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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1106095 Composed by Henry Purcell. Arranged by Chris Gorman. Historic,Patriotic,Praise & Worship,Religious,Sacred. Brass Band. 31 pages. Chris Gorman #709213. Published by Chris Gorman (A0.1106095). Dido's Lament is the aria When I am laid in earth from the opera Dido and Aeneas by Henry Purcell . It is included in many classical music textbooks. It is played annually in London by the massed bands of the Guards Division at the Cenotaph remembrance parade in Whitehall on Remembrance Sunday, the Sunday nearest to November 11 (Armistice Day). This arrangement is a must for all Brass Bands that wish to fulfil their programme of music on such solemn occasions.
When I am Laid in Earth (Dido's Lament)

$25.00 21.25 € PDF SheetMusicPlus

Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.750990 Composed by Sir Edward Elgar (1899). Arranged by Brendan Elliget MAGA 537. Classical,Romantic Period. 16 pages. BJE Music #6021517. Published by BJE Music (A0.750990). Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme. Nimrod (Adagio) was the 9th variation. The name of this variation refers to Augustus J. Jaeger, who was employed as a music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as a mighty hunter before the Lord, Jäger being German for hunter.It has been arranged here in the lower key of Eb for a Saxophone Septet. Parts for Soprano, Alto, Tenor, Baritone, and Bass Saxophone.The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration = 3:15 mins
Nimrod (from The Enigma Variations) - Saxophone Septet
Ensemble de saxophones

$9.00 7.65 € Ensemble de saxophones PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.823973 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score. 6 pages. TK (Tim) Murray #4758273. Published by TK (Tim) Murray (A0.823973). 'Postlude' (after Scriabin) is designed as a companion Piece to the Prelude for LH by Scriabin. It is an atmospheric and at times dramatic Work that carries the audience on an involving and imaginative journey. It was commissioned and premiered by Steve Warzycki at the Edinburgh Festival, Scotland. and recorded on os CD of Music for Left Hand Piano. (c, 7mins 30 secs )Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).contact; tkmurraycomp@aol.com
Murray - Postlude (after Scriabin) - Piano LH
Piano seul

$12.95 11.01 € Piano seul PDF SheetMusicPlus

Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.752404 Composed by Hughie Charles and Ross Parker. Arranged by Rob Bushnell. Opera. Score and parts. 1 pages. RBMusic #5741095. Published by RBMusic (A0.752404). We'll Meet Again was written in 1939 by Ross Parker and Hughie Charles, and made famous by singer Dame Vera Lynn. The song is one of the most famous of the Second World War era. It later gave its name to the 1943 musical film We'll Meet Again, where Vera Lynn played the lead role. During the Cold War, Lynn's recording of the song was included in the package of music and programmes held in 20 underground radio stations of the BBC's Wartime Broadcasting Service (WTBS), designed to provide public information and morale-boosting broadcasts for 100 days after a nuclear attack. In 2005, Vera Lynn sang the song in London on the 60th Anniversary of VE Day in 2005, and, in 2020, a duet with Katherine Jenkins reached number 72 on the UK Singles Chart. Arranged during the 2019/2020 Coronavirus Pandemic to commemorate/celebrate the 75th anniversary of VE Day, it is designed for two bass-clef instruments in concert pitch. This version is in B-flat major – part 1 has a range from E3 to F4 and part 2 has a range from B2 to C4. (For other parts/versions, see my other We’ll Meet Again titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=HsM_VmN6ytk.   Other searchable terms: Stanley Kubrick, Dr. Strangelove, Liberation Day Concert, Amsterdam, World War II, Benny Goodman, Peggy Lee, Mr. Tambourine Man, Rod Stewart, Perry Como, Barry Manilow, Johnny Cash, The Muppets Go to the Movies, The Muppets, Dudley Moore, Lily Tomlin, The Simpsons, Alfie Boe, VE Day 70, A Party to Remember, ABBA, Pink Floyd, Queen Elizabeth II, United Kingdom of Great Britain and Northern Ireland, COVID-19 pandemic virus, NHS Charities Together
We'll Meet Again

$4.99 4.24 € PDF SheetMusicPlus

String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.553761 Composed by Domenico Gallo. Arranged by Ray Thompson. Baroque,Holiday. Score and parts. 6 pages. RayThompsonMusic #4265103. Published by RayThompsonMusic (A0.553761). This music was originally attributed to Giovanni Pergolesi, as they were in a Mr R. Bremner's original 1780 London publication and also arranged by Hugo Riemann, and again wrongly attributed to Giovanni Pergolesi.It is actually the 1st movement of Gallo's 2nd Trio Sonata in Bb.It was used by Igor Stravinsky as a basis of the opening section of the 3rd mvt titled Scherzinoof his Neo Classical Pulcinella Suite. He labels his version 3a.ScherzinoThe Pulcinella Suite for small chamber orchestra and 3 vocalists which was derived from the ballet, was written in 1922 and has no vocal parts. But even though Stravinsky used Pergolesi's(which were in this case Gallo's) melodies and bass lines with little change, he managed to put his own unmistakable stamp on the music through his use of modern harmonies and occasional rhythmic modifications.Arranged string trio with alternative violin 2 for viola.
Gallo: Trio Sonata No.2 in Bb Mvt.I ( "Pulcinella Suite"Mvt 3a Scherzino) - string trio
Trio à Cordes: violon, alto, violoncelle

$11.95 10.16 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

English Horn,Piano - Level 3 - Digital Download SKU: A0.548052 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 16 pages. Jmsgu3 #3127283. Published by jmsgu3 (A0.548052). Score: 9 pages, solo part: 2 pages, piano part: 5 pages. Duration: 4:35A Sky Full of Stars is a song recorded by British alternative rock band Coldplay, it was released on 2 May 2014 as the third single from their sixth studio album, Ghost Stories (2014). The band co-wrote and co-produced the song with Avicii, and received production assistance from Paul Epworth, Daniel Green, and Rik Simpson. It was recorded at The Bakery and The Beehive in North London, England.
A Sky Full Of Stars
Cor anglais, Piano
Coldplay
$47.95 40.75 € Cor anglais, Piano PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1495196 Composed by Todd Marchand. A Cappella,Christian,Christmas,Folk,Sacred. 4 pages. Con Spirito Music #1071742. Published by Con Spirito Music (A0.1495196). Jesus Christ the Apple Tree is the commonly used title for a poem published under the heading Christ compared to an Apple-tree in the August 1761 issue of The Spiritual Magazine, a London periodical for Calvinist Baptists.Above the poem in the publication are words of its author:Gentlemen,Having spent some of my vacant time in the composition of short pieces of Divine Poetry, have sent you the following, by way of specimen; which, if thought worthy of a place in your magazine, shall communicate the others regularly. I am your well-wisher and constant reader, R.H.R.H. is today believed to most likely be the Rev. Richard Hutchins, a Calvinist Baptist clergyman then serving in Long Buckby, Northamptonshire. The poem's first known appearance in a hymnal, and in America, was in 1784 in Divine Hymns, or Spiritual Songs: for the use of Religious Assemblies and Private Christians compiled by Joshua Smith, a lay Baptist minister from New Hampshire. Because of its popularity in New England churches thereafter, it has often been wrongly attributed to an anonymous early American poet or to Smith.The poem may be an allusion to the apple tree in Song of Solomon 2:3 (As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste), which has been interpreted as a metaphor for Jesus. It also alludes to other descriptions of the tree of life in both the Old and New Testaments. Primitive yet profound, Jesus Christ the Apple Tree has been set to music by many composers, including a very popular setting by Elizabeth Poston (1905-1987). This new setting for unaccompanied SATB voices captures the rustic quality of the text with a rising-and-falling folksong-like melody, attractively harmonized. Voices realized by Cantamus (https://cantamus.app/)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patritic, and popular music for instruments and voices, visit www.conspiritomusic.com
Jesus Christ the Apple Tree — SATB voices
Chorale SATB

$2.99 2.54 € Chorale SATB PDF SheetMusicPlus

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.824104 Composed by Gabriel Faure. Arranged by Tim TK Murray. Concert,Romantic Period,Standards. Score and parts. 12 pages. TK (Tim) Murray #5739945. Published by TK (Tim) Murray (A0.824104). Faure's 'Le pas espagnol' is the finale to his delightful 'Dolly Suite' for Piano Duet. It is an exhilarating Spanish Dance full of energy and joyful Spanish rhythms and flair. It immediately draws the performers and audience alike into its colourful world making you want to tap your feet and smile! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
Faure - 'Le pas espagnol' - Clarinet, Viola & Piano
Alto, Piano

$6.95 5.91 € Alto, Piano PDF SheetMusicPlus

Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.752414 Composed by Hughie Charles and Ross Parker. Arranged by Rob Bushnell. Opera. Score and parts. 1 pages. RBMusic #5888153. Published by RBMusic (A0.752414). We'll Meet Again was written in 1939 by Ross Parker and Hughie Charles, and made famous by singer Dame Vera Lynn. The song is one of the most famous of the Second World War era. It later gave its name to the 1943 musical film We'll Meet Again, where Vera Lynn played the lead role. During the Cold War, Lynn's recording of the song was included in the package of music and programmes held in 20 underground radio stations of the BBC's Wartime Broadcasting Service (WTBS), designed to provide public information and morale-boosting broadcasts for 100 days after a nuclear attack. In 2005, Vera Lynn sang the song in London on the 60th Anniversary of VE Day in 2005, and, in 2020, a duet with Katherine Jenkins reached number 72 on the UK Singles Chart. Arranged during the 2019/2020 Coronavirus Pandemic to commemorate/celebrate the 75th anniversary of VE Day, it is designed for two higher-register, treble-clef instruments in the same key (such as violin, flute, oboe, saxophones, etc.). This version is in G major (written pitch) – part 1 has a written range from C#5 to D6 and part 2 has a written range from G#4 to A5. (For other parts/versions, see my other We’ll Meet Again titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=HsM_VmN6ytk.   Other searchable terms: Stanley Kubrick, Dr. Strangelove, Liberation Day Concert, Amsterdam, World War II, Benny Goodman, Peggy Lee, Mr. Tambourine Man, Rod Stewart, Perry Como, Barry Manilow, Johnny Cash, The Muppets Go to the Movies, The Muppets, Dudley Moore, Lily Tomlin, The Simpsons, Alfie Boe, VE Day 70, A Party to Remember, ABBA, Pink Floyd, Queen Elizabeth II, United Kingdom of Great Britain and Northern Ireland, COVID-19 pandemic virus, NHS Charities Together
We'll Meet Again

$4.99 4.24 € PDF SheetMusicPlus

Soprano Saxophone Duet Soprano Saxophone - Level 1 - Digital Download SKU: A0.1167624 Composed by Unknown. Arranged by Duda Oriontte. Early Music,Folk,Instructional,Medieval,Traditional. Score. 1 pages. Duda Oriontte #767990. Published by Duda Oriontte (A0.1167624). Greensleeves (Green Leeves) SOPRANO SAXOPHONE DUO. (English folk music, broadside) BEGINNERI made this arrangement for two instruments.It is a good choice for classes. Greensleeves is one of the most well know music ever madeYou can play with your friends, teacher, student, etcI hope you like it!Greensleeves is a traditional English folk song. A broadside ballad by the name A Newe Northen Dittye of ye Ladye Greene Sleves was registered by Richard Jones at the London Stationer's Company in September 1580.
Greensleeves (Green Leeves) SOPRANO SAXOPHONE DUO. (English folk music, broadside) BEGINNER
2 Saxophones (duo)

$5.00 4.25 € 2 Saxophones (duo) PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
Mauro Giuliani: Sonatina in C op.71 no.1
Guitare

$6.00 5.1 € Guitare PDF SheetMusicPlus

Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868998 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 4 pages. Really Good Music, LLC. #6254093. Published by Really Good Music, LLC. (A0.868998). Io ti miro is an aria from the cantata Siedi, Amarilli mia by Giovanni BONONCINI (1670 – 1747), first published in Cantate e duetti (London, 1721). It was realized for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of B flat major (C4 – D5) for low voice.
BONONCINI Giovanni: Io ti miro, aria from the cantata "Siedi, Amarilli mia", arranged for Voice and
Voix moyenne, Piano

$5.95 5.06 € Voix moyenne, Piano PDF SheetMusicPlus






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