Instrumental Solo,Piano,Treble Recorder - Level 1 - Digital Download SKU: A0.1151365 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards. Score and individual part. 7 pages. Piacere Music Sheets #751552. Published by Piacere Music Sheets (A0.1151365). Opus/Catalog Number: BWV 1067, No. 6 Key/Tone: D minor Movements/Sections: Menuet Year/Date of Composition: 1738–39 Difficulty: Grade 3/12 (Easy) Obs: This famous piece is the sixth of seven movements in Johann Sebastian Bach's Orchestral Suite No. 2 in B minor, BWV 1067. This menuet was originally composed for flauto traverso, two violins, viola and continuo at the key of B minor. This score is an arrangement for Treble (alto) Recorder and Piano at the key of D minor. This score contains suggestions for performing appoggiaturas and trills in accordance with the performance practice of the Baroque period. Namely, appoggiaturas are played ON the beat, taking up one half of the main note's value, and trills are played ON the beat, beginning on the upper auxiliary note. More repercussions may be added depending on the player's taste and ability. Included: Full score and parts for each instrument.

Composed by Johann Sebastian Bach (1685-1750). Arranged by Jaap Eilander. Baroque, Contemporary, Romantic Period. Score. 4 pages. Jaap Eilander #5374137. Published by Jaap Eilander

Piano,Xylophone - Level 1 - Digital Download SKU: A0.964402 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. 2 pages. Leyandder Trustworthy #6322273. Published by Leyandder Trustworthy (A0.964402). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Xylophone along with a piano accompaniment that comes with the product.

Digital Download SKU: A0.1069430 Composed by Johann Sebastian Bach. Arranged by Matt Smith. Baroque. Full Performance. Duration 703. Matt Smith #6209677. Published by Matt Smith (A0.1069430). Passacaglia and Fugue in C minor (BWV 582) is an organ piece by Johann Sebastian Bach. Presumably composed early in Bach's career, it is one of his most important and well-known works, and an important influence on 19th and 20th century passacaglias: Robert Schumann described the variations of the passacaglia as intertwined so ingeniously that one can never cease to be amazed.This arrangement for Brass Quintet will be the highlight of any concert. It shows off the technical possibilities of brass instruments and will have your audience mesmerised.Good luck and have fun!Duration: About 11 1/2 minutesYouTube demo video: https://www.youtube.com/watch?v=gcrX7qqyyssVisit www.mattsmithmusic.co.uk for more!

Piano,Tuba - Level 1 - Digital Download SKU: A0.964399 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6322257. Published by Leyandder Trustworthy (A0.964399). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for B♭ Tuba along with a piano accompaniment that comes with the product.

Small Ensemble Alto Flute,Piano Accompaniment - Level 1 - Digital Download SKU: A0.964368 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and parts. 2 pages. Leyandder Trustworthy #6320689. Published by Leyandder Trustworthy (A0.964368). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Alto Flute along with a piano accompaniment that comes with the product.

Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.964381 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321041. Published by Leyandder Trustworthy (A0.964381). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Baritone Saxophone along with a piano accompaniment that comes with the product.

Piano,Trumpet - Level 1 - Digital Download SKU: A0.964390 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321367. Published by Leyandder Trustworthy (A0.964390). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for B♭ Trumpet along with a piano accompaniment that comes with the product.

Instrumental Solo,Piano,Piccolo - Level 1 - Digital Download SKU: A0.964366 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and individual part. 2 pages. Leyandder Trustworthy #6320311. Published by Leyandder Trustworthy (A0.964366). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Piccolo along with a piano accompaniment that comes with the product.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.964403 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score. 1 pages. Leyandder Trustworthy #6322285. Published by Leyandder Trustworthy (A0.964403). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Piano along with a piano accompaniment that comes with the product.

Double Bass,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.964411 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and individual part. 2 pages. Leyandder Trustworthy #6323035. Published by Leyandder Trustworthy (A0.964411). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Contrabass along with a piano accompaniment that comes with the product.

Flute,Piano - Level 3 - Digital Download SKU: A0.1166298 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards,Wedding. Score and part. 7 pages. Piacere Music Sheets #766677. Published by Piacere Music Sheets (A0.1166298). Opus/Catalog Number: BWV 1056 and BWV 156Key/Tone: G MajorMovements/Sections: LargoYear/Date of Composition: 1738Difficulty: Grade 6/12 (Intermediate)Obs.: This piece is arranged from the second movement (Largo) of Bach's Concerto for harpsichord No.5 in F minor, BWV 1056. It also appears in an earlier composition by Bach, as the first movement (marked Sinfonia) of the Cantata BWV 156.This score is an arrangement for Flute and piano in the key of G Major.Included: Full score and individual parts.

Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download SKU: A0.760261 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Festival,Holiday,Instructional. Score. 7 pages. Raymond Fenech #3545511. Published by Raymond Fenech (A0.760261).  The Minuet in G major is found in the 1725 Notebook for Anna Magdalena Bach, where it appears with its companion piece, Minuet in G minor, as a pair to be performed da capo. The notebook in question, which belonged to Johann Sebastian Bach's second wife Anna Magdalena, is a compilation of music by various composers of the late 17th and early 18th century. The Level is Intermediate and the duration is approximately 1.40 minutes. It could be played in any type of recital/concert.

Euphonium,Piano - Level 1 - Digital Download SKU: A0.964413 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6323041. Published by Leyandder Trustworthy (A0.964413). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Euphonium along with a piano accompaniment that comes with the product.

Piano,Violin - Level 1 - Digital Download SKU: A0.964409 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. 2 pages. Leyandder Trustworthy #6323023. Published by Leyandder Trustworthy (A0.964409). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Violin along with a piano accompaniment that comes with the product.