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Full Orchestra - Digital Download SKU: A0.819714 Composed by Franz Schubert. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 176 pages. J.G. Cuco Barber #5998515. Published by J.G. Cuco Barber (A0.819714). Composer Schubert, FranzOpus/Catalogue Number D.485Key B-flat majorMovements/Sections 4 movements:Allegro (B-flat major, 299 bars)Andante con moto (E-flat major, 141 bars)Menuetto. Allegro molto (G minor, 88 bars) ; Trio (G major, 40 bars)Allegro vivace (B-flat major, 394 bars)Year/Date of Composition 1816 (September-October)First Publication 1885Average Duration 30 minutesComposer Time Period RomanticPiece Style RomanticInstrumentation: orchestra: FluteOboe 1Oboe 2Bassoon 1Bassoon 2Horn in F 1Horn in F 2Violin IViolin IIViolaVioloncello & Contrabass
Schubert - Symphony No.5, D.485
Orchestre

$50.00 42.65 € Orchestre PDF SheetMusicPlus

String Quartet String Quartet - Digital Download SKU: A0.1094094 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 38 pages. J.G. Cuco Barber #698200. Published by J.G. Cuco Barber (A0.1094094). Work Title String Quartet in B-flat major Alternative Title String Quartet No.62 ; “Tost II†Composer Haydn, Joseph Opus/Catalogue Number Hob.III:62 ; Op.55 No.3 Key B-flat major Movements/Sections 4 movements: 1. Vivace assai (B♭ major) 2. Adagio ma non troppo (E♭ major) 3. Minuet - Trio (B♭ major) 4. Finale. Presto (B♭ major) Year/Date of Composition 1788 First Publication 1789 in String Quartets, Op.55 (No.3) Dedication Johann Tost Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
Haydn - String Quartet in B flat major, Hob.III:62 ; Op.55 No.3 "Tost II, Quartet No.3"
Quatuor à cordes: 2 violons, alto, violoncelle

$23.00 19.62 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.914743 Composed by Eric J Roth. 20th Century,Contemporary. Individual part. 7 pages. Eric J Roth #5296287. Published by Eric J Roth (A0.914743). This Gigue is the finale of a four-movement sonata composed in 2018. Publication of the entire sonata is forthcoming. In the interim, I am offering three movements – the Passacaglia, Sarabande and Gigue – as single standalone works. I have performed them in my own concert programs both as part of the larger sonata and on their own. I believe that they work equally well both ways. The Gigue form is a lively dance in triple meter that stems from the Irish jig. It probably originated in England and Ireland in the 16th century. In the Baroque period and beyond, composers have often used gigues as the final movement of dance suites. The Gigue offered here is a galloping romp in 6/8 time with eighth notes running throughout most of the piece. It recalls similar gigues by the lutenist Sylvius Leopold Weiss (1687-1750) and the Tarantelle by Johann Kaspar Mertz (1806-1856). (The Tarantella is a similar lively dance form in triple time). Like the Passacaglia, the Gigue uses an E harmonic minor scale with an added (structural) B flat that helps to blur the sense of strict tonality. The second section includes hints of G and B tonal areas before returning to E minor to end the piece.
Gigue
Guitare

$2.99 2.55 € Guitare PDF SheetMusicPlus

Solo Guitar - Level 5 - Digital Download SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Contemporary,Film/TV,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #1038354. Published by Christopher J. Malin (A0.1459406). Solo jazz guitar chord/melody arrangement with tablature. This one is by Sammy Fain/Bob Hilliard in 1951. I believe this was written for an early Disney animated film.  Watching this piece (available online) may help you get a feel for it. It’s in a ¾ jazz waltz time signature. I also believe Dave Brubeck covered it.I interpreted many chords to be played as triads or eliminated, and single notes are used. I tend to use a minimalist style that keeps the important parts of the music. I arranged it to be played an octave above as written (8 va.). It sounds great on electric guitars. Accurate intonation is important on this song. You do need access to the upper notes. It explores the upper register of the guitar. I also play many of the chords as arpeggios (varying between high note to low note and vice versa). It is a very beautiful tune! I hope you will like it! I certainly do!P.S. I have to admit, I like using chorus and delay on the electric guitar, it gives an ethereal quality to this one!
Alice In Wonderland
Guitare
Bill Evans
$4.99 4.26 € Guitare PDF SheetMusicPlus






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