Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1218720 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Romantic Period,Wedding. Score. 4 pages. Phil Beaman #815157. Published by Phil Beaman (A0.1218720). Life's Garden is an arrangement of the 1914 hit pop song by Carrie Jacobs-Bond.  I take this original melody and lyrics and put them to an entirely new setting of music.  The piece grows, starting with a single note unaccompanied melody and each line adds more depth and texture as the piece continues to build to the end with a dramatic key change on the last phrase.  The poetic Garden of Life is where all of the desirable characteristics of an ideal person (and love) grows; like sympathy, devotion, etc.  This is a timeless art song that is perfect for any wedding today, whether vintage or modern.     4 page score; 1:40 minutesI have published it in 3 different vocal ranges on this site:  High - low E to high G#; Medium - low Bb to high D; Low - low G to high B.   The MP3 recording is of the Medium Voice version.  Vocal part is Intermediate level, while Piano part is Advanced Intermediate level.  This piece is also found in my book, Vintage Wedding Songs, a collection of 5 songs which is also available on this site.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1217366 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Jazz,Romantic Period,Standards,Wedding. Score. 7 pages. Phil Beaman #813910. Published by Phil Beaman (A0.1217366). I Love You Truly is based on the 1906 hit pop song by Carrie Jacobs-Bond; a song which was the #1 wedding song for over 50 years.  I have created an arrangement with 4 variations with each variation getting further from the original theme and each progressing further into jazz.  Variation I - I utilize rich chords of the ballads of that period while keeping the sung melody close to the original.  Variation II - I rhythmically augment the melody, simplify the texture, and add chromatic passing tones and progressions.  Variation III - I set this in stride jazz with syncopated riffing in the melody.  Variation IV - I make this one a slower, bolder jazz with various triplet patterns on fragments of melody and a strong jazz chord progression based on fifths.  This is a gentle jazzy update to the most popular wedding song of all time; perfect for any wedding today, whether vintage or modern.  7 page score;  3:00 minutesI have published it in 3 different vocal ranges on this site:  High - middle C to high G; Medium - low A to high E; Low - low G to high D.   The MP3 recording is of the Medium Voice version.  Vocal part is Intermediate level, while Piano part is Advanced Intermediate level.  This piece is also found in my book, Vintage Wedding Songs, a collection of 5 songs which is also available on this site.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1028001 Composed by Jacobus Clemens non Papa. Arranged by D. Jewell. Renaissance. Octavo. 2 pages. Mjollnir Music #3133947. Published by Mjollnir Music (A0.1028001). A 4-part choral work transcribed for 4 horns.  .

Piano Solo - Digital Download SKU: A0.1033214 Composed by Mark Wilson. Contemporary. Score. 27 pages. Mark Wilson #6268685. Published by Mark Wilson (A0.1033214). When my friend, the composer and pianist Neil Crossland, asked me to write a work for him to perform, he requested that I give the piece a distinctly Scottish flavour. Perhaps as a consequence, hailing from Scotland as I do, the resulting work is distinctly autobiographical in nature. This is a challenging piece, aimed at advanced players. The four movements reflect the preoccupations of four stages of (my) life as seen in hindsight. The word dimensions in the piece's title refers to facets of my own character. The first movement, Complications, represents the self-image of the young. The music is adventurous and academic, full of the potential of a life yet to be lived and the earnest self obsession of youth. The second movement, Romance, is the search for love, though seen through the lens of memory and therefore touched with sadness. The third, Transience, shows the uncertainties of middle age, so full of frustration and of nostalgia. This movement contains my setting of the Jacobian poem Will Ye No Come Back Again?. The last movement, Revelry, blows away the uncertainties of the third movement with the driving energy of a Scottish reel. Perhaps increasing age brings a certain perspective; what does it matter if you have more past than future? Just get up and dance and let Dr. Music sweep your cares away. The piece features a musical fragment (first heard in bar 26 of the first movement) which has been the cause of much amusement between Neil Crossland and myself over the years. Neil has been composing music since his teens but the art has only much more recently become a big part of my life. However, musical ideas have always had a tendency to come into my head and, several years ago, I decided to play these two bars to Neil. Every so often, in the years that followed, he would teasingly ask me how my new piece was coming on, knowing full well that I'd have to admit that my magnum opus was still only two bars long! By setting the melodic fragment at the heart of this composition I have finally ensured that he can tease me about it no longer. More importantly, I hope that Neil enjoys our little in-joke.The audio file for this work is beautifully performed by the work's dedicatee, Neil Crossland.

Small Ensemble Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.845602 Composed by Traditional. Arranged by Robert Newth. Celtic,Folk,Irish,Multicultural,Wedding,World. Score. 2 pages. Robert Newth #3542509. Published by Robert Newth (A0.845602). Possibly the most famous Scottish song of all time, Loch Lomond was first published in 1841. Both the composer and original author of the lyrics are unknown, although are believed to have been connected in some way to the Jacobite Uprising of 1745. The song is often heard at parties or gatherings in Scotland, and would be a perfect addition to any singer's repertoire.Lyrics to all three verses and the chorus are included along with a suggested piano part, although if you'd prefer, you can play the chords on the guitar or on any other instrument.

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry.  Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today.  From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments.  The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included.  The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources.  P.S.-  The score was written on Finale. The sound file was produced with samplers from Garritan,  merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever

Harp - Level 3 - Digital Download SKU: A0.797349 Arranged by Evelyn Castiglioni. Celtic,Concert,Folk,Holiday. Score. 4 pages. Afghan Press Music for the Harp #4823191. Published by Afghan Press Music for the Harp (A0.797349). This traditional Scottish air was first published by the fiddler Captain Simon Fraser (1773-1852). The MacDonalds of Keppoch were a very distinguished branch of the Clan Macdonald who supported the losing side in the Jacobite risings in the 18th century. Tune is played twice with variations, with a four-bar interlude. The plaintive melody is very well suited to harp. Arrangement is two pages in length and presented in two keys, E and D minor. Fingerings and placing brackets are inserted throughout. Playable on a 30-string lever harp or pedal harp and requires no lever changes.

Piano Solo - Level 3 - Digital Download SKU: A0.901542 Composed by Ginger Fairbanks. Arranged by Ginger Fairbanks. Christian,Concert,Contemporary,Sacred. Score. 3 pages. Ginger Fairbanks #3897507. Published by Ginger Fairbanks (A0.901542). Piano solo, arrangement by Ginger Fairbanks. Melody by Lowell Mason; no lyrics included.The text for this beloved Christian hymn by Sarah F. Adams and Lowell Mason is based on Jacob’s ladder or Jacob’s dream in Genesis 28, in which Jacob dreams of a ladder that reaches up to heaven. The hymn’s verses express the longing that Jacob - and Christians everywhere - have to draw nearer to God. Ginger’s arrangement is well-loved, and has nearly 1 million listens on Spotify. Like the text, the arrangement is reflective, hopeful, and ultimately comforting, reminding the listener of the verse, Though like the wanderer, the sun gone down, Darkness be over me, my rest a stone, Yet in my dreams I’d be, nearer, my God, to thee, Nearer, my God, to thee, nearer to thee! Intermediate pianists will want to add this uplifting arrangement to their repertoire, as it’s appropriate for both worship services and funerals.Listen to this piece in its entirety on Spotify at: https://open.spotify.com/artist/68sJ3cgLo60l50ngysdki2Performance Run Time 4:08

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.893851 Composed by David Kai. Children,Christian,Sacred. Score. 3 pages. David Kai #5322227. Published by David Kai (A0.893851). This song teaches the stories from the first chapters of the book of Genesis.With the purchase of this music, you may make copies of the lead sheet or lyrics for your church school or choir. Please report any congregational use to One License or CCLI.Stories of the Early Days   by David Kai ©2000  (with thanks and apologies to W.A. Mozart)1. Creating, creating, a thing that God does well, God planted a garden, and everything was swellStories of the early days, people learning of God’s ways, Creating, creating, a thing that God does well.2. A garden and creatures, just when the world began, The first of the humans, according to God’s plan,Stories of the early days, people learning of God’s ways, A garden and creatures, just when the world began.3. With Noah, and fam’ly, a covenant was made, They built a great ark and his family was saved, Stories of the early days, people learning of God’s ways, With Noah, and fam’ly, a covenant was made.4. A rainbow, a rainbow, the sign God sent to show, That there was a cov’nant, there’d be a flood no more,Stories of the early days, people learning of God’s ways, A rainbow, a rainbow, the sign God sent to show.5. Oh Abram and Sarai, went to the Promised Land, God changed both their names and God changed all of their plans.Stories of the early days, people learning of God’s ways, Oh Abram and Sarai, went to the Promised Land.6. Oh Sarah, oh Sarah, though she was very old, Gave birth to her Isaac, just as she had been told,Stories of the early days, people learning of God’s ways, Oh Sarah, oh Sarah, though she was very old.7. Rebecca, Rebecca, her well of kindness showed that she was the right one, and so she chose to go,Stories of the early days, people learning of God’s ways, Rebecca, Rebecca, her well of kindness showed.8. Old Isaac, gave Jacob, the blessing that was saved for Esau, his brother, who then began to rage,Stories of the early days, people learning of God’s ways, Old Isaac, gave Jacob, the blessing that was saved.9. Oh Jacob, and Esau, they met again at last, And all was forgiven, the feud was in the past,Stories of the early days, people learning of God’s ways, Oh Jacob, and Esau, they met again at last.

Easy Piano - Level 2 - Digital Download SKU: A0.1302626 By Jacob Schmeltzer. By Jacob Schmeltzer. Classical,Contemporary. Score. 2 pages. Jacob Schmeltzer #892245. Published by Jacob Schmeltzer (A0.1302626). Woodland Shadows is a tranquil piano piece written in the key of D minor.

Piano/vocal/chords - Digital Download SKU: RX.9783841855268 Composed by Hartmut Schulze-Gerlach, Monika Jacobs. Main key: D-Major. Pop. Single. With Language: German. 6 pages. Published by Lied der Zeit Musikverlag (RX.9783841855268). ISBN 978-3-8418-5526-8. Key: D-major.This Ebook contains the sheet music of the title Anne-Marei in D-Major.

Small Ensemble Handbell - Level 4 - Digital Download SKU: A0.973307 By Maroon 5. By Adam Levine, Jacob Hindlin, Jacob Kasher Hindlin, Jon Bellion, Michael Pollack, Stefan Johnson, and Vincent Ford. Arranged by Chris D. Burton. Pop,Rock. Score and parts. 13 pages. Chris D. Burton #6695141. Published by Chris D. Burton (A0.973307). This trio arrangement of Memories by Maroon 5 uses a bell-tree (shared between players 1 and 2) as well as mallets, chimes, and rung bells.  This arrangement may be rung all on the same table, or may be split up among three different setups (multiples sets of bells would be required for this).  This flexible arrangement may be re-arranged or re-assigned to different ringers if only one player can play on bell-tree.

Choir,Flute,Piano Accompaniment - Level 2 - Digital Download SKU: A0.793839 By Andrea Bocelli. By Alberto Salerno, Ciro Damicco, Ciro Dammicco, Dario Baldan Bembo, Francesco Specchia, Fred Jacobson, Maurizio Seymandi, and Zacar. Arranged by Ivana Tuskan. Christmas. 9 pages. Ivana Tuskan #3682487. Published by Ivana Tuskan (A0.793839). An arrangement for male 3-part ensemble (TBB), flute and keyboard instrument Keys: C major, the 4th vers is in F major The pdf file contains score (8 pages), and flute part (1 page) Performance Time approx.: 3:20 The sound sample is an electronic preview (with female voices, also available)   Introduction (C major): only piano and flute A part/ 1st vers (C major): starts with bass, piano and flute, and in the second part of vers tenor takes the lead part, and finally baritone while bass and tenor continues like an accompaniment voice. B part/ 2nd vers (C major): baritone continue with melody, tenor and bass are harmonising with „ah, with piano accompaniment; C part/ 3rd vers (C major): lead melody sings baritone, tenor and bass sing with lyrics (tenor – imitation style, and bass sing the same rhythm as baritone), flute is harmonising, there is no piano in this vers; D part/ 4th vers with Coda (F major): tenor sings lead melody, while tenor and bass are harmonising (with lyrics). Plus flute and piano accompaniment.

Clarinet,Piano - Level 2 - Digital Download SKU: A0.639794 By Andrea Bocelli. By Alberto Salerno, Ciro Damicco, Ciro Dammicco, Dario Baldan Bembo, Francesco Specchia, Fred Jacobson, Maurizio Seymandi, and Zacar. Arranged by Kaiserin Rebecca. Christmas. Score and part. 2 pages. Kaiserin Rebecca #3530207. Published by Kaiserin Rebecca (A0.639794). For clarinet in A solo and piano accompaniment with chords.Key: D majorDuration: 1'56.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.793836 By Andrea Bocelli. By Alberto Salerno, Ciro Damicco, Ciro Dammicco, Dario Baldan Bembo, Francesco Specchia, Fred Jacobson, Maurizio Seymandi, and Zacar. Arranged by Ivana Tuskan. Christmas. Octavo. 9 pages. Ivana Tuskan #3682135. Published by Ivana Tuskan (A0.793836). An arrangement for female 3-part ensemble, violin and keyboard instrument Keys: C major, the 4th vers is in F major The pdf file contains score (8 pages), and violin part (1 page) Performance Time approx.: 3:20 The sound sample is an electronic preview   Introduction (C major): only piano and violin A part/ 1st vers (C major): starts with alto, piano and violin, and in the second part of vers mezzosoprano takes the lead part, and alto continues like an accompaniment voice. B part/ 2nd vers (C major): mezzosoprano continue with melody, soprano and alto are harmonising with „ah, with piano accompaniment; C part/ 3rd vers (C major): lead melody sings mezzosoprano, soprano and alto sing with lyrics (sopranos – imitation style, and altos sing the same rhythm as mezzosopranos), violin is harmonising, there is no piano in this vers; D part/ 4th vers with Coda (F major): soprano sings lead melody, mezzosoprano and alto are harmonising (with lyrics). Plus violin and piano accompaniment.