Harp - Level 3 - Digital Download SKU: A0.797349 Arranged by Evelyn Castiglioni. Celtic,Concert,Folk,Holiday. Score. 4 pages. Afghan Press Music for the Harp #4823191. Published by Afghan Press Music for the Harp (A0.797349). This traditional Scottish air was first published by the fiddler Captain Simon Fraser (1773-1852). The MacDonalds of Keppoch were a very distinguished branch of the Clan Macdonald who supported the losing side in the Jacobite risings in the 18th century. Tune is played twice with variations, with a four-bar interlude. The plaintive melody is very well suited to harp. Arrangement is two pages in length and presented in two keys, E and D minor. Fingerings and placing brackets are inserted throughout. Playable on a 30-string lever harp or pedal harp and requires no lever changes.

SSAA double choir unaccompanied - Digital Download Composed by Jacobus Handl. Sheet music. Octavo. 8 pages. Oxford University Press Digital #9780193556997. Published by Oxford University Press Digital

Mixed choir (SSAB/SSAB) SKU: M2.MOS-81010 Composed by Jacobus Gallus. Moseler Chorreihe. Choral score. Möseler Verlag #MOS 81010. Published by Möseler Verlag (M2.MOS-81010). ISBN 9790203795100.

Accordion - Digital Download SKU: A0.822476 Composed by Traditional. Arranged by Julia Gordon. Celtic,Folk,World. Score. 4 pages. Julia Gordon #2859107. Published by Julia Gordon (A0.822476). Three Scottish airs arranged for accordion.  Full RH and LH notation, tempo directions and suggested couplers.Suitable for self-improvers and teaching accordion.Historical Notes:Kirkconnel Lea  Also known as Helen of Kirkconnel, Fair Helen and (I Wish I Were) Where Helen Lies.  This well known Scottish ballad is about the tragic death in the 16th Century, of Helen Irving who, intervening in a quarrel between two rival admirers receives a fatal wound as a result. The air itself is believed to be much older.The Fower Maries  This ballad, also known as The Four Marys, Mary Hamilton and The Queen’s Marys, dates from the 18th Century and is believed to be a hybrid of two stories - one taking place at the court of Mary Queen of Scots and the other at the court of Peter The Great, Tsar of Russia - both concerning a handmaiden who was executed for the murder of her illegitimate child.Sound The Pibroch  This is a traditional Jacobite song to which words were added by Mrs Norman MacLeod, senior, in the 19th Century.

Harpsichord - Level 3 - Digital Download SKU: A0.958458 Composed by Joseph Dillon Ford. 20th Century,Baroque. Score. 26 pages. David Warin Solomons2 #3690729. Published by David Warin Solomons2 (A0.958458). The Ancient Dances might be described as compositional études for keyboard (harpsichord, piano, synthesizer) in Elizabethan/Jacobean style, as they summon to mind similar works for lute and virginals written in England during the late sixteenth and early seventeenth centuries by such composers as John Dowland, Anthony Holborne, William Byrd, and John Bull. It would be more accurate, however, to consider the pieces in the collection--each of which bears the distinctive stamp of Ford's individual creativity--as fresh, musically mature essays about one of the most artistically brilliant eras in Western history.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1291367 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 26 pages. Jmsgu3 #882018. Published by jmsgu3 (A0.1291367). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.The significance of John Bull's Salvator Mundi lies in its historical and cultural importance as a musical composition. John Bull was a prominent English composer, and his work Salvator Mundi is part of the Fitzwilliam Virginal Book, a collection of keyboard music from the late Elizabethan and early Jacobean periods. Bull's music is highly regarded, placing him among the foremost composers of his time, along with Byrd, Gibbons, and Tomkins. The term Salvator Mundi also appears in a papal bull issued by Boniface VIII in the 14th century, which was a definitive statement of the late medieval theory of hierocracy, emphasizing the pope's supremacy. Salvator Mundi is also known as the title of a famous painting attributed to Leonardo da Vinci, which has been the subject of extensive investigation regarding its materials and techniques. Therefore, Salvator Mundi holds significance in music, history, and art.

String Orchestra - Level 1 - Digital Download SKU: A0.1255701 Composed by Giles Farnaby, 1563-1640. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Traditional. 15 pages. Jmsgu3 #849209. Published by jmsgu3 (A0.1255701). 1. Farnaby's Dreame2. His Rest - Galiard3. His Humour4. FinaleGiles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.

Small Ensemble Handbell - Level 2 - Digital Download SKU: A0.1045443 Composed by Scottish Folk Song. Arranged by Mark R Lewis. Celtic,Folk,Irish,Traditional. Score and parts. 2 pages. Mark R Lewis #650024. Published by Mark R Lewis (A0.1045443). Loch Lomond is a well known traditional Scottish song thought to have been composed during the Jacobite rebellions in the mid-1700s. The more complete title is The Bonnie Banks o' Loch Lomond and has lyrics with a young person pining for their lost lover who will be taking the low road of death back to the loch. This simple arrangement by Mark R Lewis is for 12-bell handbell ensemble. Range: F5 - C7.

Brass Ensemble brass quintet - Level 4 - Digital Download SKU: A0.757238 Composed by Jacobus Clement non Papa. Arranged by Rudy Volkmann. Renaissance. Score and parts. 16 pages. TBQ Press #1954799. Published by TBQ Press (A0.757238).

Accordion (M II) - Digital Download SKU: S9.Q5108 5. Satz - Scherzo. Composed by Wolfgang Jacobi. This edition: Sheet music. Downloadable. Matthias Hohner Verlag GmbH - Digital #Q5108. Published by Matthias Hohner Verlag GmbH - Digital (S9.Q5108).

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1392782 Composed by Orlando Gibbons. Arranged by Robert Stevens. Baroque,Classical,Early Music,Renaissance. 36 pages. SAXpress.com #976304. Published by SAXpress.com (A0.1392782). Introduce your saxophone trio to the world of early music with Fantasy in Three Parts by Orlando Gibbons, arranged for Saxophone Trio, Flexible ensemble. In Tudor or Jacobean music, a fantasy, sometimes spelled fantasie or even fancy is a musical piece for several voices that trade and repeat melodies and phrases. It is an early form of counterpoint. This Fantasy, the first of a set of nine was written in 1620. The original version was for three viols. This arrangement for three saxophones is in the original key of F major. It includes the following parts: Full saxophone trio score Part 1 for soprano sax Part 1 for alto sax Part 2 for alto sax Part 2 for tenor sax Part 3 for baritone sax Part 3 for tenor sax. This part could be played by bass sax as well.  Performance time is about 3 minutes. Parts are very independent. The piece is rhthmically straightforward with a few syncopations, moderate tempo, and a convenient key signature. The Part 1 alto sax range is extensive. Moderate difficulty.

String Orchestra - Level 3 - Digital Download SKU: A0.1305018 Composed by Francisco Tarrega. Arranged by Graham Boag. Classical,Instructional. Score and Parts. 78 pages. Graham Boag #894448. Published by Graham Boag (A0.1305018). As a younger music student, I played Classical Guitar and always wanted to play this but for whatever reason I just could not master the tremolo effect needed. It has been arranged here for String Orchestra using various techniques to try and conjure up the famous tremolo effect, along other bowing techniques to add variety to this orchestration. A little information about the piece: Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga �rabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.

Mixed choir SKU: M2.MOS-80072 Composed by Jacobus Clemens. Das Chorwerk. Sacred. 26 pages. Möseler Verlag #MOS 80072. Published by Möseler Verlag (M2.MOS-80072). ISBN 9790203790723.

Brass Ensemble - Level 4 - Digital Download SKU: A0.927946 Composed by Orlando Gibbons. Arranged by Tim Brooke. Classical,Concert,Renaissance,Standards. Score and parts. 11 pages. Castleroyan Press #4980709. Published by Castleroyan Press (A0.927946). Orlando Gibbons (1583-1625) was an English composer, organist and virginalist of the Elizabethan and late Jacobean periods.  Despite his early death he nevertheless produced a number of the most celebrated vocal, choral, instrumental and keyboard works of that rich period in English music. This Pavan (later included in The Fitzwilliam Virginal Book) is the first part of the famous Pavan and Galliard (The Lord Salisbury), which has become one of his best-known compositions to have entered the present-day repertory. It has been performed and recorded many times, most notably perhaps by Glenn Gould in 1970.

Full Orchestra - Level 3 - Digital Download SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen Lines (A0.957733). Bramshill was written to commemorate the 50th anniversary of the police staff college and was premiered by the British Police Symphony Orchestra in 2008. In 2011 it undertook some quite serious revision. Bramshill House was until recently the home of the Police Staff College. In 1953 the Home Office purchased Bramshill from Lord Brocket. There is evidence that the site has been inhabited since the time of Domesday and the Norman Conquest. The present building was constructed principally by Edward Zouche, 11th Baron Zouche of Harringworth, between c. 1605-1625. The music is written in large ternary form as a concert rondo. There are features within which depict and draw together various facets of the early history of Bramshill House as a Jacobean structure with that of its current role as the police staff college. After a declamatory eighteen bar opening in the key of C minor the piece leads towards the principal theme - it is introduced by the horn, quietly accompanied by chords from the clarinets dipping in and out of the chalumeau register - a haunting, ethereal theme that depicts the mystery of the ancient building and its numerous reported wraiths. The theme develops and is pronounced giacoso in the strings with light accompaniment in the higher woodwinds. A restatement of the main theme is followed by a section, fugato; this depicts a police officer on the beat in the early hours of a cold, wet, winter’s night. This theme transmutes into a quasi-stately dance such as may have been performed in Bramshill’s great withdrawing room or the long gallery in the 1600’s. A series of 6/3 chords then develop into what sounds akin to a police siren; the section culminates in a wash of sound with police theme, stately dance and siren sounding simultaneously. In the final section, the principal theme is reiterated in various guises and sub-themes are further explored.