Piano Solo - Level 3 - Digital Download SKU: A0.931664 Composed by George Bennard. Arranged by Wanda Cooley. 20th Century,Easter,Sacred. Score. 13 pages. Wanda J. COOLEY #6259243. Published by Wanda J. COOLEY (A0.931664). THE OLD RUGGED CROSS reflects Good Friday, or the Lord's Supper, or any Sunday's church service.  In a gently flowing style, the opening atmospheric textures fit the hand well as it gains momentum into the second stanza.  It modulates before the third verse is text-painted with a flourish, yet with ease.  Total length is 2:10 minutes. The accompanying Overhead PowerPoint Text is included to sequence the words to the music score as the pianist plays. This arrangement is also available within IN THE CROSS, a book of 10 hymn arrangements for a pianist's presentation of the gospel message using the accompanying Overhead PowerPoint Texts (SMP). Also included are templates for bulletins, posters, and narrations before each piece. 

String Ensemble - Level 2 - Digital Download SKU: A0.1041170 Composed by Pierre Phalèse Jnr. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 18 pages. Colin Kirkpatrick Publications #645901. Published by Colin Kirkpatrick Publications (A0.1041170). These two dances are taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost every kind of dances�) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century. The piece known as Ungaresca evokes the atmosphere of street music rather than that of the court and the drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. As the name implies, the dance came from Hungary though it may have simply been a dance in the Hungarian style. Even so, the melody was tremendously popular during the fifteenth century though the author is unknown. The dance calls for a lively performance, and you can use plenty of percussion to enliven it. This music was meant for dancing and entertainment and musicians would often combine several dances to make a more substantial piece. In this arrangement, the rather wild Ungaresca is paired with the stately Almande Poussinghe. The music would have been played by any instruments that happened to be available. The dances still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.

Piano Solo - Level 5 - Digital Download SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Musik Fabrik Music Publishing #3038635. Published by Musik Fabrik Music Publishing (A0.533692). Biblicals: Concerto for Solo Piano in Five Movements (1998) was commissioned from thecomposer by an anonymous benefactor for pianist Kathleen Supové in tribute of her tirelesssupport of new music.The work is in five movements, each inspired by a different biblical quotation which isquoted in the score before each movement. If possible, these passages should be printed inthe program or read aloud before the performance of the work. Each movement isprogrammatic only in an internal sense. While the movements do not attempt to directlyportray the action of the passage in a storybook sense, they do attempt to capture the overallaffect of the verse. The form of the work is as a concerto for solo piano drawing on a titlethat has been used in the past by numerous composers. Likewise, although the work does notinvolve an orchestra, I have titled it concerto because it contains elements of a concerto solopart and because of the virtuosity required to perform the work. The work explores a widerangeof styles from quasi-lyrical to highly chromatic. Throughout, the work has a rhythmicintensity which should be observed by the performer.The first movement, Hovering Over the Waters, makes use of an irregular rhythmic patternintroduced in the opening measure and used throughout the work. Irregular and nervousrhythms using chromatic intervals pervade the entire movement.The second movement, Baldhead, is a forceful and loud movement making use of the clashbetween diatonic and pentatonic clusters. It is relentless in its pounding energy, irregularrhythms, and volume. This movement is dedicated to American composer Daniel Pinkhamon the occasion his 75th birthday in 1998. The connection of this movement to Pinkhamcomes in the superimposition of pentatonic and diatonic clusters, a technique used so well inone of my favorite Pinkham works, Blessings for Organ (1978).The third movement, Forgiven and Free, presents a tranquil scene involving the building ofchords, standard and otherwise, through the adding of tones one at a time. Brief chromaticmelodies appear and then disappear quickly.The fourth movement, Under the Sun, makes use of a motive involving four chords over a lefthand bass consisting of a major-tenth chord. This motive appears throughout the movement,constantly breaking in and interrupting the action. A variety of irregular rhythmic motivesappear throughout as a contrast to the main motive with its strict rhythm. Quotes of nurseryrhyme tunes are hidden throughout the movement as well in various forms.The fifth movement, The Seventh Angel, is a fast and furious tarantella. As the movementflies by a variety of musical ideas emerge and then disappear into the main motive again.The music continues to get faster and faster and finally the movement ends with a furiousprogression from the bottom to top of the piano and then a thunderous unison chord in thelower register.

Choir,Drum Set,Drums,Multi-Percussion,Voice - Digital Download SKU: A0.1070243 Composed by James Lord Pierpont (1857). Arranged by Tito Abeleda. Christmas,Hip-Hop. Accompaniment. Duration 100. Visionary Quest Records #4764769. Published by Visionary Quest Records (A0.1070243). Solo rap vocalist, SATB optional, TBB optional, Beatbox percussion option, Studio drum set, sleigh bells, conga drums, tom-toms.  Original composer James Lord Pierpont (1822-1893). Hip-Hop Arrangement by Tito Abeleda (1964- ) Score plus parts, 20 pages. Published by Visionary Quest Records. Accompaniment also available on MP3.  The MP3 audio accompaniment is a HD CD Quality accompaniment track recorded at 320 kbps. It contains 2 tracks on the 1 track.  The longer version provides enough music for repeat of the song and additional measures for vamp to adapt your needs.  The shorter version is a seamless loop, again provided to your needs.Jingle Bells originally composed by James Lord Pierpont in 1857 was published as One Horse Open Sleigh intended for Thanksgiving holiday. This arrangement modifies this public domain piece with instrumentation and genre. It has been arranged as a hip-hop rap solo with clean slightly modified original lyrics to give an authentic hip-hop urban feel. This is an easy and should provide some refreshing fun for intermediate students. The instrumentation is purely percussion. If a teachers has a particularly cool musical student with some swag and performance quality, this would be an excellent feature. But choral groups of all sizes and levels can enjoy this pieced. The percussion includes conga drums, tom-toms, sleigh bells, and studio drum set or comparable. Beatboxing the percussion would add a nice challenge and flavor for your choral groups.  Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856230 By Janis Joplin. By Bert Berns and Jerry Ragovoy. Arranged by Liz Garnett. Contemporary. Octavo. 5 pages. Liz Garnett #4802044. Published by Liz Garnett (A0.856230). This song lives on the cusp of Second Wave Feminism. Its lyrics portray a woman fighting to maintain her pride in a neglectful, if not outright abusive, relationship, although it remains, at this stage, still essentially masochistic. She berates, but - in the lyrics at least - does not challenge. The iconic performances from the late 1960s (Erma Franklin, Janis Joplin, Dusty Springfield), though, tell a different story. Anger is erupting into the voices: the personal is poised to become overtly political.The arrangement sets the narrative verses in a melody-and-accompaniment texture, with the harmony parts largely on vocables to let the story through, then builds up to a primarily homophonic texture with everyone participating in the lyrics for the declarative mode of the choruses. It is built to chart a wide dynamic range, charting the emotional range of the original.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D#4 - E5Lead: G#3 - C#5Bari: B3 - A4Bass: E3 - E4www.HelpingYouHarmonise.com

Concert Band - Level 1 - Digital Download SKU: A0.1490531 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Alberto Caeiro. Pop,Rock. 41 pages. Alberto Caeiro #1067357. Published by Alberto Caeiro (A0.1490531). This arrangement of Viva la Vida by Coldplay is designed for a young wind band with simple and homogeneous writing, suitable for developing musicians. The arrangement retains the essence of the original piece while allowing students to explore the unique timbres of woodwind and brass instruments.This arrangement considers the range of the instruments, making it not too difficult to play while allowing the band to explore various instrumental colors. The bassoon parts are adaptable for any instrument in low C, providing additional flexibility.The arrangement features a different introduction and ending than the original, but it maintains the key and form of the original piece.Wind Band Formation:1 Flute1 Oboe2 Clarinets2 Bassoons1 Alto Saxophone1 Trumpet1 Tuba1 Euphonium:3 Percussionists.

String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1307012 By The Charlie Daniels Band. By Charles Fred Hayward, Charlie Daniels, Fred Laroy Edwards, James Wainwright Marshall, John Thomas Crain, Jr., and William Joel DiGregorio. Arranged by AZSAP MUSiC. Country. 9 pages. AZSAP MUSiC #896326. Published by AZSAP MUSiC (A0.1307012). Experience the electrifying and iconic Devil Went Down to Georgia like never before with this exceptional string trio arrangement, featuring a virtuosic first violin part. This captivating arrangement can be performed with either a second violin or a viola, making it a versatile choice for various musical settings, from concerts to special events.Key Features:1. Virtuoso First Violin Part: The arrangement shines with an extraordinary first violin part that showcases the virtuosic and fiery performance required for this famous piece. Musicians will revel in the opportunity to demonstrate their technical prowess and expressiveness.2. Versatile Performance: Whether you're organizing a lively concert, a unique recital, or a memorable event, this arrangement adds an element of excitement and versatility to your program. Musicians can choose to complement the first violin with either a second violin or a viola, providing flexibility for different trio configurations.3. Dual Parts Included: The package includes both the second violin and viola parts, allowing musicians to select the ideal complement to the dazzling first violin, catering to the strengths and preferences of the ensemble.4. High-Energy Entertainment: Devil Went Down to Georgia is renowned for its high-energy and enthralling performance. This trio arrangement maintains the song's fervor while providing an exciting and dynamic experience for the audience.Prepare for an extraordinary musical journey with this string trio arrangement of Devil Went Down to Georgia. Whether you're the daring first violinist or one of the skilled supporting musicians on second violin or viola, this arrangement offers a unique and exhilarating performance opportunity that is sure to leave a lasting impression on your audience.

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1202140 Composed by Johanna Hall and John Hall. Arranged by F. Leslie Smith. Contemporary,Disco,Hip-Hop,Pop,R & B,Rock. Score and parts. 27 pages. Sweetwater Brass Press #800795. Published by Sweetwater Brass Press (A0.1202140). John Hall and his then-wife Johanna had written several hit songs for John's group, Orleans.  Johanna wanted to create a song in the 1950s doo-wop style she so admired.  They did, and their composition described a certain Miss Grace who enchanted the lyricist with her “satin and perfume and lace.�  The problem was: that song really did not fit in with Orleans' pop rock repertoire and image.  Meanwhile, The Tymes, a Philadelphia group, was looking for a number that might revive its popularity.  So when the Miss Grace song was suggested they decided to take it on.  This was the mid-1970s, just when the honorific Ms. was growing in use.  So The Tymes changed the song's title to “Ms. Grace.�  Released as a single, the song did very well in the UK, topping the chart at number one in January 1975.    Written in 4/4 time, this brass quintet version flows along at about 104 BPM.  Beginning notation instructs that eighth-note pairs are to be played so that the first note is about twice as long as the second; in other words, swing style.  It retains the original D major key, but gives most of the melody to Horn and Trombone an octave lower so that it stays within normal playing range of the group.  The nature of the song is such that there are a number of phrases that begin with off-beat pickup notes.  Trumpets provide accents and flourishes and occasionally take over the melody for a few measures.  Tuba really does the most work, playing through almost the entire piece.    Completed in 2023, performance time runs about 3 minutes, 3 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).

Choral 3-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1514358 By Kim Kirkman. By John Henry Hopkins Jnr. Arranged by Kim Kirkman. Christmas,Comedy. 6 pages. Kim Kirkman #1088836. Published by Kim Kirkman (A0.1514358). We Three Kings re-written to commiserated with those epic walkers of old. Those of fantastic feet. Those with super sandals.Arranged for three voices and piano.Lyrics:Tutti: We three kings of Orient are;bearing gifts we traverse afar,sandals flopping, without stoppingfollowing yonder star.Refrain:O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,How far to this Nazarite?King I: Born a King on Bethlehem's plain,gold I bring to crown him again,Walking ever, ceasing never,Wowzers my leg’s in pain.Tutti: O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,Trav’lling on both day and night.King II: Frankincense to offer have I;incense owns a Deity nigh;Real trail-blazing, it’s hair-raising,Trudging along, I sigh. Tutti: O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,Breaks are a true delight. King III: Myrrh is mine; its bitter perfumebreathes a life of gathering gloom;blisters bleeding, not conceding,Where is the next bathroom? Tutti: O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,Dunes are a gruesome sight. Tutti: Glorious now, at last we’ve arrived,From our comforts we’ve been deprived:Presents given, wish we’d been driven Don’t think my knees survived. Tutti: O star of wonder, star of light,star with royal beauty bright,West we followed, pain we swallowed,Back we sorely trudge tonight. Comments as leave stage: What, all the way back again? Home again, jigged-jog. We just came all this way West and now we have to go back east?

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1514360 By Kim Kirkman. By John Henry Hopkins Jnr. Arranged by Kim Kirkman. Christmas,Comedy. Score. 6 pages. Kim Kirkman #1088840. Published by Kim Kirkman (A0.1514360). We Three Kings re-written to commiserated with those epic walkers of old. Those of fantastic feet. Those with super sandals.Arranged for three voices and piano.Lyrics:Tutti: We three kings of Orient are;bearing gifts we traverse afar,sandals flopping, without stoppingfollowing yonder star.Refrain:O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,How far to this Nazarite?King I: Born a King on Bethlehem's plain,gold I bring to crown him again,Walking ever, ceasing never,Wowzers my leg’s in pain.Tutti: O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,Trav’lling on both day and night.King II: Frankincense to offer have I;incense owns a Deity nigh;Real trail-blazing, it’s hair-raising,Trudging along, I sigh. Tutti: O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,Breaks are a true delight. King III: Myrrh is mine; its bitter perfumebreathes a life of gathering gloom;blisters bleeding, not conceding,Where is the next bathroom? Tutti: O star of wonder, star of light,star with royal beauty bright,westward leading, still proceeding,Dunes are a gruesome sight. Tutti: Glorious now, at last we’ve arrived,From our comforts we’ve been deprived:Presents given, wish we’d been driven Don’t think my knees survived. Tutti: O star of wonder, star of light,star with royal beauty bright,West we followed, pain we swallowed,Back we sorely trudge tonight. Comments as leave stage: What, all the way back again? Home again, jigged-jog. We just came all this way West and now we have to go back east?

Piano Solo - Digital Download SKU: A0.1012749 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743669. Published by Moni Bergo (A0.1012749). Music and song composed by me, dedicated to my sister dead                          THE MISSING LINK   I often still get surprised looking for you between people in a gesture in an instant in an evasive shadow and I remain hooked between past and present a recurring sensation alone among people. Lying and pretending than inside me nothing is missing a pathetic clown always happy and smiley I write music and words to tame the fire inside me because only we know where this pain is taking us where are you? where are you? my sweet missing link you will come back to fill my mind I step back once again and I am limbing next to you hand in hand resigned, while the grey was oppressing for the two of us at every awakening a battle would start I pushed that moment back I didn't wanna be awake but you always protected me even from a cruel child my fearless sister so storng and independent you used to talk to me about guys and how  to kiss them I used to blush and my heart beating fast I will look for and call my missing ring and you will answer with the same silence used to ask me if you were beautiful with that storng make up on you looked like a sad Pierrot tired of being avoided you were uncomofortable and people used to push you away many ignorant hypocrits looking like saints and again the two of us together in the open abyss me climbing up slowly but you remain behind I give you my hand but your destiny was written you fall down deep and far in that damned hell it will shine, it will shine my missing ring I will show it proudly to the people and you flew away in that boiling July the freeze inside my heart you, unconscous and paralyzed and for your last travel few hopeless people for the life she used to live it's better that she s gone but they know nothing about it about your unheard shout of my diamonds ring dropped in the mud freedom is a meaningless word oh you, bling and deaf butterfly your wings are now open you will fly, I will fly and I will delete the distance I will find my missing ring..                                                                                                              Monica Bergo

Piano Solo - Level 3 - Digital Download SKU: A0.1388960 By Clayderman Richard. By Olivier Toussaint and Paul Marie Andre De Senneville. Arranged by Karya Sucipta. Classical,Pop. Score. 5 pages. Karya Sucipta #972477. Published by Karya Sucipta (A0.1388960). Les Premiers Sourires de Vanessa (Vanessa's First Smiles) is one of the phenomenal masterpieces of Paul de Senneville and Olivier Toussaint. Played by Richard Clayderman who plays the piano always touches our hearts and souls. A piano solo that will make the atmosphere cheerful, whoever plays it. Please play comfortably because it contains finger marks (fingering numbers) to make it easier to play. Thank you and remember to take care of your health.

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1488797 By Sharon Wilson. By Asahel Nettleton, Charles C. Converse, Daniel B. Towner, Edwin O. Excell, Folk Song, Joseph M. Scriven, Traditional, and Traditional Spiritual. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Sacred,Spiritual. Score. 71 pages. Sharon Wilson #1065648. Published by Sharon Wilson (A0.1488797). This collection contains 5 inspiring worship hymns arranged as PIANO DUETS (for 1 Piano, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. From bright and festive to flowing and contemplative, these arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude). The PRIMO and SECONDO parts alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PRIMO and SECONDO). Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection: Come, Thou Fount of Every BlessingLet It Shine Medley (Jesus Bids Us Shine with This Little Light of Mine)Marvelous Grace (Grace Greater Than Our Sin)There Is a FountainWhat a Friend We Have in JesusVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1153902 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Holiday,Patriotic. Score. 9 pages. Rebecca Summers #754169. Published by Rebecca Summers (A0.1153902). New for 2023 a very moving tribute to our Armed Forces, perfect for any celebration such as Armed Forces Day, Remembrance Day, ANZAC Day or Veterans Day. This song is in the form of an unsent letter from an unknown soldier to his/her daughter, attempting to explain their internal and external battles but declaring that their sacrifice was meaningful as it allowed the daughter (and us) to have a life of bliss...and that they would do it again. Piano backing track, separate Vocal Solo and Choir and lead sheet available. Originally performed in a school ANZAC Day Ceremony for a school in Sunshine Coast, Queensland, Australia.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1153901 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Holiday,Patriotic. Score. 3 pages. Rebecca Summers #754168. Published by Rebecca Summers (A0.1153901). New for 2023 a very moving tribute to our Armed Forces, perfect for any celebration such as Armed Forces Day, Remembrance Day, ANZAC Day or Veterans Day. This song is in the form of an unsent letter from an unknown soldier to his/her daughter, attempting to explain their internal and external battles but declaring that their sacrifice was meaningful as it allowed the daughter (and us) to have a life of bliss...and that they would do it again. Piano backing track, separate Vocal Solo and Choir and lead sheet available. Originally performed in a school ANZAC Day Ceremony for a school in Sunshine Coast, Queensland, Australia.