EUROPE
44952 articles
USA
64116 articles
DIGITAL
50462 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
50462 partitions trouvées


Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.596572 Composed by Juan María Solare. 20th Century,Contemporary,Instructional,Spiritual. Score and parts. 8 pages. Juan Maria Solare #4794205. Published by Juan Maria Solare (A0.596572). Mote of dust suspended in a sunbeam was composed in Bremen (Germany) on 30th January 2017, shortly after knowing about the death of Uwe Kolkmeyer, musician and caricaturist to whom it is dedicated in memoriam.   The title refers to a thought by Carl Sagan: planet earth is a mote of dust suspended in a sunbeam. An old idea that, of course, was not expressed by him for the first and only time. In Sufism exists an allegory (attributed to Muhyiddin Ibn Arabi) according to which the essences of the possible beings do exist in the darkness before being manifested by the divine light, as the motes of dust suspended in the air in a darken room don't become visible until they are lit by a light ray.   A certain optimistic atmosphere in this work may surprise, the opposite of what is usually associated with death. In my works the tonality of A major often expresses consolation.   Selma Hande Gade (a Turkish pianist that lives in Denmark), with whom we had discussed possible titles for this work, recorded a home video in March 2017: https://www.youtube.com/watch?v=ZtzhHqB_Nb4   After listening to this recording, Luis Alberto Vittor wrote a report on this work for the blog Analecta Literaria (https://actaliteraria.blogspot.com), it will be published soon.   The composer made a commercial recording for the label Janus Music & Sound (JMS-999), which is available on iTunes, Spotify (and similar platforms). Release day: 26th July 2017 (birthday of both the dedicatee, Uwe Kolkmeyer and of Ibn Arabi).
Mote of Dust Suspended in a Sunbeam [piano 4 hands]
1 Piano, 4 mains

$3.60 3.09 € 1 Piano, 4 mains PDF SheetMusicPlus

Euphonium,Piano - Level 5 - Digital Download SKU: A0.811077 Composed by Zoltan Kodaly. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and part. 11 pages. Gordon Cherry #4988477. Published by Gordon Cherry (A0.811077). Four Pieces from Opus 11 arranged for Euphonium and Piano by Ralph Sauer are originally from a group of seven pieces for solo Piano written between 1917 and 1918, except for movement 3, Il pleure dans mon coeur comme il pleut sur la ville (It rains in my heart like it rains in the city) from 1910. The writing is very expressive and dark, possibly evoking the mood of Europe in the throes of great upheavals and the Great War. This item is now available with parts in bass and treble clef. About 12 minutes in length, these four movements are appropriate for advanced performers.
Four Pieces from Op. 11 for Euphonium and Piano
Euphonium, Piano (duo)

$20.00 17.17 € Euphonium, Piano (duo) PDF SheetMusicPlus

Piano,Tuba - Level 5 - Digital Download SKU: A0.811085 Composed by Zoltan Kodaly. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and part. 9 pages. Gordon Cherry #5008297. Published by Gordon Cherry (A0.811085). Four Pieces from Opus 11 arranged for Tuba or Bass Trombone and Piano by Ralph Sauer are originally from a group of seven pieces for solo Piano written between 1917 and 1918, except for movement 3, Il pleure dans mon coeur comme il pleut sur la ville (It rains in my heart like it rains in the city) from 1910. The writing is very expressive and dark, possibly evoking the mood of Europe in the throes of great upheavals and the Great War. About 12 minutes in length, these four movements are appropriate for advanced performers.
Four Pieces from Op. 11 for Tuba or Bass Trombone and Piano
Tuba et Piano

$20.00 17.17 € Tuba et Piano PDF SheetMusicPlus

Piano,Trombone - Level 5 - Digital Download SKU: A0.811076 Composed by Zoltan Kodaly. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and part. 9 pages. Gordon Cherry #4988475. Published by Gordon Cherry (A0.811076). Four Pieces from Opus 11 arranged for Trombone and Piano by Ralph Sauer are originally from a group of seven pieces for solo Piano written between 1917 and 1918, except for movement 3, Il pleure dans mon coeur comme il pleut sur la ville (It rains in my heart like it rains in the city) from 1910. The writing is very expressive and dark, possibly evoking the mood of Europe in the throes of great upheavals and the Great War. About 12 minutes in length, these four movements are appropriate for advanced performers.
Four Pieces from Op. 11 for Trombone & Piano
Trombone et Piano

$20.00 17.17 € Trombone et Piano PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.854559 Composed by Ancient plainsong 13th century, Thomas Helmore. Arranged by Zach Sprowls. 20th Century,Christian,Christmas,Sacred. Score. 5 pages. Zaspr Media LLC #3881313. Published by Zaspr Media LLC (A0.854559). Life is a waiting game, a longing for something better. We all feel it. It's a deep down sense that we know the world will be better someday. It's a hope for redemption. For the ancient nation of Israel, this hope was the coming of the Messiah.O Come O Come Emmanuel beautifully captures both the sense of hope in a coming redemption and also the pain that exists in the waiting. This arrangement embodies both of those sentiments. The angst experienced acutely by the waiter is felt by the listener in the opening motif that builds to a kind of wail after the first chorus and concludes the arrangement with a reminder that redemption hasn't come yet. The waiting is a journey filled with painful longing, simple prayers of recalled hope, and blood-wrought perseverance.
O Come O Come Emmanuel (piano solo)
Piano seul

$10.95 9.4 € Piano seul PDF SheetMusicPlus

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1349915 Composed by Franz Schubert. Arranged by César Madeira. 19th Century,Classical,Film/TV,March,Romantic Period. Score. 23 pages. Sheet Music To Play Editions #934690. Published by Sheet Music To Play Editions (A0.1349915). Military March No.1 - Op.51 D.733 by Schubert. Arrangement for Piano Four Hands. With Full Score and Individual Parts. Enjoy it!Franz Peter Schubert (1797 - 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Military March No.1, Op.51 - Piano Four Hands (Full Score and Parts)
1 Piano, 4 mains

$8.99 7.72 € 1 Piano, 4 mains PDF SheetMusicPlus

Alto Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Violin - Level 2 - Digital Download SKU: A0.1128815 Composed by Connie Boss. Christmas. 17 pages. Connie Boss #729344. Published by Connie Boss (A0.1128815). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge. This is for trio with optional parts for flute, cello and violin accent instruments and piano. I am attaching an optional way to sing it on the YouTube link. It can be sung with solo for verses, adding the harmonies for the refrain and bridge and final ending. email cdboss@cvalley.net for any questions or requests.
They Saw a Star - Epiphany/Christmas - Vocal trio (optional flute, cello or violin parts) and piano

$5.99 5.14 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Holiday,Medieval. 8 pages. Jmsgu3 #860034. Published by jmsgu3 (A0.1267846). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 
Solage: Le basile for Mixed Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson

$32.95 28.29 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 
Solage: Le basile for Trombone Quartet
Quatuor de cuivres: 4 trombones

$32.95 28.29 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus

Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 
Solage: Le basile for Flute Quartet
Quatuor de Flûtes : 4 flûtes

$32.95 28.29 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #858750. Published by jmsgu3 (A0.1266016). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
Solage: Le basile for Brass Quartet

$32.95 28.29 € PDF SheetMusicPlus

String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior. 
Solage: Le basile for Cello Quartet
4 Violoncelles

$32.95 28.29 € 4 Violoncelles PDF SheetMusicPlus

Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
Solage: Le basile for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes

$32.95 28.29 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale