String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1203089 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 9 pages. Jmsgu3 #801767. Published by jmsgu3 (A0.1203089). Score and performance parts:  Score: 5 pages. Duration: 3:45 minutes.Contents: Andante grazioso, quasi allegretto.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period. The first bagatelle, in particular, is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.

String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1205174 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 72 pages. Jmsgu3 #803356. Published by jmsgu3 (A0.1205174). Duration: ca. 20:00 minutes.1.       Andante grazioso, quasi allegretto.2.       Scherzo: Allegro.3.       Allegretto.4.       Andante.5.       Allegro ma non troppo.6.       Allegretto quasi andante.7.       Presto.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1208277 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 10 pages. Jmsgu3 #805530. Published by jmsgu3 (A0.1208277). 3. Allegretto. Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Beethoven's Bagatelle No. 3 of Op. 33 showcases the composer's evolving style. Bagatelle No. 3 is in ternary form, with a lively and playful A section in F major that features a chromatic mediant relation. The A section is characterized by a rhythmic motif that is repeated throughout the piece, while the B section develops a lyrical melody that modulates briefly to the dominant: C major. The piece ends with a return to the A section, which is played with slight variations. Overall, the Bagatelle No. 3 is a charming and delightful piece that showcases Beethoven's mastery of form and his ability to create memorable melodies.

Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.786391 Composed by James Pierpont. Arranged by Beka Wilson. Children,Christmas,Folk,Holiday. 11 pages. Beka Wilson #4810923. Published by Beka Wilson (A0.786391). This is a fairly simple version of a classic Christmas song. For younger clarinetists, this arrangement would be a good tool for learning dissonance, as the parts have been arranged to mimic the sound of actual jingle bells. Part 5 could also be played by a bass clarinet for a different sound. Eleven pages (score and parts included), approximately two and a half minutes performance time.Don't have five clarinets? Want this arrangement for a different selection of instruments? Drop me an email at bekmars10@gmail.com and I'll see about getting a custom arrangement published for you!

Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.554019 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Ray Thompson. Rock. 14 pages. RayThompsonMusic #6498559. Published by RayThompsonMusic (A0.554019). When I'm Sixty-Four is a song by the English rock band the Beatles, written by Paul McCartney (credited to Lennon–McCartney) and released on their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was one of the first songs written by McCartney, who wrote it when he was 14. The song was recorded in a different key than the final recording; it was sped up at the request of McCartney to make his voice sound younger. It prominently features a trio of clarinets (two regular clarinets and one bass clarinet) throughout. I think I have made a fairly accurate transcription of the recording for standard clarinet quartet. 1st clarinet takes the melody throughout, and is joined in verse 3 with another clarinet Clarinets 2 and 3 mostly sustain, but take the counter melody in the choruses. Bass provides a steady rhythm throughout. Fun for every player. Enjoy.   

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1208541 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 12 pages. Jmsgu3 #806654. Published by jmsgu3 (A0.1208541). 6. Allegretto quasi andante.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 6 of Beethoven's Op. 33 is a short Allegretto that is characterized by its playful and light-hearted nature. The piece is in the key of D major and is written in a binary form, consisting of two sections that are repeated. The first section is in a brisk andante tempo and features a playful melody that is accompanied by a simple, yet effective, harmonic progression. The second section is more subdued and features a more lyrical melody that is accompanied by a more complex harmonic progression. The piece is notable for its use of syncopation, which adds to its playful character. Overall, Bagatelle No. 6 is a charming and delightful piece that showcases Beethoven's skill as a composer of small-scale works.

Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.554036 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Ray Thompson. Rock. 13 pages. RayThompsonMusic #6520925. Published by RayThompsonMusic (A0.554036). When I'm Sixty-Four is a song by the English rock band the Beatles, written by Paul McCartney (credited to Lennon–McCartney) and released on their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was one of the first songs written by McCartney, who wrote it when he was 14. The song was recorded in a different key than the final recording; it was sped up at the request of McCartney to make his voice sound younger. It prominently features a trio of clarinets (two regular clarinets and one bass clarinet) throughout.Arranged brass quartet: 2 tpts, hn and tbn, with tuba part as substitute for tbn.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1208462 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 10 pages. Jmsgu3 #806573. Published by jmsgu3 (A0.1208462). 4. Andante.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.The Bagatelle No. 4 of Op. 33 by Beethoven is a sentimental Andante set in ternary form. The piece is cast in the key of A major. The first section of the piece is characterized by a simple tuneful melody that is repeated throughout the section. The second section is in the parallel homotonic minor key of A minor and features a more dramatic and intensely brooding harmonic sequence with no actual melody. It’s like a thunderstorm threatening to upset a picnic, but no real damage was done. The third section brings us back to our optimistic A major environment and develops the melody through artful variation. The piece ends with a brief codetta featuring octave displacement. Overall, the piece is an excellent example of Beethoven's ability to create a memorable melody, and a contrasting harmonic sequence, and develop these in a short amount of time.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.874616 By Deja Vu. By James Horner. Arranged by Chris Arnold. A Cappella,Pop. Octavo. 6 pages. Chris Arnold #4283663. Published by Chris Arnold (A0.874616). Haunting ballad made famous by Celine Dion, this arrangement is elegant in its simplicity.Written for women's barbershop ensemble, the melody is in the second voice, shown as Lead. The baritone and bass parts are written using the Bass 8va alta clef, meaning their pitches are sung one octave higher than the traditional bass clef. Middle C is found on the second space of the staff.This arrangement would also be suitable for SSAA high-school/college ensembles; alternate notes have been included for younger voices.$1.99 US per copy, suitable for choruses and choirs. For quartets, look for the same title available under small ensembles.Visit us at https://qsvp.com if you have any questions or are looking for learning tracks.

Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.   Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade.  Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi.  

String Orchestra - Level 4 - Digital Download SKU: A0.1209299 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 23 pages. Jmsgu3 #807414. Published by jmsgu3 (A0.1209299). 7. Presto.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 7 of Beethoven's Op. 33 is a charming and playful piece, typical of Beethoven's early style. The piece is in A-flat major and marked Presto, which means fast. The main theme is catchy, fragmentary, and light, with a playful character that is maintained throughout the piece. The middle section is more lyrical and expressive, providing a sostenuto contrast to the playful character of the main theme. The piece is well-crafted and attractive. Overall, Bagatelle No. 7 is a delightful example of Beethoven's early style and a testament to his skill as a composer.

String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1234962 Composed by Dillon Francis, James Anthony Rushent, and Ryan Cayabyab. Arranged by P. F. Strohm. 21st Century,Multicultural,Pop,World. 44 pages. Pete Strohm Music #830490. Published by Pete Strohm Music (A0.1234962). The classic 1980's island tune from Ryan Cayabyab, in this irresistible Grade 3-4 arrangement for string ensemble from by American composer P. F. Strohm. Besides being a simple joy to play, it offers great opportunities for younger players to expand their skills in divisi playing, syncopation, melodic expression, contrasting articulations, and balance. With its infectious melody and rhythms, this piece will be a favorite in your string orchestra library, and playable by groups from octet to full string orchestra. Performance time is 3:25. Member, ASCAP.

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1203749 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 10 pages. Jmsgu3 #802313. Published by jmsgu3 (A0.1203749). Score and performance parts:  Score: 4 pages. Duration: ca. 2:40 minutes.Contents: AllegrettoFeatures chromatic tertian relations.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1450009 Composed by Erik Meyer. 21st Century,Children,Classical. 5 pages. Erik Meyer #942621. Published by Erik Meyer (A0.1450009). James Weldon Johnson's poem, The Gift to Sing, set for SATB choir by Erik MeyerThis piece encourages singers (especially younger ones) to find their own musical voice! It sets Johnson's introspective text about the quiet healing power of music, interspersed with sections for musical improvisation. Singers are welcome to create their own melody while the piano continues to play harmonically. Every voice's heartfelt contribution is valuable and beautiful.I wrote this piece because throughout my career as a choir director, many of my singers have been told me I can't really sing, or so-and-so told me not to sing loud because I'm not good, or I can't improvise, etc. I want this piece to help bring out everyone's voice - no matter what you have been told in the past, you CAN sing, and more than that, I bet you can improvise! I hope this setting will help singers love their voice.

String Orchestra - Level 2 - Digital Download SKU: A0.1209126 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 16 pages. Jmsgu3 #807240. Published by jmsgu3 (A0.1209126). 6. Allegretto quasi andante.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 6 of Beethoven's Op. 33 is a short Allegretto that is characterized by its playful and light-hearted nature. The piece is in the key of D major and is written in a binary form, consisting of two sections that are repeated. The first section is in a brisk andante tempo and features a playful melody that is accompanied by a simple, yet effective, harmonic progression. The second section is more subdued and features a more lyrical melody that is accompanied by a more complex harmonic progression. The piece is notable for its use of syncopation, which adds to its playful character. Overall, Bagatelle No. 6 is a charming and delightful piece that showcases Beethoven's skill as a composer of small-scale works.