocalists. Although an intermediate level piece, advanced music students will enjoy the original introduction, which sets up the tune nicely and is also used for the finale.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.
It Might As Well Be Spring
Piano seul

$4.99 4.31 € Piano seul PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
Overture for Strings No. 5 - Score Only
Orchestre à Cordes

$9.99 8.62 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
Overture for Strings No. 4 - Score Only
Orchestre à Cordes

$9.99 8.62 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
Overture for Strings No. 3 - Score Only
Orchestre à Cordes

$9.99 8.62 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
Overture for Strings No. 6 - Score Only
Orchestre à Cordes

$9.99 8.62 € Orchestre à Cordes PDF SheetMusicPlus






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