SKU: HX.1080982

SKU: HX.1080985

SKU: LV.3477

The Little White Cottage, or, Gentle Nettie Moore. Poetry by Marshall S. Pike, Esq. Melody by G.S.P. Chorus & Piano Accompaniment by James S. Pierpont. Published 1857 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Country life, Dwellings, Bodies of water, Boats, Slave trade, Love, Grief, Death, Heaven. First line reads In a little white cottage where the trees are evergreen..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

SKU: LV.3476

The Little White Cottage, or, Gentle Nettie Moore. Poetry by Marshall S. Pike, Esq. Melody by G.S.P. Chorus & Piano Accompaniment by James S. Pierpont. Published 1857 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Country life, Dwellings, Bodies of water, Boats, Slave trade, Love, Grief, Death, Heaven. First line reads In a little white cottage where the trees are evergreen..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

SKU: A0.952534

Six songs for tenor and piano on texts by African-American poets. Includes: Flowers of Darkness (Frank Marshall Davis), Creole Girl (Leslie M. Collins), Harlem Sweeties (Langston Hughes), At Early Morn (Binga Dismond), The Glory of the Day Was in Her Face (James Weldon Johnson), O Daedalus Fly Away Home (Robert E. Hayden).

SKU: A0.776439

SKU: H1.C5409RDP

By James E. Moore Jr. Psalms 34:8.

Praise and worship song by James E. Moore Jr. One of James E. Moore's best known songs, Taste and See, has been given a new choral treatment by arranger, Jane Holstein. The powerful lyrics, paraphrasing Psalm 34, are combined with singable harmonies in a true gospel, ballad style - making it an ideal choice for any worship service of praise.

SKU: A0.928248

Oh Banquet Not – the lyric is by Thomas Moore set to the very famous tune Planxty Irwin written by Ireland’s most famous harper Turlough O’Carolan. Because the tune is so beautiful the first page is a guitar solo incorporating the tune before the voice joins in. Like much of Moore’s poetry there is a sadness to the words imbued with the sadness of Ireland’s turbulent history. The guitar arrangement is an original work by Simon James

SKU: A0.942885

THE PARTING BEFORE THE BATTLE was written by Thomas Moore (1779-1852) an Irish writer, poet and lyricist celebrated for his Irish Melodies. He is best remembered for the lyrics of The Minstrel Boy and The Last Rose of Summer and one of the first recognized champions of freedom in Ireland. As an impressionable young man with a quick Irish temper, the execution of a close college friend during the United Irishmen's Rebellion aroused in Moore a patriotic fervor that provided his greatest literary inspiration. Thomas Moore's best known work included a brilliant biographical masterpiece taken from the confidential memoirs of Lord Byron. His own Memoirs, Journal, and Correspondence are an invaluable social record of life in England and Ireland during the first half of the nineteenth century. James W. Knox, composer, depicts a battle of the brave Irish men and women who have courageously fought against those who seek destruction. The chorus should sing with great boldness and display a sense of honorable pride. To create a dramatic affect, James also used Erse or Gaelic with an ancient proverb, Ní neart go cur le chéile. (There is no strength without unity.) This text is used throughout the piece in addition to the poem. The proverb is set to the melody of Dies irae , which is a famous Gregorian chant dating back to the 13th century and is found as part of the Latin sequence in the Requiem. .

SKU: A0.928247

The Last Rose of Summer is a poem by the Irish poet Thomas Moore set to a traditional tune called Aislean an Oigfear, or The Young Man's Dream. The poem and the tune together were published in December 1813 in volume 5 of Thomas Moore's A Selection of Irish Melodies. The guitar accompaniment is an original work by Simon James.

SKU: A0.1258972

The Minstrel Boy is an Irish song written by Thomas Moore (1779–1852) and published as part of his Irish Melodies. Moore himself came to be nicknamed The Minstrel Boy.

This is an extended arrangement for the Concert Band. There are parts for Horns in F and Eb, Euphonium in BC, and TC. There is a descant for Piccolo, Flute, Solo Clarinet, and Trumpet in the last strain.

Grade = 3 Duration = 3 mins

The MP3 was recorded with NotePerformer 4.