Choral 2-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1454809 By Janet Brunckhorst. By Janet Brunckhorst. Arranged by Matt Rupert. Children,Contemporary,Pop. 13 pages. Janet Brunckhorst #1033878. Published by Janet Brunckhorst (A0.1454809). In 1987, biologist E. O. Wilson gave an address published as 'The Little Things That Run the World (The Importance and Conservation of Invertebrates)'. The importance, and urgency, of caring for invertebrates of all kinds has only increased since he wrote these words.This song was originally arranged and recorded for rock/pop band, and is now available in this new arrangement for children's choir. It explores the remarkable world of invertebrates, their importance, and how we can all help to protect these incredible little things. Original recording by Janet Planet & the Family Band: https://distrokid.com/hyperfollow/janetplanetandthefamilyband/little-things-that-run-the-world.

French Horn Solo - Level 5 - Digital Download SKU: A0.889291 Composed by Mary Jane Lang. Contemporary,Romantic Period. Individual part. 27 pages. MaryJaneLang #20305. Published by MaryJaneLang (A0.889291). This is a standard three-movement sonata in F for horn and piano. There is also an horn, string orchestra with timpani version available. Please contact the composer for details. The e-mail is on the Copyright Page. It is a happy piece, inspired and written for good friend who plays horn very well. The inspiration came from that friendship plus a love for the horn as an instrument and its very important role in music.

Digital Download SKU: A0.1070051 Composed by H. Percy Smith. Arranged by Jane Scoring (Evgeniya Kozhevnikova). Christian,Holiday,Praise & Worship,Religious,Sacred. Accompaniment. Duration 168. Evgeniya Kozhevnikova #4764885. Published by Evgeniya Kozhevnikova (A0.1070051). A beautiful hymn written by H. Percy Smith. If you need a piano accompaniment to teach or practice, that is it. This version is in E-flat major. If you need it in a different key, please hit me an email (my contact is below).If you have any questions or feedback, feel free to email me at janescoring@gmail.com.

Piano Solo - Level 2 - Digital Download SKU: A0.1368653 By Piano Hive. By James Alexander Thompson and Janette Mason. Classical,Contemporary. Score. 2 pages. Janette Mason #953015. Published by Janette Mason (A0.1368653). Remembering Paris is a beautiful relaxing piece for Solo Piano in E minor.  It includes composers tips and audio reference can be found on Bandcamp.As preparation for the syncopated melody in bar 5, tap quavers (eighth notes) in your left hand and the melodic rhythm in your right. You'll notice that some of the right hand notes fit in the gaps. The semi-quaver pattern from bar 10 onwards can be interpreted in many different ways. We've grouped it into fours here, why not try threes or sixes and shift the accent around to suit your style.

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.886255 Composed by Max Reger. Arranged by Nikolina Janevska. Christian,Christmas,Praise & Worship. Octavo. 3 pages. Nikolina Janevska #1768983. Published by Nikolina Janevska (A0.886255). Mariae Wiegenlied (Mary's lullaby) is a German Christmas song for solo vocals and piano, with music by Max Reger and Martin Boelitz (de). It was originally published in 1912. This arrangement is made for Soprano 1, Soprano 2 and Alto 1 and Alto 2 and soprano solo. If you have any other questions or requests, feel free to contact me on my personal e-mail: janevska.nikolina@gmail.com https://www.facebook.com/Female-chamber-choir-SvZlata-Meglenska-750679118371545/ https://www.facebook.com/detskihorheruvimi/.

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.886252 Composed by Alexander Arkhangelsky. Arranged by Nikolina Janevska. Christian,Romantic Period,Sacred. Octavo. 5 pages. Nikolina Janevska #1768979. Published by Nikolina Janevska (A0.886252). This arrangement is for Soprano 1, Soprano 2, Alto 1, Alto 2. Alexander Andreyevich Arkhangelsky was a Russian composer of church music and conductor. This piece is just one example of the beautiful and rich russian tradition of master makers of church music. If you have any other questions or requests, feel free to contact me on my personal e-mail: janevska.nikolina@gmail.com https://www.facebook.com/Female-chamber-choir-SvZlata-Meglenska-750679118371545/ https://www.facebook.com/detskihorheruvimi/.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.886254 Composed by Lina Sandell. Arranged by Nikolina Janevska. Christian,Praise & Worship,Sacred,World. Octavo. 2 pages. Nikolina Janevska #1768981. Published by Nikolina Janevska (A0.886254). Bred dina vida vingar is a popular evening hymn of Lina Sandell which she wrote in 1860 and processed in 1865. It was written to an old Danish or Swedish folk melody. According chorale book för nya Psalms, 1921 is the origin possibly a Danish melody of 1569, (released in 1697) and the same as the hymn My vilotimma Ljuda (1819 No. 444). It is sung preferably in Swedish also in Norway. This arrangement is made for Soprano 1, Soprano 2 and Alto. If you have any other questions or requests, feel free to contact me on my personal e-mail: janevska.nikolina@gmail.com https://www.facebook.com/Female-chamber-choir-SvZlata-Meglenska-750679118371545/ https://www.facebook.com/detskihorheruvimi/.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.886259 By Christina Perri. By Christina Perri and David Hodges. Arranged by Nikolina Janevska. A Cappella,Pop. Octavo. 3 pages. Nikolina Janevska #3493167. Published by Nikolina Janevska (A0.886259). A Thousand Years is a song by American singer-songwriter Christina Perri and David Hodges. It is taken from the album The Twilight Saga: Breaking Dawn - Part 1: Original Motion Picture Soundtrack. The song serves as the second single from the album. The song was released as a digital download on October 18, 2011 worldwide.[1] Perri re-recorded the song with vocals from Steve Kazee for the The Twilight Saga: Breaking Dawn - Part 2: Original Motion Picture Soundtrack titled A Thousand Years, Pt. 2. This arrangement is made for Soprano 1, Soprano 2 and Alto 1, Alto 2 and Soprano solo. If you have any other questions or requests, feel free to contact me on my personal e-mail: janevska.nikolina@gmail.com https://www.facebook.com/acappellasheetmusic/

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.839873 By Janelle Monae. By Antwan Patton, Charles Joseph, Janelle Robinson, and Nathaniel Irvin. Arranged by Christopher Alexander. Pop. 16 pages. Christopher Alexander #6064977. Published by Christopher Alexander (A0.839873). The drive of this song will definitely want you to get up and dance!  This Janelle Monáe dance hit is a must-have for your school show choir.  Could be used as an opener or closer to make a bold declaration of not being brought down by other's lies and deceits.  Then, baby, whether I'm high or low, you gotta tip on the tightrope.Full score parts also available: Tenor Sax, 3 Trumpets, Trombone, Piano, Synthesizer, Bass Guitar, Drum SetAvailable at: https://www.sheetmusicplus.com/title/tightrope-full-score-and-parts-digital-sheet-music/21866424.

Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.839874 By Janelle Monae. By Antwan Patton, Charles Joseph, Janelle Robinson, and Nathaniel Irvin. Arranged by Christopher Alexander. Pop. 66 pages. Christopher Alexander #6064981. Published by Christopher Alexander (A0.839874). The drive of this song will definitely want you to get up and dance!  This Janelle Monáe dance hit is a must-have for your school show choir.  Could be used as an opener or closer to make a bold declaration of not being brought down by other's lies and deceits.  Then, baby, whether I'm high or low, you gotta tip on the tightrope.Octavo available at: https://www.sheetmusicplus.com/title/tightrope-octavo-digital-sheet-music/21866422

Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary. Individual part. 17 pages. Publisher by Rudesindo Soutelo #903830. Published by Publisher by Rudesindo Soutelo (A0.1315103). A André Vidal CapomRudesindo SouteloAndré - 5 peças para uma criança / 5 pieces for a child. (Guitar, ca. 14'40)  1. (A) Prelúdio da manhã / Morning prelude  2. (n) Alvorecer na janela / Dawn in the window  3. (d) Valsa dos soldadinhos de chumbo / Little lead soldiers’ waltz  4. (r) A catedral imergente / The immersing cathedral  5. (é) Marcha da formiga atónita / March of the astonished antISWC: T-045.522.026-4ISMN: 979-0-707704-19-6This work was written as a birthday present for André, a very restless and impulsive 8-year-old, but with great emotional capacity and original thoughts.The “Morning prelude� is the restless awakening; the “Dawn in the window� is the light of the new day enlightening the spirit. Creative imagination manifests itself in the “Little lead soldiers’ waltz�, who turn rifles into pairs to dance with. From the hill where he lives, the boy contemplates the city crowned by “The immersing cathedral�, which was once a spiritual fortress and now the bells echo its inexorable decline, diluting into the surrounding criminal urbanism. The “March of the astonished ant� is about the adventures of an ant who wanders off the path and meets a playful child who likes to put so many obstacles in her way that she is astonished; however, she doesn’t give up her endeavour, takes a deep breath, gains courage and, although exhausted, manages to free herself.The complexes that organise the work are [5, 5, 5, 8] and [9, 7].The original version is for piano. See https://soutelo.eu--oOo--Esta obra foi composta como prenda de anos para André, uma criança de 8 anos muito inquieta e impulsiva, mas com grande capacidade emocional e reflexões originais. O “Prelúdio da manhã� é o acordar buliçoso; o “Alvorecer na janela� é a luz do novo dia a esclarecer o espírito. A imaginação criativa manifesta-se na “Valsa dos soldadinhos de chumbo� que transformam as espingardas em pares com quem dançar.Desde a colina onde mora, o menino contempla a cidade coroada por “A catedral imergente� que outrora foi fortaleza espiritual e, agora, os sinos ecoam seu inexorável declínio, diluindo-se no criminoso urbanismo circundante. A “Marcha da formiga atónita� são as peripécias duma formiga que se desvia do carreiro e encontra uma criança brincalhona que gosta de lhe pôr tantos obstáculos no caminho que ela fica atónita; no entanto, não desiste do seu empenho, respira fundo, ganha coragem e, ainda que exhausta, consegue libertar-se.Os complexos que organizam a obra são [5, 5, 5, 8] e [9, 7].A versão original é para Piano. Consulte https://soutelo.eu

Piano Solo - Level 2 - Digital Download SKU: A0.1289983 Composed by Rudesindo Soutelo. Arranged by Piano. 21st Century,Children,Contemporary. Score. 17 pages. Publisher by Rudesindo Soutelo #880677. Published by Publisher by Rudesindo Soutelo (A0.1289983). A André Vidal CapomRudesindo SouteloAndré - 5 peças para uma criança / 5 pieces for a child. (Piano, ca. 14'40)1. (A) Prelúdio da manhã / Morning prelude2. (n) Alvorecer na janela / Dawn in the window3. (d) Valsa dos soldadinhos de chumbo / Little lead soldiers’ waltz4. (r) A catedral imergente / The immersing cathedral5. (é) Marcha da formiga atónita / March of the astonished antPremière: 3-X-2006. Colóquios da Lusofonia. Centro Cultural Municipal, Bragança. Int.: Yerko P. Ivánovic-Barbeito.ISWC: T-045.522.026-4ISMN: 979-0-707704-18-9This work was written as a birthday present for André, a very restless and impulsive 8-year-old, but with great emotional capacity and original thoughts. The “Morning prelude� is the restless awakening; the “Dawn in the window� is the light of the new day enlightening the spirit. Creative imagination manifests itself in the “Little lead soldiers’ waltz�, who turn rifles into pairs to dance with.From the hill where he lives, the boy contemplates the city crowned by “The immersing cathedral�, which was once a spiritual fortress and now the bells echo its inexorable decline, diluting into the surrounding criminal urbanism. The “March of the astonished ant� is about the adventures of an ant who wanders off the path and meets a playful child who likes to put so many obstacles in her way that she is astonished; however, she doesn’t give up her endeavour, takes a deep breath, gains courage and, although exhausted, manages to free herself.The complexes that organise the work are [5, 5, 5, 8] and [9, 7].There's a guitar transcription. See https://soutelo.eu--oOo--Esta obra foi composta como prenda de anos para André, uma criança de 8 anos muito inquieta e impulsiva, mas com grande capacidade emocional e reflexões originais. O “Prelúdio da manhã� é o acordar buliçoso; o “Alvorecer na janela� é a luz do novo dia a esclarecer o espírito. A imaginação criativa manifesta-se na “Valsa dos soldadinhos de chumbo� que transformam as espingardas em pares com quem dançar.Desde a colina onde mora, o menino contempla a cidade coroada por “A catedral imergente� que outrora foi fortaleza espiritual e, agora, os sinos ecoam seu inexorável declínio, diluindo-se no criminoso urbanismo circundante. A “Marcha da formiga atónita� são as peripécias duma formiga que se desvia do carreiro e encontra uma criança brincalhona que gosta de lhe pôr tantos obstáculos no caminho que ela fica atónita; no entanto, não desiste do seu empenho, respira fundo, ganha coragem e, ainda que exhausta, consegue libertar-se.Os complexos que organizam a obra são [5, 5, 5, 8] e [9, 7].Há uma transcrição para guitarra. Consulte https://soutelo.eu

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.533545 Composed by Andersen Viana. 20th Century,Concert,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3017637. Published by Musik Fabrik Music Publishing (A0.533545). This was the first piece composed for the saxophone by ANDERSEN VIANA. The piece uses two contrasting sections: one related to violence and psychological instability in the big cities, and other; related to the nostalgic moods found in Rio de Janeiro in the past. It was composed specially for a friend, saxophonist and Doctor Mecenas MAGNO. Monologue for a friend is a rhapsodic and brilliant piece of great effect, also using rhythms and reminiscences of the music called Choros and Samba so popular in the Rio de Janeiro city at the 40’ths and 50'ths. It uses also free structures and little allusions to minimalism of Riley and Reich. The work is divided in six sections: Tormentàto, Scherzando, Lento, Lentissimo, reexposition (Tormentàto) and Coda.  Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.

Acoustic Guitar,Alto Flute,C Instrument,Electric Violin,Electronic Keyboard,Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.1150809 By Israel Pessoa. By Diversos. Arranged by Israel Pessoa. 20th Century,Broadway,Film/TV,Folk,Musical/Show,Wedding. Score and individual part. 71 pages. Israel Pessoa #750992. Published by Israel Pessoa (A0.1150809). Livro com 50 partituras. Melodias com cifra das principais musicas tocadas nos eventos em geral. Para você que quer começar ou expandir seu repertório. Todas as partituras foram escritas e revisadas com extremo cuidado para que você possar baixar e tocar. 1. Anjo Guardião - Banda da Graça 2. Beautiful Day - U2 3. Because You Loved Me - Celine Dion 4. Better Together - Jack Johnson 5. Blinding Lights - The Weeknd 6. Cheia de Manias - Raça Negra 7. Coffin Dance - Tabut Dansi 8. Como é lindo o canto de Iemanjá 9. Corre Pro Meu Mar - Maneva 10. Dandelions - Ruth B 11. De Janeiro a Janeiro - Nando Reis 12. Deixa Tudo Como Tá - Thiaguinho 13. Don’t Give Up On Me - Andy Grammer 14. Era uma Vez - Kell Smith 15. Espumas ao Vento - Lara Amélia 16. Eu Juro - Armandinho 17. Garota de Ipanema- Vinícius de Moraes 18. Gratidão - Gabriela Rocha 19. Harvest Moon - Neil Young 20. Here comes the sun - The Beatles 21. História Infinita - Esdras Gondim 22. How Far I'll Go - Moana 23. I See The Light - Enrolados 24. Karma Chameleon - Culture Club 25. Like My Father -Jax 26. Locked Out Of Heaven - Bruno Mars 27. Monte Castelo - Legião Urbana 28. One Way Or Another - Blondie 29. Oxalá criou a Terrra, Oxalá criou o mar 30. Oxalá, nosso pai lá no céu 31. Pé na Areia - Diogo Nogueira 32. Pretexto - Imaginasamba 33. Primeiros Erros - Capital Inicial 34. Razão da Minha Vida - Belo 35. Señorita - Shawn Mendes - Camila Cabello 36. Simplesmente Jose - Eugênio Jorge 37. Sítio do Pica-pau-amarelo - Gilberto Gil 38. Sugar - Maroon 5 39. Sweet Child O'Mine - Guns N' Roses - Com solos do Slash 40. Take On Me - A-Ha 41. Thank You - Led Zeppelin 42. That's How You Know - Encantada 43. Time After Time - Cyndi Lauper 44. Total Eclipse Of My Heart - Bonnie Tyler 45. True Colors - Cyndi Lauper 46. Vi Amor no Seu Olhar - Belo 47. Wave - Tom Jobim 48. When You Believe - O principe do Egito 49. Why Worry - Dire Straits 50. Yeshua - Casa Worship.