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Woodwind Ensemble Clarinet - Level 4 - Digital Download SKU: A0.782411 By Harpers Bizarre. By Harry Warren. Arranged by James Haynor. Contemporary. 16 pages. James Haynor #6349951. Published by James Haynor (A0.782411). Chattanooga Choo Choo is a 1941 song written by Mack Gordon and composed by Harry Warren. It was originally recorded as a big band / swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun Valley Serenade. It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies. Scored here for clarinet quintet, Chattanooga Choo Choo adds a very enjoyable chart to your concert or recital. ( Duration 2:02 )
Chattanooga Choo Choo
Ensemble de Clarinettes
Harpers Bizarre
$12.99 11.18 € Ensemble de Clarinettes PDF SheetMusicPlus

Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1077766 Composed by George Bennard. Arranged by Sandy McIntire. 20th Century,Country,Praise & Worship,Sacred,Traditional. Octavo. 10 pages. Sandy McIntire #681947. Published by Sandy McIntire (A0.1077766). The Old Rugged Cross has been a favorite gospel hymn since it was published in 1913. It has been recorded by many star soloists, including Ernest Tubbs, Al Green, Andy Griffith, Anne Murray, Brad Paisley, Chet Atkins, George Jones, Eddy Arnold, Johnny Cash and June Carter, Ella Fitzgerald, Mahalia Jackson, Jo Stafford, Gordon MacRae, Merle Haggard, Patsy Cline, Loretta Lynn, Ray Price, Tennessee Ernie Ford, The Oak Ridge Boys, The Statler Brothers, Vince Gill, Willie Nelson, Alan Jackson, and George Beverly Shea. This arrangement is an Easy Intermediate arrangement for a Soprano and Alto Choir with piano accompaniment. Voice ranges are: Soprano F sharp to G and Alto D to B. Lyrics are shown on the separate sheet for voices. The piano accompaniment includes musical cues for the voices.
The Old Rugged Cross
Chorale 2 parties

$2.99 2.57 € Chorale 2 parties PDF SheetMusicPlus

Instrumental Solo - Level 4 - Digital Download SKU: A0.1200054 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Historic,Instructional,Jazz,Standards. Individual part. 28 pages. Allen/Myer Musicals #798864. Published by Allen/Myer Musicals (A0.1200054). This marvelous 1941 song was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun ValleySerenade.  It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies.  The song was an extended production number, and became the No. 1 song across the United States on December 7, 1941, and remained at No. 1 for nine weeks on the Billboard Best Sellers chart.  It opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody.  This is followed by the vocal introduction of four lines before the main part of the song is heard.  The main song opens with a dialog between a passenger and a shoeshine boy.  The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends.  This is a very intriguing adaptation, with or without voice.  The price indicated allows you to purchase ten (10) copies of the handbell version.
Chattanooga Choo Choo
Floyd Cramer
$49.99 43.03 € PDF SheetMusicPlus

Viola solo - 3.75 - Digital Download SKU: DX.MS1079 Composed by John Bowring. Arranged by Gordon Schuster. Easter. Sheet Music. Sacred instrumental music. Score. 5 pages. David E. Smith - Digital Sheet Music #MS1079. Published by David E. Smith - Digital Sheet Music (DX.MS1079). An unaccompanied string trio for violin, viola, and cello. The introduction is plaintive where it leads into the tune presented by the violin in double stops. The consequent phrase gives the tune to the viola. A modulation takes place and the melody is once again placed in the hands of the violin. This time the consequent phrase is a quasi duet in the viola and cello. The last section begins with imitative entrances of each of the instruments until it solidifies into a solemn end.
In The Cross Of Christ I Glory
Alto seul

$4.95 4.26 € Alto seul PDF SheetMusicPlus

Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by Eric Bolvin. Contemporary. Individual part. 56 pages. ERIC V BOLVIN #3578765. Published by ERIC V BOLVIN (A0.829062). Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as the trumpet player’s bible. If that is the case, then the Clarke should be the new testament. I consider Herbert L. Clarke to be the George Washington of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.The impetus for this set of variations is based on the idea of an Expanding Scale or Expanding Range. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are holding one note and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.
The Clarke Variations
Trompette

$16.95 14.59 € Trompette PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1200057 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Historic,Instructional,Jazz,Standards. Score. 41 pages. Allen/Myer Musicals #798867. Published by Allen/Myer Musicals (A0.1200057). This marvelous 1941 song was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun ValleySerenade.  It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies.  The song was an extended production number, and became the No. 1 song across the United States on December 7, 1941, and remained at No. 1 for nine weeks on the Billboard Best Sellers chart.  It opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody.  This is followed by the vocal introduction of four lines before the main part of the song is heard.  The main song opens with a dialog between a passenger and a shoeshine boy.  The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends.  This is a very intriguing adaptation, with or without voice.  The price indicated allows you to purchase one (1) copy of the full score/.
Chattanooga Choo Choo
Piano, Voix et Guitare
Floyd Cramer
$4.99 4.3 € Piano, Voix et Guitare PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196664 Composed by Even Stevens and Scott Miller. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 1 pages. John Fries #795827. Published by John Fries (A0.1196664). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Here's That Rainy Day is a popular song with music by Jimmy Van Heusen and lyrics by Johnny Burke that was published in 1953. It was introduced by Dolores Gray in the Broadway musical Carnival in Flanders. Frank Sinatra recorded the song on March 25, 1959, for the Capitol album No One Cares, arranged and conducted by Gordon Jenkins. Sinatra performed it on a Timex-sponsored show entitled The Frank Sinatra Timex Show:.
Here's That Rainy Day
Piano, Voix et Guitare

$4.99 4.3 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano Solo - Level 1 - Digital Download SKU: A0.894145 Composed by Andrew D. Gordon. Blues,Instructional,Rock. Score. 2 pages. A.D.G. Productions #4266349. Published by A.D.G. Productions (A0.894145). A funky piano piece for someone who is starting to learn to play the Blues. The audio track consists of the piano part played along with a full band rhythm backing track followed by 4 choruses of the rhythm backing track to practice along with.For anyone learning to play the Blues, it is important to listen to the great Blues musicians which will help you in developing your Blues musical skills. I have created a Spotify playlist of over 400 Blues songs many of which greatly influenced me. Please follow the playlist if you enjoy listening to it.spotify:user:adgpro:playlist:3AUF270v6Rfu6rCui7ryUI
Beginner Blues Exercise 12 for Piano
Piano seul

$2.99 2.57 € Piano seul PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.796820 By Eric Clapton. By Gordon Kennedy, Tommy Sims, and Wayne Kirkpatrick. Arranged by Eric Hagmann. A Cappella. Octavo. 6 pages. Eric Hagmann #4357319. Published by Eric Hagmann (A0.796820). An SATB contemporary a cappella arrangement of Change the World by Eric Clapton.  The Clapton version of this song won three Grammy Awards, reached the Top 40 in twenty countries, and was featured on the soundtrack of the 1996 film Phenomenon.  Change the World lends itself perfectly to the a cappella treatment.  This particular arrangement features the entire ensemble rather than focusing on an individual soloist.  Additionally, it does not require the use of vocal percussion.  While most covers of this song rely on the underlying rhythm to move it forward, this chart is driven by its stress on text and colorful harmonies.  This idea is especially prominent when going into the final chorus with the smooth use of a pivot tone modulation to raise the entire piece by a minor third.  Surprising and effective, your singers and your audience will love the fresh approach to this piece of music.   Perfect for an intermediate level high school or college ensemble.   .
Change The World
Chorale SATB
Eric Clapton
$2.25 1.94 € Chorale SATB PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.850639 By Bud Powell. By Vernon Duke. Arranged by Kevin Riley. 20th Century,Film/TV,Jazz,Standards. Score and parts. 31 pages. Kevin Riley #457309. Published by Kevin Riley (A0.850639). Autumn in New York is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical Thumbs Up!. The play opened on December 27, 1934 where the song was performed by singer J. Harold Murray. Many versions of the song have been recorded over the years by numerous musicians and singers. The only version to achieve chart success as a single in the USA was that by Frank Sinatra which reached No. 27 in 1949. Jazz versions have been performed by The Hi Lo's, Charlie Parker, Billie Holiday, Bing Crosby, Stan Kenton, Sarah Vaughan, Sheila Jordan, Bill Evans, Tal Farlow, Ahmad Jamal, Buddy De Franco, Salvador Sobral, Al Haig, Diana Krall, and a duet version by Scottish singers Todd Gordon and Carol Kidd. The song was also recorded by Jo Stafford, and by Louis Armstrong and Ella Fitzgerald as a duet. This version for Solo Alto Saxophone and Orchestra requires your soloist to be able to improvise.
Autumn In New York
Orchestre
Bud Powell
$60.00 51.65 € Orchestre PDF SheetMusicPlus

Voice Duet Voice - Level 2 - Digital Download SKU: A0.697712 Composed by George Bennard. Arranged by Sandy McIntire. Country,Easter,Praise & Worship,Sacred,Standards. 10 pages. Sandy McIntire #6490585. Published by Sandy McIntire (A0.697712). The Old Rugged Cross has been a favorite gospel hymn since it was published in 1913. It has been recorded by many star soloists, including Ernest Tubbs,  Al Green, Andy Griffith, Anne Murray, Brad Paisley, Chet Atkins, George Jones, Eddy Arnold, Johnny Cash and June Carter, Ella Fitzgerald, Mahalia Jackson, Jo Stafford, Gordon MacRae, Merle Haggard, Patsy Cline, Loretta Lynn, Ray Price, Tennessee Ernie Ford, The Oak Ridge Boys, The Statler Brothers, Vince Gill, Willie Nelson, Alan Jackson, and George Beverly Shea.This arrangement is an Easy Intermediate Soprano-Alto Duet. Voice ranges are: Soprano F sharp to G and Alto D to B. Lyrics are shown on the separate sheet for voices. The piano accompaniment includes musical cues for the soloists.
The Old Rugged Cross
Voix duo

$5.50 4.73 € Voix duo PDF SheetMusicPlus

Piano Solo - Level 1 - Digital Download SKU: A0.894149 Composed by Andrew D. Gordon. Blues,Instructional,Rock. Score. 2 pages. A.D.G. Productions #4266367. Published by A.D.G. Productions (A0.894149). A slow tempo Boogie-Woogie piano piece for someone who is starting to learn to play the Blues. The audio track consists of the piano part played along with a full band rhythm backing track followed by 4 choruses of the rhythm backing track to practice along with.For anyone learning to play the Blues, it is important to listen to the great Blues musicians which will help you in developing your Blues musical skills. I have created a Spotify playlist of over 400 Blues songs many of which greatly influenced me. Please follow the playlist if you enjoy listening to it.spotify:user:adgpro:playlist:3AUF270v6Rfu6rCui7ryUI
Beginner Blues Exercise 14 for Piano
Piano seul

$2.99 2.57 € Piano seul PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
LÄTTA FINGRAR

$1.99 1.71 € PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
SNÖKÄNGAN

$1.99 1.71 € PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
FORNUDDSVALSEN

$1.99 1.71 € PDF SheetMusicPlus






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