String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1234962 Composed by Dillon Francis, James Anthony Rushent, and Ryan Cayabyab. Arranged by P. F. Strohm. 21st Century,Multicultural,Pop,World. 44 pages. Pete Strohm Music #830490. Published by Pete Strohm Music (A0.1234962). The classic 1980's island tune from Ryan Cayabyab, in this irresistible Grade 3-4 arrangement for string ensemble from by American composer P. F. Strohm. Besides being a simple joy to play, it offers great opportunities for younger players to expand their skills in divisi playing, syncopation, melodic expression, contrasting articulations, and balance. With its infectious melody and rhythms, this piece will be a favorite in your string orchestra library, and playable by groups from octet to full string orchestra. Performance time is 3:25. Member, ASCAP.

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.

Flute Solo - Level 3 - Digital Download SKU: A0.1249799 By Debbie Reynolds. By Jay Livingston and Ray Evans. Arranged by Ben D'Ooge. Film/TV,Pop. Individual part. 1 pages. Ben D'Ooge #844194. Published by Ben D'Ooge (A0.1249799). Tammy is a popular song with music by Jay Livingston and lyrics by Ray Evans. It was published in 1957 and made its debut in the film Tammy and the Bachelor. It was nominated for the 1957 Oscar for Best Original Song. Tammy is heard in the film in two versions. The one that became a number one hit single for Debbie Reynolds in 1957 is heard midway through the film, and was a UK No. 2 hit single in the same year. Another version was heard during the main titles at the beginning of the film and was a hit for the Ames Brothers.This is an arrangement for Native American style flute in any key. This arrangement is written in Nakai tablature. R. Carlos Nakai developed this system of tablature notation (commonly known as Nakai tablature) that can be used across a wide variety of flute keys and tunings. He published this in The Art of the Native American Flute (1996) with James Demars, Ken Light and David P. McAllester. This provides resources and support for musicians playing the Native American flute.

Small Ensemble Dulcimer,Flute - Level 3 - Digital Download SKU: A0.834282 Composed by Bobby Bare, Charlie Williams, and Hedy West. Arranged by Ben D'Ooge. Contemporary,Country,Folk. Score and parts. 8 pages. Ben D'Ooge #4277211. Published by Ben D'Ooge (A0.834282). This is an ensemble arrangement, in the key of D major, for two DAD tuned Appalachian mountain (lap) dulcimers and F# minor Native American style flute. The two dulcimer parts, chord melody and backup accompaniment, are written in both standard musical notation and dulcimer tab. The Native American style flute melody part, to be played with an F# minor key flute, is written in Nakai tablature. R. Carlos Nakai developed this system of tablature notation (commonly known as Nakai tablature) that can be used across a wide variety of flute keys and tunings. He published this in The Art of the Native American Flute (1996) with James Demars, Ken Light and David P. McAllester. This provides resources and support for musicians playing the Native American flute.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1400903 By Dallas Christian Adult Concert Choir. By Words: Palmer Hartsough / Music: James H. Fillmore. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #984122. Published by Leatherman Music Services (A0.1400903). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.

Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.892488 Composed by Wolfgang Amadeus Mozart. Arranged by James Scott. Classical,Opera. Score and parts. 10 pages. Mesa Music Publishing #4885433. Published by Mesa Music Publishing (A0.892488). Mozart, Dies Bildniss Tenor aria from The Magic Flute. Some of Mozart’s most profound music is to be found in his arias for tenor voice. This transcription gives the solo bassist a chance to really sing. Piano parts for both solo A-E-B-F# and orchestra G-D-A-E tuning are included along with the solo bass part written in tenor clef. p { margin-bottom: 0.08in; }

Instrumental Duet Baritone Saxophone,Instrumental Duet,Tenor Saxophone - Level 4 - Digital Download SKU: A0.551143 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James M. Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #4997299. Published by jmsgu3 (A0.551143). Duration ca. 7:00 Contents:I. AndanteII. AllegroIII. AllegrettoCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach. 

String Ensemble - Level 4 - Digital Download SKU: A0.551156 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James M. Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #5000837. Published by jmsgu3 (A0.551156). Duration ca. 7:00Contents:I. AndanteII. AllegroIII. AllegrettoCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.

Cello Solo - Level 4 - Digital Download SKU: A0.547674 Composed by James M. Guthrie. Contemporary,Instructional. Individual part. 9 pages. Jmsgu3 #3031709. Published by jmsgu3 (A0.547674). Dardanus Variations for Solo Cello is a set of variations on a thematic fragment from Dardanus, a tragédie-lyrique by J.P. Rameau (1683-1764). Each variation depicts a different scene from the opera.I: Entrance of Dardanus: Son of Electra and JupiterII: King Teucer proposes the marriage of his daughter Iphise to King AnténorIII: King Anténor accepts Iphise to become his brideIV: Ismenor the Wizard introduces Iphise to DardanusV: Dardanus encounters the sea monsterVI: The Sea Monster creates havoc for King AnténorVII: Dardanus falls in love with IphiseVIII: Dardanus slays the Sea Monster, saving King Anténor's lifeIX: King Teucer and Dardanus make peaceX: King Teucer permits for Dardanus to marry IphiseXI: The Proposal of DardanusXII: Iphise rejects the proposalXIII: The Second Proposal of DardanusIXV: Wedding Dance Dardanus is connected to the Trojan War through his lineage and the founding of the royal house of Troy. The Dardanoi, the descendants of Dardanus, formed a contingent among Troy's allies in the Trojan War. The House of Dardanus, of which Dardanus was the founder, played a significant role in the lead-up to the war. The city of Troy, founded by Dardanus's descendant, Ilus, was central to the myths surrounding the Trojan War. Additionally, Aeneas, a prominent figure in the Trojan War, was referred to as a Dardanian and was destined to save the House of Dardanus from extinction. Therefore, Dardanus's lineage and the founding of Troy are the critical connections between Dardanus and the Trojan War.Ancestry and Founder: Dardanus was the son of Zeus and the Pleiad Electra. He was the mythical founder of Dardania on the Hellespont and the ancestor of the Dardanians of the Troad and, through Aeneas, of the Romans.Migration and Settlement: According to mythology, Dardanus fled from Arcadia to the island of Samothrace and then to the Troad, where Teucer, the ruler of Phrygia, hospitably received him. He married Teucer's daughter Bateia and became the founder of the royal house of Troy.Family and Descendants: Dardanus married Chryse, with whom he fathered two sons, Idaeus and Deimas. He later married Batea and had several children, including Erichthonius, who became the ancestor of many famous individuals in the Troad, including Tros, Ganymede, Laomedon, and Priam.Cultural Depictions: Dardanus has been the subject of various operas by composers such as Jean-Philippe Rameau, Carl Stamitz, and Antonio Sacchini, reflecting the enduring influence of his mythological story.Legacy: Dardanus lives on in the Dardanelles, the narrow strait separating Asia and Europe, once known as the Hellespont, a name also linked to Greek mythology.These facts highlight Dardanus's role as a critical figure in the foundation of Dardania and the royal house of Troy and his rich and enduring mythological legacy.

Piano,Violin - Level 4 - Digital Download SKU: A0.551516 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. 23 pages. Jmsgu3 #5307523. Published by jmsgu3 (A0.551516). Sonata in E Minor. Duration: 7:151. Adagio2. Allegro3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.

Composed by Music by James P. Colman / Lyrics by Phillip Brooks. Arranged by James P. Colman. For Piano,Soprano Voice. Christian,Sacred,Christmas. Intermediate. Sheet Music Single. Published by Jim Colman, KeySynth Studios

French Horn Duet Horn - Level 4 - Digital Download SKU: A0.551144 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James M. Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score. 18 pages. Jmsgu3 #4999795. Published by jmsgu3 (A0.551144). Duration ca. 7:00 Contents:I. AndanteII. AllegroIII. AllegrettoCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach. 

Composed by Philip Brooks/James P. Colman. Arranged by James P. Colman. For Piano,Choir,SATB. Christian,Contemporary Christian,Sacred,Christmas. Intermediate. Score. Published by Jim Colman, KeySynth Studios

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.596693 By The Clash. By Joe Strummer and Mick Jones. Arranged by James H. Marler, II. Punk,Rock. Score. 9 pages. Alicorn Music (ASCAP) #3224461. Published by Alicorn Music (ASCAP) (A0.596693). This sultry jazz arrangement is a fresh take on the classic hit by The Clash. Arranged for piano and voice.This arrangement is also available with orchestration for a jazz combo (Piano, Bass, Drums, Guitar, 2 Trumpets, and 2 Trombones) at https://smppress.sheetmusicplus.com/p/manage-products/261049.

Flute Solo - Level 2 - Digital Download SKU: A0.834272 Composed by Traditional Irish Folk Tune. Arranged by Ben D'Ooge. Celtic,Folk,Irish. Individual part. 1 pages. Ben D'Ooge #3099671. Published by Ben D'Ooge (A0.834272). Simple arrangement for Native American style flute in any key. This arrangement is written in Nakai tablature. R. Carlos Nakai developed this system of tablature notation (commonly known as Nakai tablature) that can be used across a wide variety of flute keys and tunings. He published this in The Art of the Native American Flute (1996) with James Demars, Ken Light and David P. McAllester. This provides resources and support for musicians playing the Native American flute.