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Piano Solo - Level 2 - Digital Download SKU: A0.1109661 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés A. Arranged by Juan Carlos Cortés Aguirre. Baroque,Classical,Contemporary,Instructional,Standards. Score. 2 pages. Juan Carlos Cortés Aguirre #712006. Published by Juan Carlos Cortés Aguirre (A0.1109661). Composición original en Re Bemol Mayor por: JUAN CARLOS CORTÉS A. Composición de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién compone e inquietud de quién lo escucha. Se reitera la expresado en las anteriores composiciones de esta clase, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach, más bien al componer en este estilo se rinde un tributo eterno de gratitud y admiración por la majestuosidad y perfección de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia... Original composition in D Flat Major by: JUAN CARLOS CORTES A. Composition of a free character that does not intend to fit into the orthodox and pure style of the baroque, but rather to use these musical elements as simple playful exercises to the delight of those who compose and the concern of those who listen to them. It reiterates what was expressed in the previous compositions of this class, that: Although it may seem like it, it is not about emulating the great Juan Sebastián Bach, rather when composing in this style an eternal tribute of gratitude and admiration is paid for the majesty and perfection of his work, as many musicians have done in the world through history...
Pequeño Estudio Barroco No. 3 (Small Baroque Studio No. 3)
Piano seul
Juan Carlos Cortés Aguirre
$7.99 6.8 € Piano seul PDF SheetMusicPlus

SATB, Organ, opt. Handbells, opt. Brass - Digital Download SKU: C6.811135 Composed by Thomas Jarman LYNGHAM. Arranged by Anna Laura Page. General, All Saints, Hymn Arrangement, Christ the King. Octavo. 12 pages. Celebrating Grace - Digital #811135. Published by Celebrating Grace - Digital (C6.811135). 6.75 x 10.5 inches.The traditional Charles Wesley text is combined with the joyful and buoyant tune, LYNGHAM, to create a rousing anthem of praise in this arrangement by Anna Laura Page. Commissioned to honor long-time organist and editor, Sharron Lyon, this setting is full of life and energy. A regal first stanza is followed by a more legato treatment in the second stanza. The third stanza, set in relative minor, beautifully paints the text. A key change provides lift and energy, and the regal style of the first stanza returns with a triumphant ending. Available separately: Part for Handbells (3-5 octaves); Score and parts for Bb Trumpets 1 & 2, Trombones 1 & 2, Horn in F (sub. for Tbn. 1), Tuba, Percussion, Timpani, and Organ.
Our Great Redeemer's Praise (Digital)

$2.40 2.04 € PDF SheetMusicPlus

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859667 Composed by Sydney Stevens. Contemporary,Country,Folk,New Age,Pop. 6 pages. Sydney Stevens, Water Music #2959565. Published by Sydney Stevens, Water Music (A0.859667). Contact: sydneystevenspianostudio@gmail.comHerbie: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From  Album: Cycles of Life Theme: What a pal, what a joyful friend. Appropriate for the loss of a loved one. Song was inspired by the loss of a pet. Mood: Flowing, reflective, tender, comforting Musical Traits: Strong melody, arpeggiated left hand piano, right hand reflects vocal part. Performance Time: 2:48 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.
Herbie
Voix Alto, Piano

$4.95 4.21 € Voix Alto, Piano PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197741 Composed by Glen Da Costa. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #796923. Published by John Fries (A0.1197741). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   Let's Fall in Love is a song written by Harold Arlen (music) and Ted Koehler (lyrics) for the film Let's Fall in Love and published in 1933. In the film, it is heard during the opening credits and later sung by Art Jarrett and chorus, and by Ann Sothern. The major hit at the time of introduction was by Eddy Duchin (vocal by Lew Sherwood). It was originally written in C major with a Moderately Bright tempo marking. As a jazz standard, it is usually played with a medium swing beat.
Let's Fall In Love
Piano, Voix et Guitare

$4.99 4.24 € Piano, Voix et Guitare PDF SheetMusicPlus






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