Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1080549 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Charles Beale. Christmas,Hip-Hop,Holiday,Pop,R & B. Octavo. 16 pages. Charliebmusic #684775. Published by charliebmusic (A0.1080549). This upbeat and fun TTBB version of this Holiday classic was sung by the New York City Gay Men's Chorus with the New York Philharmonic orchestra at its Holiday show in 2015. It remains at Intermediate level, with occasional splits into 8 parts.

Flute,Piano - Level 1 - Digital Download SKU: A0.1031107 Composed by Franz Joseph Haydn. Arranged by F Matthews. Classical. Score and part. 3 pages. Atlas Nash #3663237. Published by Atlas Nash (A0.1031107). This is a lively arrangement of the Allegro theme taken from the 1st movement of Haydn's Symphony No. 104 - one of Haydn's London symphonies. The allegro is arranged here for flute and piano, but can easily be played on violin or other instruments suited to the range. The range of the flute part is from C-sharp5 (octave above middle C), to a high E (E6) - a range that would approximately suite a flautist at Grade 3 level - upper end of easy/beginner. The piano accompaniment has been arranged to be at the higher end of easy - with some more complex elements including octave and running quaver passages. Dynamics and articulation have been added in as a guide only. This download includes a score and separate flute part. The original work was written in 1795 while Haydn was living in London and was premiered to great acclaim. It remains a popular choice today for concerts around the world. This arrangement could work nicely alongside an arrangement of the second movement - or as part of a medley of short pieces in a concert. The expected duration of the piece is likely to be between 1.5 to 2 minutes long, though the arrangement can be played at a tempo suiting the individual performer. Some professional performances of this work would be more in the range of one minute only! I hope you enjoy this arrangement and I'd welcome any feedback by email to franmatt100@gmail.com. 

Piano Solo - Level 4 - Digital Download SKU: A0.1041200 Composed by Eric Coates. Arranged by Marcus Martin. 20th Century,Film/TV,Instructional,Patriotic,Video Game. Score. 6 pages. Cornelius Edition (uk) #645930. Published by Cornelius Edition (uk) (A0.1041200). The Dam Busters March is the theme to the 1955 British war film The Dam Busters. it remains a very popular accompaniment to flypasts in the UK and other ceremonial occasions. The song is featured on the high score screen of the Dragon 32 game Tea Time. This version of the complete piece is for piano solo.

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1293851 By Van Morrison. By Van Morrison. Arranged by Spencer Bundy. 20th Century,Pop. 13 pages. Spencer Bundy #884267. Published by Spencer Bundy (A0.1293851). From Northern Irish singer & composer,Van Morrison. Released in 1967 and covered many times, it remains a very popular tune.

Brass Ensemble - Digital Download SKU: A0.791032 By Art Noel. By Art Noel and Don Pelosi. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 20 pages. Kevin P Holdgate #4889977. Published by Kevin P Holdgate (A0.791032). Versatile Brass Old Time CollectionThis song was written during WW2 and quickly became a music hall/Vaudeville hit. It remains an audience pleaser to this day.This is a simple arrangement that is playable by all levels of ensemble .

Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1209591 By Billy Joel. By Billy Joel. Arranged by Spence Bundy. 20th Century,Pop. 24 pages. Spencer Bundy #807742. Published by Spencer Bundy (A0.1209591). Although this single was not as popular as other songs from the same album, it remains a firm favourite with audiences every where.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1094595 Composed by Steve Jablonsky. Arranged by Ellen Harle. Film/TV. Score and parts. 15 pages. Fireworks Music #698658. Published by Fireworks Music (A0.1094595). This driving opening piece from Transformers is here arranged for early intermediate string players. While it remains mostly in first position, there is a little second position in the first violin part, as well as swapping between 4/4 and 6/4 time signatures. Parts included are Violin I, Violin II, Viola (No violin III), and Cello.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1309904 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music: Jon Burr. Arranged by Jon Burr. Country,Folk,Traditional. Score. 17 pages. Cheryl Prazak #899036. Published by Cheryl Prazak (A0.1309904). Cotton-Eyed Texas is a celebration of all good things Texan.Lyrics by Cheryl Prazak, music by Jon Burr Arranging, production and video by Jon Burr (arrangerforhire.com)Lyric:Let me tell you ‘bout a place that’s stood the test of timeOnce it was a country, but now a State of MindTexas is the place I know, it’s special and it’s reallet me share some things it’s got you oughtta see and feelDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We belt it out with Jennings, echo through the hills,rave with Buddy Holly, “ah-hah� with the great Bob Wills.We croon with Kenny Rogers, George Strait and young Clint Black.We dance the Texas two-step to Galveston and backDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its mountains and plains, valleys and bayous.We had cottonfields once where legendary pickers grew,Like Lightnin’ Hopkins, T-Bone, Blind Lemon, Stevie Ray played the bluesBuddy Holly, and Willie Nelson sang their stories tooDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Us Texans like to hunt and shoot, and what we shoot, we eat.When you smell the bar-b-cue, bring a dish ‘n grab a seat.Tex-Mex, tacos, fajitas, enchiladas and red wine!Avocado guacamole suits a Texan just fine!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,We have fought to live our way, and we can fight again.When the need presents itself, we only fight to win.We have fought to live our way, we can live no other.If you feel like coming this way, don’t mess with Texas, brother!Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Texas has its music, Texas has its foodTexas has its history to put you in the moodThe very best way to visit is to travel far and wideone end to the other right through the countrysideDo-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe,Do-si-do with fiddle and bow, Texas two-step and Cotton-Eyed Joe,heel and toe, do-si-do, Texas two-step and Cotton-Eyed Joe

Small Ensemble,Strings High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - Digital Download SKU: A0.923200 Composed by Denny Glasscock. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 17 pages. Denny Glasscock #6054255. Published by Denny Glasscock (A0.923200). A new and different rendition of a very old and beloved christian hymn. After an instrumental introduction, based on the refrain from the original hymn by Robert Lowry (1864), the newly composed verses begin with a musical theme meant to represent flowing water in a rippling river or stream. The original lyrics are adapted for all five verses and the refrain. The first verse is followed by the refrain, adapted from the original hymn. After that the refrain follows verses 3 and 5. The song ends on the final refrain, as the tempo slows and the flowing water theme ends. The vocals start out unison, but quickly divide out to three parts, all in a comfortable range. The melody in the verses shifts from soprano to alto, just before it gets too low for some sopranos. However altos or baritones could probably sing the melody, as the highest notes are likely still contained within their upper range. Thus the piece could be performed as a solo for altos or baritones. Though the melody shifts, a bit, from soprano to alto, it is easily heard in continuity. Thus, intuitively, the audience, or congregation, will clearly hear the melody, and be easily able to sing along. The Lead Sheet (with chord symbols) and scores provided here, contain the three vocal parts, violin, viola and piano. With the chord symbols provided, add guitar, bass, etc.   As you listen to the example provided, you will hear a string trio playing in the accompaniment, along with the piano. The violin, viola and violoncello adds a nice dimension to the accompaniment sound. A digital recording of this accompaniment is also available by this publisher; see item number S0.870603. Denny Glasscock (Lyrics and Refrain adapted from Original Hymn by Robert Lowry, 1864).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1011896 By Lady Gaga. By RedOne and Stefani Germanotta. Arranged by A-Kian Sam. Pop. Score. 15 pages. A-Kian Sam #3510425. Published by A-Kian Sam (A0.1011896). Score: Piano and voice (piano reduction with backup vocals)Upon my wish to bring to life a true transcription of the score able to be performed only with piano and voice this arrangement serves the purpose of arranging the whole instrumental for Poker Face and fit it into the pianoforte, as well as arranging the vocals and backup vocals into one staff for voice. Students looking for a mid-level challenge, fans wishing for an arrangement to reflect the original intention from the artist, artists looking for a backbone to rely their own performance can enjoy this arrangement as I do very little to change barely anything of the actual performance, just enough to fit the song into just accompaniment and voice.You can perform as you wish, that's what each artist calling actually is, but you need a solid foundation to justify your performance and this is it.Main vocals are not doubled by the piano. Piano performance is intended to play the instrumental parts of every synth. Back up vocals included for completeness sake.No chords as chords are actually implied by harmonies and bass throughout the song.Left hand can be simplified by suppressing unison octaves and keeping just the higher voice of the hand.Vocal range of main singer voice: F♯3 - B4Pianistic challenges: Non legato octaves.PARENTAL ADVISORY. Explicit content: Uncensored lyrics reflect the actual pronounciation of the hook.

Composed by public domain. Arranged by Jeff D. Anderson. Christian, Gospel, Jazz, Big Band, Christmas. 42 pages. Published by AnderKamp Music (S0.268421). - - Christian,Gospel,Jazz,Big Band,Christmas - AnderKamp Music

Incorporating Go, Tell It on the Mountain. Arranged by Jean Anne Shafferman. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Christmas; Epiphany; Gospel; Sacred; Spiritual. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-21024. Published by Jubilate Music Group - Digital (JX.00-21024). English. Isaiah 9:2-7, Matthew 28:18-20, Mark 16:15, Luke 2:1-20.

Guitar - Intermediate - Digital Download SKU: M0.31129MEB World. Folk. Ebook and online audio. 57 pages. Mel Bay Publications - Digital Sheet Music #31129MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31129MEB). ISBN 9781513476896. 8.75X11.75 inches.The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar.In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: Che Gelida Manina from Puccinis La Boheme and My Heart at Thy Sweet Voice ôMon Coeur Souvre ? ta Voixö from Samson and Delilah by Camille Saint-Sa?ns. Sandys contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandys gift for chordal subtleties and innovation.Each piece is in either standard tuning EADGBE or Drop D tuning DADGBE .Written in standard notation and tablature with computer generated audio files of each arrangement.

B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.1320503 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. Score and individual part. 9 pages. RBMusic #909019. Published by RBMusic (A0.1320503). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalry�, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.� After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.� He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn� from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement (for solo trombone or euphonium and piano accompaniment) includes an alternative part for trombone/euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy García, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.