String Orchestra - Level 4 - Digital Download SKU: A0.1305476 Composed by Marshall Ross. Arranged by Marcus Martin. 20th Century,Children,Film/TV,March. Score and Parts. 24 pages. Cornelius Edition (uk) #894921. Published by Cornelius Edition (uk) (A0.1305476). Marching Strings was composed by Ray Martin (but published under the pseudonym of 'Marshall Ross)  and performed by Ray Martin and his concert orchestra, it was used as the theme for 'Top of the form' over most of its long run on BBC radio and television. It was broadcast on the BBC Light Programme 1948-67, then BBC Radio 2 (sometimes simulcast on BBC Radio 1) 1967-70, and BBC Radio 4 1970-86. The programme migrated to TV, where it ran from 1962-75, and was called Television Top of the Form. This version is for string orchestra and makes an attractive short concert item. There is also an alternative version for string quintet (AO895902)  For other arrangements by Marcus Martin please visit For more arrangements by Marcus Martin please visithttp://www.marcusmartinmusic.co.uk/page_1863221.html.

Large Ensemble Choir,Voice - Digital Download SKU: A0.799662 Composed by D. M. Gardner. Contemporary. Score and parts. 109 pages. D. M. Gardner Music #3370297. Published by D. M. Gardner Music (A0.799662). INSTRUMENTAL PARTS***SCORE and CHORAL SCORE SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope.  Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind.  Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance.  An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy  (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping.  3. La Cathédrale de Rouen  (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air.  4. Les Parapluies  (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through.  5. Au Moulin Rouge  (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in,  as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.

Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.945201 Composed by Johann Strauss Jr. Arranged by JP Wogaman II. Romantic Period. Score and parts. 57 pages. JP Wogaman II #6858521. Published by JP Wogaman II (A0.945201). Johann Strauss II (1825-99) is famously known as the the King of the Waltz. He was born in Vienna to the Father of the Waltz, Johann Strauss the elder. Strauss died in Vienna while he was working on a version of Cinderella for ballet. Performance practice of the Viennese Waltz is almost impossible to teach if it's not in the blood because there are some things that you just simply can't notate. Luftpause: air-breakSchleppen: to drag The feel of the lilt is basically anticipating the second beat. If it is slightly overdone, then it becomes a mannerism and a caricature.- Glenn Sales, Music Supervisor of The Washington Ballet.​This arrangement was commissioned by The Washington Ballet and premiered on April 3rd, 2019 in Sidney Harman Hall, Washington D.C. featuring the original choreography of Trey McIntyre.

String Orchestra - Level 4 - Digital Download SKU: A0.869398 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 38 pages. Thomas Oboe Lee #432015. Published by Thomas Oboe Lee (A0.869398). Instrumentation: Violins 1a. Violins 1b. Violins 2a. Violins 2b. Viola. Cello. Double bass. Program note. I go to Rome every year during my winter break from teaching. My favorite statue in the Galleria Borghese is Bernini's Apollo and Daphne. It is amazingly alive and beautiful. When the Pro Arte Chamber Orchestra of Boston asked me to write a work for string orchestra, I immediately thought of the fabulous Apollon Musagète by Stravinsky. Wouldn't it be fun to write a companion piece to the Stravinsky and call it Daphne? And since the Stravinsky Apollo is a ballet, my Daphne would be one as well, although an imaginary one. Daphne is in three sections. 1. Moderato ... Apollo struts around at a party, flirting with the nymphs and then suddenly he notices Daphne. He falls in love immediately. 2. Fuga ... Unnerved by Apollo's attention, Daphne flees. Apollo chases after her. 3. Largo ... Apollo catches up to Daphne and declares his love for her. She struggled to free herself from him and calls for help. To save Daphne from Apollo, her father Ladon, the river god, transforms Daphne into a laurel tree. Curtain.Audio link.   Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/daphne-an-imaginary-ballet-2015

Concert Band - Level 2 - Digital Download SKU: A0.1284425 Composed by Cristiano Minellono, Marc Cerrone, Pierre Delanoe, Raymond Georges Henri Donnez, and Salvatore Cutugno. Arranged by Benoit BARRAIL. 20th Century,Disco,Funk,Pop. Score and Parts. 36 pages. Benoît Barrail #875596. Published by Benoît Barrail (A0.1284425). Score in portrait format, instrumental parts in landscape format. The song Laissez-moi danser (Let me dance) was recorded in 1979 by Italian-French singer Dalida. It remains to this day an essential hit of this singer, it is the most remixed song of her repertoire. Disco style, this dynamic song will enchant your concerts or your festive events.This fairly easy piece can also be played by festive orchestras or fanfares. There are many doubled parts in the orchestration, which will allow you to play it with a small orchestra.Conducteur en format portrait, parties séparées en format paysage. La chanson Laissez-moi danser a été enregistrée en 1979 par la chanteuse italo-française Dalida. Elle reste à ce jour un tube incontournable de cette chanteuse, c’est la chanson la plus remixée de son répertoire. De style disco, cette chanson dynamique saura enchanter vos concerts ou vos animations festives.Ce morceau assez facile peut aussi être joué par des orchestres festifs de type fanfares ou bandas. Il y a beaucoup de parties doublées dans l'orchestration, ce qui vous permettra de le jouer avec un petit orchestre.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1187278 By Lyrics by Charlotte Brönte. By Annemieke Lustenhouwer. Contemporary. Octavo. 4 pages. Annemieke Lustenhouwer #786916. Published by Annemieke Lustenhouwer (A0.1187278). Charlotte Brönte is a one of the best known women writers of the Victorian era and wrote both novels and poems. Her best known novel is Jane Eyre. She did write it under the pseudonym of Currer Bell. Like her contemporary Elizabeth Barrett Browning, Brontë experimented with the poetic forms that became the characteristic modes of the Victorian period.In this poem for SATB choir a capella I tried to catch melancholy that Charlotte descripes in her poem about the landscape around a moor. She did it very vivid. You can almost see the colours, hear and sounds and smell it's odours.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance.  An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy  (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping.  3. La Cathédrale de Rouen  (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air.  4. Les Parapluies  (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through.  5. Au Moulin Rouge  (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in,  as required.     

Piano Solo - Level 3 - Digital Download SKU: A0.965685 Composed by Tune: Sandon by C. H. Purday / Text: J. H. Newman. Arranged by Thomas Quigley. Praise & Worship,Sacred. Score. 3 pages. Thomas Quigley #571391. Published by Thomas Quigley (A0.965685). Skillfully crafted, this charming Hymn tune is rewarding and satisfying to play. The choice of harmonies is particularly effecive and technically it is suitable for the amateur pianist. It is ideal as a reflective, meditative interlude at a religious service or as a novel concert item. In any case, it is a joy to perform.

Instrumental Duet Horn,Instrumental Duet,Organ - Level 4 - Digital Download SKU: A0.1004072 Composed by James F. Hodgdon III. 20th Century,Concert,Contemporary,Film/TV,Standards. Score and parts. 14 pages. Jhcompositions #3447247. Published by Jhcompositions (A0.1004072). Cave was commissioned as for a concert of Organ duet music. It features a Horn in F and Organ to tell the story of exploring a strange never before seen cave. Magic is certainly abundant in the air in the mysterious cave this piece will transport you to. The soundscape of lush chords and colors created from the organs vast stops is enhanced and brought to life with the beauty of the horn. It would be great for an organist looking to play with other musicians, and could fit a recital, church service or concert piece. It would also have great success as a role in cinematic usage or in sections as cues to create a whole landscape.Duration: Apx 8:00.

Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1322459 Composed by Peter Burton and Psalm 121. Christian,Religious,Sacred. 7 pages. Peter Burton Music #910750. Published by Peter Burton Music (A0.1322459). Psalm 121 is a wonderful psalm and reminds us of God's help and protection in the trials of life. It is scored for SATB choir ( mainly one to three voice parts with small four-part sections ) together with keyboard accompaniment. It has been performed with piano but organ would work well too. Musically, it balances unison singing to create a sense of unity of expression with harmony to express the heightened sense of emotion of the Psalm. The piece was premiered at Dundonald Church, Rayne's Park, UK on 12th November 2023 as part of their remembrance service.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1383018 By 1985 Donmar Warehouse Cast. By Dorothy Fields and Jerome Kern. Arranged by Dr. David Salisbury. Jazz,Latin. 44 pages. Nemomusicpublishing #967446. Published by Nemomusicpublishing (A0.1383018). This is a Big Band vocal arrangement of the Swing Time film hit as sung by Ginger Rogers.  Although it is originally a swing tune this version is in a Latin groove.  It is aimed at an intermediate level band and features Tenor Sax 1, Piano, and Trumpet 2 Solos.  It is in the Key of C Major and the vocal range is Bb below middle C to D fourth line treble staff.  The lead trumpet range goes up to A above the treble clef staff.

French Horn,Piano - Level 3 - Digital Download SKU: A0.551616 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #5324393. Published by jmsgu3 (A0.551616). Gabriel Fauré: Nocturne, Op. 104, Molto moderatoNocturne is a musical composition inspired by or evocative of the night. The Irish composer John Field first used the term in the early 19th century to describe a type of character piece for piano intended to be played in the evening or at night. The term was later adopted by other composers, including Chopin and Fauré, who used it to describe their compositions. In the case of Fauré's Nocturne Op. 104, the title nocturne refers to the fact that it is a piece of music intended to be played at night or evocative of the night. The piece is characterized by its modal, incantatory theme, which seems to hark back to the plainchant that Fauré studied at the Niedermeyer School. Like other nocturnes in the set, it explores one predominant mood.Fauré's Nocturne Op. 104 and Chopin's nocturnes share some similarities, but they also have some differences. Fauré greatly admired the music of Chopin and was happy to compose in forms and patterns established by the earlier composer. Fauré's early nocturnes employ the same basic textures as Chopin's nocturnes, but Fauré's later works abandon this in favor of increasingly contrapuntal writing. Fauré also adopted ternary form as an essential form for the piece from Chopin. However, Fauré's melodies often show a rigorous motivic construction not found in Chopin. Fauré's nocturnes are, after Chopin's, among the most beautiful and beloved in music literature. In summary, while Fauré's nocturnes were influenced by Chopin's, they also have unique qualities that set them apart.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1081220 Composed by Norman Goad. Children,Christmas,Contemporary,Holiday,Sacred. Score. 8 pages. Norman Goad #685187. Published by Norman Goad (A0.1081220). This song is for solo voice and children’s choir. It speaks of the true meaning of Christmas – the baby Jesus - and what He has done for us. The recurring text of the title provides a catchy hook that your children & soloist will love to sing! It can be performed with all the instruments listed, or it can be performed simply as a solo with guitar or piano. Score and parts available separately.