Piano Solo - Level 2 - Digital Download SKU: A0.1027513 Composed by Nazarii A. Nazarov. Baroque,Contemporary,Instructional. Score. 3 pages. Nazarii A. Nazarov #1767873. Published by Nazarii A. Nazarov (A0.1027513). Want to hear Bach in modern adaptation? This tribute to J.S. Bach will be usefull for beginning and intermidiate level. You will be accostumed to J.S. Bach style on easy material in oder to play his own pieces.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.891915 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 49 pages. Stephen Davies #3480611. Published by Stephen Davies (A0.891915). The final composition of J.S.Bach is surprisingly triumphant, despite his demise just after bar 239. It's also a matter of scholarly conjecture that Bach wrote 'The Art of Fugue' for the keyboard, as some will argue that certain Contrapunctii (?!) are almost impossible to play, bearing in mind that the sustain pedal had yet to be invented. And thus, the most credible path would be that Bach wrote them as A) Academic exercises for study or B) To be played by a suitable ensemble. I'm going with the latter obviously! I include Donald Tovey's conclusion to the work, its brilliance is noted the world over, but surely not what Bach intended, but damn close! This Saxophone version is particularly LOUD!!, so, go make some noise!!

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - Digital Download SKU: A0.891916 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 47 pages. Stephen Davies #3480163. Published by Stephen Davies (A0.891916). The final composition of J.S.Bach is surprisingly triumphant, despite his demise just after bar 239. It's also a matter of scholarly conjecture that Bach wrote 'The Art of Fugue' for the keyboard, as some will argue that certain Contrapunctii (?!) are almost impossible to play, bearing in mind that the sustain pedal had yet to be invented. And thus, the most credible path would be that Bach wrote them as A) Academic exercises for study or B) To be played by a suitable ensemble. I'm going with the latter obviously! I include Donald Tovey's conclusion to the work, its brilliance is noted the world over, but surely not what Bach intended, but damn close!

Small Ensemble,Strings Flute - Digital Download SKU: A0.973705 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Baroque,Standards. Score and parts. 12 pages. J.W. Carter #5289655. Published by J.W. Carter (A0.973705). Contrapunctus I from The Art of Fugue by J.S. Bach arranged for flute & string trio in G minor from the original, D minor.Suitable for concert, church, recital or casual engagement.Medium difficulty.

Instrumental Solo - Level 4 - Digital Download SKU: A0.1134110 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Individual part. 12 pages. FRC Music #734208. Published by FRC Music (A0.1134110). Bach: Erbarme dich mein Gott - Matthäuspassion - (for C instruments and Piano Accompaniment) Optional: Flute, Oboe and Violin. This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for C instruments and Piano accompaniment. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.  advanced IntermediateFormat: Concert, 9 x 12 inches.12 pages.

Easy Piano - Digital Download SKU: A0.503884 Composed by Johann Sebastian Bach. Arranged by Danillo Porto. Baroque,Classical,Multicultural,Standards,Traditional,World. Score. 3 pages. Published by Porto, Dan (A0.503884). J.S.Bach - Jesu, Joy of Man's Desiring - Piano Easy Composed by Johann Sebastian Bach and simplified for piano with simple arrangement by Danillo Porto Very easy to play! Scored for Piano. Piano Score. 2 pages. #Piano #EasyPiano #Bach #JesuJoyOfMansDesiring #SheetMusic #PianoScore.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pages. JoeCopio Music LLC #2032001. Published by JoeCopio Music LLC (A0.876417). THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS Arr. By Joe Procopio These arrangements by Joe Procopio from J.S. Bach’s Flute/Violin Sonata II in Eb are special in many ways. Firstly, it fills the need for the very best in music combining the genres of both Classical and Jazz. In addition, it is also importantly unique because it may be performed by a variety of musicians. For example, the arrangement in C may be performed by 2 or more C Instruments including Flute, Piccolo, Oboe and Violin with a small band accompaniment (Piano, Guitar, Bass, and Drums - Guitar is optional). The work may also be performed with just the Piano and/or Guitar for accompaniment. What’s more, the Rhythm Track Accompaniment is available without the solo instruments adding to the already many attributes of this music that enhance its inherent genuine global appeal. This is critical because teachers, students and musicians worldwide are constantly seeking music of the highest quality that can be skillfully presented to the public while having, at the same time, built-in qualities both pleasing to the listener and the performer alike. Bach’s melodies have certainly stood the test of time and Jazz is without question internationally popular. That makes these arrangements truly worthy of attention from people, artists and publishers throughout the world. The composer personally has had great success with this work in many major concerts including its premier performance using a Flute Choir at a Civic Center Concert held in Syracuse, NY before several thousand people who triumphed the young musicians with a standing ovation. The melody by J.S. Bach used in this work is taken from the Bach-Gesellschaft Ausgabe Band 9 and 1 Kammermusik BWV 1031- known as the complete works of Johann Sebastian Bach which was published in 46 volumes from 1851-1899. A single volume was issued in 1926. The last surviving editor of the series died in 1928, and these volumes are now public domain worldwide. They are also held in acclaim because there are no articulation or expression marks in the Gesellshaft. Therefore, the articulation and expression marks written in these arrangements by the arranger are suggestions only. Musicians may perform the works in any manner best suited to the betterment of their own performance.

Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1132584 Composed by Charles Gounod, Johan Sebastian Bach. Arranged by Joel Jacklich (A.S.C.A.P.). Baroque,Classical,Romantic Period,Sacred,Wedding. Score and parts. 18 pages. Joel Jacklich #732783. Published by Joel Jacklich (A0.1132584). Charles Gounod's Ave Maria on the First Prelude of J. S. Bach is here arranged for voice, string quartet, and harpsichord by Joel Jacklich (A.S.C.A.P.). The obligatory harpsichord plays Bach's original Prelude No. 1 in C Major from the Well-Tempered Clavier (transposed to F major) while the strings provide a harmonization to Gounod's melody. Violin I doubles the vocal part, so the piece can be performed as just an instrumental work.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1133934 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Easter,Sacred,Wedding. Score. 12 pages. Flavio Regis Cunha #734061. Published by Flavio Regis Cunha (A0.1133934). This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Piano accompaniment. You will be delighted to play this beautiful and satisfying piece of music by J. S. Bach that lifts the spirit and soul. The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.Advanced Intermediate.Format: Concert, 9 x 12 inches.12 pages.

Easy Piano - Level 2 - Digital Download SKU: A0.1261965 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #855050. Published by Darek (A0.1261965). Ave Maria (EASY PIANO) Prelude in C major (BWV 846) [J. S. Bach and C. Gounod]Simplified arrangement for pianists of Ave Maria Prelude in C major (BWV 846) by Johann Sebastian Bach and Charles Gounod. Easy version for pianists | Easy piano arrangement. Included: Fingering, Dynamics, Articulations and video Youtube tutorial.  Immerse yourself in the timeless beauty of Ave Maria Prelude in C major (BWV 846) by the legendary Johann Sebastian Bach and Charles Gounod, expertly arranged for beginner pianists. As you embark on your musical journey, allow this mesmerizing composition to captivate your senses and fill your heart with its celestial melodies. Designed with the aspiring pianist in mind, this easy-level piano sheet music will empower you to bring this beloved masterpiece to life. Each note is meticulously notated, accompanied by detailed fingering suggestions to guide your fingers effortlessly across the keys, fostering a seamless and graceful performance. Discover the true essence of the piece with meticulously annotated articulation markings, allowing you to shape each phrase and breathe life into the music. Explore the nuances of the composition with the inclusion of precise dynamics, giving you the tools to express the full range of emotions embedded within this enchanting melody. To further enhance your learning experience, I have thoughtfully provided a YouTube tutorial video that offers valuable insights, tips, and demonstrations, enabling you to master this remarkable composition at your own pace. Transport yourself to the Baroque era, a time of musical splendor, as you unravel the intricate harmonies and melodic interplay that make this piece a true gem. Whether you are a novice pianist seeking a captivating challenge or an intermediate player looking to expand your repertoire, this sheet music is tailor-made for you. Join the league of passionate pianists who have embraced the beauty of Ave Maria Prelude in C major. With its accessible arrangement and comprehensive instructional materials, you'll embark on a rewarding journey of musical growth and self-expression. Unlock your full potential as a pianist and experience the joy of playing this cherished composition. Delve into the musical tapestry of Bach and Gounod, and let their masterwork resonate through your fingertips. Don't miss this opportunity to enrich your musical repertoire and delight audiences with your rendition of Ave Maria. Keywords: Ave Maria Prelude in C major, BWV 846, Johann Sebastian Bach, Charles Gounod, piano sheet music, easy level, beginner pianists, fingering, articulation, dynamics, YouTube tutorial, Baroque era, music, pianists, celestial melodies, composition, repertoire, masterwork.

Small Ensemble Cello,Flute,Violin - Level 4 - Digital Download SKU: A0.973723 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Baroque,Instructional,Standards,Wedding. Score and parts. 6 pages. J.W. Carter #6208691. Published by J.W. Carter (A0.973723). Bach's Prelude No. 4 in D from Six Little Preludes. The only one of the set for three voices, set here for Flute, Clarinet & Bassoon. Suitable for recital or casual engagements.

Small Ensemble,Strings Flute - Level 4 - Digital Download SKU: A0.973706 Composed by Johann Sebastian Bach. Arranged by J.W. Carter. Baroque,Sacred,Standards,Wedding. Score and parts. 14 pages. J.W. Carter #5289657. Published by J.W. Carter (A0.973706). Bach's scintillating double fugue at the 12th from The Art of Fugue set for flute & string trio in G minor from the original D minor.Suitable for recital, concert, casual or church engagement.

B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1310493 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Praise & Worship,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899556. Published by Colin Kirkpatrick Publications (A0.1310493). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate trumpet or cornet player. It is in concert C and the transposed trumpet range is from A below the treble staff to F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined� piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness� (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.

Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined� piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness� (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.

Bassoon,Piano - Level 2 - Digital Download SKU: A0.1310502 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Easter,Sacred,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899560. Published by Colin Kirkpatrick Publications (A0.1310502). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate bassoon player. It is in concert C and range is from G on the lowest line of the bass clef to the E just above the staff. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined� piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness� (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.