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Bass Guitar - Level 2 - Digital Download SKU: A0.1102715 Composed by Walter Jacobs. Arranged by juan carlos esteve / Gran Coda. 20th Century,Blues,Hip-Hop,Historic,R & B,Rock. Score. 4 pages. Juan Carlos Esteve #706097. Published by Juan Carlos Esteve (A0.1102715). • Transcription of score for Bass (accompaniment) with chord encryption of the theme One More Chance With You. • The download contains 3 pages in pdf format folio size A4 (21x29.7cm)-(8.27x11.69 in) • Original pitch: F • Total number of measures: 102 • Degree of difficulty: Easy • This sheet music is ideal for playing with a group or band. • Contact here to play other scores: https://partiturasgrancoda.com/.
One More Chance With You
Basse electrique

$5.00 4.29 € Basse electrique PDF SheetMusicPlus

Small Ensemble Bass Guitar,Drums,Synthesizer - Level 3 - Digital Download SKU: A0.789899 Composed by Jim Jacobs and Warren Casey. Arranged by W. Brent Sawyer. Broadway,Film/TV,Musical/Show. Score and parts. 14 pages. Diamond S Music #3087069. Published by Diamond S Music (A0.789899). This is the RHYTHM PACK ONLY (Guitar, Bass, Drums, Synth Parts) only of the wonderfully electrifying arrangement of the hit song from the Movie and Broadway Production will no doubt be a crowd pleaser. This new 17 piece arrangement uses an expanded band for a new bigger sound to this much loved song. Full Arrangement Scored for Vocal Duet (with vocal backups) and accompanied by: Piano, Synth, Electric Guitar, Electric Bass, Reed 1 (Flute/Alto Sax), Reed 2 (Flute/Alto Sax), Reed 3 (Flute/Tenor Sax), Reed 4 (Bari Sax), Trumpet 1 & 2, Horn in F (Optional), Trombone (Tenor/Bass), Violin 1 & 2 (optional), Cello (optional), Percussion, Drum Set. Original Broadway Key- begins in D.
Summer Nights

$16.00 13.73 € PDF SheetMusicPlus

Piano,Trumpet - Level 5 - Digital Download SKU: A0.1028166 Composed by Graeme Culpepper. Contemporary. Score and part. 47 pages. Graeme Culpepper #6866343. Published by Graeme Culpepper (A0.1028166). Concerto for Trumpet and Orchestra Composer: Graeme Culpepper Year: 2022   Program Notes: I feel that there is a time in every composer's life when they decide to write a concerto. Writing a concerto is as intriguing as it is difficult, as finding a balance between soloist and ensemble can prove to be a tricky task. What’s more, is deciding upon said ensemble. In today’s musical climate, the supporting ensemble can be a variety of different instrumental groups ranging from a chamber ensemble consisting of just a few musicians to a full symphony orchestra. In my humble opinion, with a genre as grand as a concerto, especially one involving the trumpet, I find it fitting to use the orchestra to accompany the trumpet. However, I opted to use an orchestra without a trumpet section to better support the soloist. This concerto’s first movement is built upon a couple of form-defining motifs. One in the form of an ostinato that is constantly changing meter, and another that is a simple short rhythmic cell that is able to fit in a variety of different textures throughout the movement. This movement also introduces the main motif throughout the entire concerto: a melodic sequence consisting of a minor third, a perfect fifth, followed by another minor third which resolves down by half step. This is the unifying motif of the entire concerto. I often ponder as to where the material in the second movement came from. After a long time of reflection, I have come to the conclusion that it is a subconscious expression of myself that comes from deep within. The second movement is perhaps the most vulnerable I have ever been with any of the music I have written, and the experience I personally have when listening to it is one that is very intimate. The third movement is a thrilling romp that is entirely built on the unifying motif mentioned earlier. The whole movement is essentially one big variation of itself. This movement is arguably the most technical and gives the trumpet soloist a great opportunity to show off their skill. This movement is also built upon a one-bar rhythmic ostinato so that the tension in this movement is never fully resolved until the very last bar, in hopes that this will keep the listener on their toes at all times.  Performed live in Recital Hall at Indiana University Jacobs School of Music on March 1st, 2022Purchase includes Full Score + Solo Trumpet Part.
Concerto for Trumpet with Piano Reduction
Trompette, Piano

$19.99 17.16 € Trompette, Piano PDF SheetMusicPlus

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.765659 Composed by Jim Jacobs and Warren Casey. Arranged by Michael Myrick. Contemporary. Octavo. 11 pages. MICHAEL MYRICK #4884935. Published by MICHAEL MYRICK (A0.765659). Looking for a spotlight piece for your middle school baritones? This is a great piece to use with your guys! With the girls accompanying and the guys singing lead, your choir members and audience are sure to enjoy this arrangement from the musical Grease. Arranged with plenty of opportunity to add choreography including an instrumental interlude, this high energy arrangement is sure to ‘bring down the house’. Full instrumental ensemble parts are also available from SMP.
Greased Lightnin'
Chorale 3 parties

$2.60 2.23 € Chorale 3 parties PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.844623 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413031. Published by Phil Beaman (A0.844623). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century.  With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods.  Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
I Love You Truly-cello/piano
Violoncelle, Piano

$5.99 5.14 € Violoncelle, Piano PDF SheetMusicPlus






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