Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1112190 Composed by William Boyce. Arranged by Colin G Dance. March. Brass Band. 24 pages. Dance is With Music #714349. Published by Dance is With Music (A0.1112190). Heart of Oak is the official march of the Royal Navy. It is also the official march of several Commonwealth navies, including the Royal Canadian Navy and the Royal New Zealand Navy. It was also the official march of the Royal Australian Navy, but has now been replaced by the new march, Royal Australian Navy. The music of Heart of Oak was written in 1759 by composer William Boyce, the lyrics by actor David Garrick, for Garrick's pantomime Harlequin's Invasion, to which others contributed as well. The pantomime was first performed on New Year's Eve of that year at the Theatre Royal, Drury Lane, London, with Handel soloist Samuel Thomas Champnes singing Heart of Oak. The wonderful year referenced in the first verse was the Annus Mirabilis of 1759, during which British forces were victorious in several significant battles: the Battle of Minden on 1 August 1759; the Battle of Lagos on 19 August 1759; the Battle of the Plains of Abraham (outside Quebec City) on 13 September 1759; and the Battle of Quiberon Bay on 20 November 1759. The last battle foiled a French invasion project planned by the Duc de Choiseul to defeat Britain during the Seven Years' War, hence the reference in the song to 'flat-bottom' invasion barges. These victories were followed a few months later by the Battle of Wandiwash in India on 22 January 1760. Britain's continued success in the war boosted the song's popularity. The oak in the song's title refers to the wood from which British warships were generally made during the age of sail. The Heart of oak is the strongest central wood of the tree. The reference to freemen not slaves echoes the refrain (Britons never will be slaves!) of Rule, Britannia!, written and composed two decades earlier.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.868999 Composed by Giovanni BONONCINI (1670 – 1747). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. Score. 4 pages. Really Good Music, LLC. #6254097. Published by Really Good Music, LLC. (A0.868999). Io ti miro is an aria from the cantata Siedi, Amarilli mia by Giovanni BONONCINI (1670 – 1747), first published in Cantate e duetti (London, 1721). It was realized for voice and piano by Sergei Pichugin. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key C major (D4 – E5) for low voice.

Solo Guitar - Level 4 - Digital Download SKU: A0.1421220 Composed by Socrates Arvanitakis. Classical,Contemporary. Individual part. 14 pages. Socrates Arvanitakis #1002611. Published by Socrates Arvanitakis (A0.1421220). This suite utilises the ancient Lydian Mode (Present day Ionian) in its lower diatonic and upper chromatic tetrachords,containing the notes:D-E-F#-GandA-Bb-C#-Dtherefore it can be termed as in Lydian Mixed Mode but not as Mixolydian mode to which it bears no relation.  The upper chromatic tetrachord gives the music a bitter-sweet minor feeling and the time signatures are mainly based on Rebetiko Music dance rhythms.The six movements are1 Zeibekikos2 Hassapikos3 Valse4 Tsifteteli5 Kamilieriko6 Hassaposervikosand are here listed as active links to the relevant music pages, from which you can come back to this page by clicking on the title of each piece.Socrates ArvanitakisLondon 2024.

Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.752402 Composed by Hughie Charles and Ross Parker. Arranged by Rob Bushnell. Opera. Score and parts. 1 pages. RBMusic #5741083. Published by RBMusic (A0.752402). We'll Meet Again was written in 1939 by Ross Parker and Hughie Charles, and made famous by singer Dame Vera Lynn. The song is one of the most famous of the Second World War era. It later gave its name to the 1943 musical film We'll Meet Again, where Vera Lynn played the lead role. During the Cold War, Lynn's recording of the song was included in the package of music and programmes held in 20 underground radio stations of the BBC's Wartime Broadcasting Service (WTBS), designed to provide public information and morale-boosting broadcasts for 100 days after a nuclear attack. In 2005, Vera Lynn sang the song in London on the 60th Anniversary of VE Day in 2005, and, in 2020, a duet with Katherine Jenkins reached number 72 on the UK Singles Chart. Arranged during the 2019/2020 Coronavirus Pandemic to commemorate/celebrate the 75th anniversary of VE Day, it is designed for two bass-clef instruments in concert pitch. This version is in A-flat major – part 1 has a range from D3 to Eb4 and part 2 has a range from A2 to Bb3. (For other parts/versions, see my other We’ll Meet Again titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=HsM_VmN6ytk.   Other searchable terms: Stanley Kubrick, Dr. Strangelove, Liberation Day Concert, Amsterdam, World War II, Benny Goodman, Peggy Lee, Mr. Tambourine Man, Rod Stewart, Perry Como, Barry Manilow, Johnny Cash, The Muppets Go to the Movies, The Muppets, Dudley Moore, Lily Tomlin, The Simpsons, Alfie Boe, VE Day 70, A Party to Remember, ABBA, Pink Floyd, Queen Elizabeth II, United Kingdom of Great Britain and Northern Ireland, COVID-19 pandemic virus, NHS Charities Together

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938426 Composed by Colin Bayliss. 20th Century. Score and parts. 74 pages. Colin Bayliss #11311. Published by Colin Bayliss (A0.938426). The work was completed on February 2nd 1970 and is the first piece to be retained by the composer after he had destroyed all his earlier compositions. The Score is available as a separate download The following is taken from the catalogue of the composer's works:- The photocopy of the MS is marked String Quartet No. 1, but is not regarded by the composer as part of his mature string quartet writing. The MS itself was lost in a fire at the home of Col. Robert Tong, formerly Registrar of Queen Mary College, University of London. A typesetting was made in November 2000 as the photocopy had faded so badly. The composer's sketch books suggest that the movements were written in the order 3,2,4,1. 1. Allegro 2. Scherzo (Allegro energico) Trio I - tempo di menuetto Trio II - no tempo indicated - [andante] 3. Andante con moto 4. Allegro ma non troppo Composer's note:- As the above suggests, I originally had no intention of publishing this early piece. The recording by the Lochrian String Quartet of the six numbered quartets, however , together with sleeve notes admitting the existence of this work, prompted me into revising my opinion and allowing its publication, so that anyone wishing to study this first effort may do so. It shows certain traits that I was to develop in the six quartets and others that I was to discard, and therefore is of musicological interest. It also has a few good, albeit imitative, tunes! Duration: Approx. 25 mins. COLIN BAYLISS was born in Mansfield, Nottinghamshire in 1948. His life-long love of music led him to compose from an early age and he now has a catalogue of over a hundred works including two operas, four symphonies, six string quartets and many other pieces for most instrumental and chamber groupings, over seventy of them published. He is a member of the British Academy of Composers and Songwriters, the North West Composers' Association and the Performing Rights Society. As well as writing music himself, he has also compiled annotated catalogues of the works of Anthony Hedges and Sir Peter Maxwell Davies. CDs of his piano music played by David Martin and complete organ music played by Ronald Frost are available on the New Century Classics label. Please feel free to use these biographical and programme notes in your concert programmes.

Saxophone quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764653 Composed by Gustav Holst (1874-1934). Arranged by James Pybus. 20th Century,Contemporary,Contest,Festival. 97 pages. James Pybus #36481. Published by James Pybus (A0.764653). In 1905 Gustav Holst became Director of Music at St. Paul’s Girls’ School in Hammersmith, London, a post which he retained right up until his death in 1934. St. Paul's Suite was written for the school’s string orchestra in 1912. The work is in four movements: a Jig, reminiscent of English fiddle tunes; a muted Ostinato (Presto); an Intermezzo which starts fairly slowly and softly, switching abruptly to a short Vivace section. The rhythmic tune here is based on an Arab song which Holst had noted in his sketchbook a few years earlier while on holiday in Algeria. After this brief interlude, the music returns to the slower opening tempo, and in the very last bars of the movement ‘the descending chromatic sixths are like a gesture of farewell to the good old days: never again did [Holst] indulge in such an unblushing display of nineteenth-century romanticism’--- these rather severe words are his daughter’s, quoted from her biography of her father. The Finale is framed around a familiar English folk tune (the Dargason), which, in the course of the movement, is used as a counter-melody to the even more familiar Greensleeves. Holst was evidently fond of this tune, as he also used it as the concluding movement of his well-known Suite No. 2 in F, Op. 28b for Military Band. Durations: 1. Jig 4:00; 2. Ostinato 1:28; 3. Intermezzo 3:41; 4. Finale (The Dargason) 4:00; Total time 13:09 I wrote this arrangement for SATB Saxophone Quartet in 2004, with revisions in 2015. It is a challenging yet ultimately rewarding piece for both audiences and players. contact me at james.pybus56@gmail.com.

Viola Duet Viola - Level 1 - Digital Download SKU: A0.1167639 Composed by Unknown. Arranged by Duda Oriontte. Folk,Instructional,Medieval,Opera,Traditional. Score. 1 pages. Duda Oriontte #768003. Published by Duda Oriontte (A0.1167639). Greensleeves (Green Leeves) VIOLA DUO. (English folk music, broadside) BEGINNERI made this arrangement for two instruments.It is a good choice for classes. Greensleeves is one of the most well know music ever madeYou can play with your friends, teacher, student, etcI hope you like it!Greensleeves is a traditional English folk song. A broadside ballad by the name A Newe Northen Dittye of ye Ladye Greene Sleves was registered by Richard Jones at the London Stationer's Company in September 1580.

Trombone Duet Trombone - Level 1 - Digital Download SKU: A0.1167632 Composed by Unknown. Arranged by Duda Oriontte. Early Music,Folk,Instructional,Medieval,Traditional. Score. 1 pages. Duda Oriontte #767996. Published by Duda Oriontte (A0.1167632). Greensleeves (Green Leeves) TROMBONE DUO. (English folk music, broadside) BEGINNERI made this arrangement for two instruments.It is a good choice for classes. Greensleeves is one of the most well know music ever madeYou can play with your friends, teacher, student, etcI hope you like it!Greensleeves is a traditional English folk song. A broadside ballad by the name A Newe Northen Dittye of ye Ladye Greene Sleves was registered by Richard Jones at the London Stationer's Company in September 1580.

Piano Solo - Level 4 - Digital Download SKU: A0.1421898 Composed by Sir Arthur Seymour Sullivan. Arranged by Marcus Martin. 19th Century,Broadway,Musical/Show,Opera. Score. 11 pages. Cornelius Edition (uk) #1003230. Published by Cornelius Edition (uk) (A0.1421898). The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances. The popular overture contains several themes from the opera and makes an attractive piano solo lasting about 8 minutes.

Soprano Saxophone Duet Soprano Saxophone - Level 1 - Digital Download SKU: A0.1167624 Composed by Unknown. Arranged by Duda Oriontte. Early Music,Folk,Instructional,Medieval,Traditional. Score. 1 pages. Duda Oriontte #767990. Published by Duda Oriontte (A0.1167624). Greensleeves (Green Leeves) SOPRANO SAXOPHONE DUO. (English folk music, broadside) BEGINNERI made this arrangement for two instruments.It is a good choice for classes. Greensleeves is one of the most well know music ever madeYou can play with your friends, teacher, student, etcI hope you like it!Greensleeves is a traditional English folk song. A broadside ballad by the name A Newe Northen Dittye of ye Ladye Greene Sleves was registered by Richard Jones at the London Stationer's Company in September 1580.

Piano Solo - Level 4 - Digital Download SKU: A0.823973 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score. 6 pages. TK (Tim) Murray #4758273. Published by TK (Tim) Murray (A0.823973). 'Postlude' (after Scriabin) is designed as a companion Piece to the Prelude for LH by Scriabin. It is an atmospheric and at times dramatic Work that carries the audience on an involving and imaginative journey. It was commissioned and premiered by Steve Warzycki at the Edinburgh Festival, Scotland. and recorded on os CD of Music for Left Hand Piano. (c, 7mins 30 secs )Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).contact; tkmurraycomp@aol.com

Chorus - Digital Download SKU: AX.00-PO-0001972 Cry Me a River - SAB. Composed by Arthur Hamilton. Arranged by Jay Althouse. Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0001972. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0001972). UPC: 038081469027.This popular torch song was originally composed for Ella Fitzgerald, but ended up being dropped from the film Pete Kelly's Blues. She would eventually record it six years later, but in the meantime, a recording by Julie London introduced it to the world. Jay's sweet harmonies make for a bluesy arrangement.Inst. Parts Available (choral); Recorded Acc. Available.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1273477 Composed by Ivor Novello. Arranged by Marcus Martin. 20th Century,Broadway,Musical/Show. Score. 4 pages. Cornelius Edition (uk) #865615. Published by Cornelius Edition (uk) (A0.1273477). We'll Gather Lilacs, also called We'll Gather Lilacs In The Spring, is a song by Welsh composer Ivor Novello which he wrote for the hit musical romance Perchance to Dream. The stage musical opened at the Hippodrome Theatre in London's West End in 1945 and ran until 1948. The song was the most popular and enduring to emerge from the production.  It has since been performed by many artists, including notably Anne Zieglerand Webster Booth, Richard Tauber, Bing Crosby Frank Sinatra  and Julie Andrews.Written as World War II drew to its close, the song describes the yearning of parted couples to be reunited. It evokes the joy they would feel when together once again, and the pleasures of the English countryside in spring with its lilac blossom. This version is in the higher key of G and suitable for Soprano or Tenor voices. 

Small Ensemble Piano,Violin - Level 4 - Digital Download SKU: A0.824015 Composed by Johannes Brahms. Arranged by Tim TK Murray. Concert. Score and parts. 10 pages. TK (Tim) Murray #4785535. Published by TK (Tim) Murray (A0.824015). Brahms' whimsical Capriccio makes a perfect encore or interlude between larger works in a concert programme. It is like a relaxed scherzo with many changes of mood and character and immediately draws the audience into its charming world. It is equally effective as a group item and is also available to buy as part of Romantic Violins Vol.1. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com

Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score.  The vocal score is available for sale.  The parts are available on rental from the publisher.