Full Orchestra - Digital Download SKU: A0.1308030 Composed by Nino Rota. Arranged by Brandon C Stanley. Film/TV. Score and Parts. 78 pages. Brandon C Stanley #897309. Published by Brandon C Stanley (A0.1308030). Track #8 from award winning Nino Rota's Original Motion Picture Soundtrack for the 1972 film The Godfather directed by Francis Ford Coppola. This arrangement gives the orchestra everything it needs to sound like the OST. With mandolin, accordion, acoustic guitar and drum set, this arrangement will sound just as it is heard on the big screen.PARTS INCLUDED:Full Transposing ScoreFull C ScoreFluteOboe 1Oboe 2 (optional)Clarinet in Bb 1Clarinet in Bb 2Bassoon 1Bassoon 2Horn in F 1,3Horn in F 2,4Trumpet in Bb 1Trumpet in Bb 2Trombone 1Trombone 2Bass TromboneTubaTimpiniPercussion 1 (Drum Set)HarpPianoAcoustic GuitarMandolinAccordionViolin 1,2ViolaVioloncelloContrabassFor the orchestra lacking Harp, Acoustic Guitar, Mandolin, and Accordion, sufficient cues are available to ensure a full sound for this cue.Film orchestrator Brandon C Stanley presents this cue as it would appear on the scoring stage with no key signatures and large time signatures.Both a C Score and Transposing Score are provided with this download.

Full Orchestra - Digital Download SKU: A0.1308038 Composed by Nino Rota. Arranged by Brandon C Stanley. Film/TV. 9 pages. Brandon C Stanley #897319. Published by Brandon C Stanley (A0.1308038). SCORE ONLY (score in C)Track #8 from award winning Nino Rota's Original Motion Picture Soundtrack for the 1972 film The Godfather directed by Francis Ford Coppola. This arrangement gives the orchestra everything it needs to sound like the OST. With mandolin, accordion, acoustic guitar and drum set, this arrangement will sound just as it is heard on the big screen.For the orchestra lacking Harp, Acoustic Guitar, Mandolin, and Accordion, sufficient cues are available to ensure a full sound for this cue.Film orchestrator Brandon C Stanley presents this cue as it would appear on the scoring stage with no key signatures and large time signatures.

Choral Choir,Choral (5-Part) - Level 3 - Digital Download SKU: A0.495221 By Grover Washington Jr. With Bill Withers. By Bill Withers, Ralph MacDonald, and William Salter. Arranged by Grover Washington Jr., Ralph MacDonald and Richmond Piguerra. A Cappella,Blues,Contemporary,Jazz,Pop. 12 pages. Richmond Piguerra #109753. Published by Richmond Piguerra (A0.495221). Just the Two of Us is a song written by Bill Withers, William Salter, and Ralph MacDonald, and recorded by Grover Washington Jr. with Withers on vocals. It was released in February 1981 through Elektra Records.

Concert Band - Level 3 - Digital Download SKU: A0.1369439 By Madonna. By Peter Brown and Robert Rans. Arranged by Lorenzo Bocci. Contemporary,Pop,Rock. 117 pages. Lorenzo Bocci #953795. Published by Lorenzo Bocci (A0.1369439). MATERIAL GIRL Performed by Madonnafor Concert Band (with Fanfare Band parts) - Grade 3 - Digital Download Composed by Robert Rans, Peter Brown. Performed by Madonna. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 3'49''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Tambourine, Triangle), Electric Guitar, Keyboard.Additional Parts:Bb Soprano Saxophone (Concert Band), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Bb Soprano Saxophone, Eb Cornet, Bb Flugelhorn 1, 2, 3.Material Girl is a song recorded by American singer Madonna for her second studio album, Like a Virgin (1984). It was released on January 23, 1985, by the Sire label as the second single from Like a Virgin. The song was written by Peter Brown and Robert Rans. Contemporary critics have frequently identified Material Girl along with Like a Virgin as the songs that established Madonna as an icon. Material Girl was a commercial success, reaching the top-five in Australia, Belgium, Canada, Ireland, Japan and United Kingdom. It reached the number two position on the Billboard Hot 100 in the United States, becoming her third top-five single there.Subscribe to my YouTube Channel to stay updated on new releases.

Piano Solo - Level 4 - Digital Download SKU: A0.926732 Composed by Donna Lewis Jones. Arranged by Donna Lewis Jones. Christian,Gospel,Sacred,Spiritual. Score. 4 pages. Donna Lewis Jones #6525759. Published by Donna Lewis Jones (A0.926732). Come, Ye Sinners, Poor and Needy is an African American song which has been arranged for piano solo by Donna Lewis Jones.  It has a laid-back feel with rich chords.  It is appropriate for church services and more.  .

Piano Solo - Level 4 - Digital Download SKU: A0.926731 Composed by Donna Lewis Jones. Arranged by Donna Lewis Jones. Blues,Jazz,Sacred,Spiritual. Score. 5 pages. Donna Lewis Jones #6525733. Published by Donna Lewis Jones (A0.926731). This is an advanced piano solo arrangement of two African American Spirituals, Go Down, Moses and Wade In The Water.  The style has elements of both blues and jazz in a somewhat Gershwin-like style.  .  While it would be a great recital piece, it is also appropriate for some church services.  Arranged by Donna Lewis Jones, this piece will be a hit with your audience.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys.  This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.

Marching Band - Level 2 - Digital Download SKU: A0.1203062 By Wilson Pickett. By Chris Kenner. Arranged by Kael McDonald. 20th Century,Blues,Jazz. Score and parts. 13 pages. Kael McDonald #801747. Published by Kael McDonald (A0.1203062). Do you remember Cannibal & the Headhunters or Wilson Pickett? They were the artists from the golden age that brought this crowd-pleasing R&B anthem to international attention, and that attention has never waned. Here it is for yet another generation to groove on!Land of A Thousand Dances is a song that was released in 1968 by Wilson Pickett, arranged by Kael McDonald. I used the help of the University of Northern Colorado's version to make mine. I wrote all the percussion on my own. It has all your standard pep band instruments. As well as all standard parts for percussion, minus cymbals. All rights reserved by Kael McDonald Music 2023.****SOUNDCLOUD LINK FOR AUDIO****https://on.soundcloud.com/HdjWx.

Piano Solo - Level 3 - Digital Download SKU: A0.885795 Composed by James McDonald. Children,Contemporary,Standards. Score. 3 pages. James McDonald #3028793. Published by James McDonald (A0.885795). The Scarab beetle is so happy when it finds some dung that it makes  a ball out of it, roll it and dance on it with joy. Sometimes it stumbles but always go back, grab it,  and keep rolling its precious dung which will be used to feed its offspring. This is an intermediate piano piece which can be used as repertoire. It uses a lot fo dotted notes, slurs, some chromaticism plus some dissonances here and there. The piece has is be interpreted with an enthusiastic feeling... Enjoy!

2 soloists, mixed choir and orchestra - Digital Download SKU: S9.Q23929 For two vocalists (mezzo soprano and baritone), mixed chorus and orchestra. Composed by Hans Werner Henze and Richard Wagner. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 60 minutes. Schott Music - Digital #Q23929. Published by Schott Music - Digital (S9.Q23929). When Hans Werner Henze received a commission to instrument early lieder by Richard Wagner at the end of the 1990s, he realised that he could not simply recreate the piano part in a scoring for classical-romantic orchestra. ’It was not only my wish but also a necessity to progress much further than the path I had taken in my Wesendonck arrangements if this operation was not to prove to be an entirely superfluous exercise. Numerous changes have therefore presented themselves during this process, not arbitrarily, but out of a certain artistic curiosity: for example changes of metre, tonal and tessitura transformations and the realisation and completion of the two fragments ’Extase’ and ’La tombe dit à la rose’. I have added subsidiary voices and all manner of things, frequently concealed in the piano part, which corresponded to my intentions of focusing a spotlight on the often only allusively detected fineness of this music, thereby permitting it to unfold to its full extent of richness and radiance.’ (Hans Werner Henze)2 (1. auch Picc., 2. auch Picc. u. Altfl.) · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 0 · Tenortb. (Wagner-Tuba, von einem Hornisten zu spielen) · 0 · Kb.-Tb. - P. S. (Glsp. · Crot. · Vibr. · Marimba · 3 hg. Beck. · Beckenpaar · Tamt. · Tamb. · 3 Tomt. · kl. Tr. · Rührtr. · Mil. Tr. · gr. Tr. m. Beck. · Kast. · Guiro) (3 Spieler) - Hfe. · Cel. · Klav. - Str.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.976727 Composed by Robert Myers. Christian,Praise & Worship,Sacred. Octavo. 2 pages. WheatMyer Music #5197337. Published by WheatMyer Music (A0.976727). It was one of those accidents where you find something useful when you’re looking for something else. While reading on the nature of worship, a particular blog article ended with Adoniram Judson’s early 19th Century baptismal poem, Come Holy Spirit, Dove Divine. The flowing text called out (at least to me!) for a musical setting. Accordingly, some melodic and harmonic ideas began to percolate in my thoughts. However, before getting very far along in writing a tune, there were two surprises in store. First many others had already set the text to music before (with a multitude of tunes) going back to at least 1833. Second, despite being a Baptist for over forty years, I discovered that this hymn has been in the Baptist Hymnal since 1956 yet I have no recollection of every singing it! Well, chagrined at my ignorance, I carried on writing a new melody and harmony for this deserving text. I sought to make it friendly to congregational singers while still containing rich and sing-able harmonies and so aimed for a four-part hymn-style form. However, as I suspect my ignorance of the hymn is a common condition, a fresh and modern tune which would be at home in varied musical styles and have popular appeal was also pursued. The result is a delightful and uplifting tune, easy to sing, with an optimistic and forward momentum, commensurate with the meaning of believers’ baptism, Buried with Him in baptism; raised to walk in new life. The music is flexible in application to many church music styles: praise team and band, choir and organ, congregation and piano, or mix and match to fit your needs. May you find Come, Holy Spirit, Dove Divine, singing a much needed text, a means for your congregation to joyfully join with new believers in celebration of their baptism!

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1296476 Composed by Donovan D. Klotzbeacher. 20th Century,Christian,Lent,Religious,Sacred. 5 pages. Donovan Klotzbeacher #886660. Published by Donovan Klotzbeacher (A0.1296476). This anthem is a vocal score pertaining to the Agnus Dei from MASS, composed by Donovan D. Klotzbeacher.  It is for mixed voices SATB with Soprano Soloist.  Piano accompaniment provided.

Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755023 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 94 pages. Sy Brandon #3244205. Published by Sy Brandon (A0.755023). Legacy is a three movement composition that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor, and later transcribed by the composer for quartet for the chamber music group, enhaké. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming. The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the clarinet brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Legacy has been recorded by enhaké on the Emeritus Recordings CD Legacy.

Piano Solo - Level 3 - Digital Download SKU: A0.1286899 By Brandon Lake. By Benjamin Hastings, Brandon Lake, and Dante Bowe. Arranged by Brian Buda. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 22 pages. Budaful music #877903. Published by budaful music (A0.1286899). This is a heartfelt piano solo arrangement of Brandon Lake's song Gratitude. It's a perfect piece for the intermediate/advanced pianist to use in preludes and offertories. It's a long arrangement, but not as long as the 13 minute+ recording! Though it is long there is a built in option to cut it short. A shorter version is contained on the first 3 pages and is more intermediate, whereas the full version becomes more advanced as it progresses, especially in the bridge. Play 3 verses with choruses, or the entire arrangement. 3 key options available: A, Bb, & B. (It was arranged in original key of B, then transposed to the other keys. Some chord voicings and fingerings might need to be adjusted in A and Bb but some pianists– like myself– actually prefer the 5 sharp version).