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Solo Guitar - Level 3 - Digital Download SKU: A0.1130430 Composed by J.W. Van DeVenter and W. S.Weeden. Arranged by Janderson Gomes. Christian,Classical,Religious,Traditional. Individual part. 6 pages. JANDERSON GOMES DA SILVA #730798. Published by JANDERSON GOMES DA SILVA (A0.1130430). This is a tablature version of the homonymous title material: “I Surrender Allâ€; traditional Christian hymn arranged for solo guitar with classical music elements and dissonant chords. The objective of this variant is to reach music lovers who do not have the theoretical knowledge of musical reading (score). The arrangement was created freely according to the arranger's sensibility and instrumental experience. Although created by a professional, in this version the work can be appropriated by amateurs who basically contemplate reading tablature.
I Surrender All
Guitare

$1.99 1.73 € Guitare PDF SheetMusicPlus

Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
Le chemin de croix / Labyrinthe
Guitare

$7.95 6.92 € Guitare PDF SheetMusicPlus

Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,Horn,Oboe,Percussion,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - Interactive Download SKU: A0.923239 Composed by Sina Babajani-Feremi. This edition: Interactive Download. Classical. Score and parts. 20 pages. Duration 60. Sina Babajani-Feremi #IogDEcbq8TZJtlcGrObE4. Published by Sina Babajani-Feremi (A0.923239). Key: C major.This work is very abstract, as in the last act of hamlet this work is specifically focused on the last part of the last act where we can see many of the characters dying one by one in a grand amalgamation of death, we can see here that there is no rhyme or reason to the parts being played, they are all independent, remincant of the lack of reason to the deaths in the final act and also a reminder that as they are independent voices with seperate stories journies and goals as with everyone who died in the final act, they slowly fade away and there remains the timpani, drumming out a repetative marching tune as homage to the militaristic tradition that rought the bodies of elsinore cold, followed by at last 3 notes played on a harp as a church bell to the funerary service of those who died in this act.
Hamlet V

$3.00 2.61 € PDF SheetMusicPlus






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