Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1383018 By 1985 Donmar Warehouse Cast. By Dorothy Fields and Jerome Kern. Arranged by Dr. David Salisbury. Jazz,Latin. 44 pages. Nemomusicpublishing #967446. Published by Nemomusicpublishing (A0.1383018). This is a Big Band vocal arrangement of the Swing Time film hit as sung by Ginger Rogers.  Although it is originally a swing tune this version is in a Latin groove.  It is aimed at an intermediate level band and features Tenor Sax 1, Piano, and Trumpet 2 Solos.  It is in the Key of C Major and the vocal range is Bb below middle C to D fourth line treble staff.  The lead trumpet range goes up to A above the treble clef staff.

Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.945201 Composed by Johann Strauss Jr. Arranged by JP Wogaman II. Romantic Period. Score and parts. 57 pages. JP Wogaman II #6858521. Published by JP Wogaman II (A0.945201). Johann Strauss II (1825-99) is famously known as the the King of the Waltz. He was born in Vienna to the Father of the Waltz, Johann Strauss the elder. Strauss died in Vienna while he was working on a version of Cinderella for ballet. Performance practice of the Viennese Waltz is almost impossible to teach if it's not in the blood because there are some things that you just simply can't notate. Luftpause: air-breakSchleppen: to drag The feel of the lilt is basically anticipating the second beat. If it is slightly overdone, then it becomes a mannerism and a caricature.- Glenn Sales, Music Supervisor of The Washington Ballet.​This arrangement was commissioned by The Washington Ballet and premiered on April 3rd, 2019 in Sidney Harman Hall, Washington D.C. featuring the original choreography of Trey McIntyre.

Large Ensemble Choir,Voice - Level 4 - Digital Download SKU: A0.799660 Composed by D. M. Gardner. Contemporary. Score and parts. 40 pages. D. M. Gardner Music #3370295. Published by D. M. Gardner Music (A0.799660). FULL SCORE***PARTS & CHORAL SCORE SOLD SEPARATELY*** Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope.  Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind.  Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine! INSTRUMENTATION 1 Piccolo 2 Flute 1 2 Flute 2 2 Flute 3 1 Oboe 1 1 Oboe 2 1 Bassoon 1 1 Bassoon 2 4 Bb Clarinet 1 4 Bb Clarinet 2 4 Bb Clarinet 3 2 Bb Bass Clarinet 1 Eb Alto Saxophone 1 1 Eb Alto Saxophone 2 1 Bb Tenor Saxophone 1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 4 2 Trombone 1 2 Trombone 2 2 Bass trombone 3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSION Suspended Cymbal Crash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional), *Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com

Small Ensemble Guitar,Voice - Level 4 - Digital Download SKU: A0.928252 Composed by Lynieve Austin, Simon James. Contemporary,Latin,Multicultural,World. Score and parts. 7 pages. DML #5355765. Published by DML (A0.928252). This is a complex song using the rhythm of a Flamenco rumba but with a mixture of finger style and strumming, it will need time and patience to do it well. It uses well known coplas from traditional Spanish sources and is naturally about love but with some fairly pointed remarks like the copla that ends ‘a shoe once worn, discarded, I never wear again’. One of the best things about the Flamenco approach to lyrics - you are never tied down to just one version so you can change the song according to the mood you’re in. This was first performed at the opening of the 2007 Croydon Jazz Festival.

Mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q3162 Für gemischten Chor und Orchester. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 55 minutes. Schott Music - Digital #Q3162. Published by Schott Music - Digital (S9.Q3162). German.The theme of Henze’s Ninth Symphony is his German homeland as he remembers it during the days of his youth and during the war years. He has written this work in homage to all the people who fought back against the oppression of the Third Reich and sacrificed their lives for freedom of thought. Hans-Ulrich Treichel adapted the text from a poem by Anna Seghers. Henze has called the symphony ‘an apotheosis of the terrible and the painful’. The pinnacle of his prolific and varied œuvre, it is worlds apart from ‘Freude schöner Götterfunken’.My Ninth Symphony deals with my German homeland – as it appeared to me when I was a young man, during the war, and even earlier. Instead of hymning joy, the beautiful divine spark, the men and women of my Ninth Symphony spend the evening conjuring up a world of horror and persecution that is still with us today and that continues to cast its shadows over us. Hans Werner Henze3 (2. auch Picc., 3. auch Picc. u. Altfl.) · 3 (2. auch Ob. d'am., 3. auch Engl. Hr.) · Heckelphon · 3 (2. auch Kb.-Klar., 3. auch Bassklar.) · 3 (3. auch Kfg.) - 6 · 4 · 5 (1. Alt-, 2. u. 3. Tenor-, 4. Bass-, 5. Kb.-Pos.) · 1 (im 6. Satz Kb.-Tb.) - P. S. (3 hg. Beck. [h./m./t.] · Beckenpaar · 3 Tamt. [h./m./t.] · 3 Tomt. [h./m./t.] · 3 Bong. [h./m./t.] · Tamb. · kl. Tr. · gr. Tr. [mit und ohne Beck.] · Woodbl. · Metallbl. · hg. Glasplättchen · Kast. · Mar. · Guiros [normal und sehr groß] · Ratsche · Peitsche · Amboss · Donnerblech · Bronzeplatte · Polizeipf. [Trillerpf.] · Sir. · 3 Flex. [verschiedene Tonhöhen] · Tempelbl. · Crot. · Röhrengl. · chin. Gongs · Glsp. · Vibr. · Marimba) (7 Spieler) - Hfe. · Cel. · Klav. · Org. (nur im 6. Satz) - Str.

Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.828670 Composed by Leslie Bricusse. Arranged by Ted Samuels. Contemporary. Score. 16 pages. Theodore A. Samuels #6053843. Published by Theodore A. Samuels (A0.828670). This arrangement was created to commemorate both the 50th anniversary of the 1970 Christmas movie musical SCROOGE & the 250th anniversary of the birth of Ludwig van Beethoven.  A more detailed description of this piece & the story & imaginings behind it is included in its covering pages.  However, it may be summarized by its subtitle, What If Liszt Played Beethoven While Scrooge & the Londoners Celebrated?  (Franz Liszt was performing in a European concert tour at the same time that Charles Dickens was writing A Christmas Carol in 1843. Liszt's purpose for the tour was to raise money for constructing a statue of Beethoven in his hometown of Bonn, Germany.)  The piece begins in the key of Bb for the first 3 verses of the song.  The 3rd verse consists of a variation on the melody in the style of Beethoven, perhaps as Liszt might have written & performed it.  The key is raised to C major for the final verse, which includes a few quotes from Beethoven's Symphony No. 5, and concludes with some final lines from his Choral Symphony No. 9 as well as The 5th.  The full time of performance by piano/keyboard, solo voice and/or choir is approximately 4 minutes, which may be shortened & simplified by skipping the 3rd variation verse as indicated.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance.  An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy  (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping.  3. La Cathédrale de Rouen  (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air.  4. Les Parapluies  (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through.  5. Au Moulin Rouge  (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in,  as required.     

Concert Band - Level 3 - Digital Download SKU: A0.1264182 By Leda Georgieva, Julian Gospodinov, Mihaela Takens, Anna Takens, Berend Takens. By Leda Georgieva. Arranged by Leda Georgieva. Christian,Praise & Worship,Religious,Spiritual. Score and Parts. 51 pages. Leda Georgieva #856995. Published by Leda Georgieva (A0.1264182). A nice christian song, that is performed by a soloist child, choir, two violins, violoncello, flute, piano and vibraphone. It can be performed by a soprano soloist. It can be accompanied by organ or piano.It is sang in Bulgarian language. The text in English is:You are worthy me to sing todayabout your everlasting mercy and love,because You reveal to me your works every day!I will sing again for You, my Lord,and I will never stop.With Your power and with Your spirit I will glorify You!Let there be a song, so sonorous and to echoand loudly annouce, that You are love!For the joy that You donate to me so generously every momentand for the peace deeply in me I will glorify You all the time.Let there be a song, so sonorous and to echoand loudly announce, that You are love!

Piano - Level 3 - Digital Download SKU: A0.1247228 By Bill Whitley. By Bill Whitley. Christian,Classical,Contemporary,Religious,Sacred. Full Performance. Duration 134. Musica Semplice #841773. Published by Musica Semplice (A0.1247228). Exploring feelings of abandonment and isolation....In 1985, while still thinking of myself as songwriter, a mentor presented me with the challenge of setting three Psalms to music.  But the catch was that these settings would have to be solo piano pieces: Songs Without Words.How Long Will You Forget Me? (Psalm 13) was the first composition to come out of that challenge and my first notated instrumental piece. Out of the Depths (Psalm 130) was the second. (I still have yet to compose the third one.)I've written and discarded more pieces than I can count, but this  simple little piece has stuck with me.  I can see sparks in it of works that were to come later.  Simple and naive as it is, it still sounds like my own voice.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1322696 Composed by 1 Peter 2 and Peter Burton. Christian,Classical,Sacred. 11 pages. Peter Burton Music #910979. Published by Peter Burton Music (A0.1322696). This piece is based on the famous text from 1 Peter 2:4-10 with the well-known verse - But you are a chosen people, a royal priesthood, a holy nation, a people belonging to God. It reminds us that, however ordinary we feel, we are special in God's eyes. It was written for the commissioning of the new building for Dundonald Church, Rayne's Park and was first performed at a Come and Sing in October 2022. It is scored for SATB choir and keyboard.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance.  An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy  (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping.  3. La Cathédrale de Rouen  (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air.  4. Les Parapluies  (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through.  5. Au Moulin Rouge  (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in,  as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.995546 By Pentatonix. By Avriel Kaplan, Ben Bram, Kevin Olusola, Kirstin Maldonado, Martin Johnson, Mitchell Grassi, Sam Hollander, and Scott Hoying. Arranged by John C. Quillin. A Cappella. Octavo. 15 pages. John C. Quillin #5205177. Published by John C. Quillin (A0.995546). New Year's Day is the perfect addition to any holiday concert. It's message is positive, and the music upbeat and captivating. Plus, it's incredibly fun to sing. This arrangement is very flexible. It can be performed a cappella, with piano alone, or with piano and string quartet or quintet. The percussion part can be performed by your vocal percussionist or on a drum set.

Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.945202 Composed by Johann Strauss Jr. Arranged by JP Wogaman II. Romantic Period. Score and parts. 48 pages. JP Wogaman II #6858523. Published by JP Wogaman II (A0.945202). Johann Strauss II (1825-99) is famously known as the the King of the Waltz. He was born in Vienna to the Father of the Waltz, Johann Strauss the elder. Strauss died in Vienna while he was working on a version of Cinderella for ballet. Performance practice of the Viennese Waltz is almost impossible to teach if it's not in the blood because there are some things that you just simply can't notate. Luftpause: air-breakSchleppen: to drag The feel of the lilt is basically anticipating the second beat. If it is slightly overdone, then it becomes a mannerism and a caricature.- Glenn Sales, Music Supervisor of The Washington Ballet.​This arrangement was commissioned by The Washington Ballet and premiered on April 3rd, 2019 in Sidney Harman Hall, Washington D.C. featuring the original choreography of Trey McIntyre.

Instrumental Duet Horn,Instrumental Duet,Organ - Level 4 - Digital Download SKU: A0.1004072 Composed by James F. Hodgdon III. 20th Century,Concert,Contemporary,Film/TV,Standards. Score and parts. 14 pages. Jhcompositions #3447247. Published by Jhcompositions (A0.1004072). Cave was commissioned as for a concert of Organ duet music. It features a Horn in F and Organ to tell the story of exploring a strange never before seen cave. Magic is certainly abundant in the air in the mysterious cave this piece will transport you to. The soundscape of lush chords and colors created from the organs vast stops is enhanced and brought to life with the beauty of the horn. It would be great for an organist looking to play with other musicians, and could fit a recital, church service or concert piece. It would also have great success as a role in cinematic usage or in sections as cues to create a whole landscape.Duration: Apx 8:00.