SKU: A0.676237

This product is a digital sheet music in PDF format. The music was composed by Offenbach (Jacques Offenbach), 1819-1880, for Voice and Piano, published by More Sheet Music Press.

SKU: A0.1310534

Orpheus in the Underworld, or Orpheus in Hell are English names for Orphée aux enfers, the comic opera written by Jacques Offenbach. 

The Overture, also known as the 'Can-can dance' or 'Infernal Galop', was popularized when groups like Moulin Rouge and the Folies Bergère adopted it as their dance set piece.

A little fun fact! The overture was not actually writted by Offenbach! It is a giant collage of many themes, in which Jupiter's minuet and John Styx's song recur, and also including J'ai vu le Dieu Bacchus, the couplets Je suis Vénus, the Rondeau des métamorphoses, the Partons, partons section of the Act 2 finale, and the Act 4 galop. It was actually arranged by Austrian musician Carl Binder for the Opera's first production in 1860

The arrangement for Cello Quartet features 4 parts that play equal importance to the music, with Ossia included for a variation of difficulty.

Full Score and Parts
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SKU: A0.676239

This product is a digital sheet music in PDF format. The music was composed by Offenbach (Jacques Offenbach), 1819-1880, for Voice and Piano, published by More Sheet Music Press.

SKU: A0.553869

Orpheus in the Underworld and Orpheus in Hell are English names for Orphée aux enfers, a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy.

This arrangement is of The best-known and much-recorded Orphée aux enfers overture which is not by Offenbach, and is not part of either the 1858 or the 1874 scores. It was arranged by the Austrian musician Carl Binder (1816–1860) for the first production of the opera in Vienna, in 1860

In the last decade of the 19th century the Paris cabarets the Moulin Rouge and Folies Bergère adopted the music of the Galop infernal from the culminating scene of the opera to accompany the can-can, and ever since then the tune has been popularly associated with the dance.

This music also appears at the end of the overture.

Arranged double wind quintet/bass
Clarinets in Bb provided in addition to Clts in A.

SKU: A0.553868

Orpheus in the Underworld ] and Orpheus in Hell] are English names for Orphée aux enfers, a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy.

In the last decade of the 19th century the Paris cabarets the Moulin Rouge and Folies Bergère adopted the music of the Galop infernal from the culminating scene of the opera to accompany the can-can, and ever since then the tune has been popularly associated with the dance.

My arrangement is the final part of the Overture which was arranged by the Austrian musician Carl Binder (1816–1860) for the first production of the opera in Vienna, in 1860.

Arranged double wind quintet.
Includes Clarinets in A and Bb.

SKU: A0.553870

Orpheus in the Underworld ] and Orpheus in Hell] are English names for Orphée aux enfers, a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy.

In the last decade of the 19th century the Paris cabarets the Moulin Rouge and Folies Bergère adopted the music of the Galop infernal from the culminating scene of the opera to accompany the can-can, and ever since then the tune has been popularly associated with the dance.

My arrangement is the final part of the Overture which was arranged by the Austrian musician Carl Binder (1816–1860) for the first production of the opera in Vienna, in 1860.

Arranged wind quintet.
Includes Clarinet in A and Bb.

SKU: A0.1115786

A barcarolle (from French, also barcarole; originally, Italian barcarola or barcaruola, from barca 'boat') is a traditional folk song sung by Venetian gondoliers, or a piece of music composed in that style. It is characterized by a rhythm reminiscent of the gondolier's stroke, almost invariably in 6/8 meter at a moderate tempo. In classical music, the most famous barcarolle is Jacques Offenbach's Belle nuit, ô nuit d'amour from his opera The Tales of Hoffmann. This easy arrangement for soprano sax with piano accompaniment is suitable for classroom, repertoire and recital.