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Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.1280633 Composed by traditional & Gustav Holst. Arranged by Simon James. Christmas,Classical,Contemporary,Traditional. 24 pages. DML #872044. Published by DML (A0.1280633). I have chosen these three songs because they work well with guitar accompaniment. The first two – O Thou Joyful (O Sanctissima) and In The Bleak Midwinter are for solo voice. The third song, Sing We The Virgin Mary, is arranged for two voices but works just as well with one. Two of them were not originally carols, only In The Bleak Midwinter was written specifically as a carol, for this reason I have used the term Christmas Song. This publication has both notes on the origins of the songs and some technical advice on how to play them on the guitar. There are separate parts for voice and guitar together with a full score for those who prefer this, especially for reference purposes or expanded arrangement.
3 Songs For Christmas - O Thou Joyful, In The Bleak Midwinter, Sing We The Virgin Mary

$9.99 9.54 € PDF SheetMusicPlus

Tenor voice solo, SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8084-E Composed by James McCullough. Advanced/Collegiate. African American Heritage. Octavo. 8 pages. Duration 3 minutes, 9 seconds. E. C. Schirmer Music Company - Digital #8084-E. Published by E. C. Schirmer Music Company - Digital (MQ.8084-E). English. Psalms 35.Plead My Cause, O Lord was composed for my brother, Robert Louis McCullough, in 1971. It received its first performance by the Old South Church Choir, Copley Square, in Boston, during the Sunday Morning Service of March 7, 1972. Mr. Alfred Nash Patterson was the conductor, and the composer was the tenor soloist. Many other performances followed. A memorable one was given by The Marsh Chapel Choir of Boston University on Sunday, March 21, 1993. Julian James Wachner was the conductor and Frank Martinez was the tenor soloist. This piece uses the sprechstimme (or sprechgesang) technique appearing within an unaccompanied sacred work. This technique employs speech and singing without any specific pitch intonation. The first example of this technique appears in Pierrot Lunaire, the groundbreaking 1912 composition by Arnold Schoenberg (1874–1951). -James McCulloughDuration: 3:09.
Plead My Cause, O Lord (Revised Version)

$1.95 1.86 € PDF SheetMusicPlus






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